Courting the Contemporary: Art-Historical Museums Follow the Money
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Universal/encyclopedic/art-historical museums increasingly invoke contemporary museums and art trends to attract new audiences and their money.
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![Figure 9: Chris Ofili, The Holy Virgin Mary (1996, paper collage,
oil paint, glitter, polyester resin, map pins, elephant dung on linen,
95.98 in. x 72 in. [243.8 x 182.9 cm]). Private collection.
Figure 10: Robert Mapplethorpe, Bob Love (1979,
gelatin silver print on paper, 20 in. x 15.98 in. [50.80 x
40.60 cm]). National Galleries of Scotland, Edinburgh.](https://image.slidesharecdn.com/contemporaryinarthxmuseums-160825233049/85/Courting-the-Contemporary-Art-Historical-Museums-Follow-the-Money-6-320.jpg)
![Figure 11: Amadeo Modigliani, Recumbent Nude (1917-18, oil on canvas, 24 in.
x 36 in. [60 x 92 cm]). Private collection.](https://image.slidesharecdn.com/contemporaryinarthxmuseums-160825233049/85/Courting-the-Contemporary-Art-Historical-Museums-Follow-the-Money-7-320.jpg)
![Figure 12: Janine Antoni, Lick and Lather (1993-94, 7 chocolate and 7 soap on 14 pedestals, 24 in. x 16 in.
x 13 in. [60.96 x 40.64 x 33.02 cm]). National Gallery of Art, Washington, D.C.](https://image.slidesharecdn.com/contemporaryinarthxmuseums-160825233049/85/Courting-the-Contemporary-Art-Historical-Museums-Follow-the-Money-8-320.jpg)
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The document provides an overview of developments in art from the modern to the postmodern era in the late 20th century. It discusses the emergence of site-specific and environmental art in response to ecological concerns. It also examines new organic and fluid forms in modernist architecture by architects like Frank Lloyd Wright, Le Corbusier, and others. Finally, it outlines key characteristics of postmodern art like the inclusion of traditional elements, historical references, and self-consciousness, as well as the political and social commentary inherent in much postmodern work.Aula - Literalidade e Experi棚ncia na Arte Contempor但nea
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This document provides information on artworks by several prominent modern artists including Joan Mir坦, Henri Matisse, Pablo Picasso, Constantin Brancusi, Alberto Giacometti, Andy Warhol, Donald Judd, Carl Andre, Gerhard Richter, Bram van Velde, Eva Hesse, and Richard Serra. It includes the titles, dates, materials, dimensions and current locations of each work. The artworks span several decades from the early 20th century to the late 20th century and include paintings, sculptures, prints and installations.ARH 151 Chapter 21 Guide The New York School Abstr.docx
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ARH 151 Chapter 21 Guide
The New York School
Abstract Expressionism emerged in New York in the mid-20th century.
The art of the New York School emphasized:
- spontaneity.
- gestural brushstrokes.
- nonobjective imagery.
- fields of intense color.
Some Abstract Expressionists, like Jackson Pollock, focused on gestural painting methods.
Other Abstract Expressionists, like Mark Rothko, explored subtle interactions of color.
Jackson Pollock
Gestural painting method
Action painting
1 - Fig. 21.1 Jackson Pollock at work in his Long Island studio (1950).
2 - Fig. 21.2 Jackson Pollock, One (Number 31, 1950) (1950). Oil and enamel paint on canvas, 8 10 x 17 5 5/8.
Joan Mitchell
Second generation Abstract Expressionist
Female artist whose gestural painting methods earned her recognition
3 - Fig. 21.5 Joan Mitchell, Cercando un Ago (1957). Oil on canvas, 94 1/8 x 87 5/8.
4 - Joan Mitchell, Bonjour Julie (1971). Birmingham Museum of Art, Birmingham, AL.
Mark Rothko
Chromatic painting
Floating squares of color
5 - Fig. 21.6 Mark Rothko, Number 22 (1949). Oil on canvas, 117 x 107 1/8.
6 - Fig. 21.7 Mark Rothko, Black on Grey (1970). Acrylic on canvas, 80 1/4 x 89.
Post-Painterly Abstraction
Color field painting & Amorphous shapes (Fig. 21.8)
Hard-edge painting & shaped canvases (Fig. 21.14)
7 - Fig. 21.8 Helen Frankenthaler, The Bay (1963). Acrylic on canvas, 80 1/4 x 81 3/4.
8 - Fig. 21.14 Frank Stella, Mas o Menos (More or Less) (1964). Metallic powder in acrylic emulsion on canvas, 118 x 164 1/2.
Constructed Sculpture
9 - Fig. 21.9 David Smith, Cubi XVIII (1964). Stainless steel.
Components of constructed sculpture may include materials such as rods, bars, tubes, planks,
dowels, blocks, fabric, wire, thread, glass, plastic, and machined geometric solids .
David Smith burnished the surface of this constructed steel sculpture, leaving gestural marks
reminiscent of Pollocks signature painting style.
Pop Art
10 - Fig. 21.17 Richard Hamilton, Just What Is It That Makes Todays Homes So Different, So Appealing? (1956). Collage, 10 1/4
x 9 3/4.
Pop Art relies on universal images of popular culture, such as movie posters, billboards,
magazine and newspaper photographs, and advertisements.
Through their selections of commonplace and familiar objects, as seen in Richard Hamiltons
collage, Pop artists challenged commonplace conceptions about the meaning of art.
Robert Rauschenberg
11 - Fig. 21.18 Robert Rauschenberg, The Bed (1955). Combine painting; oil and pencil on pillow, quilt, and sheet on wood
supports. 75 1/4 x 31 1/2 x 6 1/2.
Combine paintings blurred the boundaries between painting and sculpture
Rauschenberg aimed to bridge the gap between art and life in his selection of materials and
subject matter
Jasper Johns
12 - Fig. 21.19 Jasper Joh.Abstract expressionism left side
Abstract expressionism left sidejtrusky
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This document showcases works of art from prominent Abstract Expressionist artists like Hans Hofmann, Jackson Pollock, and Lee Krasner. It also features New American Sculpture pieces from David Smith and Louise Bourgeois. Examples of Postwar European Art are shown from Alberto Giacometti, Germaine Richier, and Hans Hartung among others. The works represent a range of mediums including oil paintings, sculptures, prints, and mixed media pieces that helped establish new directions in mid-20th century art.Chap31
Chap31Cynthia Reiss
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The document provides an overview of major artistic movements in Europe and America between 1900-1945. It discusses the evolution of modernism through Fauvism, German Expressionism, Cubism, Futurism, Dada and Surrealism in Europe. In America, it covers the impact of the 1913 Armory Show, various styles in the early 20th century, art of the Depression era depicting social issues, and Regionalism. Key artists and works from the period are also mentioned.Quiz 4 image list
Quiz 4 image listwaheisey
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This document provides an overview of European art movements between 1870 and 1900, including Impressionism, Post-Impressionism, Symbolism, and developments in sculpture, photography, and decorative arts. It features descriptions and images of key works by artists such as Monet, Van Gogh, C辿zanne, Gauguin, Munch, Klimt, Rodin, and others. The document examines characteristics of Impressionism like asymmetrical balance and broken brushstrokes, and explores how Post-Impressionists experimented with form and color. It also summarizes Symbolism's focus on imagination and modern psychic life, and the Arts and Crafts Movement's emphasis on functional objects.The First Cry
The First CryAlex Dragomirescu
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The document discusses Constantin Brancusi's sculpture "The First Cry" from 1914. It provides background information on Brancusi's early studies for the sculpture from 1913. It also discusses the different materials and locations of various versions of "The First Cry" sculpture, including the polished bronze version from 1914 in the Art Gallery of Ontario that reduced the form to an egg shape.The Adventures of Flat Stanley
The Adventures of Flat StanleyLleb Nerual
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Flat Stanley's adventures around NJ, PA, and NYC.
Includes tidbits and factoids about the places he visits.20th Century Art To 1950
20th Century Art To 1950Buffalo Seminary
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The document provides an overview of major artistic movements and artists in the 20th century up to 1950, including Fauvism, German Expressionism, Cubism, Dadaism, Futurism, and others. It discusses key works and innovations in color, form, and rejection of conventions by artists like Matisse, Picasso, Kandinsky, Duchamp, and others who revolutionized modern art.23334216 9-new-formulations-of-realism-and-beauty-in-contemporary-painting
23334216 9-new-formulations-of-realism-and-beauty-in-contemporary-paintingicharahadi
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This document provides an overview of developments in contemporary art from the 1960s to present day, including movements such as Photo-realism, Pop Art, Minimalism, Abstract Expressionism, and contemporary painting. It summarizes key artists from each movement and era, such as Audrey Flack, Duane Hanson, and Chuck Close in Photo-realism; Claes Oldenburg in Pop Art; Donald Judd in Minimalism; Barnett Newman in Abstract Expressionism; and contemporary painters like Luc Tuymans, Peter Doig, and Gary Hume.Recently uploaded (20)
Constellation conference at Georgia State University.pptx
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- 2. Figure 1. Fukami Sueharu, Upright (2012, pressure-slip-cast porcelain with pale-blue glaze, granite base). The Metropolitan Museum of Art, New York. Photo 息 Deborah Feller. Figure 2. Khei Nawa, PixCell-Deer#24 (2011, mixed media, taxidermied deer with artificial crystal glass). The Metropolitan Museum of Art. Photo 息 Deborah Feller
- 3. Figure 3: Cover page, The Morgan Calendar of Events Winter & Spring 2016. Roy Lichtenstein, Entablature (1974, oil, Magna, sand, Magna medium, aluminum powder). and Antonio Canova, Naiad (modeled 1815- 17; carved 1820-23, marble). Figure 4: National Gallery of Art, Washington, DC. Photo 息 Deborah Feller.
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- 12. Figure 18: Boston Loves Impressionism, crowdsourced exhibit at the Boston Museum of Fine Arts.
- 13. Figure 19: View of Chinese gallery with clothed manikin at China: Through the Looking Glass. (2015) The Metropolitan Museum of Art.
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