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c-Space Overview

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Bruno Simoes

The document discusses c-Space, a framework for creating new creative paradigms based on recording and sharing casual videos online. The framework aims to 1) leverage crowdsourcing of user-generated videos to help reconstruct 3D scenes in near real-time, 2) develop new interaction methods based on natural behaviors, and 3) deliver a more immersive experience through affective computing and projecting content in the user's surroundings. Challenges include reducing 3D content production costs, defining new data and business models, and facilitating intuitive user experiences.

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c-Space NEW CREATIVE PARADIGMS BASED ON RECORDING AND SHARING CASUAL VIDEOS THROUGH THE INTERNET 30 SEPTEMBER bruno sim探es | #graphitech Fondazione GraphiTech, Via alla Cascata 56/C - 38123 Trento - Italy Grant agreement no: 611040
Agenda Audio-Visual Gestalt Workshop 2014 Concept of Digital Earth c-Space framework 30 SEPTEMBER New Interaction Levels (Technology; and Society) Crowdsourcing Content Creation Collaboration Creativity
Objectives 1. To capture and create a digital replica of the real world in order to preserve it!! experience and re-use 30 SEPTEMBER Depict / Simulate Future Scenarios Portray The Earth as It Looks Now Explore Backwards In Time Digital Earth (Al Gore, 1999)
Technology enables us to take information anywhere with us. Yet, the interaction methods we use in such portable environments have been inadequate. Objectives 2. new interaction techniques 30 SEPTEMBER
Vogalonga Boat Race - Venice, Italy 息 1975 - 2014 Comitato Organizzatore Vogalonga 30 SEPTEMBER
How We Capture The Real World YouTube: 1 word = 5.160 videos textual descriptions, maps, etc. PGC material 30 SEPTEMBER
How We Capture The Real World 3D Content ? The real world is ALL done in 3D! Why are we discarding two dimensions ? 30 SEPTEMBER
How We Capture The Real World 3D scenes reflect the way we perceive our natural environment Improved accuracy and reduced errors (Real-Depth); sometimes in exchange for performance Evidence of spatial memory in 3D Robertson et al (1998); almost every course about memorize everything Requires less cognitive effort to understand spatial relations Advantages of 2D: requires user convergence/focus supported by studied fields: computer vision and text analysis uses well-established technology fast and low cost (uses a universal skill -- writing) However 30 SEPTEMBER
How We Capture The Real World Media Researchers have found that humans process visual information 60,000 times faster than text, and visual aids can improve learning by up to 400 percent Burmark, 2004 30 SEPTEMBER
Reducing 3D content production costs How many weeks are necessary to produce a single object (what about 8.7 million of species (plus 10000 year); 7.046 billion people(t); buildings) New interactions methods that are based on natural behaviors and enable users to interact directly with content c-Space framework 30 SEPTEMBER #challenges
Society definition of new data policies (ownership, integrity, etc.) definition of new business models that can ensure low-cost 3D content creation -- sustenability (gamification, prosumer models, etc.) c-Space framework 30 SEPTEMBER #challenges
c-Space framework 30 SEPTEMBER 1. Use of crowdsourcing mechanisms Leverage the trend of Internet-based sharing of casual videos recorded with mobile devices Capture video with augmented location Collect and enrich user generated content with information extracted for other data sources, e.g. Wikipedia
c-Space framework 30 SEPTEMBER Build a Big Data capability through user engagement. Integrate multiple Big Data strategies, driven by individual and collaborative goals. A proactive approach towards the creation of new Big Data policies. 1. Use of crowdsourcing mechanisms Leverage the trend of Internet-based sharing of casual videos recorded with mobile devices
c-Space framework Extract features from videos 30 SEPTEMBER 2. Near real-time 4D reconstruction of real scenes from live video streams Reconstruct temporal 3D scene Optimize content for consumer mobile technology
c-Space framework 3.1 multi-modal recommender services 30 SEPTEMBER 3. Deliver a more immersive experience and create new visual computing paradigms
c-Space framework facilitate intuitiveness and user friendliness through a dialogue-based interaction founded on affective computing 30 SEPTEMBER 3. Deliver a more immersive experience and create new visual computing paradigms
c-Space framework interaction with content projected in the real environment that surrounds the user. 30 SEPTEMBER 3. Deliver a more immersive experience and create new visual computing paradigms
c-Space framework interaction with content projected in the real environment that surrounds the user. 30 SEPTEMBER 3. Deliver a more immersive experience and create new visual computing paradigms
c-Space framework A set of low-cost creative tools, based on visual and affective computing, to turn the real-space surrounding us into the backdrop for new forms of creative content. 30 SEPTEMBER c-Space is
Q & A PUT YOUR QUESTIONS 1. Robertson, G., M. Czerwinski, K. Larson, D. Robbins, D. Thiel and M. van Dantzich. 1998. Data Mountain: Using Spatial Memory for Document Management. Proceedings of UIST'98 ACM Conference on User Interface Software and Technology, November 1--4., San Francisco, California. 2. Burmark. http://mat-tech.net/COTF%20CD/WhyVisualLiteracy.pdf 3. Gore, A. 1999. The Digital Earth: understanding our planet in the 21st century. Photogrammetric Engineering and Remote Sensing, 65(5): 528 refs.
Thanks. For your attention bruno.simoes@graphitech.it @brunogsimoes linkedin.com/in/brunogsimoes

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c-Space Overview

  • 1. c-Space NEW CREATIVE PARADIGMS BASED ON RECORDING AND SHARING CASUAL VIDEOS THROUGH THE INTERNET 30 SEPTEMBER bruno sim探es | #graphitech Fondazione GraphiTech, Via alla Cascata 56/C - 38123 Trento - Italy Grant agreement no: 611040
  • 2. Agenda Audio-Visual Gestalt Workshop 2014 Concept of Digital Earth c-Space framework 30 SEPTEMBER New Interaction Levels (Technology; and Society) Crowdsourcing Content Creation Collaboration Creativity
  • 3. Objectives 1. To capture and create a digital replica of the real world in order to preserve it!! experience and re-use 30 SEPTEMBER Depict / Simulate Future Scenarios Portray The Earth as It Looks Now Explore Backwards In Time Digital Earth (Al Gore, 1999)
  • 4. Technology enables us to take information anywhere with us. Yet, the interaction methods we use in such portable environments have been inadequate. Objectives 2. new interaction techniques 30 SEPTEMBER
  • 5. Vogalonga Boat Race - Venice, Italy 息 1975 - 2014 Comitato Organizzatore Vogalonga 30 SEPTEMBER
  • 6. How We Capture The Real World YouTube: 1 word = 5.160 videos textual descriptions, maps, etc. PGC material 30 SEPTEMBER
  • 7. How We Capture The Real World 3D Content ? The real world is ALL done in 3D! Why are we discarding two dimensions ? 30 SEPTEMBER
  • 8. How We Capture The Real World 3D scenes reflect the way we perceive our natural environment Improved accuracy and reduced errors (Real-Depth); sometimes in exchange for performance Evidence of spatial memory in 3D Robertson et al (1998); almost every course about memorize everything Requires less cognitive effort to understand spatial relations Advantages of 2D: requires user convergence/focus supported by studied fields: computer vision and text analysis uses well-established technology fast and low cost (uses a universal skill -- writing) However 30 SEPTEMBER
  • 9. How We Capture The Real World Media Researchers have found that humans process visual information 60,000 times faster than text, and visual aids can improve learning by up to 400 percent Burmark, 2004 30 SEPTEMBER
  • 10. Reducing 3D content production costs How many weeks are necessary to produce a single object (what about 8.7 million of species (plus 10000 year); 7.046 billion people(t); buildings) New interactions methods that are based on natural behaviors and enable users to interact directly with content c-Space framework 30 SEPTEMBER #challenges
  • 11. Society definition of new data policies (ownership, integrity, etc.) definition of new business models that can ensure low-cost 3D content creation -- sustenability (gamification, prosumer models, etc.) c-Space framework 30 SEPTEMBER #challenges
  • 12. c-Space framework 30 SEPTEMBER 1. Use of crowdsourcing mechanisms Leverage the trend of Internet-based sharing of casual videos recorded with mobile devices Capture video with augmented location Collect and enrich user generated content with information extracted for other data sources, e.g. Wikipedia
  • 13. c-Space framework 30 SEPTEMBER Build a Big Data capability through user engagement. Integrate multiple Big Data strategies, driven by individual and collaborative goals. A proactive approach towards the creation of new Big Data policies. 1. Use of crowdsourcing mechanisms Leverage the trend of Internet-based sharing of casual videos recorded with mobile devices
  • 14. c-Space framework Extract features from videos 30 SEPTEMBER 2. Near real-time 4D reconstruction of real scenes from live video streams Reconstruct temporal 3D scene Optimize content for consumer mobile technology
  • 15. c-Space framework 3.1 multi-modal recommender services 30 SEPTEMBER 3. Deliver a more immersive experience and create new visual computing paradigms
  • 16. c-Space framework facilitate intuitiveness and user friendliness through a dialogue-based interaction founded on affective computing 30 SEPTEMBER 3. Deliver a more immersive experience and create new visual computing paradigms
  • 17. c-Space framework interaction with content projected in the real environment that surrounds the user. 30 SEPTEMBER 3. Deliver a more immersive experience and create new visual computing paradigms
  • 18. c-Space framework interaction with content projected in the real environment that surrounds the user. 30 SEPTEMBER 3. Deliver a more immersive experience and create new visual computing paradigms
  • 19. c-Space framework A set of low-cost creative tools, based on visual and affective computing, to turn the real-space surrounding us into the backdrop for new forms of creative content. 30 SEPTEMBER c-Space is
  • 20. Q & A PUT YOUR QUESTIONS 1. Robertson, G., M. Czerwinski, K. Larson, D. Robbins, D. Thiel and M. van Dantzich. 1998. Data Mountain: Using Spatial Memory for Document Management. Proceedings of UIST'98 ACM Conference on User Interface Software and Technology, November 1--4., San Francisco, California. 2. Burmark. http://mat-tech.net/COTF%20CD/WhyVisualLiteracy.pdf 3. Gore, A. 1999. The Digital Earth: understanding our planet in the 21st century. Photogrammetric Engineering and Remote Sensing, 65(5): 528 refs.
  • 21. Thanks. For your attention bruno.simoes@graphitech.it @brunogsimoes linkedin.com/in/brunogsimoes