際際滷

際際滷Share a Scribd company logo

Deped grade 10 music quarter 1 - lesson 5 to 7

Download as PPTX, PDF
T
Ticher Jayson

This document contains information from several music lessons covering different genres and composers from the 20th century. It discusses electronic music, including musique concr竪te and early electronic instruments. Composer Edgard Var竪se is described as a pioneer of electronic music. Karlheinz Stockhausen's works incorporated spatialization and chance techniques. John Cage was influential in developing aleatory and indeterminate music styles that incorporate chance procedures. Students are assigned supplemental activities analyzing 20th century compositions.

1 of 30
Download to read offline
MUSIC LESSON 5 TO 7 FIRST QUARTER VIRTUAL CLASSROOM SCHOOL YEAR 2021-2022
C:UsersadminVideosPRAYERAMA NAMIN -The Lord's Prayer for children in Filipino (Tagalog).mp4
GREETINGS!
Please type in the chat box what is your breakfast today using hashtag food Example: #sinangag, tuyo at kape
WHAT ARE THE MUSICAL PERIOD IN THE 20TH CENTURY? Impressionism (C______ D________, J______ - M______ R______ ) Expressionism (A______ F_______ W_______ S_________ ) Avant Garde (G______ G_______, L______ B______, P______ G_____)
........2020-2021 lessons1. first quartermusicModule 2, 3 filesStudie I (1953; Study).mp4 ........2020-2021 lessons1. first quartermusicELECTRONIC MUSIC IN 1 MINUTE.mp4 MUSIC A MUSIC B
MUSIC 10 QUARTER 1 LESSON 5: NEW MUSIC (ELECTRONIC MUSIC)
QUARTER 1 LESSON 5: NEW MUSIC (ELECTRONIC MUSIC) Electronic music is music that uses electronic musical instruments and electronic music technology in its production. is produced using electronic machines (which is mostly computer-base) and which can be heard through a loudspeaker.
QUARTER 1 LESSON 5: NEW MUSIC (ELECTRONIC MUSIC) Ipod, mobile phones, tape recorders, compact disk (VCD, and DVD), amplifiers, synthesizers and the like are examples of electronic machines that can be use in creating, processing, producing and recording electronic music.
QUARTER 1 LESSON 5: NEW MUSIC (ELECTRONIC MUSIC) Musique Concrete - (an Electronic Music art form) began in the 1950s. - These composers worked using magnetic tape, reel to reel, to record sounds from the surroundings and combined with acoustic instruments. Now, electronic music is recorded and sent via MIDI files (Musical Instrument Digital Interface).
QUARTER 1 LESSON 5: NEW MUSIC (ELECTRONIC MUSIC) 1919 - Theremin - two metal antennas controlled by position of the players hand and was invented during this year. 1929 invention of Hammond Organ - an electric organ 1930 - Tape Recorder - the tape recorder was invented 1950 - Musique Concrete - the first piece in this genre was composed
COMPOSER OF ELECTRONIC MUSIC: Edgard Victor Achille Charles Var竪se He created the term organized sound which can be heard in his compositions which means that timbres and rhythms can be grouped and arrange to create a new sound. Known as the Father of Electronic Music
COMPOSER OF ELECTRONIC MUSIC: Edgard Victor Achille Charles Var竪se Musical Style: dissonant, nonthematic (meaning it does not convey any theme or meaning), and rhythmically asymmetric. He experimented in form and texture making his music very noisy Works: Ionisation (1931), D辿serts (1954) , and Po竪me 辿lectronique (1958)
MUSIC 10 QUARTER 1 LESSON 6: ELECTRONIC MUSIC (STOCKHAUSEN)
REMINDER: Joel Chadabe (1996) points out on his study The History of Electronic Music as a Reflection of Structural Paradigms that the two most important developments in the history of electronic music were (1) the opening of music to all sounds and (2) the development of interactive instruments. Composers explored, experimented and played on the different sound that can be heard from our surroundings and transform these sounds in one magnificent music that touches our lives.
Karlheinz Stockhausen He began playing the piano at age 7 and by the age of 14 had begun lessons in oboe and violin He was considered as one of the most important composer of the 20th- century. He was among the first to employ techniques such as sampling, directional sound, the blending of live and electronic performance, the complex analysis of acoustic sounds and the mimicking of their characteristics in electronic music (Whitelaw, T. 2008).
Karlheinz Stockhausen His music is about experience and intuition. He utilized the technique of spatialisation in many of his works. Spatialisation refers to the primary source of sound being an integral part of the composition for the audience and was often paired with aleatoric music, which refers to music where one or more elements of the composition are left to chance. He took part in creating musique concr竪te the art of creating musical pieces from recorded sounds and manipulating them via tape techniques. Works: Studie I, Studie II (1954), Kontakte (1960-Contacts and Hymnen (1969; Hymns)
MUSIC 10 QUARTER 1 LESSON 7: NEW MUSIC (CHANCE MUSIC)
Chance music is also called as Aleatory, (aleatory from Latin alea, which means dice), is a 20th century musical style in which chance or not clearly determined elements are left for the performer to realize.
Characteristic of Chance/ Aleatory Music: It involves the use of chance either in the composition or in the performance of the piece. The ordering of the sections, the rhythm and pitches are decided at the moment of performance. The piece always sounds different in every performance because of the random techniques of production due to the use of ring modulators and/or natural elements that become part of the music.
COMPOSER OF CHANCE MUSIC: John Milton Cage Jr. He was a music philosopher and a composer. He was the pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments. His teachers includes Henry Cowell (1933) and Arnold Schoenberg (1933 35), both known for their radical music.
COMPOSER OF CHANCE MUSIC: John Milton Cage Jr. Musical Style: His studies of Indian philosophy and Zen Buddhism influenced him to create a new music style called aleatoric or chance music He cultivated the principle of indeterminacy in his music. Indeterminacy is a composing technique where some parts of a musical piece are left open to chance or to the performer's choice.
COMPOSER OF CHANCE MUSIC: John Milton Cage Jr. Indeterminacy in music is represented by three main tendencies: Chance music in writing of the composition, the composer employs a chance procedure. Aleatory music performer was asked to make decisions which will affect either details or even the form of the piece. Stochastic music involving strict mathematical tools like the music of Stockhausen.
COMPOSER OF CHANCE MUSIC: John Milton Cage Jr. Works: ≒ 433 (Four Minutes and Thirty-three Seconds, 1952) ≒ Imaginary Landscape No. 4 (1951)- ≒ Fontana Mix (1958)- ≒ Roaratorio (1979) -
Deped grade 10 music quarter 1 - lesson 5 to 7
GENERALIZATION. LET US COMPLETE THE STATEMENT 1. Electronic Music is about 2. Electronic Music by Stockhausen is characterized by 3. New Music (Chance Music) is performed by.
Read the supplemental activities in the MAPEH google classroom then answer the QUIZ given in the classroom classwork.
Choose one composition from different musical periods of the 20th century then make a reaction and analysis using the musical elements: melody, harmony, rhythm, tempo, pitch, form and dynamics. Record your self explaining your answer while the music you have chosen is playing softly as your background. Submit your output in our MAPEH Google classroom.
Deped grade 10 music quarter 1 - lesson 5 to 7
Deped grade 10 music quarter 1 - lesson 5 to 7

More Related Content

Deped grade 10 music quarter 1 - lesson 5 to 7

  • 1. MUSIC LESSON 5 TO 7 FIRST QUARTER VIRTUAL CLASSROOM SCHOOL YEAR 2021-2022
  • 2. C:UsersadminVideosPRAYERAMA NAMIN -The Lord's Prayer for children in Filipino (Tagalog).mp4
  • 4. Please type in the chat box what is your breakfast today using hashtag food Example: #sinangag, tuyo at kape
  • 5. WHAT ARE THE MUSICAL PERIOD IN THE 20TH CENTURY? Impressionism (C______ D________, J______ - M______ R______ ) Expressionism (A______ F_______ W_______ S_________ ) Avant Garde (G______ G_______, L______ B______, P______ G_____)
  • 6. ........2020-2021 lessons1. first quartermusicModule 2, 3 filesStudie I (1953; Study).mp4 ........2020-2021 lessons1. first quartermusicELECTRONIC MUSIC IN 1 MINUTE.mp4 MUSIC A MUSIC B
  • 7. MUSIC 10 QUARTER 1 LESSON 5: NEW MUSIC (ELECTRONIC MUSIC)
  • 8. QUARTER 1 LESSON 5: NEW MUSIC (ELECTRONIC MUSIC) Electronic music is music that uses electronic musical instruments and electronic music technology in its production. is produced using electronic machines (which is mostly computer-base) and which can be heard through a loudspeaker.
  • 9. QUARTER 1 LESSON 5: NEW MUSIC (ELECTRONIC MUSIC) Ipod, mobile phones, tape recorders, compact disk (VCD, and DVD), amplifiers, synthesizers and the like are examples of electronic machines that can be use in creating, processing, producing and recording electronic music.
  • 10. QUARTER 1 LESSON 5: NEW MUSIC (ELECTRONIC MUSIC) Musique Concrete - (an Electronic Music art form) began in the 1950s. - These composers worked using magnetic tape, reel to reel, to record sounds from the surroundings and combined with acoustic instruments. Now, electronic music is recorded and sent via MIDI files (Musical Instrument Digital Interface).
  • 11. QUARTER 1 LESSON 5: NEW MUSIC (ELECTRONIC MUSIC) 1919 - Theremin - two metal antennas controlled by position of the players hand and was invented during this year. 1929 invention of Hammond Organ - an electric organ 1930 - Tape Recorder - the tape recorder was invented 1950 - Musique Concrete - the first piece in this genre was composed
  • 12. COMPOSER OF ELECTRONIC MUSIC: Edgard Victor Achille Charles Var竪se He created the term organized sound which can be heard in his compositions which means that timbres and rhythms can be grouped and arrange to create a new sound. Known as the Father of Electronic Music
  • 13. COMPOSER OF ELECTRONIC MUSIC: Edgard Victor Achille Charles Var竪se Musical Style: dissonant, nonthematic (meaning it does not convey any theme or meaning), and rhythmically asymmetric. He experimented in form and texture making his music very noisy Works: Ionisation (1931), D辿serts (1954) , and Po竪me 辿lectronique (1958)
  • 14. MUSIC 10 QUARTER 1 LESSON 6: ELECTRONIC MUSIC (STOCKHAUSEN)
  • 15. REMINDER: Joel Chadabe (1996) points out on his study The History of Electronic Music as a Reflection of Structural Paradigms that the two most important developments in the history of electronic music were (1) the opening of music to all sounds and (2) the development of interactive instruments. Composers explored, experimented and played on the different sound that can be heard from our surroundings and transform these sounds in one magnificent music that touches our lives.
  • 16. Karlheinz Stockhausen He began playing the piano at age 7 and by the age of 14 had begun lessons in oboe and violin He was considered as one of the most important composer of the 20th- century. He was among the first to employ techniques such as sampling, directional sound, the blending of live and electronic performance, the complex analysis of acoustic sounds and the mimicking of their characteristics in electronic music (Whitelaw, T. 2008).
  • 17. Karlheinz Stockhausen His music is about experience and intuition. He utilized the technique of spatialisation in many of his works. Spatialisation refers to the primary source of sound being an integral part of the composition for the audience and was often paired with aleatoric music, which refers to music where one or more elements of the composition are left to chance. He took part in creating musique concr竪te the art of creating musical pieces from recorded sounds and manipulating them via tape techniques. Works: Studie I, Studie II (1954), Kontakte (1960-Contacts and Hymnen (1969; Hymns)
  • 18. MUSIC 10 QUARTER 1 LESSON 7: NEW MUSIC (CHANCE MUSIC)
  • 19. Chance music is also called as Aleatory, (aleatory from Latin alea, which means dice), is a 20th century musical style in which chance or not clearly determined elements are left for the performer to realize.
  • 20. Characteristic of Chance/ Aleatory Music: It involves the use of chance either in the composition or in the performance of the piece. The ordering of the sections, the rhythm and pitches are decided at the moment of performance. The piece always sounds different in every performance because of the random techniques of production due to the use of ring modulators and/or natural elements that become part of the music.
  • 21. COMPOSER OF CHANCE MUSIC: John Milton Cage Jr. He was a music philosopher and a composer. He was the pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments. His teachers includes Henry Cowell (1933) and Arnold Schoenberg (1933 35), both known for their radical music.
  • 22. COMPOSER OF CHANCE MUSIC: John Milton Cage Jr. Musical Style: His studies of Indian philosophy and Zen Buddhism influenced him to create a new music style called aleatoric or chance music He cultivated the principle of indeterminacy in his music. Indeterminacy is a composing technique where some parts of a musical piece are left open to chance or to the performer's choice.
  • 23. COMPOSER OF CHANCE MUSIC: John Milton Cage Jr. Indeterminacy in music is represented by three main tendencies: Chance music in writing of the composition, the composer employs a chance procedure. Aleatory music performer was asked to make decisions which will affect either details or even the form of the piece. Stochastic music involving strict mathematical tools like the music of Stockhausen.
  • 24. COMPOSER OF CHANCE MUSIC: John Milton Cage Jr. Works: ≒ 433 (Four Minutes and Thirty-three Seconds, 1952) ≒ Imaginary Landscape No. 4 (1951)- ≒ Fontana Mix (1958)- ≒ Roaratorio (1979) -
  • 26. GENERALIZATION. LET US COMPLETE THE STATEMENT 1. Electronic Music is about 2. Electronic Music by Stockhausen is characterized by 3. New Music (Chance Music) is performed by.
  • 27. Read the supplemental activities in the MAPEH google classroom then answer the QUIZ given in the classroom classwork.
  • 28. Choose one composition from different musical periods of the 20th century then make a reaction and analysis using the musical elements: melody, harmony, rhythm, tempo, pitch, form and dynamics. Record your self explaining your answer while the music you have chosen is playing softly as your background. Submit your output in our MAPEH Google classroom.