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Dermy Sound Design

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Matthew Mcdermott

The sound designer aims to create a soundtrack that enhances the emotions evoked by the documentary's subject of taxidermy. They will record high quality sound on set using radio microphones and log key dialogue moments. Ambient sound will be captured from all locations to create an immersive atmosphere. Non-diegetic music and ambience will be added in post-production to make the documentary feel like a cinematic experience suitable for the big screen, rather than a small screen production.

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Sound Designer Matthew McDermott
Personal Aims Apply this statement throughout the process; big screen production, big screen sound Construct a non-diegetic/diegetic soundtrack that entices the audience in and perhaps dictates the emotions of viewers on the debatable world of taxidermy. I will make sure that the sound I capture on set is recorded to the highest of quality Create an applicable mood and atmosphere through sound that works perfectly alongside the visuals.
On-Set Sound Set up radio microphones on subjects correctly, I have chosen these because they will provide a more appropriate approach during long shooting hours. Log alongside the editor key moments that I believe are key moments in the dialogue. Capture the atmospheric sound of every location we shoot on. Ensure that the sound captured is as clear as possible prior to any post production intervention.
Avoiding disappointment I will be printing out tech hub cheat sheets of the equipment I take, e.g. Tascam. I will be wanting to book a 1 to 1 session that I can experiment and setup independently the equipment that I use.
The end product I have ideas about what I want to do with non-diegetic sound such as music to create a more realistic environment. I also aim to use ambience throughout most of the documentary, much like it being a fiction piece to make it a cinematic experience. My diegetic sound-scape will be a big contribution to making sure the documentary looks professional and certainly not a small screen production.

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Dermy Sound Design

  • 2. Personal Aims Apply this statement throughout the process; big screen production, big screen sound Construct a non-diegetic/diegetic soundtrack that entices the audience in and perhaps dictates the emotions of viewers on the debatable world of taxidermy. I will make sure that the sound I capture on set is recorded to the highest of quality Create an applicable mood and atmosphere through sound that works perfectly alongside the visuals.
  • 3. On-Set Sound Set up radio microphones on subjects correctly, I have chosen these because they will provide a more appropriate approach during long shooting hours. Log alongside the editor key moments that I believe are key moments in the dialogue. Capture the atmospheric sound of every location we shoot on. Ensure that the sound captured is as clear as possible prior to any post production intervention.
  • 4. Avoiding disappointment I will be printing out tech hub cheat sheets of the equipment I take, e.g. Tascam. I will be wanting to book a 1 to 1 session that I can experiment and setup independently the equipment that I use.
  • 5. The end product I have ideas about what I want to do with non-diegetic sound such as music to create a more realistic environment. I also aim to use ambience throughout most of the documentary, much like it being a fiction piece to make it a cinematic experience. My diegetic sound-scape will be a big contribution to making sure the documentary looks professional and certainly not a small screen production.