This document discusses key design principles including alignment, hierarchy, contrast, repetition, and proximity. It provides examples and definitions for each principle. Alignment creates visual connections between elements and guides the eye. Hierarchy emphasizes important elements. Contrast directs attention and makes designs more interesting. Repetition brings unity and consistency. Proximity causes objects that are close together to appear as groups. The document also discusses common file types, keeping organized, design processes, asking good questions, and inspiration sources.
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Design 101
1. An introduction to design principles
and how to apply them.
Design 101
Glynnis Ritchie
3. Alignment creates order. Aligning elements allows
them to create a visual connection with each other,
and makes it easier for the eye to know where to
look next.
12. A typographic hierarchy expresses the organization
of content, emphasizing some elements and
subordinating others. A visual hierarchy helps
readers scan a text, knowing where to enter and exit
and how to pick and choose among its o鍖erings.
Ellen Lupton, Thinking With Type
22. Combining typefaces is like making a salad. Start
with a small number of elements representing
di鍖erent colors, tastes, and textures. Strive for
contrast rather than harmony, looking for emphatic
di鍖erences rather than mushy transitions. Give each
ingredient a role to play: sweet tomatoes, crunchy
cucumbers, and the pungent shock of an occasional
anchovy.
Ellen Lupton, Thinking With Type
27. The principle of repetition simply means the reusing
of the same or similar elements throughout your
design. Repetition of elements in a design will bring
a clear sense of unity, consistency, and
cohesiveness.
https://visscom.wordpress.com/2013/04/16/principle-of-repetition-pattern/
34. Objects or shapes that are close to one another
appear to form groups. Even if the shapes, sizes,
and objects are radically di鍖erent, they will appear
as a group if they are close together.
https://en.wikipedia.org/wiki/Principles_of_grouping
35. The law of proximity states that humans perceive
stimuli that are close to each other by grouping
them and recognizing them as part of the same
object. Meanwhile, stimuli that stand far from one
another are parts of two or more di鍖erent objects.
https://visscom.wordpress.com/2013/04/16/principle-of-repetition-pattern/
Gestalt Principle of Proximity
49. Raster images (dont scale well)
Good for photo composites, including
photographic elements
Harder to recycle work in the future
because it does scale
Common 鍖le outputs: .psd, .jpg, .png
50. Vector images (in鍖nite scaling of
mathematical points)
Great for illustration
Easy to recycle or resize work in the
future because it scales
Common 鍖le outputs: .ai, .svg, .pdf, .eps
51. Type-centric, perfect for multi-page
documents
Easy to deal with masters or
repeating elements and change lots of
styles at once
Great for print projects
Common 鍖le outputs: .indd, .pdf
53. Keep your drafts/revisions as separate 鍖les
Keep all assets or images youre incorporating into your design
Keep original design 鍖les (not just output)
Create a folder structure that helps you 鍖nd old things (I start 鍖le
names with dates)
Dont be afraid to recycle work or elements
Be aware of software versions or 鍖le types depending on who
youre sharing with
57. 1. Understand requirements, size, budget, materials, etc.
2. Look at similar work, 鍖nd inspiration
3. Decide whats been overdone (exercise taste)
4. Gather inspiration in one place (Pinterest or mood board)
5. Artfully steal (colors, themes, typeface combos, materials)
6. Sketch ideas, thumbnails, make notes
7. Re鍖ne sketches and ideas
8. Photograph sketches or 鍖nd assets
9. Vectorize
10. Layout
11. Prototype for approval
58. Good questions to ask yourself or others:
What info needs to be included?
What info is the most important?
Can I cut anything?
What mood do I want to set?
Color? Black and white?
Format/deliverable?
How much time to work on this? (build in time for revisions)
What other formats of this work might be needed?
65. A spirited evening of cocktails & ghost stories
benefitting Big Classs free writing programs for
New Orleans youth ages 6-18.
Big Class is a nonpro鍖t organization dedicated to
cultivating and supporting the voices of New Orleans
writers ages 6-18 through creative collaborations with
schools and communities.
Learn more at bigclass.org.
532 Louisa St., New Orleans, LA 70117
504.308.1423
Jeremy Blum
Mary Carlton
Alvin David
Jayeesha Dutta
Natalie Girard
Sarah Grainer
Jos辿 Guadarrama
Kelly Harris-Deberry
Nicole Hershey
Jez Luckett
Nora McConnell-Johnson
Kurston Melton
Heather Muntzer
Sam Randolph
Glynnis Ritchie
Josie Scanlan
Emma Schain
Cherie Teamer
Kathleen Whalen
Emily Wilkerson
Hosts & Ghostwriters
Hosted by Wayne Amedee and Julie & Ted George
Special thanks to our media sponsor
The New Orleans Advocate
and
a
A spirited evening of cocktails & ghost stories
benefitting Big Classs free writing programs
for New Orleans youth ages 6-18.
Big Class is a nonpro鍖t organization dedicated
to cultivating and supporting the voices of New
Orleans writers ages 6-18 through creative
collaborations with schools and communities.
Learn more at bigclass.org.
532 Louisa St., New Orleans, LA 70117
504.308.1423
Jeremy Blum
Mary Carlton
Alvin David
Jayeesha Dutta
Natalie Girard
Sarah Grainer
Jos辿 Guadarrama
Kelly Harris-DeBerry
Nicole Hershey
Jez Luckett
Nora McConnell-Johnson
Kurston Melton
Heather Muntzer
Sam Randolph
Glynnis Ritchie
Josie Scanlan
Emma Schain
Cherie Teamer
Kathleen Whalen
Emily Wilkerson
Hosts & Ghostwriters
Hosted by Wayne Amedee
and Julie & Ted George
Special thanks to our media sponsor
The New Orleans Advocate
and
a
Revisions