Edtech photography
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This document provides guidelines for different photography techniques to produce good pictures. It discusses 5 techniques: going black and white, applying a "lomo" filter, using HDR, cropping photos, and sharpening photos. It then provides 10 tips for beginning photographers, such as moving closer to the subject, composing shots carefully, focusing on the subject, experimenting with shutter speed, considering lighting and weather, and keeping camera settings simple. The overall message is that practicing these techniques can help take better photos.
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- 1. Photography Techniques in Producing Good Pictures PREPARED BY: MYLA T. DE LA PEÑA BSED-TLE3 WI
- 2. 5 Techniques To Make Your Photos Look Good 1. Go Black and White. • The best photos to turn black and white are those photos that have high dark and light contrasts, and/or shadows. 2. Lomo-fy it! • Giving a photo that over- saturated, colorful, whimsical feel is a good way to make a photo look better.
- 3. 3. Go HDR. HDR (or high dynamic range imaging) • Is a technique that allows a greater dynamic range of luminances between lightest and darkest area of an image. 4. Crop it! • The only thing a photo needs to become a stronger photo is good cropping. 5. Sharpen. • All you need to improve a photo is by sharpening.
- 4. Top 10 Beginning Photography Tips
- 5. Beginning Photography Tip #1: Move in Closer Sailboat and Sunrise Too Far Away Sailboat and Sunrise Becomes Better by Moving in Closer
- 6. • Each time you spot a subject, snap a shot and then move in closer for a better shot. Having your subject almost fill the frame helps your viewer understand and appreciate your photo. Also, details are often more interesting than an overall view. • Keep moving in closer until you are sure the photo will successfully represent your subject.
- 7. Beginning Photography Tip #2: Be Quick For This Pic, I Had to Shoot Quickly
- 8. • If it is at all possible that your subject may move, bolt, fly away, stop smiling, or just get tired of waiting for you to take the picture, shoot once right away. • Practice getting quicker and quicker to the draw. • Do not worry about taking too many pictures and do not wait until you're absolutely certain all the knobs and buttons are in their correct position. • As the motto of one of Better Photo old T- shirts states, "Shoot First, Ask Questions Later."
- 9. Beginning Photography Tip #3: Compose Your Picture with Care Touch of the Past Balanced Composition
- 10. • Even if you don't plan on selling your photo to the Smithsonian, make every effort to keep it balanced and beautiful. On one level or another, everyone responds better to a picture that has all elements in balance. • Strive to lead the eye along an interesting path through the photo, with the use of strong lines or patterns. • Keep the horizon level; • Crop out extra elements that you are not interested in (more on this is the next tip); • Consciously place your subject where you think it most belongs rather than just accepting it wherever it happens to land in the photo; • Play with perspective so that all lines show a pattern or lead the eye to your main subject; • Work with the Rule of Thirds.
- 11. Beginning Photography Tip #4: Be Selective Detail Photo of French Breakfast
- 12. • Discern what you are really interested in and center your efforts on getting the best photo of this subject, whether it's a still life, your funny cat, your doggy, a friend, a family matter, a mood, a place or culture. • Then be sure to keep anything that would distract out of the picture. • The easiest way to do this is to watch your borders - the edges of the view you see through the camera's viewfinder. Then recompose if anything - such as an unattractive telephone wire, an old soda can, a distracting sign, your finger, or your camera strap - hangs into your picture. • It can become more difficult if you want to, say, shoot a San Francisco cable car without a single distracting telephone line. But even in such a difficult case, you have many options.
- 13. You can: • Focus in on a close-up that tells the whole story; • Move around until you arrange the telephone lines into a neat pattern that leads to the subject; or • Take a panning shot that makes the cable car remain in focus while the background goes blurry.
- 15. Beginning Photography Tip #5: Focus on Your Subject
- 16. • Practice shooting with different apertures and monitor the results afterwards to learn how depth-of-field affects your photo. • You will find that a smaller depth-of-field (and smaller f-stop #) focuses all the attention upon your subject. This is great for taking a picture of your child, your dog, or your husband - subjects stand out against a blurry background. • Likewise, you will find that a greater depth-of-field (bigger f-stop number) will make everything from here to eternity appear in focus. This will help make those landscapes fascinating and lovely.
- 17. Beginning Photography Tip #6: Experiment with Shutter Speed Snoqualmie Falls Shooting with a Slow Shutter Speed and Tripod
- 18. • One of the most basic overlooked and fun aspects of photography is that you have the power to slow time down or catch a split second. • One image happens so slowly that we could never see it and the other happens so quickly in real time that we would never notice it. Play with shutter speed! • Use a slow shutter speed and a tripod to make a pretty picture of any creek or stream. On the other hand, you can use a fast shutter speed (1/500 and up) to capture an object in motion. • Combining a fast shutter speed with a long lens, you sports buffs can get a trophy of your own when you are able to catch the expression on your favorite running back’s face as he slips past the final defense toward a winning touchdown. Remember, catching the moment in fast-paced action photography may take a little more practice so hang in there.
- 19. Beginning Photography Tip #7: Look at the Light Portrait at Sunset
- 20. • By this, I don't mean look into the sun - no, that won't do at all. But it is good to see what kind of light you are working with. Which way are the shadows falling? Unless you want a silhouette effect, where your subject is black against an interesting background, it's generally best to shoot with the sun behind you. • How is the light affecting your subject? Is the subject squinting? • Is the light blazing directly and brightly upon your whole subject? This works well if you are in love with the bold colors of your subject. • Side lighting, on the other hand, can add drama but can also cause extreme, hard-to-print contrasts. • Lastly, indirect light can be used to make your subject glow soft and pretty.
- 22. Beginning Photography Tip #8: Watch the Weather, Too Carmel Mission Clear Blue Skies and a Polarizing Filter
- 23. • Look outside and decide whether or not you are going to want to have the sky in your picture. • If it's overcast, simply keep the sky out of your pictures as much as possible. This is usually the best way to avoid both muted tones in your subject and washed-out skies in your background. You might also find black and white pictures of an overcast day more pleasing than color. • When the day is beautiful, go ahead and make the most of it. • If your camera allows for the use of filters, purchase a polarizer. This will help you render deep blue skies against bright white clouds, richly contrasting colors, and other wonderful effects with a simple twist of the wrist.
- 24. Beginning Photography Tip #9: Keep Your Camera Settings Simple Typewriter
- 25. • While you may wish to have "all the bells and whistles" available just in case, you will probably get the best results if you do not try to use them all the time and instead learn a simple set up that works best for you in most situations. • This doesn't necessarily mean keeping your camera set on "Program" - while this mode may be perfect in its simplicity, it may be frustrating in its tyrannical control. • Instead of relying on a fully automatic program, pick a simple, semi-automatic program such as aperture-priority and master shooting in that mode. Then, you'll be able to control certain basics without letting the other basics control you, and thus keep that 150 page manual where it belongs - in your camera bag. • Tip: if you want one accessory, bring a tripod. This one item can solve camera shake issues and help you get beautiful evening shots.
- 26. Beginning Photography Tip #10: Be Bold Otter Mom and Pup Awwwhhh...
- 27. • Don't allow yourself to be paralyzed by fears of using the wrong settings, or a non-politically-correct social policy. • If you are afraid of upsetting someone by taking their picture, just go up and ask if it's okay. Ask them to sign a release and offer a print in return. • With wildlife, adopt a low-impact method when you go places where few photographers have gone before. In the above photos, I put my camera and telephoto in a waterproof bag and kayaked out into Monterey Bay. (Lawyer-talk: This can be dangerous - so be careful.) • Be wise... But be bold. • There you have it - basic but helpful, I hope. Now go out there, make some great shots, learn from the failures, and have fun.
- 28. May Your Photographic Path Be A Prosperous and Gratifying Adventure
- 30. Use high- and low-camera angles with caution. High angles tend to shorten the legs of a person. Low angles may distort the body and face of the subject. Of course, watch for objects that seem to be growing out of or are balanced on a person's head.
- 31. BASIC SEQUENCE During motion-media recording, you can change the image size by changing the camera-to- subject distance or by using a zoom lens (which also changes the field of view).
- 32. Shot classifications can be broken down into five categories: extreme long shots, long shots, medium shots, closeup shots, and extreme closeup shots.
- 33. Extreme Long Shots An extreme long shot (ELS) is used to portray a vast area from an apparently very long distance. An ELS is used to impress the viewer with the immense scope of the setting or scene. An ELS is best usually when made with a stationary camera.
- 35. Long Shots A long shot (LS) shows the entire screen area where the action is to take place. The setting, the actors, and the props are shown with LS to acquaint the audience with their overall appearance and location within the scene.
- 37. Medium Shots A medium shot (MS) is usually used between a long shot and a close up shot. After the scene location has been established with an LS, the camera is moved closer to the main subject or a longer focal-length lens is used to bring the main element of the scene into full frame or near full-frame size.
- 39. Close up Shots The close up shot (CU) fills a frame with the most important part of a scene. The CU should include only action of primary interest The portion selected of an overall scene, such as a face, a small object, or a small part of the action, may be filmed with a close up shot. Close up give the audience a detailed view of the most important part or action within a scene. Close up also help to build audience interest in the film. The CU shot can be used to "move" the audience into the scene, eliminate nonessentials, or isolate a significant incident.
- 41. Extreme Close up Shots Very small objects or areas or small portions of large objects can be photographed with an extreme close up shot (ECU), so their images are magnified on the screen. Small machine parts, such as calibrations on a ruler or a match at the end of a cigarette, can be very effective when shown on a full screen in an ECU. Do not forget, you must change camera angles between shots within a shot sequence.