Photography composition involves arranging visual elements within the frame. If not arranged successfully, the photograph will not be effective. Composition techniques include filling the frame with the subject, balancing positive and negative space so neither overwhelms the other, and using the rule of thirds to place subjects in the upper or lower thirds of the frame to create a sense of movement or grounding. Strong composition leads the eye in an intended flow across the photograph through implied lines and placement of subjects in different zones of the frame.
The document provides guidelines for achieving good composition in photographs. It discusses key composition principles like the rule of thirds, simplicity, lines, balance, framing, and avoiding mergers. Specific techniques are described, such as placing the subject off-center following the rule of thirds, using lines to lead the eye, balancing elements symmetrically or asymmetrically, framing with foreground elements, and avoiding mergers between the subject and background. Examples illustrate good and poor composition based on these principles.
The document provides guidance on photo composition and design principles for photographers. It discusses techniques like framing the subject using the rule of thirds, considering foreground and background elements, changing the point of view or angle, and using lines and shapes to direct the viewer's eye. The goal is to intentionally arrange visual elements in a way that tells a clear story and draws the viewer in to study the photo.
The document discusses the basics of composition in photography. It explains that composition is the arrangement of visual elements in a photograph designed to convey a message to the viewer. A photographer has to consider the subject's positioning, focal length, depth of field, framing, and camera angle to create an aesthetically pleasing composition. The summary also reviews different types of shots, such as long shots, medium shots, and close-ups, that can be used to make the final photograph more interesting.
The document discusses several techniques for improving photo composition, including following the Rule of Thirds for subject placement, using contrast in lighting and size/shape to add depth and drama, blurring backgrounds to isolate subjects, paying attention to helpful details, opting for simplicity over complexity, and varying perspectives by changing the camera position. Mastering these techniques can help photographers direct viewer attention and tell more compelling visual stories through their photos.
This document provides tips for taking better travel photos without professional equipment. It discusses the importance of composition, lighting, and telling a story. Composition techniques include using the rule of thirds, finding leading lines, and changing angles. Good lighting includes using golden hour side lighting and backlighting. Editing in software can enhance exposure, color balance, and add effects. The goal is to capture photos that rock and tell your travel experience.
The document discusses several rules and techniques of photography including the rule of thirds, framing, leading lines, balancing elements, symmetry and patterns, and depth of field. The rule of thirds involves placing the subject off-center to create more interest. Framing uses natural or physical frames to focus on the subject. Leading lines direct the viewer's attention. Balancing elements avoids empty spaces by adding secondary subjects. Symmetry and patterns can create striking compositions when not overused. Depth of field makes the subject stand out by blurring the background.
The document provides definitions and explanations of various photographic composition techniques:
- Diagonal lines can draw the eye through an image and add depth and dynamism. A dynamic composition comes from a direct, head-on shot with a wide-angle lens rather than an oblique side angle.
- To fill the frame means making the subject a large proportion of the image, which requires getting close to the subject. Leaving too much empty space around the subject is discouraged.
- Other composition techniques discussed include using a focal point, framing with elements in the scene, employing color and tonal contrast, placing the horizon line, juxtaposition, layering subjects, using depth of field, leading lines,
The document provides guidance on composition, lighting, and framing techniques for photography. It discusses the Rule of Thirds for optimally placing subjects in an image. The Diagonal Rule recommends placing important elements along diagonal lines that intersect the image. Regarding lighting, front lighting emphasizes details but can look flat, while side lighting creates shadows and depth. Back lighting can create silhouettes, and diffuse lighting produces softer, dramatic effects. Framing techniques include using objects like branches or windows to direct the viewer's eye to the subject within the frame. Depth of field and lighting sensors should be focused on the main subject within the frame.
The document discusses various photography composition techniques including:
- The rule of thirds which positions important elements along imaginary lines that divide the frame into thirds both vertically and horizontally.
- Balance, where the main subject is offset from the center to make the image more interesting, and a secondary element is included to balance the composition.
- Leading lines which guide the eye through the frame along lines in the scene.
- Viewpoint, framing, cropping and simplifying the scene to isolate the subject and direct attention.
- Depth cues like foreground/background separation and overlapping to convey three-dimensionality in a two-dimensional medium.
This document provides an overview of various composition techniques for photographers, including:
- Center weighted composition, which places the subject in the center but lacks visual interest.
- The rule of thirds, which positions the subject off-center for more dynamic flow and tension. Guidelines are given for placing the subject or horizon on the gridlines.
- Orientation discusses using portrait for tall subjects and landscape for wide, but encourages experimenting with different orientations.
- Inclusion/exclusion and framing discuss what elements to include or leave out of the frame to direct the viewer's eye. Layering and using foreground elements can provide depth and context.
The document provides guidance on composition, lighting, and framing techniques for photography. It discusses the Rule of Thirds for optimally placing subjects in an image. The Diagonal Rule recommends placing important elements along diagonal lines that intersect the image. Regarding lighting, front lighting flatters details but lacks depth, while side lighting creates shadows and dimension. Back lighting silhouettes subjects, and diffuse lighting softens harsh light. Framing techniques suggest using objects like branches or windows to direct the viewer's eye to the subject within the frame. Depth of field and sensor placement should also be considered for framing.
The document discusses the key elements of composition in photography. It identifies two main parts of composition: the subject, which is the main focus of the photograph, and the treatment, which is how the subject is framed within the photograph. It provides guidelines for applying techniques like the rule of thirds, using lines, perspective, color, contrast, framing, light, and managing the background to create visually interesting and engaging photographs. The goal of composition is to guide the viewer's eye through the photograph and keep them looking as long as possible.
The document discusses various techniques for effective image composition, including positioning subjects to convey movement or story, simplifying images by removing distracting elements, using the rule of thirds to place subjects off-center, incorporating lines and geometric shapes, balancing color and placement of elements, avoiding mergers that cut off subjects or create distractions, and framing the main subject. It provides examples to illustrate these composition tips and how following or ignoring them can strengthen or weaken an image.
The document provides tips for improving photo composition through simple techniques. These include keeping shots simple, picking a clear subject, balancing elements through cropping and positioning, following the rule of thirds to place subjects off-center, using diagonal lines and frames to make images more dynamic, and framing subjects with objects to direct the viewer's eye. Framing can be done creatively with natural or symbolic objects and adjusted through depth of field.
The document discusses key concepts of composition in photography including the differences between snapshots and photographs, the elements that composition depends on such as structure, balance and dynamic, and guidelines for effective composition including the rule of thirds and use of lines and shapes. Specific techniques are described like using horizontal, vertical and diagonal lines to guide the viewer's eye and create a sense of movement or dynamic within the frame. Tips are provided such as focusing on the background, keeping the image simple, getting close to the subject, and always being ready to capture photos.
1) Photography has become a popular hobby for many people who use cameras to capture memories and moments.
2) Following a few simple guidelines can help anyone take better photos, such as keeping the camera steady, following the rule of thirds for subject placement, keeping the horizon level, filling the frame with the subject, using framing techniques, considering lighting, changing the point of view, and using leading lines.
3) Proper techniques like these can result in sharp photos that can be proudly shared.
This document provides an overview of photography basics, including how cameras work, the artistic elements of photography, and tips for different types of photography subjects.
The key points are:
1) It explains the basic mechanics of how a digital SLR camera works to take a picture, from light entering the lens to the shutter opening and light hitting the sensor.
2) It discusses the four vital artistic elements of photography - subject, composition, light, and exposure. Tips are provided for each element like choosing a subject that interests you and using the rule of thirds for composition.
3) Guidelines are given for photographing different subjects like people, animals, and fast action sports. Tips include getting
Unit 14 Photography For Non Photographerssumidahilo
油
This document provides guidance and best practices for yearbook photographers and editors. It discusses important elements of good photographs like focus, composition, and exposure. It also covers topics like candid vs posed shots, photo layouts, captions, and common problems to watch out for. Photographers are instructed to work closely with editors to understand what shots are needed based on layouts. Composition techniques like rule of thirds and use of leading lines are explained. Flash photography, exposure, and submitting photos for printing are also addressed.
The document discusses various techniques for composing photographs, including the rule of thirds which involves dividing the frame into thirds and positioning key elements along those lines. It also covers using leading lines to guide the eye, incorporating symmetry and patterns, using foreground, middle ground and background to create depth of field, framing with natural frames, and considering viewpoint such as bird's eye or worm's eye views.
This document provides an overview of principles of photography composition, including center of interest, subject placement, simplicity, viewpoint and camera angle, balance, shapes and lines, pattern, volume, lighting, texture, tone, contrast, framing, foreground, background, and perspective. It discusses techniques such as symmetrical and asymmetrical balance, high-key and low-key lighting, and different types of perspective including rectilinear, curvilinear, vanishing point, height, overlap, dwindling size, volume, and atmospheric perspective. The document aims to teach photographers how to use these various compositional elements and techniques to create visually appealing and information photographs.
The document discusses guidelines for effective photographic composition, including simplicity, the rule of thirds, lines, balance, framing, and avoiding mergers. It provides examples of properly and improperly composed photographs based on these principles. The guidelines are meant to help arrange elements in the picture area in a pleasing and attractive way that draws the viewer's eye.
The document provides information on image composition techniques in photography. It defines composition and discusses key elements such as selecting a subject and center of interest, applying the rule of thirds, balancing elements within the frame, using lines and curves to guide the eye, and considering background, framing, and depth. Good composition is described as carefully selecting and arranging the subject matter within the frame. The document also addresses creating mood and theme through factors like perspective, color, lighting, weather, and isolation or inclusion of background elements.
The document provides information on image composition techniques in photography. It defines composition and discusses key elements such as selecting a subject and center of interest, applying the rule of thirds, balancing elements within the frame, using lines and curves to guide the eye, and considering background, framing, and depth. Good composition is described as carefully selecting and arranging the subject matter within the frame. The document also addresses creating mood and theme through factors like perspective, color, lighting, weather, and isolation or inclusion of background elements.
The document provides tips for effective photojournalism techniques including composition, lighting, point of view, balance, and capturing spontaneous moments. It discusses framing subjects using the rule of thirds and placing the subject off-center for interest. Different lighting conditions like direct sunlight, backlighting, and indoor lighting are addressed. Spontaneous photos should not be recreated with posing but captured as the event unfolds naturally. Practice is emphasized to improve photojournalism skills.
The document provides instructions for setting up and composing still life photographs in 4 steps. Step 1 discusses arranging objects and considering lighting and design principles. Step 2 addresses composition techniques like levels, open/closed forms, symmetry, and rhythm. Step 3 suggests using simple backdrops, varied lighting angles to make the scene more dynamic. Step 4 gives tips for positioning key, fill, and additional lights to properly illuminate the subject. The document then provides a case study example and some useful hints on subjects like backdrops, glass, and small objects.
The document discusses 17 compositional rules for photography including the rule of thirds, golden ratio, golden spirals, golden triangles, rule of odds, leading lines, framing, viewpoint, symmetry, and others. It encourages learning these rules so photographers can intentionally compose images to tell stories and draw the eye. Readers are assigned to memorize 8 rules, take photos applying each, and bring their favorite printed photo to the next class.
Stepping into a Pilates studio for the first time can be a tad intimidating, especially when faced with an array of unfamiliar equipment that seems more fitting for a science lab than a workout space. However, these apparatuses are at the heart of the Pilates experience, each designed to facilitate specific movements and benefits.
The document provides guidance on composition, lighting, and framing techniques for photography. It discusses the Rule of Thirds for optimally placing subjects in an image. The Diagonal Rule recommends placing important elements along diagonal lines that intersect the image. Regarding lighting, front lighting emphasizes details but can look flat, while side lighting creates shadows and depth. Back lighting can create silhouettes, and diffuse lighting produces softer, dramatic effects. Framing techniques include using objects like branches or windows to direct the viewer's eye to the subject within the frame. Depth of field and lighting sensors should be focused on the main subject within the frame.
The document discusses various photography composition techniques including:
- The rule of thirds which positions important elements along imaginary lines that divide the frame into thirds both vertically and horizontally.
- Balance, where the main subject is offset from the center to make the image more interesting, and a secondary element is included to balance the composition.
- Leading lines which guide the eye through the frame along lines in the scene.
- Viewpoint, framing, cropping and simplifying the scene to isolate the subject and direct attention.
- Depth cues like foreground/background separation and overlapping to convey three-dimensionality in a two-dimensional medium.
This document provides an overview of various composition techniques for photographers, including:
- Center weighted composition, which places the subject in the center but lacks visual interest.
- The rule of thirds, which positions the subject off-center for more dynamic flow and tension. Guidelines are given for placing the subject or horizon on the gridlines.
- Orientation discusses using portrait for tall subjects and landscape for wide, but encourages experimenting with different orientations.
- Inclusion/exclusion and framing discuss what elements to include or leave out of the frame to direct the viewer's eye. Layering and using foreground elements can provide depth and context.
The document provides guidance on composition, lighting, and framing techniques for photography. It discusses the Rule of Thirds for optimally placing subjects in an image. The Diagonal Rule recommends placing important elements along diagonal lines that intersect the image. Regarding lighting, front lighting flatters details but lacks depth, while side lighting creates shadows and dimension. Back lighting silhouettes subjects, and diffuse lighting softens harsh light. Framing techniques suggest using objects like branches or windows to direct the viewer's eye to the subject within the frame. Depth of field and sensor placement should also be considered for framing.
The document discusses the key elements of composition in photography. It identifies two main parts of composition: the subject, which is the main focus of the photograph, and the treatment, which is how the subject is framed within the photograph. It provides guidelines for applying techniques like the rule of thirds, using lines, perspective, color, contrast, framing, light, and managing the background to create visually interesting and engaging photographs. The goal of composition is to guide the viewer's eye through the photograph and keep them looking as long as possible.
The document discusses various techniques for effective image composition, including positioning subjects to convey movement or story, simplifying images by removing distracting elements, using the rule of thirds to place subjects off-center, incorporating lines and geometric shapes, balancing color and placement of elements, avoiding mergers that cut off subjects or create distractions, and framing the main subject. It provides examples to illustrate these composition tips and how following or ignoring them can strengthen or weaken an image.
The document provides tips for improving photo composition through simple techniques. These include keeping shots simple, picking a clear subject, balancing elements through cropping and positioning, following the rule of thirds to place subjects off-center, using diagonal lines and frames to make images more dynamic, and framing subjects with objects to direct the viewer's eye. Framing can be done creatively with natural or symbolic objects and adjusted through depth of field.
The document discusses key concepts of composition in photography including the differences between snapshots and photographs, the elements that composition depends on such as structure, balance and dynamic, and guidelines for effective composition including the rule of thirds and use of lines and shapes. Specific techniques are described like using horizontal, vertical and diagonal lines to guide the viewer's eye and create a sense of movement or dynamic within the frame. Tips are provided such as focusing on the background, keeping the image simple, getting close to the subject, and always being ready to capture photos.
1) Photography has become a popular hobby for many people who use cameras to capture memories and moments.
2) Following a few simple guidelines can help anyone take better photos, such as keeping the camera steady, following the rule of thirds for subject placement, keeping the horizon level, filling the frame with the subject, using framing techniques, considering lighting, changing the point of view, and using leading lines.
3) Proper techniques like these can result in sharp photos that can be proudly shared.
This document provides an overview of photography basics, including how cameras work, the artistic elements of photography, and tips for different types of photography subjects.
The key points are:
1) It explains the basic mechanics of how a digital SLR camera works to take a picture, from light entering the lens to the shutter opening and light hitting the sensor.
2) It discusses the four vital artistic elements of photography - subject, composition, light, and exposure. Tips are provided for each element like choosing a subject that interests you and using the rule of thirds for composition.
3) Guidelines are given for photographing different subjects like people, animals, and fast action sports. Tips include getting
Unit 14 Photography For Non Photographerssumidahilo
油
This document provides guidance and best practices for yearbook photographers and editors. It discusses important elements of good photographs like focus, composition, and exposure. It also covers topics like candid vs posed shots, photo layouts, captions, and common problems to watch out for. Photographers are instructed to work closely with editors to understand what shots are needed based on layouts. Composition techniques like rule of thirds and use of leading lines are explained. Flash photography, exposure, and submitting photos for printing are also addressed.
The document discusses various techniques for composing photographs, including the rule of thirds which involves dividing the frame into thirds and positioning key elements along those lines. It also covers using leading lines to guide the eye, incorporating symmetry and patterns, using foreground, middle ground and background to create depth of field, framing with natural frames, and considering viewpoint such as bird's eye or worm's eye views.
This document provides an overview of principles of photography composition, including center of interest, subject placement, simplicity, viewpoint and camera angle, balance, shapes and lines, pattern, volume, lighting, texture, tone, contrast, framing, foreground, background, and perspective. It discusses techniques such as symmetrical and asymmetrical balance, high-key and low-key lighting, and different types of perspective including rectilinear, curvilinear, vanishing point, height, overlap, dwindling size, volume, and atmospheric perspective. The document aims to teach photographers how to use these various compositional elements and techniques to create visually appealing and information photographs.
The document discusses guidelines for effective photographic composition, including simplicity, the rule of thirds, lines, balance, framing, and avoiding mergers. It provides examples of properly and improperly composed photographs based on these principles. The guidelines are meant to help arrange elements in the picture area in a pleasing and attractive way that draws the viewer's eye.
The document provides information on image composition techniques in photography. It defines composition and discusses key elements such as selecting a subject and center of interest, applying the rule of thirds, balancing elements within the frame, using lines and curves to guide the eye, and considering background, framing, and depth. Good composition is described as carefully selecting and arranging the subject matter within the frame. The document also addresses creating mood and theme through factors like perspective, color, lighting, weather, and isolation or inclusion of background elements.
The document provides information on image composition techniques in photography. It defines composition and discusses key elements such as selecting a subject and center of interest, applying the rule of thirds, balancing elements within the frame, using lines and curves to guide the eye, and considering background, framing, and depth. Good composition is described as carefully selecting and arranging the subject matter within the frame. The document also addresses creating mood and theme through factors like perspective, color, lighting, weather, and isolation or inclusion of background elements.
The document provides tips for effective photojournalism techniques including composition, lighting, point of view, balance, and capturing spontaneous moments. It discusses framing subjects using the rule of thirds and placing the subject off-center for interest. Different lighting conditions like direct sunlight, backlighting, and indoor lighting are addressed. Spontaneous photos should not be recreated with posing but captured as the event unfolds naturally. Practice is emphasized to improve photojournalism skills.
The document provides instructions for setting up and composing still life photographs in 4 steps. Step 1 discusses arranging objects and considering lighting and design principles. Step 2 addresses composition techniques like levels, open/closed forms, symmetry, and rhythm. Step 3 suggests using simple backdrops, varied lighting angles to make the scene more dynamic. Step 4 gives tips for positioning key, fill, and additional lights to properly illuminate the subject. The document then provides a case study example and some useful hints on subjects like backdrops, glass, and small objects.
The document discusses 17 compositional rules for photography including the rule of thirds, golden ratio, golden spirals, golden triangles, rule of odds, leading lines, framing, viewpoint, symmetry, and others. It encourages learning these rules so photographers can intentionally compose images to tell stories and draw the eye. Readers are assigned to memorize 8 rules, take photos applying each, and bring their favorite printed photo to the next class.
Stepping into a Pilates studio for the first time can be a tad intimidating, especially when faced with an array of unfamiliar equipment that seems more fitting for a science lab than a workout space. However, these apparatuses are at the heart of the Pilates experience, each designed to facilitate specific movements and benefits.
The presentation, titled "3D Design Elements," explores the fundamental components of 3D design, including form, space, texture, and function. It emphasizes the dynamic relationship between form and function, the importance of material selection, and the role of digital tools like Blender and AutoCAD in modern design. The lecture also highlights ethical considerations, such as sustainability and inclusivity, and underscores the value of hands-on workshops and iterative processes in fostering creativity. Aimed at students, the presentation provides a comprehensive overview of 3D design principles, supported by insights from leading design theorists and practitioners.
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Interior architecture is something that completely focuses on the interior and its functionality for human occupancy. Interior architecture simply blends art & science in order to create, restore, or readapt the inside of various different buildings, such as residential homes, offices, or other interior areas.
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The presentation, titled "Design Principles: From 2D into 3D," explores the foundational principles of designsuch as balance, contrast, emphasis, unity, movement, scale, and repetitionand how they transition from 2D to 3D design. While 2D design focuses on flat compositions, 3D design introduces depth, volume, and spatial relationships, requiring additional considerations like physical weight, materiality, and multiple viewing angles. The presentation highlights key differences and applications of these principles in both dimensions, supported by examples and references from design literature. It concludes by emphasizing the importance of mastering these principles to create cohesive, functional, and engaging designs across different mediums.
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2. Definition:
The term "photography" is derived from two Greek
words meaning "light" ( phos ) and "writing"
(graphien).
Photography means the art, hobby, or profession of
taking photographs, and developing and printing the film
or processing the digitized array image.
Photography is production of permanent images by
means of the action of light on sensitized surfaces (film
or array inside a camera), which finally giving rise to a
new form of visual art.
3. 7 - ELEMENTS OF PHOTOGRAPHY ARE :
1. COMPOSITION
2. LIGHT,
3. DEPTH,
4. LINE,
5. PATTERN & SHAPE,
6. TEXTURE,
7. VANTAGE POINT.
4. To achieve good composition, mentally divide the photo into thirds, as
shown below.
Composition refers to the way things are arranged in a photo. The
composition is WHAT YOU SEE.
Your subject should fall on the lines, not in the center. In a portrait, the eye
should fall near one of the top intersections.
Composition
5. In landscapes: The horizon line should fall on the top of the
bottom third, not in the centre. Whether you put it on top or bottom
depends on what is in the photo. Here are two examples:
Put the horizon line on the lower third when
your main focus is the sky.
6. Put the horizon line on the upper third when your main subject is
the foreground.
7. Since photo means light and graph means writing,
photograph means writing with light. Remember a
camera doesnt see an IMAGE, it sees light and shadow,
and records it. Therefore, you must examine the light
before you take a photo.
Light
When using a point & shoot, if you and your subject are
standing in the shadow, and there is a spot of bright
light somewhere in the viewfinder, the camera will adjust
to the light, and you will get this:
Look at the light before you shoot. Look for interesting
lighting that will bring drama to your photos.
8. The camera adjusted to
the lighted building, so
the lady in the orange
shirt, standing in shadow,
is barely noticeable.
The camera adjusted to
the sunlit area, so the
hallway in the foreground
is dark.
When the camera is
raised just enough to let
in light from another
source, the camera
readjusted just enough to
show the details in the
hallway
9. And if you are standing in the sun, and your subject has
light behind them (is backlit), you will get a silhouette,
like this:
In this photo, the photographer
wanted a silhouette. The result note
the way the trees framed the
sunset.
Here, the photographer wanted to shoot
the sunset, but the trees were thick. To
make the photo interesting, a person in
foreground did a little dance.
10. Maybe you want a silhouette, but if you dont, you
should have the sun behind you.
If you can, move to the other side of your subjects to
put the light behind you, like it is done here
11. If you want to photograph a subject that is backlit, and
you cant move to the other side,
turn your flash on to light your subject from the
front. Compare these photos with the flash turned on
or off:
12. Direct light (like the sun) causes hard shadows, and
diffused (scattered) light causes soft shadows. A
cloudy day will give you the best light, because the
clouds diffuse the light. Compare the lighting in these
photos:
In these photos of Keenans graduation
from boot camp, it was cloudy. Notice how
evenly everything is lit.
13. Flash isnt only for night time photos! Look at the
difference it made here. Left, no flash - the sun created
harsh shadows, darkening the face. Right, flash on to fill
in some of the shadows.
14. DEPTH
Remember it is up to you to give your viewer a sense of the Z-axis.
This can be done a number of ways. Try all of them, and see which
one works best for you, and for the situation you are shooting.
Focus : Zoom in on your subject and adjust your focus so
that only your subject is in focus.
Left and above, th subject is in focus, but
the background is blurry.
15. Foreground Framing
Put something in the foreground, close to the camera, and put your
subject farther away.
Or, do the opposite - put a subject in front of something you want to
shoot, to make it tell a story, like I did below.
16. If you have two subjects, try placing them
different distances from the camera to
show depth.
This picture of a deep valley looks
more dramatic with a person
standing on the edge of a rock
than it would have been alone.
17. LINE
Lines are what move the eye around a photo. A photo with
interesting lines engages your viewer. Again, there are several
ways to accomplish this, so try several when you shoot so you
have choices when you compose your photo essay.
Leading Lines: These are
lines that lead the eye
through the photo.
18. PATTERN & SHAPE
Our minds visually organize
what we see into shapes.
Therefore, suggested
shapes are pleasing to the
eye. Again, there are
several ways to express
pattern or shape in a
photograph. Experiment
with all of them.
Rhythm
Also referred to as
repetition. This is when a
pattern is repeated in a
photo. Again a diagonal
pattern is more visually
interesting,
19. Symmetry
Symmetry refers to when the photo looks like a mirror
image.
Symmetry is all about balance. Symmetry may occur
horizontally or vertically.
21. Shape
Shape may be emphasized using silhouette or backlight.
Sometimes silhouette is not needed to emphasize a
shape; the shape is interesting on its own.
22. Texture
Texture refers to capturing something that your viewer might want
to touch. Your subject may be filled with texture, or the texture
alone may be the subject. Texture communicates the feel of
something.
Fill the Frame: The best way to achieve texture may be to move
in close to the subject, unless the texture is large and can be
seen from far away.
23. Abstract
Texture may be the subject of an abstract photo. You may not be
able to identify what it is exactly, but the texture is interesting
enough that you viewer wants to touch it.
24. Vantage point
Vantage point refers to point of view. : Try to take your viewer
somewhere he or she doesnt always get to go. Look up. Look down.
Shoot from somewhere people dont generally get a point of view. always
scan the area for a different vantage point
Experiment:This shot of Cindy sitting on a bench isnt very interesting from
straight on, where most people would shoot it. Look for different angles and
places to shoot from.
25. ASSIGNMENT
Every One Will Click 4 Different Photos
Emphasizing One Of The Seven Elements Of
Photography.