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Essay 3 sergei eisenstein cinematic principle & ideogram

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Andrew Abuan
Andrew Abuan

This document discusses principles of cinematography and montage through examples from Chinese and Japanese art and filmmaking. It covers: 1) How ancient Chinese hieroglyphs combined depictions to form ideograms representing abstract concepts, demonstrating montage. 2) Principles of disproportion and montage in filmmaking, like close-ups creating new meaning from parts of an event. 3) Debate between film theorists Pudovkin and Eisenstein on whether montage forms linkage or collision between shots. 4) How optical and acoustic conflicts can be created to challenge expectations, like distorted lenses or stop-motion.

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Cinematic Principle & Ideogram ESSAY 3 SERGEI EISENSTEIN
Cinematography ? The art or science of motion picture photography ? Film directors visual collaborator ? Japanese cinema had traits of montages that were never realized ? Hieroglyph to be used as cinematography for writing and the first contingent forms were the chinese by Ts¡¯ang Chieh Ryan Wariki
Chinese Cinematography ? Fourteen different styles of handwriting in hieroglyph which then crystallize in it¡¯s present form ? Ancient Chinese Bronzes were formed and created 607 symbols of hsiang cheng remains ? Copulation (combination) of two hieroglyphs series to be known as a product and thus ideogram was formed by combined two depictables to represent the ideal of cinematography Ryan Wariki
Ryan Wariki Chinese Ideogram Commands Dog + Mouth = To bark Mouth + Child = To scream Mouth + Bird = To sing Knife + Heart = To sorrow ? Thus all this commands are MONTAGE! ? Abstract concept but they are commands
LaconicForm Laconism helps us with a transition to another point. Japan possesses the laconic form of poetry ¡°Haiki¡± (During the Beginning or the 13th Century) In the modern age this is known as ¡°Haiku¡± or ¡°Hokku¡± Ayiesha Williams
Haiku ( ) Haiku are short poems that use sensory language to capture a feeling or image. ¡°Butterflies are cool in the big, huge, green forest. They fly up so high!¡± Ayiesha Williams
Tanka (¶Ì¸è) Tanka poetry refers to a Japanese five line poem. Tanka translated means ¡°short song.¡± ¡°The weather is cool It's clear that fall is coming The leaves will soon change The days will become shorter And then winter will fall too.¡¯¡¯ Ayiesha Williams
Skaraku¡¯s Faces Skaraku is a creator of the finest prints of the 18th Century. He uses the same expression but these pictures are of a old priest and a young women. Each of his large heads: ? Space between the eyes are little to mock all the faces. ? Nose is twice as long in relation to the eyes. ? Chin stands in no sort of relation to the mouth and the brows. Ayiesha Williams
Monstrous Disproportion ? Disproportion depiction of an event is organically natural to us. ? Monstrous disproportion of a part is normally flowing event. ? Dismember of this part usually turns into a ¡°close up¡± in to a event ? Example: ? Extreme close up of bulging eyes ? Medium shot of the struggle ? Close up of clutching hand ?These shots combined make one newly informed event into one whole scene that a meaning now Bianca Iferika
Monstrous Disproportion ? Everything is represented in passably accurate relationships and with great care in disproportion depiction ? Painting and sculpture are good examples ? Displacing the expressiveness of a art work like a painting or sculpture decree the harmony of the work Bianca Iferika
Absolute Realism ? Absolute realism is by no mean the correct form of perception ? It is basically the function of certain forms of social structure ? Ideological uniformity can be developed pictorially in the ranks of colors and design of the guard regimen Bianca Iferika
Principle of Hieroglyphics ? Principle of creating literary imagery ? Basic principle of depiction ? Lead to theater: ? Splitting into two parts, accordance with function of symbols ? This unite to dual estrangement that sphere into theater Bianca Iferika
Ideographic ? The most important technique in acting is Ideographic (montage) ? A shot is a single piece of celluiod ? Cemented or put together these shot form montage ? Montage is not a assembly of events but the most important element of anaylsis Bianca Iferika
Old school film making phrase ? ¡°Screw by Screw, Brick by Brick¡± ? This is taught by old school filmmakers ? the analysis of the Phrase ? Particles of a story is linked in a whole dramatic chain ? Then the ideas are expressed and accumulated like a shot-cipher just like a brick Bianca Iferika
Pudovkin and Eisenstein Pudovkin Montage as linkage of pieces Andrew Abuan Einstein Montage as a collision (Two given factors arises a concept)
Cinematographic Conflicts ? Montage is CONFLICT ? Conflict of ¡­ ? Graphic Directions ? Scales ? Volumes ? Masses ? Depths Andrew Abuan
Unexpected Conflicts ? Conflicts between an object and its dimension. Conflicts between an event and its duration. ? How? ? Optically distorted lens, and the second by stop- motion or slow-motion Andrew Abuan
Principle of Optical Counterpoint Conflict ? the sound film of acoustics and optics ? between the frame of the shot and the object Andrew Bridge
Symphonie Diagonale (1924) Director ¨C Viking Eggeling Perhaps the first experimental animation film Andrew Bridge
¡°direction¡± of a sequence vs. ¡° picking-out¡± by the camera Conflict between the frame of the shot and the object Andrew Bridge

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Essay 3 sergei eisenstein cinematic principle & ideogram

  • 1. Cinematic Principle & Ideogram ESSAY 3 SERGEI EISENSTEIN
  • 2. Cinematography ? The art or science of motion picture photography ? Film directors visual collaborator ? Japanese cinema had traits of montages that were never realized ? Hieroglyph to be used as cinematography for writing and the first contingent forms were the chinese by Ts¡¯ang Chieh Ryan Wariki
  • 3. Chinese Cinematography ? Fourteen different styles of handwriting in hieroglyph which then crystallize in it¡¯s present form ? Ancient Chinese Bronzes were formed and created 607 symbols of hsiang cheng remains ? Copulation (combination) of two hieroglyphs series to be known as a product and thus ideogram was formed by combined two depictables to represent the ideal of cinematography Ryan Wariki
  • 4. Ryan Wariki Chinese Ideogram Commands Dog + Mouth = To bark Mouth + Child = To scream Mouth + Bird = To sing Knife + Heart = To sorrow ? Thus all this commands are MONTAGE! ? Abstract concept but they are commands
  • 5. LaconicForm Laconism helps us with a transition to another point. Japan possesses the laconic form of poetry ¡°Haiki¡± (During the Beginning or the 13th Century) In the modern age this is known as ¡°Haiku¡± or ¡°Hokku¡± Ayiesha Williams
  • 6. Haiku ( ) Haiku are short poems that use sensory language to capture a feeling or image. ¡°Butterflies are cool in the big, huge, green forest. They fly up so high!¡± Ayiesha Williams
  • 7. Tanka (¶Ì¸è) Tanka poetry refers to a Japanese five line poem. Tanka translated means ¡°short song.¡± ¡°The weather is cool It's clear that fall is coming The leaves will soon change The days will become shorter And then winter will fall too.¡¯¡¯ Ayiesha Williams
  • 8. Skaraku¡¯s Faces Skaraku is a creator of the finest prints of the 18th Century. He uses the same expression but these pictures are of a old priest and a young women. Each of his large heads: ? Space between the eyes are little to mock all the faces. ? Nose is twice as long in relation to the eyes. ? Chin stands in no sort of relation to the mouth and the brows. Ayiesha Williams
  • 9. Monstrous Disproportion ? Disproportion depiction of an event is organically natural to us. ? Monstrous disproportion of a part is normally flowing event. ? Dismember of this part usually turns into a ¡°close up¡± in to a event ? Example: ? Extreme close up of bulging eyes ? Medium shot of the struggle ? Close up of clutching hand ?These shots combined make one newly informed event into one whole scene that a meaning now Bianca Iferika
  • 10. Monstrous Disproportion ? Everything is represented in passably accurate relationships and with great care in disproportion depiction ? Painting and sculpture are good examples ? Displacing the expressiveness of a art work like a painting or sculpture decree the harmony of the work Bianca Iferika
  • 11. Absolute Realism ? Absolute realism is by no mean the correct form of perception ? It is basically the function of certain forms of social structure ? Ideological uniformity can be developed pictorially in the ranks of colors and design of the guard regimen Bianca Iferika
  • 12. Principle of Hieroglyphics ? Principle of creating literary imagery ? Basic principle of depiction ? Lead to theater: ? Splitting into two parts, accordance with function of symbols ? This unite to dual estrangement that sphere into theater Bianca Iferika
  • 13. Ideographic ? The most important technique in acting is Ideographic (montage) ? A shot is a single piece of celluiod ? Cemented or put together these shot form montage ? Montage is not a assembly of events but the most important element of anaylsis Bianca Iferika
  • 14. Old school film making phrase ? ¡°Screw by Screw, Brick by Brick¡± ? This is taught by old school filmmakers ? the analysis of the Phrase ? Particles of a story is linked in a whole dramatic chain ? Then the ideas are expressed and accumulated like a shot-cipher just like a brick Bianca Iferika
  • 15. Pudovkin and Eisenstein Pudovkin Montage as linkage of pieces Andrew Abuan Einstein Montage as a collision (Two given factors arises a concept)
  • 16. Cinematographic Conflicts ? Montage is CONFLICT ? Conflict of ¡­ ? Graphic Directions ? Scales ? Volumes ? Masses ? Depths Andrew Abuan
  • 17. Unexpected Conflicts ? Conflicts between an object and its dimension. Conflicts between an event and its duration. ? How? ? Optically distorted lens, and the second by stop- motion or slow-motion Andrew Abuan
  • 18. Principle of Optical Counterpoint Conflict ? the sound film of acoustics and optics ? between the frame of the shot and the object Andrew Bridge
  • 19. Symphonie Diagonale (1924) Director ¨C Viking Eggeling Perhaps the first experimental animation film Andrew Bridge
  • 20. ¡°direction¡± of a sequence vs. ¡° picking-out¡± by the camera Conflict between the frame of the shot and the object Andrew Bridge