The document describes 25 shots from a film scene involving a hit-man chasing after a woman named Jenny. The shots include various angles and movements that show Jenny realizing she is being followed, trying to disguise herself, running up stairs with a gun, and eventually facing off against the hit-man at the end with their guns drawn, ready to shoot. Titles for the film are then shown across the screen in the final shot.
This document contains a shot list for a film with 7 scenes. Scene 1 introduces pills that control people's lives and hide the truth. Scene 2 shows a mugging where the protagonist loses his pills. Scene 3 indicates someone is a "runner". Scene 4 shows the protagonist hallucinating and fearing as he is chased. Scene 5 is the protagonist's speech. Scene 6 shows the boss looking out a window as an agent listens. Scene 7 has the protagonist receive a threatening phone call before the film ends. The shot list provides technical directions for 36 shots to film these scenes.
The document appears to be a production script that outlines various shots between a character named Matthew and a demon. It includes wide shots, mid shots, close ups, and point of view shots showing the demon strapped to a bed, screaming and hissing while Matthew performs an exorcism ritual. They exchange words with the demon laughing and taunting Matthew before he concludes they are finished and walks away.
The document provides a storyboard for a film with 29 shots. It describes shots showing opening disclaimers and logos, characters being introduced and having conversations, a news report on TV, a killer uploading a video and sending text messages, a jock checking his phone, signs of danger like blood, characters running from a killer and surviving or being killed. The storyboard outlines the visual elements and sequence of scenes for the film.
This document summarizes 9 key shots from the film "Law Abiding Citizen". The shots include: 1) A cutaway of the father and daughter bonding that establishes their relationship and home life. 2) A shot reverse shot conversation between the two characters. 3) An over the shoulder shot of thieves breaking in that foreshadows violence. 4) A mid shot of the intruders' intentions escalating a petty crime. 5) A medium close up of the wife being stabbed. 6) A close up of the protagonist's distressed facial expression while tied up. 7) A mid shot of the daughter witnessing the events silently. 8) A medium close up of one intruder being distressed with the other. 9)
The opening of the film 'Law Abiding Citizen' uses various camera shots, lighting, editing, and sound techniques to set up the thriller genre and themes of the film. Close-ups, medium shots, and over-the-shoulder shots are used to introduce the characters and their relationship. Dim lighting in the family home foreshadows something bad will happen. When intruders attack, the scenes become shorter, faster cuts create panic. Non-diegetic music builds suspense during the attack. Diegetic sounds like radio and voices establish the domestic setting, then dramatic music and sound effects make the violence intense and disturbing for the audience.
The document outlines 15 shots for a scene involving a woman being followed by men. Shot 5 shows the men watching the woman from behind. Shot 6 is a tracking shot of the woman walking away unknowingly. Shot 7 shows the men have started following the woman. Shot 8 is a long shot showing the men in the background as the woman notices and increases her speed to get away.
The document lists 13 shots that would be used to film a scene between two characters, Hannah and Chyna. The shots include long shots, medium shots, point of view shots, close ups, and pans to capture Hannah walking into a room, sitting at a table with Chyna, their dialogue exchange, and Chyna leaving the room.
1. The establishing shot will provide context by showing the location and setting the scene for the audience.
2. A two-shot will be used in the first scene to show the close friendship between the two characters and make the audience feel like they are part of it.
3. Various shot types like tracking shots, wide shots, and point-of-view shots will be used to build suspense as the character Molly slowly walks towards a house, looking suspicious and feeling isolated.
The document describes 48 shots from a horror film sequence. It lists each shot number, type of camera shot, brief description of the scene, and location. The sequence involves two characters interacting and joking around before one leaves, leaving the other alone in a house. An antagonist pursues the lone character through various rooms and floors of the house, ultimately discovering and killing them while the other tries unsuccessfully to return in time.
The document discusses several scenes from the film "Taken" through analyzing different camera shots. It describes a close-up shot of feet that builds mystery, a jump cut between a father and daughter talking to advance the action, and close-up shots of Kim's face showing her fear upon witnessing a friend's kidnapping and then being kidnapped herself.
This document outlines the shot sequence and structure for a horror/thriller film scene. It involves two main characters who encounter an antagonist. There are various shots showing the characters interacting and exploring an area. However, the antagonist is secretly following and watching them. Tension rises as one character gets attacked and the other finds a dead body. The antagonist then chases the remaining character through the area, culminating in a climactic moment where the cupboard is opened with the antagonist and character inside.
The document discusses shot selection and targeting audiences for a thriller film scene. Shots at the beginning are meant to set the scene and build tension without revealing what is in the assassin's hand. Close ups then show the assassin is emotionless and being controlled by a voice in his earpiece. Slow motion shots show the prime minister happy with his wife to emphasize the calm before he is assassinated. Later shots reveal the assassin is the target and build tension as he raises a gun. Action shots show the assassination from the audience's point of view to make it feel real. The assassin then kills himself to elicit sympathy, and a final gun-pointing shot appeals to action fans. The selections are meant to target both
This document outlines a shot schedule and ordering for a film trailer involving a woman, Lauren, who witnesses a murder. It includes establishing shots, point-of-view shots from Lauren's perspective, close-ups showing her fear and reactions, shots of detectives working on the case, and culminating close-ups building tension as the clock counts down to the murderer killing Lauren. The schedule has 34 shots or scenes in total and provides descriptions of camera angles and perspectives to help visualize the unfolding story and build suspense.
This document outlines a shot schedule and ordering for a film trailer involving a woman, Lauren, who witnesses a murder. It includes establishing shots, point-of-view shots from Lauren's perspective witnessing the murder, close-ups showing her fear and calling emergency services, shots of her feeling paranoid and being stalked by the murderer, and shots inside her bathroom where she discovers the murderer. It then includes shots of her kidnapping and imprisonment by the murderer. Finally, it includes shots of detectives working the case and shots building suspense as the clock counts down to the murderer killing Lauren. The schedule involves a variety of shots including establishing shots, close-ups, two-shots, over-the-shoulder shots, and
This document outlines a shot schedule and ordering for a film trailer involving a murder and kidnapping investigation. It includes establishing shots, point-of-view shots from the victim's perspective during the murder and kidnapping, close-ups of the victim's fear and the killer watching her, shots of the detectives investigating, and climactic close-ups building tension as time runs out to save the victim. The schedule aims to immerse the audience in the victim's experience and raise suspense throughout the trailer.
This document outlines 36 shots from a film about a cupid named Daniel. Shot 1 introduces Daniel as he waits for someone. Shots 2-5 show Daniel checking his watch and file, which warns this is his last task. Shots 6-16 focus on Daniel in a coffee shop as a second angel takes his place and uses a bow to make a boy and girl fall in love by shooting them with arrows. Shots 17-29 show the couple's reactions and them falling for each other. Shots 30-36 cut back to Daniel as he watches nervously and tries to explain himself to the second angel, realizing he is in trouble.
The document describes a filmmaker's use of different camera shots to tell a story about school bullying. It outlines the shots in sequence: starting with an overhead establishing shot of the school, then a medium long shot of children playing before a bully arrives, a medium shot of the bully, a medium long shot showing the victim being intimidated from a distance, close ups of the victim's face when being attacked and getting punched, low angles making the bully look powerful and the victim weak and insignificant on the floor crying.
Teen 1 decides to walk through the woods despite his friends' warnings of strange occurrences. He hears noises and sees a silhouette sprint by. The next day, Teen 1 and friends Teen 2 and 3 go into the woods to investigate. They meet up with Teen 4, who argues with Teen 3, causing conflict. While in the woods, they hear screams and footsteps. Teen 4 and 3 storm off. A call is received on the phone saying "you're next" before cutting out. They discover two bodies and the murderer attacks, killing Teen 2. Teen 1 fights and kills the murderer, crying over the loss of his best friend Teen 2 until police arrive.
This document provides a shot list for the film "A Young Understanding" with 36 shots described. It begins with establishing wide shots of an exam hall and introduces the main character. Subsequent shots show the character receiving a text distracting them from the exam. Shots then follow the character leaving the exam with friends and partying with alcohol and drugs. Later shots show the character failing the exam and cleaning up to focus on schoolwork. The shot list ends by coming full circle back to the record player from the beginning.
The document outlines a proposed 2-3 minute crime/psychological thriller film titled "The Last Move". The film would follow a teenager making a delivery to a woman at a south London housing estate at night. As he leaves, he receives a threatening phone call and is then chased through the estate by masked youths wielding a machete. The film aims to build suspense around the identities of the woman, the protagonist, and those pursuing him. Shooting is planned for Central Hill Estate in Upper Norwood, Gipsy Hill, or Crystal Palace on a budget of 贈20-40 for props and equipment.
The document is a re-written shot list for filming that includes 34 numbered shots describing scenes to be filmed for a news story and drug bust. The shots include establishing shots of locations, character POV shots, shots of characters interacting, a chase scene, and a shot of a character watching a news report. Each shot is marked as done once it has been filmed.
A short film will tell the story of Amber, a teenage girl who is peer pressured into taking LSD at a house party. The film follows Amber as she gets ready with friends and arrives at the party. There, she meets drug dealers who offer her drugs. After taking the LSD, Amber's hallucinations become frightening and aggressive, resulting in her passing out. The film aims to warn teenagers and young adults about the dangers of drug use through Amber's experience. It will be shot from Amber's perspective and an outside viewpoint, using school equipment, and rated 15 due to its subject matter.
The document outlines the shots planned for an animatic of a film trailer. It describes 14 shots across 4 scenes: Scene 1 establishes the main character finding a memory stick and viewing its contents; Scene 2 shows his shocked reaction; Scene 3 shows two sinister characters pursuing the main character; Scene 4 has the main character caught and facing questioning at gunpoint before appearing to be killed.
The opening sequence of The Women in Black contains elements of a typical horror film but presents them in a gloomy and creative way. It shows three girls having a tea party with dolls in an attic-like setting. Their play becomes increasingly disturbing as they lose emotion and control of their actions, walking ominously toward an open window. The sequence builds tension by suggesting the girls are being possessed before they jump from the window to their deaths, witnessed by a figure dressed in black. This mysterious opener leaves the audience wanting to learn more about the character in black and the events that transpired.
This document provides a shot list for a film production called "The Money Problem". It outlines 15 shots ranging from close-ups to medium shots that will tell the story of a mobster intimidating a victim in an interrogation scene. The shots progress from establishing shots of the mobster walking down a corridor and the victim waiting worriedly, to tense close-ups of the mobster slamming his hands on the table and the victim reacting with fear and sadness by the end.
This document is a screenplay describing a series of shots showing different characters: a girl on a bench looking at her phone, a businessman walking, an urban teen on stairs, an arrogant girl, and a bully girl. The shots become increasingly frantic as the girl is seen running urgently. News footage is interspersed of crimes, violence, and cyberbullying. All the characters eventually end up in a lift together, and when the doors reopen only the girl is standing, with the others dead on the floor.
The document summarizes scenes from a Halloween movie. It describes a person hiding and watching a couple in their house. When the couple goes upstairs, the lights go out, creating an opportunity for the person to enter the house. Inside, they take a large knife from the drawer. The perspective then shows the person stabbing a woman while she screams. At the end, a boy in a clown costume is revealed to be the killer, holding a big knife in an emotionless way, showing he killed for entertainment.
Tom Harris used various media technologies throughout the different stages of his project. During research and planning, he relied on YouTube to explore postmodernism and genres through film clips. He also used his college's Moodle site, past student blogs, and general internet research on sites like IMDB, Wikipedia, and Google. For production, his group used a Canon DSLR camera, external microphone, and track for shooting. They edited with Adobe Premiere Pro and used Photoshop to manipulate images. For evaluation, Tom presented using PowerPoint and 際際滷share and shared their trailer on YouTube to gain feedback. He also created social media accounts to advertise and keep viewers updated on progress.
The document discusses feedback received on a student film project from various sources:
1) Teachers provided interim feedback that suggested changing the order of scenes in the trailer to make the narrative more chronological. This helped make the film more understandable.
2) Fellow students also provided constant interim feedback on editing techniques and ideas, such as mimicking techniques from "Kill Bill".
3) Questionnaires showed that most agreed with the chosen crime genre and rating of 15. Feedback was positive on the narrative, music, camera work and editing.
4) Social media feedback came after completion and was interesting but not useful for informing choices, though it provided insight into who found the trailer appealing. Overall, interim feedback was most
1. The establishing shot will provide context by showing the location and setting the scene for the audience.
2. A two-shot will be used in the first scene to show the close friendship between the two characters and make the audience feel like they are part of it.
3. Various shot types like tracking shots, wide shots, and point-of-view shots will be used to build suspense as the character Molly slowly walks towards a house, looking suspicious and feeling isolated.
The document describes 48 shots from a horror film sequence. It lists each shot number, type of camera shot, brief description of the scene, and location. The sequence involves two characters interacting and joking around before one leaves, leaving the other alone in a house. An antagonist pursues the lone character through various rooms and floors of the house, ultimately discovering and killing them while the other tries unsuccessfully to return in time.
The document discusses several scenes from the film "Taken" through analyzing different camera shots. It describes a close-up shot of feet that builds mystery, a jump cut between a father and daughter talking to advance the action, and close-up shots of Kim's face showing her fear upon witnessing a friend's kidnapping and then being kidnapped herself.
This document outlines the shot sequence and structure for a horror/thriller film scene. It involves two main characters who encounter an antagonist. There are various shots showing the characters interacting and exploring an area. However, the antagonist is secretly following and watching them. Tension rises as one character gets attacked and the other finds a dead body. The antagonist then chases the remaining character through the area, culminating in a climactic moment where the cupboard is opened with the antagonist and character inside.
The document discusses shot selection and targeting audiences for a thriller film scene. Shots at the beginning are meant to set the scene and build tension without revealing what is in the assassin's hand. Close ups then show the assassin is emotionless and being controlled by a voice in his earpiece. Slow motion shots show the prime minister happy with his wife to emphasize the calm before he is assassinated. Later shots reveal the assassin is the target and build tension as he raises a gun. Action shots show the assassination from the audience's point of view to make it feel real. The assassin then kills himself to elicit sympathy, and a final gun-pointing shot appeals to action fans. The selections are meant to target both
This document outlines a shot schedule and ordering for a film trailer involving a woman, Lauren, who witnesses a murder. It includes establishing shots, point-of-view shots from Lauren's perspective, close-ups showing her fear and reactions, shots of detectives working on the case, and culminating close-ups building tension as the clock counts down to the murderer killing Lauren. The schedule has 34 shots or scenes in total and provides descriptions of camera angles and perspectives to help visualize the unfolding story and build suspense.
This document outlines a shot schedule and ordering for a film trailer involving a woman, Lauren, who witnesses a murder. It includes establishing shots, point-of-view shots from Lauren's perspective witnessing the murder, close-ups showing her fear and calling emergency services, shots of her feeling paranoid and being stalked by the murderer, and shots inside her bathroom where she discovers the murderer. It then includes shots of her kidnapping and imprisonment by the murderer. Finally, it includes shots of detectives working the case and shots building suspense as the clock counts down to the murderer killing Lauren. The schedule involves a variety of shots including establishing shots, close-ups, two-shots, over-the-shoulder shots, and
This document outlines a shot schedule and ordering for a film trailer involving a murder and kidnapping investigation. It includes establishing shots, point-of-view shots from the victim's perspective during the murder and kidnapping, close-ups of the victim's fear and the killer watching her, shots of the detectives investigating, and climactic close-ups building tension as time runs out to save the victim. The schedule aims to immerse the audience in the victim's experience and raise suspense throughout the trailer.
This document outlines 36 shots from a film about a cupid named Daniel. Shot 1 introduces Daniel as he waits for someone. Shots 2-5 show Daniel checking his watch and file, which warns this is his last task. Shots 6-16 focus on Daniel in a coffee shop as a second angel takes his place and uses a bow to make a boy and girl fall in love by shooting them with arrows. Shots 17-29 show the couple's reactions and them falling for each other. Shots 30-36 cut back to Daniel as he watches nervously and tries to explain himself to the second angel, realizing he is in trouble.
The document describes a filmmaker's use of different camera shots to tell a story about school bullying. It outlines the shots in sequence: starting with an overhead establishing shot of the school, then a medium long shot of children playing before a bully arrives, a medium shot of the bully, a medium long shot showing the victim being intimidated from a distance, close ups of the victim's face when being attacked and getting punched, low angles making the bully look powerful and the victim weak and insignificant on the floor crying.
Teen 1 decides to walk through the woods despite his friends' warnings of strange occurrences. He hears noises and sees a silhouette sprint by. The next day, Teen 1 and friends Teen 2 and 3 go into the woods to investigate. They meet up with Teen 4, who argues with Teen 3, causing conflict. While in the woods, they hear screams and footsteps. Teen 4 and 3 storm off. A call is received on the phone saying "you're next" before cutting out. They discover two bodies and the murderer attacks, killing Teen 2. Teen 1 fights and kills the murderer, crying over the loss of his best friend Teen 2 until police arrive.
This document provides a shot list for the film "A Young Understanding" with 36 shots described. It begins with establishing wide shots of an exam hall and introduces the main character. Subsequent shots show the character receiving a text distracting them from the exam. Shots then follow the character leaving the exam with friends and partying with alcohol and drugs. Later shots show the character failing the exam and cleaning up to focus on schoolwork. The shot list ends by coming full circle back to the record player from the beginning.
The document outlines a proposed 2-3 minute crime/psychological thriller film titled "The Last Move". The film would follow a teenager making a delivery to a woman at a south London housing estate at night. As he leaves, he receives a threatening phone call and is then chased through the estate by masked youths wielding a machete. The film aims to build suspense around the identities of the woman, the protagonist, and those pursuing him. Shooting is planned for Central Hill Estate in Upper Norwood, Gipsy Hill, or Crystal Palace on a budget of 贈20-40 for props and equipment.
The document is a re-written shot list for filming that includes 34 numbered shots describing scenes to be filmed for a news story and drug bust. The shots include establishing shots of locations, character POV shots, shots of characters interacting, a chase scene, and a shot of a character watching a news report. Each shot is marked as done once it has been filmed.
A short film will tell the story of Amber, a teenage girl who is peer pressured into taking LSD at a house party. The film follows Amber as she gets ready with friends and arrives at the party. There, she meets drug dealers who offer her drugs. After taking the LSD, Amber's hallucinations become frightening and aggressive, resulting in her passing out. The film aims to warn teenagers and young adults about the dangers of drug use through Amber's experience. It will be shot from Amber's perspective and an outside viewpoint, using school equipment, and rated 15 due to its subject matter.
The document outlines the shots planned for an animatic of a film trailer. It describes 14 shots across 4 scenes: Scene 1 establishes the main character finding a memory stick and viewing its contents; Scene 2 shows his shocked reaction; Scene 3 shows two sinister characters pursuing the main character; Scene 4 has the main character caught and facing questioning at gunpoint before appearing to be killed.
The opening sequence of The Women in Black contains elements of a typical horror film but presents them in a gloomy and creative way. It shows three girls having a tea party with dolls in an attic-like setting. Their play becomes increasingly disturbing as they lose emotion and control of their actions, walking ominously toward an open window. The sequence builds tension by suggesting the girls are being possessed before they jump from the window to their deaths, witnessed by a figure dressed in black. This mysterious opener leaves the audience wanting to learn more about the character in black and the events that transpired.
This document provides a shot list for a film production called "The Money Problem". It outlines 15 shots ranging from close-ups to medium shots that will tell the story of a mobster intimidating a victim in an interrogation scene. The shots progress from establishing shots of the mobster walking down a corridor and the victim waiting worriedly, to tense close-ups of the mobster slamming his hands on the table and the victim reacting with fear and sadness by the end.
This document is a screenplay describing a series of shots showing different characters: a girl on a bench looking at her phone, a businessman walking, an urban teen on stairs, an arrogant girl, and a bully girl. The shots become increasingly frantic as the girl is seen running urgently. News footage is interspersed of crimes, violence, and cyberbullying. All the characters eventually end up in a lift together, and when the doors reopen only the girl is standing, with the others dead on the floor.
The document summarizes scenes from a Halloween movie. It describes a person hiding and watching a couple in their house. When the couple goes upstairs, the lights go out, creating an opportunity for the person to enter the house. Inside, they take a large knife from the drawer. The perspective then shows the person stabbing a woman while she screams. At the end, a boy in a clown costume is revealed to be the killer, holding a big knife in an emotionless way, showing he killed for entertainment.
Tom Harris used various media technologies throughout the different stages of his project. During research and planning, he relied on YouTube to explore postmodernism and genres through film clips. He also used his college's Moodle site, past student blogs, and general internet research on sites like IMDB, Wikipedia, and Google. For production, his group used a Canon DSLR camera, external microphone, and track for shooting. They edited with Adobe Premiere Pro and used Photoshop to manipulate images. For evaluation, Tom presented using PowerPoint and 際際滷share and shared their trailer on YouTube to gain feedback. He also created social media accounts to advertise and keep viewers updated on progress.
The document discusses feedback received on a student film project from various sources:
1) Teachers provided interim feedback that suggested changing the order of scenes in the trailer to make the narrative more chronological. This helped make the film more understandable.
2) Fellow students also provided constant interim feedback on editing techniques and ideas, such as mimicking techniques from "Kill Bill".
3) Questionnaires showed that most agreed with the chosen crime genre and rating of 15. Feedback was positive on the narrative, music, camera work and editing.
4) Social media feedback came after completion and was interesting but not useful for informing choices, though it provided insight into who found the trailer appealing. Overall, interim feedback was most
This document discusses the promotion plan for a new crime film. It will utilize traditional advertising methods like posters, TV ads, and trailers as well as social media on platforms like Facebook, Twitter and Instagram. The target audience is 15-35 year old fans of crime and action films. To generate buzz, the film poster will feature simple outlines of characters rather than photos, creating mystery. A magazine will later reveal who the characters are without spoiling the film. The film will be released on Valentine's Day to target couples seeking an alternative to romantic films. Total Film magazine was selected to promote the film due to its mainstream readers matching the target demographic. The BFI London Film Festival will also be used to market to film enthusiasts.
Our media product challenges conventions through its nonlinear structure, use of pastiche, and hyper-reality. It was influenced by Quentin Tarantino films like Kill Bill. The trailer blurs crime and thriller genres and uses anti-hero protagonists of opposite sexes. Unconventional marketing included viral techniques on social media. Camera work, editing, sound, and lighting were chosen to intrigue audiences and match the postmodern crime genre influenced by Tarantino and Guy Riche. The magazine covers and posters used simple colors and designs featuring the two main characters to attract attention, challenging conventions of typical crime genre marketing.
Postmodernism challenges conventional relationships between audiences and media texts through techniques like nonlinear narratives, challenging representations, and blurring distinctions between genres. Films like Pulp Fiction and Kill Bill exemplify these techniques by using nonlinear storytelling, borrowing from different genres, and playing with audience expectations. Carrie and other remakes also demonstrate postmodern intertextuality through their references and adaptations of previous works. Analyzing trailers and films through concepts like genre, representations, and narrative structure provides insight into postmodern media.
The document reviews a filming day broken into three parts. Part 1 covered the initial filming setup and preparations. Part 2 discussed additional filming that was completed. Part 3 wrapped up with any remaining shots that needed to be captured to conclude filming for the day.
Tom Harris documented his editing process for creating title cards and trailer for a construction diary. They experimented with different editing techniques in Adobe Premiere Pro to create hyperrealistic designs, settling on a simple background picture with a design in the bottom left corner. They also used color correction and keyframes to overlap shots for a split-screen sliding effect, and added sound effects to match images and create a cohesive trailer with voiceover.
The document discusses various media products created to promote a film, including a film trailer, magazine cover, and posters. It examines how each product uses different media formats and conventions. The film trailer uses audiovisual elements to engage audiences across cinema, TV, and online. While challenging crime genre conventions, the trailer incorporates elements from other films to appeal to a wide target audience. The posters and magazine cover provide visual information about the film through creative silhouette images and minimal text. The combination of these promotional materials effectively builds intrigue around the film without revealing too much of the narrative.
A film treatment outlines a story of a con artist named Jenny in Brighton who sells a forged painting and must then evade a hitman hired to kill her. It is later revealed that the hitman is actually Jenny's husband. They stage an elaborate chase and evasion, ultimately deciding to confront each other in an abandoned building to choose money over their marriage.
Each title card in the trailer summarizes part of the storyline using a few short sentences to narrate what could potentially happen, enticing viewers to watch more. Ellipses were used between title cards to create a cliffhanger effect and force viewers to continue watching to see what might occur. The title cards lead up to the final word "SHOWDOWN" which encapsulates the film's narrative of a showdown between the main characters, a husband and wife.
The document analyzes and summarizes three film posters and three film magazine covers. For each poster/magazine, key details are highlighted such as use of color, images, fonts, quotes, and elements that provide clues to the genre and plot. Overall trends noted are use of bold colors, serious expressions, guns or weapons, and minimal text to intrigue audiences without revealing too much about the film.
This document lists potential locations for a media studies portfolio project, including Lily's House, Churchill Square in Brighton, a college, a car park, and an editing suite. It notes whether each location is available and if reconnaissance has been done.
The shooting schedule lists the details for filming the trailer "Unpainted Path" on October 28th. It includes the crew contact information, three filming locations, times, planned scenes and shots, and notes on props, costumes, and filming instructions. The first location is Lily's house where kitchen and entrance scenes will be shot at 12pm. The second location is Churchill Square in Brighton for a 1pm chase scene between the character Jenny and a hitman. Match-on-action shots are requested. The final location is unspecified for additional shots.
The document discusses font, music, and sound effect (SFX) decisions for a project. It describes choosing the "BROKEN DETROIT" font to convey a gritty British crime film feel. It also details searching royalty-free music websites to find an unnerving yet gripping soundtrack, eventually selecting music from Bensounds. Additionally, it incorporates the film score "Twisted Nerve" and decides to create a layered soundboard with SFX, soundtracks, and voiceovers collected from various sources.
Erika White researched the British Board of Certification rules for age ratings and determined that their film would qualify for a 15 rating based on its planned use of frequent strong language and discriminatory language or behavior. While these elements are allowed in a 15 rating, the film will not include stronger portrayals of sexual activity, sexual violence, horror, blood/gore or real sex scenes that could require an 18 rating. As an example, the film trailer cites Mr. and Mrs. Smith which received a 15 rating despite violence but little strong language.
The document is a storyboard for a film titled "Unpainted Path" consisting of 14 shots. It describes each shot, including characters, camera angles, sounds, and timing. Shot 1 introduces the main character Jenny walking towards the camera. Shot 3 shows Jenny entering a room and Shot 4 shows the perspective of a buyer looking at her. Shot 5 depicts Jenny shaking hands with the buyer after making a deal, and Shot 6 shows money sliding across a table. Later shots involve Jenny being followed, a painting smashing, a chase scene between Jenny and a hitman, and close-ups of wedding rings. The storyboard provides direction for each scene in the film.
This is a presentation i've done based on postmodern theory and the media. It includes elements which are postmodern and examples of different genres. I've also analysed some film trailers and a timeline.
This document lists props and costumes needed for a production. The props list includes artwork, a handbag, glasses, a gun, ring, and cigarette. The costumes include a hit man outfit consisting of a shirt, black trousers, long coat and gun, an outfit for Jenny 1 of a white shirt, black skirt, high heels, glasses and handbag, and an outfit for the Buyer of a blazer, black trousers, smart shoes and rings. A costume for Jenny 2 is also listed consisting of a vest top, skirt, jacket and ring.
Just The Facts - Data Modeling Zone 2025Marco Wobben
油
Fully Communication Oriented Information Modeling (FCOIM) is a groundbreaking approach that empowers organizations to communicate with unparalleled precision and elevate their data modeling efforts. FCOIM leverages natural language to facilitate clear, efficient, and accurate communication between stakeholders, ensuring a seamless data modeling process. With the ability to generate artifacts such as JSON, SQL, and DataVault, FCOIM enables data professionals to create robust and integrated data solutions, aligning perfectly with the projects requirements.
You will learn:
* The fundamentals of FCOIM and its role in enhancing communication within data modeling processes.
* How natural language modeling revolutionizes data-related discussions, fostering collaboration and understanding.
* Practical techniques to generate JSON, SQL, and DataVault artifacts from FCOIM models, streamlining data integration and analysis.
The community meetup was held Wednesday March 19, 2025 @ 9:00 AM PST.
The OpenMetadata 1.7 Release Community Meeting is here! We're excited to showcase our brand-new user experience and operational workflows, especially when it comes to getting started with OpenMetadata more quickly. We also have a Community Spotlight with Gorgias, an ecommerce conversational AI platform, and how they use OpenMetadata to manage their data assets and facilitate discovery with AI.
Release 1.7 Highlights:
ィ Design Showcase: Brand-new UX for improved productivity for data teams
Day 1 Experience: AI agents to auto document, tier, classify PII, & test quality
Search Relevancy: Customizable search for more contextual, precise results
Lineage Improvements: Scalable visualization of services, domains, & products
鏝 Domain Enhancements: Improved tag & glossary management across domains
Reverse Metadata: Sync metadata back to sources for consistent governance
Persona UI Customization: Views & workflows tailored to user responsibilities
And more!
Community Spotlight:
Antoine Balliet & Anas El Mhamdi, Senior Data Engineers from Gorgias, will share data management learnings with OpenMetadata, including data source coverage, asset discovery, and data assistance. Gorgias is the Conversational AI platform for ecommerce that drives sales and resolves support inquiries. Trusted by over 15,000 ecommerce brands, Gorgias supports growing independent shops to globally recognizable retailers.
Monthly meeting to present new and up-coming releases, discuss questions and hear from community members.
Mining the xDB; A pipeline for high-powered insightsMark Stiles
油
'Mining the xDB; A pipeline for high-powered insights' is a technical discussion on migrating and transforming Sitecore's xDB analytics and related content into high level data models that can feed business intelligence tools for marketing teams. The talk covers extracting and loading data into a warehouse, transforming the raw data into high level business models using SQL and dbt and providing visual examples of the types of insights that are possible with this new technique. The target audiences are marketers, data professionals and Sitecore itself.
OpenMetadata Community Meeting - 19th March 2025OpenMetadata
油
The community meetup was held Wednesday March 19, 2025 @ 9:00 AM PST.
The OpenMetadata 1.7 Release Community Meeting is here! We're excited to showcase our brand-new user experience and operational workflows, especially when it comes to getting started with OpenMetadata more quickly. We also have a Community Spotlight with Gorgias, an ecommerce conversational AI platform, and how they use OpenMetadata to manage their data assets and facilitate discovery with AI.
Release 1.7 Highlights:
ィ Design Showcase: Brand-new UX for improved productivity for data teams
Day 1 Experience: AI agents to auto document, tier, classify PII, & test quality
Search Relevancy: Customizable search for more contextual, precise results
Lineage Improvements: Scalable visualization of services, domains, & products
鏝 Domain Enhancements: Improved tag & glossary management across domains
Reverse Metadata: Sync metadata back to sources for consistent governance
Persona UI Customization: Views & workflows tailored to user responsibilities
And more!
Community Spotlight:
Antoine Balliet & Anas El Mhamdi, Senior Data Engineers from Gorgias, will share data management learnings with OpenMetadata, including data source coverage, asset discovery, and data assistance. Gorgias is the Conversational AI platform for ecommerce that drives sales and resolves support inquiries. Trusted by over 15,000 ecommerce brands, Gorgias supports growing independent shops to globally recognizable retailers.
Monthly meeting to present new and up-coming releases, discuss questions and hear from community members.
POLICIES, GUIDELINES AND LAWS IN NURSING INFORMATICS .pdfClarenceLopez8
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Filming shot list
1. FILMING SHOT LIST by Erika White
Group No:
Scene /Location Name:
Date:
Shot Number Action description Shot Description
Size/angle/movement
1 Jenny walking down the corridor Tracking Long shot
2 Tracking Long Shot in reverse
3 The buyer handing over the money to Jenny High Angle medium shot
4 Documents, map and painting on desk Close up tracking shot
5 Jenny circling a location on the map Over the shoulder, medium shot
6 Close up zoom
7 Jenny cooking in the kitchen Birds eye medium shot
8 The hitman walking into the house- just showing his
feet
Low angle medium shot
9 Hitman walking through the door Medium Still shot-match on
action
10 with gun in hand Medium Still shot-match on
action
11 Jenny realises shes being followed and runs away Long shot
2. 12 The hitman is following Jenny Over the shoulder medium shot
13 The hitman walks into the frame holding a gun up. Medium shot
14 Jenny looks behind her and runs down some stairs Medium Long shot
15 Jenny runs down some stairs, trying to get away from
the hitman
Panning medium shot, match on
action
16 Focuses on Jenny grabbing a strangers coat to try and
disguise herself from the killer.
Long Panning shot, match on
action
17 Jenny running up some stairs with a gun Medium follow
18 Shows Jenny running up the stairs Birds eye view, long shot, match
on action
19 Hitmans feet walking through door Low angle medium shot
20 Jenny running to car
21 Car driving off
22 Feet walking along corridor Low angle tracking shot
23 Legs walking in time along corridor
24
25 Ending scene of two guns facing each other about to
shoot, with the title of the film across the screen.
Medium still shot