This summary provides the key details and events from the short story "Footnote to Youth" by Jose Garcia Villa:
Dodong is a 17-year-old farmer who decides he wants to marry his girlfriend Teang. He tells his father of his decision, who remains silent at first but eventually gives his permission. Dodong and Teang marry and have their first child together. However, Dodong and Teang struggle with the responsibilities of marriage and parenthood at such a young age. Over the years, Teang gives birth to many more children, taking a toll on her health. When Dodong's eldest son Blas also decides to marry young, Dodong is hesitant but realizes he cannot stop the desires
- Dodong is a 17-year-old farmer who works the land with his father. He has decided he wants to marry his girlfriend Teang.
- Dodong tells his father of his intention to marry. His father remains silent, making Dodong uncomfortable. Eventually his father gives his permission.
- Nine months later, Teang gives birth to Dodong's son. Dodong is ashamed and feels too young for fatherhood. However, seeing his newborn son fills him with happiness.
- Over the next six years, Teang gives birth to many more children, straining her health. Dodong does not want more children but they keep coming.
Dodong was a 17-year-old farmer who felt he had become a man due to physical changes like pimples. He wanted to marry his girlfriend Teang, seeing marriage as something men did. His father was hesitant but eventually agreed. Teang gave birth to their first child when Dodong was very young. Though happy to be a father, Dodong was embarrassed by his youthful parenthood and felt guilty. His and Teang's lives then became defined by endless work, childrearing, and financial struggles as they had many more children.
The story "Dead Stars" by Paz Marquez-Benitez is about a love triangle between Alfredo, Esperanza, and Julia in the early 1900s in the Philippines. Alfredo is engaged to Esperanza but meets Julia and falls in love with her. However, due to societal expectations and not wanting to hurt Esperanza, Alfredo marries Esperanza instead of pursuing his love for Julia. The story explores themes of forbidden love and having to make difficult relationship choices due to family and societal pressures.
"A Night in the HillsBy: Paz Marquez BenitezMack Perucho
油
Paz Marquez-Benitez was a pioneering Filipino writer born in 1894 who authored the first modern Filipino short story in English. She taught short story writing at the University of the Philippines and influenced many writers, founding the Philippine Women's College which is now the Philippine Women's University. Her short story "A Night in the Hills" describes a man who fulfills his dream of visiting a forest but finds it is not what he imagined.
The document provides a summary of the origin story of rice among the people of Bohol in the Philippines. It describes how their ancestors lived by hunting and gathering until a group of hunters encountered gods in the mountains who shared rice with them. The hunters were initially reluctant to eat the small white grains but were convinced to try rice by the gods. This was the first introduction of rice to the people of Bohol.
The document summarizes the short story "Clay" by Juan T. Gatbonton. It describes the characters of the young boy who narrates the story, his best friend Clay who is an American soldier, and his admired teacher Ms. Rosete. It provides a plot synopsis of the boy's friendship with Clay and the introduction of Ms. Rosete, which leads Clay to take advantage of her. It also discusses themes of Filipinas being exploited by Americans during the colonial period, and symbols like the pool representing Ms. Rosete's purity and the carabao representing Clay's disrespect.
This story is about a love triangle between Alfredo, Esperanza, and Julia. Alfredo meets and falls for Julia while visiting her family with his father. On their visits, Alfredo and Julia grow closer. However, Alfredo is engaged to Esperanza. After realizing his growing feelings for Julia, Alfredo struggles with choosing between his love for Julia and his commitment to Esperanza. In the end, Alfredo marries Esperanza, though he never fully gets over Julia. Years later, after being sent away for work, Alfredo encounters Julia again and discovers that his love for her has faded.
Early Philippine literature was passed down orally and written using indigenous scripts like baybayin. Common forms included songs, riddles, proverbs and epics. Songs varied by region and occasion, from lullabies to love songs. Riddles often used metaphor and rhyme. Major ethnic groups had their own epics that were orally transmitted and featured supernatural elements. Early literature provided insights into pre-colonial Philippine societies before Spanish influence.
The story follows Dodong, who married young at 17 to Teang. They had many children in quick succession, wearing
down Teang. Years later, their son Blas announced he wants to marry young as well. Dodong counsels him to
think twice, since Dodong's own early marriage led to a difficult life. However, Dodong cannot stop Blas, as "youth
must triumph."
Bienvenido N. Santos was a Filipino-American writer born in 1911 in Manila who lived much of his life in the United States. He published numerous short stories, novels, poems, and essays exploring the Filipino immigrant experience and themes of exile. Santos received many honors including Rockefeller, Guggenheim, and Fulbright fellowships. He taught at several universities and won several literary prizes before passing away in 1996.
The document provides an overview of ancient Egyptian history, culture, and society. It describes how Egypt was ruled by pharaohs for over 3,000 years and was unified around 3100 BC. Egyptian civilization depended on the fertile land along the Nile River. Egyptians also developed hieroglyphic writing, built pyramids and temples, and had religious beliefs centered around gods like Osiris and myths. Literature included poems, stories, and texts written on tombs.
This document contains introductions and examples of different types of Philippine oral lore including riddles, proverbs, and sayings. Riddles are indirect descriptions of objects that must be guessed. Examples of riddles include descriptions of a coconut, the sky and water, and a wild boar. Proverbs contain advice or truths and reflect cultural values. Example proverbs encourage perseverance and nonviolence. Sayings express common beliefs and lessons through short phrases. The document seeks to preserve elements of Philippine folk culture and wisdom.
Mareng Mensiya was a mistress of a policeman who lived comfortably with her daughter Mely, but struggled as a widow working as a laundrywoman after her husband died. When her daughter Mely eloped and her son-in-law lost his job, they left Mareng Mensiya who worked as an unpaid servant in different households until she passed away in the home of the narrator who cared for her in her final days. The story depicts Mareng Mensiya's life and fate after losing her comfortable life and being abandoned by her daughter.
The legend tells the story of Daragang Magayon, a beautiful maiden in ancient Bikolandia who fell in love with Panganoron, a man outside her village. However, the village chieftain Pagtuga also desired Magayon and kidnapped her father to force her into marriage. Panganoron fought Pagtuga to rescue his love, but both lovers were killed in the battle. Afterwards, Rajah Makusog dug their graves, which then turned into the volcano Mount Mayon as a symbol of the lovers' eternal bond.
The story entitled The Mats was written by Francisco Arcellana, one of the meritorious literary Filipino artists. The story depicts a typical Filipino family culture. It portrays close family relationship, respect for the elders, and remembering our loved ones who passed away.
Daedalus was an architect known for his inventions who was imprisoned by King Minos of Crete and forced to build a labyrinth to contain the Minotaur. Theseus volunteered to enter the labyrinth and kill the Minotaur, aided by Ariadne who provided him with a ball of thread. Theseus used the thread to escape the labyrinth after killing the Minotaur. To escape from Crete, Daedalus crafted wings for himself and his son Icarus from feathers and wax, but Icarus flew too close to the sun, melting the wax and causing him to fall into the sea. Daedalus continued on alone to Sicily.
This document discusses different types of traditional Filipino folk literature:
- Bugtong/Burburti - riddles or puzzles with surprising or amusing answers that are mysteries or hard to explain. Often presented as games.
- Examples of bugtong/burburti riddles are provided.
- Proverbs - brief sayings that provide advice on how to live or express beliefs thought to be generally true. Examples of proverbs in different Filipino languages are given.
- Tanaga - short poetic forms used to comment on life situations or human characteristics. Structure and styles of tanaga forms like 3-line and 5-line stanzas are described.
1) Maria arrives with Baldo's brother Leon to visit their family home in Nagrebcan. She is described as tall, lovely, and fragrant.
2) Leon introduces Maria to Baldo and their bull Labang. Maria hesitantly pets Labang at Baldo's encouragement.
3) They take Labang's cart along an unusual route back to the family home, with Maria and Leon laughing and talking together affectionately in the back of the cart.
The summary provides key details about Jose Garcia Villa's short story "Footnote to Youth" in 3 sentences:
Dudong is a 17-year-old man who impatiently waits to tell his father of his love for Teang and desire to marry her, however questions arise about their young age. Years later, when Dudong and Teang have 7 children together and Teang's body has been worn down by childbearing, their son Blas also announces his wish to marry young, leading Dudong to question if he too will regret it. The story explores the realities of responsibility that set in after the idealism of youthful love.
This summary analyzes the short story "The Virgin" through a feminist literary lens. It examines how the female protagonist, Miss Mijares, is portrayed and symbolized through her physical description, actions, and interactions with the male carpenter. Specific symbols like the wooden bird paperweight, dreams of being lost, and a rainstorm are analyzed to represent Miss Mijares' suppressed desires and sacrifice of her personal goals to fulfill family and social duties as an unmarried woman in a patriarchal society. The virginal and dutiful nature expected of her by cultural norms is discussed as leaving her unfulfilled by the end of the story.
This chapter summary provides background on the main characters introduced in Chapter 1 of the novel "A Child of Sorrow" by Zoilo Galang. Lucio Soliman, the protagonist, travels with his friend Camilo to spend their vacation in Merry Town. There they meet Rosa Garcia, the beautiful daughter of Felipa-On, and Lucio's poetic spirit is aroused. The chapter also mentions other characters like Governor Don Pancho Ismael and Juan dela Cruz who will likely play roles in the story.
Spanish colonial texts and Pre-colonial texts CompilationLouela Maglasang
油
This document provides summaries of pre-colonial literary texts from various Philippine ethnic groups. It describes forms of traditional narratives, poems, and epics that showcase supernatural events and heroes. Two example epics are provided: Biag ni Lam-ang of the Ilocanos, which tells of the prodigious hero Lam-ang, and The Agyu of the Manobos, a three-part epic about a hero leading his people to a promised land. The document also includes examples of traditional poems and summaries of ethnic myths from the Iloko and Ibanag peoples involving gods and supernatural events.
The document discusses Philippine mythology, focusing on deities of the ancient Tagalog people. It describes the pantheon of Tagalog gods, dividing them into three generations based on their origins. The first generation of supreme gods included Bathala the creator, Amanikable the sea god, and Idiyanale the agriculture god. Their offspring, the second generation, contained deities like Mayari the moon goddess. The document also outlines some harmful deities such as Sitan the devil and his agents of disease and destruction.
1) Dodong is a 17-year-old farmer who decides he wants to marry his girlfriend Teang. He tells his father of his decision, who remains silent at first but eventually gives his permission.
2) Teang gives birth to their first child, a boy named Blas. Though embarrassed at his new role as a father, Dodong is happy to meet his son.
3) Years later, Dodong and Teang have many more children together. Their son Blas also decides at a young age that he wants to marry his girlfriend Tona, and Dodong feels helpless to prevent it, remembering his own youth.
Dodong is a 17-year-old farmer who wants to marry his girlfriend Teang. He tells his father of his plans, hesitant of his reaction. His father gives his blessing to the marriage. Over the next six years, Teang gives birth to multiple children. Dodong grows frustrated with the responsibilities of parenthood. Years later, Dodong's son Blas also announces plans to marry young. Dodong is saddened, remembering his own youthful dreams that did not come to pass, and the struggles of early marriage and parenthood. He worries that Blas too will have dreams interrupted but ultimately cannot stop him.
Early Philippine literature was passed down orally and written using indigenous scripts like baybayin. Common forms included songs, riddles, proverbs and epics. Songs varied by region and occasion, from lullabies to love songs. Riddles often used metaphor and rhyme. Major ethnic groups had their own epics that were orally transmitted and featured supernatural elements. Early literature provided insights into pre-colonial Philippine societies before Spanish influence.
The story follows Dodong, who married young at 17 to Teang. They had many children in quick succession, wearing
down Teang. Years later, their son Blas announced he wants to marry young as well. Dodong counsels him to
think twice, since Dodong's own early marriage led to a difficult life. However, Dodong cannot stop Blas, as "youth
must triumph."
Bienvenido N. Santos was a Filipino-American writer born in 1911 in Manila who lived much of his life in the United States. He published numerous short stories, novels, poems, and essays exploring the Filipino immigrant experience and themes of exile. Santos received many honors including Rockefeller, Guggenheim, and Fulbright fellowships. He taught at several universities and won several literary prizes before passing away in 1996.
The document provides an overview of ancient Egyptian history, culture, and society. It describes how Egypt was ruled by pharaohs for over 3,000 years and was unified around 3100 BC. Egyptian civilization depended on the fertile land along the Nile River. Egyptians also developed hieroglyphic writing, built pyramids and temples, and had religious beliefs centered around gods like Osiris and myths. Literature included poems, stories, and texts written on tombs.
This document contains introductions and examples of different types of Philippine oral lore including riddles, proverbs, and sayings. Riddles are indirect descriptions of objects that must be guessed. Examples of riddles include descriptions of a coconut, the sky and water, and a wild boar. Proverbs contain advice or truths and reflect cultural values. Example proverbs encourage perseverance and nonviolence. Sayings express common beliefs and lessons through short phrases. The document seeks to preserve elements of Philippine folk culture and wisdom.
Mareng Mensiya was a mistress of a policeman who lived comfortably with her daughter Mely, but struggled as a widow working as a laundrywoman after her husband died. When her daughter Mely eloped and her son-in-law lost his job, they left Mareng Mensiya who worked as an unpaid servant in different households until she passed away in the home of the narrator who cared for her in her final days. The story depicts Mareng Mensiya's life and fate after losing her comfortable life and being abandoned by her daughter.
The legend tells the story of Daragang Magayon, a beautiful maiden in ancient Bikolandia who fell in love with Panganoron, a man outside her village. However, the village chieftain Pagtuga also desired Magayon and kidnapped her father to force her into marriage. Panganoron fought Pagtuga to rescue his love, but both lovers were killed in the battle. Afterwards, Rajah Makusog dug their graves, which then turned into the volcano Mount Mayon as a symbol of the lovers' eternal bond.
The story entitled The Mats was written by Francisco Arcellana, one of the meritorious literary Filipino artists. The story depicts a typical Filipino family culture. It portrays close family relationship, respect for the elders, and remembering our loved ones who passed away.
Daedalus was an architect known for his inventions who was imprisoned by King Minos of Crete and forced to build a labyrinth to contain the Minotaur. Theseus volunteered to enter the labyrinth and kill the Minotaur, aided by Ariadne who provided him with a ball of thread. Theseus used the thread to escape the labyrinth after killing the Minotaur. To escape from Crete, Daedalus crafted wings for himself and his son Icarus from feathers and wax, but Icarus flew too close to the sun, melting the wax and causing him to fall into the sea. Daedalus continued on alone to Sicily.
This document discusses different types of traditional Filipino folk literature:
- Bugtong/Burburti - riddles or puzzles with surprising or amusing answers that are mysteries or hard to explain. Often presented as games.
- Examples of bugtong/burburti riddles are provided.
- Proverbs - brief sayings that provide advice on how to live or express beliefs thought to be generally true. Examples of proverbs in different Filipino languages are given.
- Tanaga - short poetic forms used to comment on life situations or human characteristics. Structure and styles of tanaga forms like 3-line and 5-line stanzas are described.
1) Maria arrives with Baldo's brother Leon to visit their family home in Nagrebcan. She is described as tall, lovely, and fragrant.
2) Leon introduces Maria to Baldo and their bull Labang. Maria hesitantly pets Labang at Baldo's encouragement.
3) They take Labang's cart along an unusual route back to the family home, with Maria and Leon laughing and talking together affectionately in the back of the cart.
The summary provides key details about Jose Garcia Villa's short story "Footnote to Youth" in 3 sentences:
Dudong is a 17-year-old man who impatiently waits to tell his father of his love for Teang and desire to marry her, however questions arise about their young age. Years later, when Dudong and Teang have 7 children together and Teang's body has been worn down by childbearing, their son Blas also announces his wish to marry young, leading Dudong to question if he too will regret it. The story explores the realities of responsibility that set in after the idealism of youthful love.
This summary analyzes the short story "The Virgin" through a feminist literary lens. It examines how the female protagonist, Miss Mijares, is portrayed and symbolized through her physical description, actions, and interactions with the male carpenter. Specific symbols like the wooden bird paperweight, dreams of being lost, and a rainstorm are analyzed to represent Miss Mijares' suppressed desires and sacrifice of her personal goals to fulfill family and social duties as an unmarried woman in a patriarchal society. The virginal and dutiful nature expected of her by cultural norms is discussed as leaving her unfulfilled by the end of the story.
This chapter summary provides background on the main characters introduced in Chapter 1 of the novel "A Child of Sorrow" by Zoilo Galang. Lucio Soliman, the protagonist, travels with his friend Camilo to spend their vacation in Merry Town. There they meet Rosa Garcia, the beautiful daughter of Felipa-On, and Lucio's poetic spirit is aroused. The chapter also mentions other characters like Governor Don Pancho Ismael and Juan dela Cruz who will likely play roles in the story.
Spanish colonial texts and Pre-colonial texts CompilationLouela Maglasang
油
This document provides summaries of pre-colonial literary texts from various Philippine ethnic groups. It describes forms of traditional narratives, poems, and epics that showcase supernatural events and heroes. Two example epics are provided: Biag ni Lam-ang of the Ilocanos, which tells of the prodigious hero Lam-ang, and The Agyu of the Manobos, a three-part epic about a hero leading his people to a promised land. The document also includes examples of traditional poems and summaries of ethnic myths from the Iloko and Ibanag peoples involving gods and supernatural events.
The document discusses Philippine mythology, focusing on deities of the ancient Tagalog people. It describes the pantheon of Tagalog gods, dividing them into three generations based on their origins. The first generation of supreme gods included Bathala the creator, Amanikable the sea god, and Idiyanale the agriculture god. Their offspring, the second generation, contained deities like Mayari the moon goddess. The document also outlines some harmful deities such as Sitan the devil and his agents of disease and destruction.
1) Dodong is a 17-year-old farmer who decides he wants to marry his girlfriend Teang. He tells his father of his decision, who remains silent at first but eventually gives his permission.
2) Teang gives birth to their first child, a boy named Blas. Though embarrassed at his new role as a father, Dodong is happy to meet his son.
3) Years later, Dodong and Teang have many more children together. Their son Blas also decides at a young age that he wants to marry his girlfriend Tona, and Dodong feels helpless to prevent it, remembering his own youth.
Dodong is a 17-year-old farmer who wants to marry his girlfriend Teang. He tells his father of his plans, hesitant of his reaction. His father gives his blessing to the marriage. Over the next six years, Teang gives birth to multiple children. Dodong grows frustrated with the responsibilities of parenthood. Years later, Dodong's son Blas also announces plans to marry young. Dodong is saddened, remembering his own youthful dreams that did not come to pass, and the struggles of early marriage and parenthood. He worries that Blas too will have dreams interrupted but ultimately cannot stop him.
Dodong, a 17-year-old farmer, decides he wants to marry his girlfriend Teang. He tells his father of his plan, who remains silent at first. Dodong asserts himself, and his father eventually gives his permission. Teang and Dodong marry and have many children in quick succession, which takes a toll on Teang's health and leaves Dodong feeling angry and tired. Dodong begins to question why life does not fulfill all of youth's dreams and why love is sometimes forsaken.
The document is a story told by a grandmother to her two granddaughters. It follows the love stories of Dodong and Teang, and later their son Blas and his love Tona. Dodong struggles to gain his father's approval to marry Teang at a young age. They marry and have many children, which strains their relationship. Years later, Blas also falls in love young and wants to marry Tona, facing resistance from Dodong who doesn't want him to repeat his mistakes. The grandmother concludes by reflecting on her own past as Tona from the story, and advises the girls not to rush into decisions about love.
The Pause Legacy - Chapter 3:More Cake Pleasepauselegacy
油
Chapter 3 follows Edmund's family as the twins Jude and Dion have their birthdays and grow into toddlers and teenagers. Jude becomes more disrespectful while Dion remains friendly. Zared struggles to find purpose and romance, first attempting to woo girls with Kingfisher and later lying to Jaimey Hart. The chapter teases future stories of Zared in military training and which twin will grow up cutest.
The story describes an unfinished bridge that was being built by a man named God who married a woman named Ipogao. God instructed Ipogao not to disturb his work on the bridge, but she grew worried when he did not return home for many days. Despite God's instructions, Ipogao brought him food and discovered that he was using fire to build the bridge. When God realized Ipogao had seen him, he abandoned the unfinished bridge and left the village. The partial bridge remains as evidence of God's attempt to connect the two sides.
The Pause Legacy - Chapter 2: Process Malfunctionpauselegacy
油
Pauline gives birth to twins Jude and Dion. While the household becomes chaotic with three children, tensions rise between Pauline and Edmund after Pauline kisses another man at a party. Edmund asks Pauline to leave, but she goes into labor with their fourth child. Edmund rushes to the hospital to be with Pauline, as their relationship remains uncertain. Zared, their eldest, continues to be unenthusiastic about most things in his life.
Evangeline left her home after her friend's wedding and moved into an unfinished house. She contacted a gypsy to set her up with David, her teenage love, but had no success. She later discovered David worked with her. They rekindled their romance and realized they still had strong feelings for each other. David proposed and they married, having a son named Aidan together a few years later. However, Evangeline was still curious about David's past and his relationship with Don Lothario.
The story is about a boy named Jorgito who becomes very angry at his friend Pedrito for humiliating him in front of his friends. Jorgito tells his father that he wants bad things to happen to Pedrito and even wants him to get sick. His father takes Jorgito to the garden and has him throw pieces of coal at a white shirt hanging on the clothesline, representing throwing bad thoughts at Pedrito. After Jorgito tires himself out throwing coal, his father shows him that he has gotten completely covered in coal from the bad thoughts. The father explains that the bad thoughts Jorgito wished on Pedrito instead came back to dirty him. He teaches Jorgito to be careful of his thoughts
The Pause Legacy - Chapter 7: How Cute Is This Damn Kid?!pauselegacy
油
This document provides an overview of the Pause legacy in The Sims 3. It introduces several generations of the family and describes their lives, relationships, careers and events like births and deaths. Edmund Pause passes away at a young age, much to the family's sadness. His son Jude seeks revenge on Shanna for breaking Edmund's heart. Shanna gives birth to twins but is not happy about it. The document teases checking in on other family members and choosing the next heir to the legacy.
Dawn receives a call that her father has passed away. She and her fianc辿 Gabe travel back to her hometown for the funeral. At the funeral reception, Dawn's ex Don shows up, causing a confrontation with Gabe and Dawn's brothers. Don refuses to accept that Dawn has moved on and threatens Gabe, though he eventually leaves. Dawn introduces Gabe to her family as her fianc辿.
Dawn is pregnant and tending her garden while longing for her fianc辿 Gabe to return home. Her ex Don shows up at her house, having become unstable and obsessed with Dawn. He threatens Dawn and her loved ones, demanding she marry him and come away with him. Dawn tries to escape to call for help but Don catches her, enraged at her defiance.
The document provides a summary of three connected stories:
1) A young girl is preparing for her arranged marriage, seeing herself as a bride for the first time. She has doubts but is reassured by her mother.
2) Her groom is unhappy about the arranged marriage as well, as he did not know the bride beforehand. During the ceremony, he is shocked to learn his bride is only 9 years old.
3) Years later, the bride is now an adult traveling alone. She meets a man on her flight who is also traveling alone, and they connect through brief conversation.
The document describes Parasite returning home after being away and inviting her fianc辿 Dongsool to move in with her. Despite her father's reservations about meeting Dongsool that night, Parasite insists he come over. By morning, Dongsool has moved in and Parasite's family is rushing to prepare for her impromptu wedding ceremony in the backyard.
Tosha discovers she is pregnant with her third child. At dinner, Victoria and Simon discuss the possibility of a new sibling. Meanwhile, Bella confronts her father about his disapproval of her marriage to George, telling him he is not welcome at the wedding if he cannot be polite. On her wedding day, Bella is relieved to see that her father has come.
Dawn goes on a date with Don Lothario, an attractive man in her town, despite warnings from her friend Max and mother that Don is untrustworthy. During their date at the park, Don looks Dawn over in a hungry way, making her feel nervous butterflies in her stomach. Dawn is aware of the concerns about Don but finds her feelings for him confusing and compelling.
The Quest for Peace: Chapter 20, part 3Lauren Patton
油
The document describes a birthday party for Andromeda and Orion, the last children of Generation 6. Solan attends and discusses half-gods with Andromeda. Bliss talks about his large family and children who will be part of the next generation for the Quest. Pandora has triplets and then a daughter, completing her family. Icarus prepares to enter teenhood as the oldest of the next generation.
- The chief Labong'o has returned to the village without news of when it will rain, worrying the villagers.
- The medicine man Ndithi has a vision that the ancestor Podho demands the sacrifice of Oganda, Labong'o's beautiful daughter, to the lake monster in order to make it rain.
- Labong'o is devastated by this prophecy and dreads telling Oganda and the villagers. He must decide whether to sacrifice Oganda to save the tribe or refuse and risk the tribe's destruction.
1. Footnote to Youth by Jose Garcia Villa
The sun was salmon and hazy in the west. Dodong thought to himself he would tell his father
about Teang when he got home, after he had unhitched the carabao from the plow, and let it
to its shed and fed it. He was hesitant about saying it, but he wanted his father to know.
What he had to say was of serious import as it would mark a climacteric in his life. Dodong
finally decided to tell it, at a thought came to him his father might refuse to consider it. His
father was silent hard-working farmer who chewed areca nut, which he had learned to do
from his mother, Dodong's grandmother.
I will tell it to him. I will tell it to him.
The ground was broken up into many fresh wounds and fragrant with a sweetish earthy
smell. Many slender soft worms emerged from the furrows and then burrowed again deeper
into the soil. A short colorless worm marched blindly to Dodong's foot and crawled calmly
over it. Dodong go tickled and jerked his foot, flinging the worm into the air. Dodong did not
bother to look where it fell, but thought of his age, seventeen, and he said to himself he was
not young any more.
Dodong unhitched the carabao leisurely and gave it a healthy tap on the hip. The beast
turned its head to look at him with dumb faithful eyes. Dodong gave it a slight push and the
animal walked alongside him to its shed. He placed bundles of grass before it land the
carabao began to eat. Dodong looked at it without interests.
Dodong started homeward, thinking how he would break his news to his father. He wanted to
marry, Dodong did. He was seventeen, he had pimples on his face, the down on his upper
lip already was dark--these meant he was no longer a boy. He was growing into a man--he
was a man. Dodong felt insolent and big at the thought of it although he was by nature low in
statue. Thinking himself a man grown, Dodong felt he could do anything.
He walked faster, prodded by the thought of his virility. A small angled stone bled his foot,
but he dismissed it cursorily. He lifted his leg and looked at the hurt toe and then went on
walking. In the cool sundown he thought wild you dreams of himself and Teang. Teang, his
girl. She had a small brown face and small black eyes and straight glossy hair. How
desirable she was to him. She made him dream even during the day.
Dodong tensed with desire and looked at the muscles of his arms. Dirty. This field
work was healthy, invigorating but it begrimed you, smudged you terribly. He turned back the
way he had come, then he marched obliquely to a creek.
Dodong stripped himself and laid his clothes, a gray undershirt and red kundiman shorts, on
the grass. The he went into the water, wet his body over, and rubbed at it vigorously. He was
not long in bathing, then he marched homeward again. The bath made him feel cool.
It was dusk when he reached home. The petroleum lamp on the ceiling already was lighted
and the low unvarnished square table was set for supper. His parents and he sat down on
the floor around the table to eat. They had fried fresh-water fish, rice, bananas, and caked
sugar.
Dodong ate fish and rice, but did not partake of the fruit. The bananas were overripe and
when one held them they felt more fluid than solid. Dodong broke off a piece of the cakes
sugar, dipped it in his glass of water and ate it. He got another piece and wanted some
more, but he thought of leaving the remainder for his parents.
Dodong's mother removed the dishes when they were through and went out to the batalan to
wash them. She walked with slow careful steps and Dodong wanted to help her carry the
dishes out, but he was tired and now felt lazy. He wished as he looked at her that he had a
sister who could help his mother in the housework. He pitied her, doing all the housework
alone.
His father remained in the room, sucking a diseased tooth. It was paining him again, Dodong
knew. Dodong had told him often and again to let the town dentist pull it out, but he was
afraid, his father was. He did not tell that to Dodong, but Dodong guessed it. Afterward
Dodong himself thought that if he had a decayed tooth he would be afraid to go to the
dentist; he would not be any bolder than his father.
Dodong said while his mother was out that he was going to marry Teang. There it was out,
what he had to say, and over which he had done so much thinking. He had said it without
any effort at all and without self-consciousness. Dodong felt relieved and looked at his father
expectantly. A decrescent moon outside shed its feeble light into the window, graying the still
black temples of his father. His father looked old now.
"I am going to marry Teang," Dodong said.
His father looked at him silently and stopped sucking the broken tooth. The silence became
intense and cruel, and Dodong wished his father would suck that troublous tooth again.
Dodong was uncomfortable and then became angry because his father kept looking at him
without uttering anything.
"I will marry Teang," Dodong repeated. "I will marry Teang."
His father kept gazing at him in inflexible silence and Dodong fidgeted on his seat.
"I asked her last night to marry me and she said...yes. I want your permission. I... want...
it...." There was impatient clamor in his voice, an exacting protest at this coldness, this
indifference. Dodong looked at his father sourly. He cracked his knuckles one by one, and
the little sounds it made broke dully the night stillness.
"Must you marry, Dodong?"
Dodong resented his father's questions; his father himself had married. Dodong made a
quick impassioned easy in his mind about selfishness, but later he got confused.
2. "You are very young, Dodong."
"I'm... seventeen."
"That's very young to get married at."
"I... I want to marry...Teang's a good girl."
"Tell your mother," his father said.
"You tell her, tatay."
"Dodong, you tell your inay."
"You tell her."
"All right, Dodong."
"You will let me marry Teang?"
"Son, if that is your wish... of course..." There was a strange helpless light in his father's
eyes. Dodong did not read it, so absorbed was he in himself.
Dodong was immensely glad he had asserted himself. He lost his resentment for his father.
For a while he even felt sorry for him about the diseased tooth. Then he confined his mind to
dreaming of Teang and himself. Sweet young dream....
-------------------------------------------
Dodong stood in the sweltering noon heat, sweating profusely, so that his camiseta was
damp. He was still as a tree and his thoughts were confused. His mother had told him not to
leave the house, but he had left. He had wanted to get out of it without clear reason at all. He
was afraid, he felt. Afraid of the house. It had seemed to cage him, to compares his thoughts
with severe tyranny. Afraid also of Teang. Teang was giving birth in the house; she gave
screams that chilled his blood. He did not want her to scream like that, he seemed to be
rebuking him. He began to wonder madly if the process of childbirth was really painful. Some
women, when they gave birth, did not cry.
In a few moments he would be a father. "Father, father," he whispered the word with awe,
with strangeness. He was young, he realized now, contradicting himself of nine months
comfortable... "Your son," people would soon be telling him. "Your son, Dodong."
Dodong felt tired standing. He sat down on a saw-horse with his feet close together. He
looked at his callused toes. Suppose he had ten children... What made him think that? What
was the matter with him? God!
He heard his mother's voice from the house:
"Come up, Dodong. It is over."
Suddenly he felt terribly embarrassed as he looked at her. Somehow he was ashamed to his
mother of his youthful paternity. It made him feel guilty, as if he had taken something no
properly his. He dropped his eyes and pretended to dust dirt off his kundiman shorts.
"Dodong," his mother called again. "Dodong."
He turned to look again and this time saw his father beside his mother.
"It is a boy," his father said. He beckoned Dodong to come up.
Dodong felt more embarrassed and did not move. What a moment for him. His parents' eyes
seemed to pierce him through and he felt limp.
He wanted to hide from them, to run away.
"Dodong, you come up. You come up," he mother said.
Dodong did not want to come up and stayed in the sun.
"Dodong. Dodong."
"I'll... come up."
Dodong traced tremulous steps on the dry parched yard. He ascended the bamboo steps
slowly. His heart pounded mercilessly in him. Within, he avoided his parents eyes. He
walked ahead of them so that they should not see his face. He felt guilty and untrue. He felt
like crying. His eyes smarted and his chest wanted to burst. He wanted to turn back, to go
back to the yard. He wanted somebody to punish him.
His father thrust his hand in his and gripped it gently.
"Son," his father said.
And his mother: "Dodong..."
How kind were their voices. They flowed into him, making him strong.
"Teang?" Dodong said.
"She's sleeping. But you go on..."
His father led him into the small sawali room. Dodong saw Teang, his girl-wife, asleep on the
papag with her black hair soft around her face. He did not want her to look that pale.
3. Dodong wanted to touch her, to push away that stray wisp of hair that touched her lips, but
again that feeling of embarrassment came over him and before his parents he did not want
to be demonstrative.
The hilot was wrapping the child, Dodong heard it cry. The thin voice pierced him queerly.
He could not control the swelling of happiness in him.
You give him to me. You give him to me," Dodong said.
-------------------------------------------
Blas was not Dodong's only child. Many more children came. For six successive years a new
child came along. Dodong did not want any more children, but they came. It seemed the
coming of children could not be helped. Dodong got angry with himself sometimes.
Teang did not complain, but the bearing of children told on her. She was shapeless and thin
now, even if she was young. There was interminable work to be done. Cooking. Laundering.
The house. The children. She cried sometimes, wishing she had not married. She did not tell
Dodong this, not wishing him to dislike her. Yet she wished she had not married. Not even
Dodong, whom she loved. There has been another suitor, Lucio, older than Dodong by nine
years, and that was why she had chosen Dodong. Young Dodong. Seventeen. Lucio had
married another after her marriage to Dodong, but he was childless until now. She wondered
if she had married Lucio, would she have borne him children. Maybe not, either. That was a
better lot. But she loved Dodong...
Dodong whom life had made ugly.
One night, as he lay beside his wife, he rose and went out of the house. He stood in the
moonlight, tired and querulous. He wanted to ask questions and somebody to answer him.
He wanted to be wise about many things.
One of them was why life did not fulfill all of Youth's dreams. Why it must be so. Why one
was forsaken... after Love.
Dodong would not find the answer. Maybe the question was not to be answered. It must be
so to make youth Youth. Youth must be dreamfully sweet. Dreamfully sweet. Dodong
returned to the house humiliated by himself. He had wanted to know a little wisdom but was
denied it.
When Blas was eighteen he came home one night very flustered and happy. It was late at
night and Teang and the other children were asleep. Dodong heard Blas's steps, for he could
not sleep well of nights. He watched Blas undress in the dark and lie down softly. Blas was
restless on his mat and could not sleep. Dodong called him name and asked why he did not
sleep. Blas said he could not sleep.
"You better go to sleep. It is late," Dodong said.
Blas raised himself on his elbow and muttered something in a low fluttering voice.
Dodong did not answer and tried to sleep.
"Itay ...," Blas called softly.
Dodong stirred and asked him what it was.
"I am going to marry Tona. She accepted me tonight."
Dodong lay on the red pillow without moving.
"Itay, you think it over."
Dodong lay silent.
"I love Tona and... I want her."
Dodong rose from his mat and told Blas to follow him. They descended to the yard, where
everything was still and quiet. The moonlight was cold and white.
"You want to marry Tona," Dodong said. He did not want Blas to marry yet. Blas was very
young. The life that would follow marriage would be hard...
"Yes."
"Must you marry?"
Blas's voice stilled with resentment. "I will marry Tona."
Dodong kept silent, hurt.
"You have objections, Itay?" Blas asked acridly.
"Son... n-none..." (But truly, God, I don't want Blas to marry yet... not yet. I don't want Blas to
marry yet....)
But he was helpless. He could not do anything. Youth must triumph... now. Love must
triumph... now. Afterwards... it will be life.
As long ago Youth and Love did triumph for Dodong... and then Life.
Dodong looked wistfully at his young son in the moonlight. He felt extremely sad and sorry
for him.