Genre Research - Pop and Soul
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The document provides an overview of the genre of pop music, tracing its origins from rock and roll in the 1950s and how it diverged from rock music in the 1960s to become more commercial and accessible. It discusses some iconic pop artists from different decades and how the American and British music industries have influenced pop music globally. The second half focuses on the subgenre of soul music, outlining its origins from gospel and doo-wop and how social and political changes in the 1960s helped enable the popularity of soul music.
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Task 7 the history of rock musicAS Media Column D
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Rock music originated in the 1940s-1950s, heavily influenced by blues, rhythm and blues, and country music. In the 1960s, rock music became more popular than pop music and television helped expose the genre to wider audiences. The 1970s saw the emergence of subgenres like progressive rock, heavy metal, and hard rock as bands toured larger venues. Alternative rock and genres like grunge and pop punk rose to popularity in the 1990s, influencing heavy metal genres. Today rock music remains widely played with ongoing experimentation across various subgenres and audiences.History of Pop Music.pptx
History of Pop Music.pptxSargisShahinyan1
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Pop music originated in the 1950s as a fusion of various styles like jazz, country, bebop and rock 'n roll. Elvis Presley was one of the first artists to popularize pop music. In subsequent decades, pop music evolved and diversified, influenced by new genres and technologies. Legendary artists like Michael Jackson and Lady Gaga helped shape pop culture for generations to come. Pop music has grown into a global genre comprised of many fusions and subgenres all expressing the core elements of a pop song.Introduction of Punk Music Albert James Burleson
Introduction of Punk Music Albert James BurlesonAlbert James Burleson
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In this PPT, we have discussed about the brief introduction and history of punk music which will help you to have good music experience and boost your memory.American Music by Anna D.
American Music by Anna D.Andrew Garcia
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The document discusses the evolution of American music over the past 100 years from the 1920s to the 2000s. It describes the popular genres that emerged each decade such as jazz in the 1920s, swing in the 1930s, rock and roll in the 1950s, and hip hop in the 1980s. Each decade saw new artists rise to fame and help define the sound of music during that time period. Over the past century, the music industry has also changed significantly with new technologies that have made it easier to produce and listen to music.2. the birth of pop rock
2. the birth of pop rockirenemenchen
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After World War II, pop-rock music emerged as a fusion of black rhythm and blues with white country music styles. Rock and roll developed in the 1950s, popularized by artists like Bill Haley and Elvis Presley, blending blues, country, and gospel influences. The 1960s saw the rise of new genres like soul, folk, psychedelic rock, and British invasion bands like The Beatles that influenced global popular music trends. While American styles slowly influenced Spain in this period, Spanish pop also developed with artists covering international hits and developing their own styles within the constraints of Franco's dictatorship.Music Tribes
Music TribesKhalid
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Alternative rock originated in the 1980s as a genre that broke from pop music trends and had more focused and honest lyrics. It includes subgenres like grunge, punk rock, and power pop. Throughout the 80s, alternative rock was mainly underground but some songs achieved commercial success. In the following decades, it took on a more edgy punk rock sound from bands like Green Day and Nickelback.Music tribes media
Music tribes mediaKhalid
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Alternative rock originated in the 1980s and became widely popular in the 1990s, featuring a softer sound than hard rock with less aggressive lyrics. It includes many subgenres and was mainly an underground phenomenon in the 1980s, becoming more commercially successful. Throughout the years, alternative rock has taken on a more punk rock influenced edgy sound.History of soul music
History of soul musicBecca James
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Soul music originated in the United States combining elements of gospel music and rhythm and blues. It features catchy rhythms stressed by handclaps and body moves, call and response vocals, and a tense vocal sound. Soul music has its roots in the 1940s-1950s and evolved through the 1960s-1970s to incorporate new styles and social commentary, and again in the 1970s-1980s to integrate elements of funk, disco, and quiet storm. Contemporary R&B emerged in the 1980s as soul became more produced and less raw.Combined media powerpoint
Combined media powerpointbeth allen
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Crunk emerged in the early 1990s as a subgenre of hip hop music originating in the Southern United States. It combines hip hop music with electronic dance music and is characterized by up-tempo beats. Popular Crunk artists include Lil Jon & The Eastside Boyz and Ying Yang Twins. Deathcore is an extreme metal genre that combines the heavy riffs and vocals of death metal with the growling vocals and breakdowns of metalcore. It originated in the mid-1990s and bands in the genre like Suicide Silence have faced criticism from fans of other metal subgenres. Roots reggae developed in the 1970s and deals with everyday life and spirituality through artists like Bob Marley, Peter ToshMore from emmagranfield (20)
Digipack decon 2
Digipack decon 2emmagranfield
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The document summarizes the design elements of the album cover and packaging for Razorlight's "Digipack" album. The front cover features a collage of images in a scrapbook style reflecting a free spirit theme. The inside cover and disk feature a simple dotted pattern with minimal text. The back cover brings together both the dotted pattern and collage scrapbook themes to tie the overall album packaging design together in an understated color scheme.Digipack decon 1
Digipack decon 1emmagranfield
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The album cover uses black and white imagery and a single splash of red to tell a story and intrigue the audience. The front cover features a black and white photo of the artists to establish their image. The inside cover contains a red apple against a white background, possibly suggesting something unexpected from Savage Garden and religious connotations. The disk is uniformly bright red, furthering the sense of mystery. The back cover reverts to black and white to maintain intrigue about the album's darker side. Color is strategically used on the inside covers to confuse audiences and make them analyze the meanings.Pitch
Pitchemmagranfield
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Palma Hope is an up-and-coming soul-pop artist looking to get her debut song "30 minute love affair" released on a mainstream record label. She appeals to audiences aged 16-30 with her unique yet relatable style. Unlike other artists in her genre, Palma Hope aims to maintain an innocent image and appeal to all audiences through individuality rather than sexualization.Music video decon 3
Music video decon 3emmagranfield
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The music video for Lionel Richie's "All Night Long" uses visuals that relate to the music and lyrics. Scenes of Caribbean dancers match the bongo and steel drum beat in the background. As the song picks up tempo, Lionel Richie and the crowd start dancing. During the lyrics "all my friends" he gestures to the crowd, and when singing "raise the roof" a dancer rises up with the lyrics. The video focuses on close ups of Lionel Richie, contrasting him with others in shadow, and shows an extreme close up of him dancing with another person. The video does not include any voyeurism of women or intertextual references.Music vid decon 1
Music vid decon 1emmagranfield
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This music video for "110 Yard Dash" by Raphael Saadiq has several relationships between the visuals and music. There is a steady beat that the backing singers dance to throughout. When the rhythm changes to a faster pace at 1:36, the visuals also change, introducing different images and a new color. Some shots, like one at 0:34 of the artist running away, strongly relate to and amplify the lyrics. Close-up shots of the artist throughout, including very early at 0:21, cement his image in the viewer's mind. While there are no evident intertextual references, the video portrays the woman as sexy and promiscuous rather than utilizing voyeurism.Questionnaire results
Questionnaire resultsemmagranfield
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The questionnaire results showed that:
1) Most respondents were male and 50+ years old.
2) Younger audiences listened to soul music more frequently and discovered new music on the radio or online, while older audiences read more and discovered music through posters.
3) Respondents had differing expectations of soul music videos based on gender and age stereotypes.Review websites
Review websitesemmagranfield
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Paloma Faith is well received by critics and appeals to a wide audience. She gives faultless live performances with winning charisma and leads fans through slower sections before rewarding them with an energetic encore. While reviews note similarities to other artists in her genre, critics also praise her smoky vocals and soulful covers.Buying patterns
Buying patternsemmagranfield
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The document discusses researching the target audiences of Paloma Faith's albums "Do You Want The Truth Or Something Beautiful" and "Fall To Grace" by analyzing other artists that customers of each album frequently purchased. For the first album, other popular purchases were from artists in similar genres like jazz or newer indie pop and soul artists. This showed that Paloma Faith's audiences explore different subgenres of pop. A similar pattern of other purchases was found for the second album, indicating the audiences' music tastes remain consistent over time though varying between artists.Andrew Goodwin
Andrew Goodwinemmagranfield
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Andrew Goodwin identified 6 key characteristics of music videos:
1) A relationship between the visuals and lyrics, illustrating, amplifying, or contradicting the lyrics.
2) A relationship between the music and visuals in the same way.
3) Different music genres have distinguishing video styles and symbols.
4) There is often voyeurism, especially in the portrayal of women.
5) Record companies demand many close-ups of the main artist.
6) Videos frequently reference other videos, films, TV shows, or texts through intertextuality.Andrew Goodwins key characteristics of a music video
Andrew Goodwins key characteristics of a music videoemmagranfield
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1. Andrew Goodwin identified six key characteristics of music videos: illustrating, amplifying, or contradicting the lyrics visually and through music; different styles for different genres; voyeurism especially of women; close-ups of the main artist; intertextual references to other videos or media.
2. Examples from videos discussed include visuals relating to lyrics about babies, weed, and money as well as genre styles of grime, emo, and punk.
3. Intertextual references included Shania Twain's video copying the all-male band from Robert Palmer's "Addicted to Love" video.Andrew goodwins key characteristics of a music video
Andrew goodwins key characteristics of a music videoemmagranfield
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The document outlines 6 key characteristics of music videos according to Andrew Goodwin:
1. A relationship between the visuals and lyrics, either illustrating, amplifying, or contradicting the lyrics.
2. A relationship between the music and visuals, again either illustrating, amplifying, or contradicting the music.
3. Different music genres have distinct visual styles and iconography associated with them.Evaluation: Question 7
Evaluation: Question 7emmagranfield
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In comparing his preliminary task to his final product, the student found improvements in several key areas:
1) The camerawork was more advanced with varied angles and shots that flowed better in the final product.
2) The editing was improved with fewer errors and smoother flowing action between shots.
3) More thought was given to mise en scene, costume, location, and plot in the final product to create atmosphere.
4) Background music and sound effects were added to the final product to build tension and make the conversation and story more interesting.Evaluation: Question 4
Evaluation: Question 4emmagranfield
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The document discusses how the author attracted an audience to watch their film on YouTube. They targeted late teens as their audience and used Facebook/Twitter and posters around their school to promote the film. Facebook and Twitter were used because the author's friends and followers fit the target age group. Posters were also created and hung in school case the social media posts were missed, combining both methods to attract more viewers.Evaluation: Question 3
Evaluation: Question 3emmagranfield
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The document discusses different options for distributing a film media product. It examines the "Big 4" major film studios (20th Century Fox, MGM, Paramount, Warner Bros.), but determines they are not suitable. Independent film companies are also considered but deemed not a good fit. Finally, Hammer Film Productions is selected as it specializes in horror and thriller genres matching the author's film, and is well-known while still being independent.Question 1
Question 1emmagranfield
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The document discusses how the media product uses conventions of real thriller films. It describes choosing the horror thriller genre and analyzing the opening scenes of 4 films to identify common elements, such as suspense, tension, excitement, and plot twists. These elements informed the design of the media product, which incorporated 4 of the 5 elements except excitement to match the chosen subgenre of horror thriller.Evaluation: Question 1
Evaluation: Question 1emmagranfield
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The document discusses how the media product uses conventions of real thriller films. It describes choosing the horror thriller genre and analyzing the opening scenes of 4 films to identify common elements, such as suspense, tension, excitement, and plot twists. These elements informed the design of the media product, which incorporated 4 of the 5 elements except excitement to match the chosen subgenre of horror thriller.Survey monkey questionnaire results
Survey monkey questionnaire resultsemmagranfield
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This document contains the results of a survey with questions about a film. It asks whether background music added tension, whether a black and white effect worked well, if suspense was created effectively with stair shots, and if there was a variety of shots. Respondents could answer Yes, Partly, or No for each question.Target audience questionnaire
Target audience questionnaireemmagranfield
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The document appears to be a survey about preferences for different genres of thriller films. It asks respondents to select an age range, preferred thriller genre between psychological thriller, mystery thriller, crime thriller, disaster thriller, horror thriller, and supernatural thriller. It also asks whether the conclusion is revealed straight away or kept a mystery, whether the plot is complicated or simple, whether it involves a fight/chase, element of discovery, making an escape plan or other.Genre research, thriller
Genre research, thrilleremmagranfield
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1) Thrillers are a genre that uses suspense, tension, and excitement to engage the audience. Alfred Hitchcock helped shape the modern thriller genre with films like The Lodger in the 1920s.
2) Robert Siodmak directed the 1940s psychological thriller The Spiral Staircase, about a serial killer targeting a young mute woman.
3) Michael Powell shocked audiences in the 1960s with Peeping Tom, about a psychopathic killer who photographs his victims before murdering them.Genre research, thriller
Genre research, thrilleremmagranfield
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Thrillers are a genre defined by their use of suspense, tension, and excitement. Alfred Hitchcock helped shape the modern thriller genre beginning with his 1926 silent film The Lodger. Robert Siodmak directed the 1940s psychological thriller The Spiral Staircase. Michael Powell's 1960 film Peeping Tom was initially denounced but later gained a cult following despite its gruesome story about a psychopathic killer. Thrillers often take place in exotic settings and involve heroes thwarting enemies while accustomed to danger.Genre Research - Pop and Soul
- 1. GENRE RESEARCH -POP
- 2. THE HISTORY OF POP Pop music originated in its modern form in the 1950s, deriving from rock and roll. From about 1967 the term was increasingly used in opposition to the term rock music, a division that gave generic significance to both terms. Whereas rock aspired to authenticity and an expansion of the possibilities of popular music, pop was more commercial, ephemeral and accessible. Pop music has been dominated by the American and (from the mid-1960s) British music industries, whose influence has made pop music something of an international monoculture, but most regions and countries have their own form of pop music, sometimes producing local versions of wider trends, and lending them local characteristics.
- 3. ICONIC ARTISTS Bing Crosby Spice Girls Abba Stevie Wonder
- 4. THROUGH THE DECADES 50s 60s 70s Mitch Miller Elton Chubby John Checker Patti Page The Archies Pink Lady
- 5. THROUGH THE DECADES 80s 90s 00s Michael Jackson Christina Nsync Aguilera Britney Katy Spears Perry Madonna
- 6. THE SUB GENRE OF SOUL For our music video we have decided to focus on the sub genre of soul and so the second half of this presentation will focus specifically on soul and the trends within soul music
- 7. THE HISTORY OF SOUL The gospel revival and doo-wop merged into the great season of soul music. Soul music was enabled by the commercial boom of "race" music, that had led to the creation of channels and infrastructures run by black entrepreneurs for black artists. Soul music was also enabled by an unstoppable trend towards black and white integration, as more and more white folks accepted the idea that black culture was not evil or degrading, simply different (African instead of European). The socio-political inroads made by jazz also helped legitimize black pop music with the white masses. Soul music was also, indirectly, helped by rock music, precisely because rock music made white pop music sound so obsolete.
- 8. ICONIC ARTISTS Supremes Diana Ross Dusty Tom Jones Springfield