Grade 8 Music Lesson 1: Thailand, Cambodia, Myanmar
- 3. More.. Formerly known as Siam 1939 Capital: Bangkok Position: Intersection of china and India Influenced: by Chinese, Khmer, Indian, Burma, Laos and Malaysia by their music Two great civilizations, China and India made a big impact and influence to its music also called as Muang Thai The Land of Free Language: Phasa Thai/Siamese
- 7. Elements present in the Vocal and Instrumental music of Thailand Form Vocal - strophic Instrumental - Three part form Timbre Vocal nasal; instrumental drums, xylophone, flute and lute Rhythm Duple, syncopation Harmony and Texture Heterophonic Melody Uses pentatonic scale or the seven tone scale
- 8. Thai music is composed of vocal and instrumental music Thai music: both use pentatonic scale and some Thai instruments are Chinese instruments Musical instruments of Thais were derived from Indian models
- 9. Example of Thai Music ANG Thai Folk Song for Children Usually sung with a fast tempo Usually in duple meter Singer uses nasal voice with a narrow range of melody
- 10. Your Title Here Instrumental Music and Musical Ensemble
- 12. Your Title Here Instrumental Music and Musical Ensemble
- 14. Your Title Here Instrumental Music and Musical Ensemble
- 16. F YCARABAO is a Thai rock band which is very popular in Thailand and other Asian countries. The group was formed in 1976 by university students Yuenyoung Opakul (Aed) and Kirati Promsaka Na Sakon Nakho (Keo or Khiao) who met while studying in the Philippines . The word carabao is a Tagalog term meaning buffalo which means a symbol of fighting, hardwork, and patience
- 21. Formerly known as Kampuchea Capital: Phnom Penh Position: located in the Southwestern section of the Indo-Chinese Peninsula in Southeast Asia Influenced: by different ancient forms especially Hindu. They have choruses with large orchestras Language: Khmer Currency: Cambodian Riel Religion: Theravada Buddhism
- 25. Elements present in the Vocal and Instrumental music of Cambodia Form Music of Cambodia Timbre Vocal nasal Rhythm Mostly in duple meter Harmony and Texture Heterophony Melody Uses pentatonic scale or the seven tone scale
- 27. Is an ensemble that accompanies court music Their music had a significant part in their masked plays, court music and dances, religious ceremonial music, and shadow plays Also the same as the Piphat ensemble ofThailand which has nine to ten musical instruments
- 29. ONEAT Main bamboo xylophone alto (idiophone) RA-NARD TUM xylophone (idiophone)
- 30. SAMPHOR Two-face drum, horizontal position (membranophone) SKOR THOM Two large vertical drums (membranophone)
- 31. CHHING Finger cymbals (idiophone) SRALAY -High old Khmer quadruple reed -Khmer oboe
- 35. Formerly known as Burma until 1989 Capital: Naypyitaw Position: Mainland of Southeast Asia same with Cambodia, South of China and East of India Influenced: by the big and most influential countries around them like China, India and Thailand, most of their musical characteristics and elements are the same with neighboring countries Language: Burmese
- 36. Elements present in the Vocal and Instrumental music of Myanmar Form Music of Myanmar Timbre Vocal nasal Rhythm Mostly in duple meter Harmony and Texture Heterophony Melody Uses pentatonic scale or the seven tone scale
- 37. It represents a blend of the many regional varieties that include the influence of Indian, Chinese, and Thai Music The country became a colony British empire in 19th century Melodious and without harmony More on instrumental music than vocal
- 39. Is the national instrument of Myanmar 13 stringed angular harp with a soft sound It is made of Paduk, a Myanmar mahogany Flat bar is made of cutch wood Made of leather from a female deer and the strings are made of silk Usually accompanied a Mahagita, a classical song of Myanmar
- 43. The class will be divided into 4 groups Each group shall use any type of musical instruments especially IMPROVISED MATERIALS that can produce a sound; STRICTLY NO IMPROVISED MATERIAL NO PERFORMANCE Everyone shall portray the Country that they will be performing: WEARING THEIR TRADITIONAL COSTUME IS A MUST; MAKE IT SIMPLE! 40% - PERFORMANCE 20% - PARTICIPATION 20% - COSTUME 10% - IMPROVISED MATERIALS 10% - AUDIENCE IMPACT Group 1 will be performing Indonesias Folk Song Si Patokaan Group 2 will be performing Thailands Folk Song Chaang Group 3 will be performing Cambodias Folk Song for Kids Sari Ka Keo Group 4 will be performing Myanmars Folk Song Mahagita