This document provides an overview and instructions for a beginner guitar class. It covers tuning the guitar, basic guitar parts, how to hold a pick, reading tablature, playing single notes and chords. It emphasizes practicing regularly and developing good technique. The instructor expects students to be on time, bring materials, ask questions and practice daily. Learning guitar takes time, patience and commitment to improve.
The document discusses the history and development of artificial intelligence over the past 70 years. It outlines some of the key milestones in AI research from the early work in the 1950s to modern advances in deep learning. While progress has been significant, fully general artificial intelligence that can match or exceed human levels of intelligence remains an ongoing challenge that researchers continue working to achieve.
Corso di Tecnica delle Costruzioni per Ingegneri Civili presso la Facolta' di Ingegneria della Sapienza di Roma, Prof. Ing. Franco Bontempi (appunti del I semestre del raccolti da Alessandra Aguinagalde)
1. The document summarizes the design of a steel intensive toilet block in India under the Swachh Bharat initiative.
2. It includes the design of steel connections and members using STAAD and the types of connections that were designed, which include shear and moment connections.
3. Key structural elements like columns, beams, and beam-columns are discussed along with their potential failure modes.
Connessioni in Acciaio - Lezione 14 dicembre2012Franco Bontempi
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Lezione del 14 dicembre 2012 dell'Ing. Chiara Crosti - Corso di Costruzioni Metalliche del Prof. Ing. Franco Bontempi presso la Facolta' di Ingegneria della Universita' di Roma La Sapienza
Esercitazione del corso di tecnica delle Costruzioni per Ingegneria Civile della Sapienza Universit di Roma, docente Prof. Franco Bontempi, assistenti Ing. Stefania Arangio e Ing. Chiara Crosti.
Esercitazione 10 - Unioni
Construction Of A Viaduct/Bridge: An OverviewSourav Goswami
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This document is a submission by Sourav Goswami describing his 7-day internship project focused on the construction of a metro rail bridge. The project was conducted under Rail Vikas Nigam Limited and Gammon India Limited. Sourav thanks the project guides and staff who provided guidance and knowledge about bridge construction activities including piling, pile caps, piers, bearings and segments.
The document discusses different types of connections used in steel structures. It describes connections as structural elements that join members like beams and columns. The main types of connections discussed are riveted, bolted, and welded connections. Riveted connections use round steel bars called rivets with heads on both ends. Bolted connections fasten members together using bolts that can be loaded in tension, shear, or both. Welded connections primarily join members using welds, with groove welds being the most reliable. The document provides advantages and disadvantages of each type of connection and notes that connections allow the different steel members to function as a single composite unit.
1. The document discusses various surveying concepts including principles of surveying, types of surveys based on purpose and instruments, surveying equipment, measurements of angles and distances, corrections to measurements, and adjustments of closed traverses.
2. Key terms and concepts covered include geodetic versus plane surveying, topographic, hydrographic, engineering, cadastral, and astronomical surveys, methods of angular and linear measurement, use of the chain, compass, theodolite, and EDM instruments, and corrections for slope, temperature, tension, and sag.
3. Closed traverses are adjusted by ensuring the sums of latitudes and departures are zero and minimizing the closing error between observed and calculated values.
Stress ribbon bridges stiffened by arches or cablesMasum Majid
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The document summarizes research on developing new stress-ribbon pedestrian bridges that are stiffened by arches or cables. It describes two types of structures being studied: 1) A two-span stress-ribbon deck supported and stiffened by a central arch. 2) A suspension structure formed by a straight or arched stress-ribbon fixed at the abutments and stiffened by external bearing cables. The paper presents the structural solutions, analysis methods, and some preliminary results from testing scale models.
The document describes the design of an elevated water tank for the Greater Noida Institute of Technology. It discusses the need for the water tank to meet the current and future water demands of the institute. Various bracing systems for the tank are analyzed using STADD Pro V8i 2007 software. The results show that base shear, base moment, and lateral displacements all increase with the addition of bracing systems, which make the tank stiffer. The conclusion is that bracing systems help reduce lateral displacement and the time period of vibration during seismic events.
The document outlines the syllabus for a Structural Design-II course, covering Reinforced Concrete Design (RCC) and Steel Design topics. For RCC Design, it includes loading standards, analysis and design of a G+3 residential/commercial building, and design of water tanks and retaining walls. Steel Design topics are plate girder design, industrial building design, and design of foot over bridges, transmission towers and bridges. The document also discusses specific topics related to foot over bridge design, including when to use truss girders, types of truss girders, their components, applicable loads, and applications of foot bridges.
Composite structures of steel and concretePashtoon Khan
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This document provides an introduction and overview of composite structures made of steel and concrete. It discusses beams, slabs, columns, and frames for buildings. Specifically, it covers shear connection between steel and concrete, analysis and design methods, and worked examples for composite slabs, beams, columns, and frames. The design methods presented are based on the Eurocode standards for composite steel-concrete structures.
23-Design of Column Base Plates (Steel Structural Design & Prof. Shehab Mourad)Hossam Shafiq II
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This document discusses the design of column base plates to resist both axial loads and bending moments. It provides equations to calculate stresses on the base plate and footing. It then gives an example of designing a base plate for a column supporting an axial load of 1735 kN and bending moment of 200 kN.m. The design process involves calculating eccentricity, base plate dimensions, stresses on the footing, required plate thickness, and checking bending in two directions. The example concludes by specifying a base plate of dimensions 750mm x 500mm x 40mm that satisfies all design requirements.
This document discusses three common types of supports in structures: roller supports, fixed supports, and pinned supports. Roller supports can resist vertical forces but not horizontal forces. Fixed supports are the most rigid and constrain movement in all directions. Pinned supports allow rotation but not translation, similar to a hinge. Each type has different applications and limitations depending on the structural needs.
This document discusses nonlinear static (pushover) analysis for assessing structural capacity against seismic actions. It provides an overview of key aspects of pushover analysis including:
1. Converting the response of a multi-degree of freedom system into an equivalent single-degree of freedom system for comparison to demand spectra.
2. Defining the capacity curve from the pushover analysis and establishing a bilinearized equivalent curve for demand evaluation.
3. Evaluating demand based on the equivalent linear system period and comparing displacements and ductility demands to the system capacity to determine safety.
This document provides an overview of structural analysis concepts including:
1) Analysis of bars with varying cross-sectional areas and how to calculate stresses, strains, and total elongation.
2) Thermal stresses induced in a body due to temperature changes and how to calculate the stress using coefficients of linear expansion.
3) Principal stresses and planes which experience only normal stresses, and Mohr's circle, a graphical method to determine stresses on oblique planes.
This document provides an introduction to learning music theory through soloing on the guitar. It discusses using pentatonic scales over popular songs to develop ear skills. The pentatonic scale is reviewed as a starting point, and then blues scales and modes like Dorian are introduced as ways to add interest. Learning these scales and practicing soloing is presented as a fun way to gain a practical understanding of music theory concepts.
This document is a welcome letter to new band students. It congratulates students on joining band and explains that band allows students to perform a wide variety of musical styles and have exciting musical experiences through regular practice. The letter wishes students the best of success in achieving their musical goals.
The document provides tips for jazz improvisation, including practicing melodic lines using scale patterns, holding chord tones longer, and accenting chord tones when improvising within a scale. It recommends transcribing solos and running licks through the circle of fifths for practice. Additional tips include comping with clusters based on superimpositions of fourths to challenge soloists, practicing pentatonic scales for melodic improvisation, and warming up by playing tunes rather than scales. Recommended resources include magazines, books, and radio shows for jazz pianists seeking to improve their improvisation skills.
This summary provides the high level information from the document in 3 sentences:
The document provides many tips for jazz improvisation, including practicing melodic patterns, scales, and pentatonic scales. It discusses techniques for soloing over chord progressions using chord tones and approaches. Finally, it emphasizes the importance of listening to jazz and practicing improvisation by transcribing solos to internalize jazz language.
The document discusses different types of connections used in steel structures. It describes connections as structural elements that join members like beams and columns. The main types of connections discussed are riveted, bolted, and welded connections. Riveted connections use round steel bars called rivets with heads on both ends. Bolted connections fasten members together using bolts that can be loaded in tension, shear, or both. Welded connections primarily join members using welds, with groove welds being the most reliable. The document provides advantages and disadvantages of each type of connection and notes that connections allow the different steel members to function as a single composite unit.
1. The document discusses various surveying concepts including principles of surveying, types of surveys based on purpose and instruments, surveying equipment, measurements of angles and distances, corrections to measurements, and adjustments of closed traverses.
2. Key terms and concepts covered include geodetic versus plane surveying, topographic, hydrographic, engineering, cadastral, and astronomical surveys, methods of angular and linear measurement, use of the chain, compass, theodolite, and EDM instruments, and corrections for slope, temperature, tension, and sag.
3. Closed traverses are adjusted by ensuring the sums of latitudes and departures are zero and minimizing the closing error between observed and calculated values.
Stress ribbon bridges stiffened by arches or cablesMasum Majid
油
The document summarizes research on developing new stress-ribbon pedestrian bridges that are stiffened by arches or cables. It describes two types of structures being studied: 1) A two-span stress-ribbon deck supported and stiffened by a central arch. 2) A suspension structure formed by a straight or arched stress-ribbon fixed at the abutments and stiffened by external bearing cables. The paper presents the structural solutions, analysis methods, and some preliminary results from testing scale models.
The document describes the design of an elevated water tank for the Greater Noida Institute of Technology. It discusses the need for the water tank to meet the current and future water demands of the institute. Various bracing systems for the tank are analyzed using STADD Pro V8i 2007 software. The results show that base shear, base moment, and lateral displacements all increase with the addition of bracing systems, which make the tank stiffer. The conclusion is that bracing systems help reduce lateral displacement and the time period of vibration during seismic events.
The document outlines the syllabus for a Structural Design-II course, covering Reinforced Concrete Design (RCC) and Steel Design topics. For RCC Design, it includes loading standards, analysis and design of a G+3 residential/commercial building, and design of water tanks and retaining walls. Steel Design topics are plate girder design, industrial building design, and design of foot over bridges, transmission towers and bridges. The document also discusses specific topics related to foot over bridge design, including when to use truss girders, types of truss girders, their components, applicable loads, and applications of foot bridges.
Composite structures of steel and concretePashtoon Khan
油
This document provides an introduction and overview of composite structures made of steel and concrete. It discusses beams, slabs, columns, and frames for buildings. Specifically, it covers shear connection between steel and concrete, analysis and design methods, and worked examples for composite slabs, beams, columns, and frames. The design methods presented are based on the Eurocode standards for composite steel-concrete structures.
23-Design of Column Base Plates (Steel Structural Design & Prof. Shehab Mourad)Hossam Shafiq II
油
This document discusses the design of column base plates to resist both axial loads and bending moments. It provides equations to calculate stresses on the base plate and footing. It then gives an example of designing a base plate for a column supporting an axial load of 1735 kN and bending moment of 200 kN.m. The design process involves calculating eccentricity, base plate dimensions, stresses on the footing, required plate thickness, and checking bending in two directions. The example concludes by specifying a base plate of dimensions 750mm x 500mm x 40mm that satisfies all design requirements.
This document discusses three common types of supports in structures: roller supports, fixed supports, and pinned supports. Roller supports can resist vertical forces but not horizontal forces. Fixed supports are the most rigid and constrain movement in all directions. Pinned supports allow rotation but not translation, similar to a hinge. Each type has different applications and limitations depending on the structural needs.
This document discusses nonlinear static (pushover) analysis for assessing structural capacity against seismic actions. It provides an overview of key aspects of pushover analysis including:
1. Converting the response of a multi-degree of freedom system into an equivalent single-degree of freedom system for comparison to demand spectra.
2. Defining the capacity curve from the pushover analysis and establishing a bilinearized equivalent curve for demand evaluation.
3. Evaluating demand based on the equivalent linear system period and comparing displacements and ductility demands to the system capacity to determine safety.
This document provides an overview of structural analysis concepts including:
1) Analysis of bars with varying cross-sectional areas and how to calculate stresses, strains, and total elongation.
2) Thermal stresses induced in a body due to temperature changes and how to calculate the stress using coefficients of linear expansion.
3) Principal stresses and planes which experience only normal stresses, and Mohr's circle, a graphical method to determine stresses on oblique planes.
This document provides an introduction to learning music theory through soloing on the guitar. It discusses using pentatonic scales over popular songs to develop ear skills. The pentatonic scale is reviewed as a starting point, and then blues scales and modes like Dorian are introduced as ways to add interest. Learning these scales and practicing soloing is presented as a fun way to gain a practical understanding of music theory concepts.
This document is a welcome letter to new band students. It congratulates students on joining band and explains that band allows students to perform a wide variety of musical styles and have exciting musical experiences through regular practice. The letter wishes students the best of success in achieving their musical goals.
The document provides tips for jazz improvisation, including practicing melodic lines using scale patterns, holding chord tones longer, and accenting chord tones when improvising within a scale. It recommends transcribing solos and running licks through the circle of fifths for practice. Additional tips include comping with clusters based on superimpositions of fourths to challenge soloists, practicing pentatonic scales for melodic improvisation, and warming up by playing tunes rather than scales. Recommended resources include magazines, books, and radio shows for jazz pianists seeking to improve their improvisation skills.
This summary provides the high level information from the document in 3 sentences:
The document provides many tips for jazz improvisation, including practicing melodic patterns, scales, and pentatonic scales. It discusses techniques for soloing over chord progressions using chord tones and approaches. Finally, it emphasizes the importance of listening to jazz and practicing improvisation by transcribing solos to internalize jazz language.
This document provides a summary of the first lesson in a guitar method book for beginners. It introduces how to read chord charts by explaining that chord charts show which finger to use (1-4), what string to play on, and what fret to play on. It gives an example of reading the D chord chart and explains the parts of the chart. The lesson concludes by having students practice changing between the D, G, and Cadd9 chords.
This document provides a summary of a guitar method book for beginners. It introduces some key concepts:
- It thanks those who helped create and support the book, including friends, family members and music equipment companies.
- The introduction explains that the book focuses on learning basic guitar playing skills like chords, strumming, rhythm, scales and concepts rather than reading sheet music.
- An overview of the included CD explains that it contains audio examples to accompany the lessons in the book and encourages playing along.
This document provides a summary of the topics that will be covered in an upcoming Year 8 music exam. It mentions that the exam will be a listening exam testing knowledge of topics covered throughout the year as well as general music questions. Some of the topics that will be covered include the elements of music, different instrument families, basic music theory on rhythm, pitch, intervals, developing motifs, and the 12 bar blues form. Students are advised to use the provided powerpoint and other resources to revise for the exam.
This document outlines the first session of a guitar learning guide. It covers starting with proper left and right hand technique, tuning the guitar using various methods, reading basic tablature, and finger exercises to build coordination. It also introduces open C and G7 chords and exercises to practice these chords. The estimated time to learn these concepts is one week.
The document provides revision material for an upcoming Year 8 music exam. It will cover all topics studied that year, including the elements of music (pitch, duration, tempo, etc.), instruments families, basic music theory on rhythm and pitch, developing motifs, 12 bar blues form, and key terms for programme music. Students are advised to use the powerpoint and other online resources to prepare for the listening exam.
The document discusses time signatures in music. It explains that the top number of a time signature indicates how many beats are in each measure, while the bottom number indicates which note value (quarter, half, etc.) receives one beat. It provides examples of common time signatures like 4/4 and 2/2 and encourages practicing identifying time signatures by listening to musical examples.
This document provides instructions and charts for playing major and minor scales on the guitar across all 12 keys. It begins by explaining the importance of learning scales and how the guitar fretboard is structured in a way that lends itself to learning scales. It then provides scale charts for each key, beginning with C major and moving through the circle of fifths. It also includes charts for the pentatonic and chromatic scales. The document concludes with exercises for practicing the scales in a musical way rather than just playing the notes in order.
The document provides an introduction to basic music theory concepts like notes, scales, chords, and harmonizing notes. It explains that the A note vibrates at 440 Hz and is used to tune pianos. It also describes how playing notes that are 3 notes apart on the scale, like C and E, creates a pleasant harmony. Playing 3 harmonizing notes together, such as C, E, and G, forms a major chord. The document then discusses how to play simple chords and melodies using a harmonica in the key of C or G. It provides instructions for tongue blocking and lip positioning when playing single notes on the harmonica.
Double stops and drones add fullness and complexity to fiddle playing. Double stops involve playing two notes simultaneously, either with the same or different fingers. Drones involve playing an open string along with the melody note. Practicing double stops starts by picking a key and adding nearby notes from the chord. Practicing drones uses favorite tunes played with the corresponding open string. Both techniques make fiddling sound more mature and professional.
This document appears to be the table of contents and introduction to a fake book containing sheet music and chord charts for over 70 popular songs. The introduction provides guidance on how to use the chord charts, including explanations of chord substitutions, voicings, and slash chords. It aims to help beginner piano players sound more polished by understanding techniques commonly used by professional musicians.
Piano For Kids: Easy Method For Teaching Piano, Learn To Play Famous & Fun Ea...Saeed Yahyazadeh
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This Book with Online Video & Audio was designed to help the beginning student learn to play the piano or keyboard. This step by step course is designed for elementary school-aged children (ages 5-11) and quickly teaches the student to play songs they will know and love. These lessons start by playing with both hands and gradually build to adding the notes on staff.
This document provides an introduction to guitar chords for beginners. It explains the 6 most common chords (C, D, G, Em, A, Am) and includes diagrams showing how to finger each chord. It also discusses strumming patterns and provides examples of songs that can be played using these basic chords, including Pumped Up Kicks and Rip Tide. Additional topics covered include the use of a capo to access new chords and some history on the development of electric guitars.
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2. Logistics, etc..
See syllabus
Dont be late! --- In/Out Book
asking questions
Good effort = fun class! No effort
= not much fun or growth
no bad language, teasing, other
3. How to prepare for class:
be on time
tune-up when you get here (or ask for
help if dont know how)
have all materials
practice, practice, practice
NO PRACTICE = NO PROGRESS
= NO FUN
4. My expectations:
you will be on time
you will tune-up when you arrive
you will bring your materials
you will ask questions if you need
help
you will practice every day / night,
even if only for 5 minutes
6. Lets get started..
Fill out the student survey.
ON THE BACK, ANSWER THESE
QUESTIONS!!
1. why do you want to learn to play?
2. favorite band/artist/player?
3. favorite songs?
7. The reality (truth) of learning guitar:
EVERYONE can learn to play guitar
it doesnt really take natural talent to be good
all you need is desire and a guitar!
but, its not easy & your fingers will hurt
takes TIME & PATIENCE & COMMITMENT
~ 500 hours to become a GOOD player
~ 10,000 hours to become a MASTER
8. The reality (truth) of learning guitar (cont.):
the more you play, the better you get
practice = progress = fun!
its not the minutes, but the consistency
a few minutes every day is better than an hour 1-2xs a week
if you like it, play it again. If you dont, dont.
keep a 15 Songs I Want To Play LIST
9. The reality (truth) of learning guitar (cont.):
surround yourself with music, other players
the guitar DIP. You will want to give up
when things get tough
when you dont feel like you are improving
everyone experiences it
90% of beginners experience in first 6 months
how will you handle it?
10. So how do we become good players?
you must decide what is good for you
dont compare yourself with anyone else
only compete against yourself
but challenge each other, cheer each other on
learn from others (you can learn from everybody!)
11. So how do we become good players? (cont.)
must master 2 things:
1. MUSIC THEORY
What notes to play
What scales work well over certain chords
Why some chords work and others dont
2. TECHNICAL ABILITY
Develop physical ability
Muscle memory (remember all those hours??)
12. So how do we become good players? (cont.)
must master 2 things:
1. MUSIC THEORY
Very mathematical
Well learn this slowly over time
2. TECHNICAL ABILITY
Learn this first so we can get playing NOW !!
16. Your Turn
Terms
Headstock, Output Jack, Tremolo, Bridge
Pins, Frets, Nut, Tuners, Body, Saddle,
Pickguard, Neck, Fretboard, Bridge, Waist,
Pickups.
Put these terms in the proper place on the
guitar.
Turn in the completed handout for formative
assessment grade #1!!
17. DIRECTIONS along the strings
Down
Up
or
Across
Down
Up
REMEMBER
Moving UP means going
toward a higher pitch
or note.
Moving DOWN is going
toward a lower pitch
or note.
19. e
Note lower
case e is
the SKINNY
string
(high note)
OPEN Strings - NAMES
1st string
(skinny e)
6th string
(fat E)
20. e
Note lower
case e is
the SKINNY
string
(high note)
OPEN Strings FRET #s
BUT we
place
fingers
BELOW the
metal frets!
21. Musical Notes
C -> D -> E -> F -> G -> A -> B -> (C)
(just the WHITE keys on the piano)
repeats
repeats
22. Musical Notes (cont.)
C -> D -> E -> F -> G -> A -> B -> (C)
# = sharp b = flat
repeats
repeats
Read this as
A sharp -or- B flat
23. NOTES vs. FRETS
Each NOTE on the piano (black or white) = 1 FRET on the GUITAR
SO if you move from the white D to the black D# key -> move 1 FRET
repeats
repeats
24. Musical Notes (cont.)
G#/Ab A#/Bb
C#/Db
Eb/D#
F#/Gb
These are the
BLACK keys
on the piano
Represent this as a CIRCLE
C -> D -> E -> F -> G -> A -> B -> (C) repeats
25. Musical Notes (cont.)
G#/Ab A#/Bb
C#/Db
Eb/D#
F#/Gb
Up 1 FRET = move 1 NOTE
So what NOTE would be....
1. 2nd fret on A string?
2. 4th fret on low E string?
3. 1st fret on B string?
26. How to hold & use a PICK
Or you can use
your fingers
(or just THUMB)!
27. Tuning Your Guitar Tuning Up
Clip-On Phone APP
Directions: 1. pluck a string so rings..
2. turn TUNER
28. Tuning Your Guitar Tuning Up
LETs DO THIS NOW AS A GROUP
Directions: 1. pluck LOW E string so rings..
2. turn TUNER on headstock
3. always tune UP to the correct note
4. repeat for other strings
NOTE: tighten string = increase tension = increase pitch
loosen string = less tension = lower pitch
29. Fingers & Numbering System
(for RIGHT handed players)
T
INDEX
THUMB
MIDDLE
RING
PINKY
30. Music Notation vs. Tablature
Traditional Music Notation
aka piano or sheet music
what most instruments use
Tablature or TAB
Simplified method for guitarists
Lines represent our 6 strings
E on bottom, little e on top
#s represent FRET #
31. How To Read TABLATURE (TAB)
Play one note
after the other
Play all at
same time
0 3
5 0
3
5
5
3
0 means open string,
no finger required!
32. Practice: Put finger at
1. Put index finger on A string at 2nd FRET
2. Put 3rd finger on big E string at 4th FRET
3. Put middle finger on D string at 5th FRET
33. Picking
(single notes)
1. HOLDING PICK thumb & first finger
2. BRACING PICKING HAND find bridge, rotate hand,
drop pinky or pinky & ring
3. PICK DIRECTION 90属 to string
4. EXERCISES use METRONOME
1. SINGLE STRING: DOWN DOWN .
2. SINGLE STRING: UP UP .
3. SINGLE STRING: DOWN UP .
4. SINGLE STRING: DOWN DOWN UP UP .
34. Picking (cont.)
(single notes)
5. MORE EXERCISES use METRONOME (cont.)
1. TWO STRINGS: DOWN DOWN .
2. TWO STRINGS: UP UP .
3. TWO STRINGS: DOWN DOWN UP UP .
4. TWO STRINGS: DOWN UP .
5. THREE STRINGS:
35. Sample Song using Tablature
3
3 3
3
Lets try it together!
5 5 3 3
The Troggs Wild Thing riff
36. Sample Song using Tablature
Traditional Music Notation
Tablature or TAB
0 2
0 2
3
0 2
3 3
Lets try it together!
Rolling Stones Satisfaction riff
37. Sample Song using Tablature
0 5
3
Lets try it together!
0 6
3 5 0 5
3 0
3
Deep Purple Smoke On The Water riff
38. 0 5
3 0 6
3 5 0 5
3 0
3
Deep Purple Smoke On The Water riff
3
3 3
3
5 5 3 3
The Troggs Wild Thing riff
All songs using Tablature
Rolling Stones Satisfaction riff
2
0 3 3
0 2
3
0 2
40. Tell me about your guitar
Brand
Model # (if known)
Serial # (if it has one)
Description (size, color of wood, etc.)
Any distinguishing characteristics or marks
Case (hard case or soft case, color, etc)
Anything else that can help be ID it if it
becomes lost?
41. TAB songs can be difficult !!!
SO.. JUST WORK ON THEM A FEW NOTES AT A TIME !!!
46. Introduction to CHORDS
If you play..
1 NOTE = a note
2 NOTES = an interval
3 or more NOTES = a CHORD
47. Introduction to CHORDS (cont.)
Most SHEET MUSIC
has LETTERS
above the music
notation lines.
These represent the
CHORD to be played
for that part of the
song.
48. Introduction to CHORDS (cont.)
HOW to play these
CHORDS is shown in
the DIAGRAMS here.
They show the strings
and where fingers
need to be placed to
play this CHORD.
49. Introduction to CHORDS (cont.)
BAD NEWS:
There are literally
HUNDREDS of
chords, if not more
to learn!!
GOOD NEWS:
You need only 3
to play MOST songs
on the radio.
50. How to practice CHORDS
Traditional Music Notation
TECHNIQUE:
1. Use TIPS of fingers to hold strings down
2. Place fingers close to (but below) the fret
3. Thumb behind neck should support fingers
4. Place fingers in place one at a time & HOLD
5. Play each string one at a time to ensure every note is
clear and rings
6. Strum all strings to hear chord
7. REPEAT steps 4-6
51. Playing SONGS with CHORDS
Traditional Music Notation
To play songs, must be able to move from one chord to another
chord QUICKLY
PRACTICE going from CHORD1 -> CHORD2 -> CHORD3
Strum each chord 1X, the move on to next
Strum each chord 2Xs, then move on
Etc.
Use a METRONOME ?
52. 1 2 3
Naming CHORDS The Basics
CHORD MAIN NOTE
or ROOT NOTE
How CHORD is altered
or changed.
Ex: min = MINOR
maj = MAJOR
dim = DIMINISHED+
sus = SUSPENDED
aug = AUGMENTED
others
Last # identifies
additional note(s)
added beyond just
basic 3 notes of chord.
Ex: 7 = seventh
9 = ninth
11 = eleventh
13 = thirteenth
others
But this gets us into THEORY, so for now we wont go any deeper
58. Playing SONGS with CHORDS
Traditional Music Notation
Lets try it together!
To play songs, must be able to move from one chord to another
chord QUICKLY
PRACTICE going from Emin -> Gmin -> Amin9 -> Asus2
Strum each chord 1X, the move on to next
Strum each chord 2Xs, then move on
Etc.
Use a METRONOME ?
59. 1 2 3
3
2
Emin
1 2 3
3
2
Gmin
1 2 3
3
2
Amin9
1 2 3
3
2
Asus2
Moving from Chord to Chord
64. 2 3
1
1
2 3
2 3
1
1 2
3
2
1
1 2 3
1
3
2
1
3
2
3
2
1 1
3
2
1
3
2
3
2
1
A D E
Create your own chord progression using these three chords.
Your creation can use any combination of these three chords and any
strumming pattern you like. The only requirement is you must start
and end on an A Major chord.
Experiment and find something that sounds good to you.
73. First Chords (3 notes)
C C Amin Amin F F G G
0
0
3
0
0
3
2
1
1
2
1
1
2
1
0
2
1
0
This is a very common chord progression, used by many songs
dont
play
these
strings
x
x
x
0
1
0
0
1
0
If there is an x or nothing on a string,
that means -> dont play that string !
74. 1. Eddie Ate Dynamite, Good Bye Eddie !
2. Tab version of song(s) - listen on YouTube
3. Finger exercise (e.g. 1-2-3-4, 2-3-4-5)
4. CHORDS place fingers, strum, squeeze
What to PRACTICE at Home ?
Remember, PRACTICE = PROGRESS
75. Strumming
(chords, most/all strings)
1. HOLDING PICK thumb & first finger
2. WHERE ON STRINGS TO STRUM?
3. BRACING PICKING HAND find bridge, then rotate & drop
4. PICK DIRECTION 90属 to string
5. HOW either with just HAND or WHOLE FOREARM
6. EXERCISES use METRONOME
1. DOWN DOWN .
2. UP UP .
85. Finger Exercises
How you can build dexterity and SPEED !!!!!
Traditional Music Notation
Lets try it together!
go slow!
pick DOWN for each note
do this to warm-up
to play FAST you must first play slow!
AS YOU GET BETTER, THEN..
move up (e.g. 2-3-4-5)
use a Metronome ?
e
86. Finger Exercises (cont.)
Now in REVERSE !
Traditional Music Notation
Lets try it together!
go slow!
pick DOWN for each note
do this to warm-up
to play FAST you must first play slow!
AS YOU GET BETTER, THEN..
move up (e.g. 6-5-4-3), etc..
use a Metronome ?
e
87. 2 3
1
1. fill in the missing string names
2. Put a on the 3rd FRET D string
3. Put a on 6th string 1st FRET
4. Put a on A string 4th FRET
5. Put a on low E 2nd FRET
E A D G B e
88. 2 3
1
1. fill in the missing string names
2. Put a on the 3rd FRET D string
3. Put a on 6th string 1st FRET
4. Put a on A string 5th FRET
5. Put a on low E 2nd FRET
E A D G B e
91. 2 3
1
1. Put a on the 3 F notes
2. Put a on the 3 C notes
3. Put a on the 4 A notes
4. Put a on all the 12 # notes
E A D G B e
92. 2 3
1
1. Put a on the 3 F notes
2. Put a on the 3 C notes
3. Put a on the 4 A notes
4. Put a on all the 12 # notes
E A D G B e
93. 2 3
1
1. Write the following notes in order in TAB form below
G G A G E F C C D F#
94. 2 3
1
1. Write the following notes in order in TAB form below (1 string / all)
G G A G E F C C D F#
3 8 8 10 2
3 5 3 0 1
0
1 1 2
4
0 2 0
2 3
95. 1. No practice = No _________ = No ________
2. Minimum # of minutes you should practice each day = ___
3. What should you fill-in everyday? ___________
4. Who ate dynamite? ___________
5. Who can learn to play guitar? ________
6. What is the guitar DIP? _____________
97. Whats NEXT?
play EVERY DAY, even if only for 5 minutes
Keep your guitar OUT where you will see it and play it
(next to bed, desk, TV?)
If offered, take LEVEL 2 class ( TBD ) must pre-register (via email)
Signup for after-school lessons here at NCC this fall (email me for info)
Find a good teacher near you!
Hang with others that play, or want to play
Dont give up when the DIP happens
Email me to let me know how you are doing, or if you have questions
(bdoney@northampton.edu)
When you are a famous guitarist,
dont forget to get me free tickets to your concert!!!!
98. Last Day
Fill out SURVEY student AND parent
Any papers to take home
Class files available at www.WilliamDoney.com/guitarclass.htm
Congratulations! You ARE a guitarist!