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Editor's Notes

1. http://petitinvention.wordpress.com/2008/02/10/future-of-internet-search-mobile-version/
2. Ikmoetopnieuw en opnieuw via al deze websites mijnvriendenopzoeken en opnieuwéénvooréénpersoonlijk contact maken (en opnieuwwachten op accepteren).
3. Gebruikmaken van data zoals we gewoonzijn met docuemten: Mogelijkheid tot het linken van data (los van hoe het gepresenteerdwordt)Mogelijkheid tot het gebruiken van data op de manierik die ikwens (omtepresenteren, teklasseren, etc…)Mogelijkheid tot het interpreteren van data van agents, programma’s, scripts, etc
4. A digital mashup is a digital media file containing any or all of text, graphics, audio, video and animation drawn from pre-existing sources, to create a new derivative work[1]. Digital text mashups, for example, appear by the thousands every day as users of blogs and online forums copy and paste digital text in juxtaposition to comment on topics of interest, while fan-created video/audio mashups juxtaposing commercially produced video clips with favorite pop songs constitute a major portion of YouTube content. Digital mashups represent a new phase in the re-use of existing works not so much conceptually as in ease of use. The creation of digital media formats such as ASCII text, Redbook audio, JPEG images and MPEG video has made it far easier for potential mashup creators to create derivative works, than was the case in the past, when significant technical equipment and knowledge was required to manipulate analog content.[2] A major contributing factor to the spread of digital mashups is of course the World Wide Web, which provides channels both for acquiring source material and for distributing derivative works, both often at negligible cost[3]. Current widespread practices of creating digital mashups have raised significant questions of intellectual property and copyright, which have been addressed by Lawrence Lessig, among others[4].
5. Op het data Web ontbreekteriets, machines kunnenzelfgeen (intelligente) links leggenermoet maw een “label” toegevoegdwordenaaneen (data) link:dit label moetleesbaarzijnvoor de machines ditheet “classificatie” van de link en het doel
6. http://mediatedcultures.net/ksudigg/?p=78The Machine is using us – Michael Wesh – Professor Cultural Antropology Kansas State University
7. http://www.slideshare.net/netlash/the-state-of-the-web-back-to-the-middle-agesFagmention in the smallest possible particles
8. http://www.slideshare.net/netlash/the-state-of-the-web-back-to-the-middle-ages
9. http://www.slideshare.net/netlash/the-state-of-the-web-back-to-the-middle-agesMetcalfe's lawFrom Wikipedia, the free encyclopediaJump to: navigation, searchTwo telephones can make only one connection, five can make 10 connections, and twelve can make 66 connections.Metcalfe's law states that the value of a telecommunications network is proportional to the square of the number of connected users of the system (n2). First formulated in this form by George Gilder in 1993,[1] and attributed to Robert Metcalfe in regard to Ethernet, Metcalfe's law was originally presented, circa 1980, not in term of users, but rather of \"compatibly communicating devices\" (for example, fax machines).[2]Metcalfe's law characterizes many of the network effects of communication technologies and networks such as the Internet, social networking, and the World Wide Web. It is related to the fact that the number of unique connections in a network of a number of nodes (n) can be expressed mathematically as the triangular number n(n − 1)/2, which is proportional to n2 asymptotically.The law has often been illustrated using the example of fax machines: a single fax machine is useless, but the value of every fax machine increases with the total number of fax machines in the network, because the total number of people with whom each user may send and receive documents increases.Metcalfe's law is more of a heuristic or metaphor than an iron-clad empirical rule. In addition to the difficulty of quantifying the \"value\" of a network, the mathematical justification measures only the potential number of contacts, i.e., the technological side of a network. However the social utility of a network depends upon the number of nodes in contact. For instance, if Chinese and non-Chinese users don't understand each other, the utility of a network of users that speak the other language is near zero, and the law has to be calculated for the two sub-networks separately
10. http://www.slideshare.net/netlash/the-state-of-the-web-back-to-the-middle-ages
11. http://www.slideshare.net/netlash/the-state-of-the-web-back-to-the-middle-ages
12. http://www.slideshare.net/netlash/the-state-of-the-web-back-to-the-middle-ages
13. http://www.slideshare.net/netlash/the-state-of-the-web-back-to-the-middle-ages
14. http://www.slideshare.net/netlash/the-state-of-the-web-back-to-the-middle-ages
15. http://www.slideshare.net/netlash/the-state-of-the-web-back-to-the-middle-ages
16. http://www.slideshare.net/netlash/the-state-of-the-web-back-to-the-middle-ages
17. http://epic.makingithappen.co.uk/Epic 2014 is the original flash online movie made by Robin Sloan for the Museum of Media HistorySet in 2014 it charts the history of the Internet, the evolving mediascape and the way news and newspapers were affected by the growth in online news. It coined the word \"Googlezon\" from a future merger of Google and Amazon to form the Google grid, and speaks of news wars with the Times becoming a print only paper for the elite culminating in EPIC Evolving Personalised Information ConstructAs a flash animation, this film is extraordinary, not just for it's use of technology but for it's fantastic perception looking forward. Epic 2015 is a new updated vision of the future set in 2015.
18. http://www.slideshare.net/netlash/the-state-of-the-web-back-to-the-middle-ages
19. http://www.slideshare.net/netlash/the-state-of-the-web-back-to-the-middle-ages
20. http://www.slideshare.net/netlash/online-communities-what-works-and-what-doesnt-presentationA virtual community, e-community or online community is a group of people that primarily interact via communication media such as newsletters, telephone, email, internet social network service or instant messages rather than face to face, for social, professional, educational or other purposes. If the mechanism is a computer network, it is called an online community. Virtual and online communities have also become a supplemental form of communication between people who know each other primarily in real life. Many means are used in social software separately or in combination, including text-based chatrooms and forums that use voice, video text or avatars. Significant socio-technical change may have resulted from the proliferation of such Internet-based social networks.[1]
21. http://www.slideshare.net/netlash/online-communities-what-works-and-what-doesnt-presentation
22. http://www.slideshare.net/netlash/online-communities-what-works-and-what-doesnt-presentation
23. http://www.slideshare.net/netlash/online-communities-what-works-and-what-doesnt-presentation
24. http://www.slideshare.net/netlash/online-communities-what-works-and-what-doesnt-presentation
25. http://www.slideshare.net/netlash/online-communities-what-works-and-what-doesnt-presentation
26. http://www.slideshare.net/netlash/online-communities-what-works-and-what-doesnt-presentation
27. http://www.frankwatching.com/archive/2009/04/22/26240/
28. http://www.slideshare.net/netlash/online-communities-what-works-and-what-doesnt-presentation
29. http://www.slideshare.net/netlash/online-communities-what-works-and-what-doesnt-presentation
30. http://www.slideshare.net/netlash/online-communities-what-works-and-what-doesnt-presentation
31. http://www.slideshare.net/netlash/online-communities-what-works-and-what-doesnt-presentationBeta fase -collega’s, vrienden,powerusersbouwtraag op
32. http://www.frankwatching.com/archive/2009/04/22/26240/
33. http://www.frankwatching.com/archive/2009/04/22/26240/
34. http://www.slideshare.net/netlash/the-state-of-the-web-back-to-the-middle-ages
35. http://www.slideshare.net/netlash/the-state-of-the-web-back-to-the-middle-ages
36. http://www.slideshare.net/netlash/the-state-of-the-web-back-to-the-middle-ages
37. http://www.frankwatching.com/archive/2009/04/22/26240/
38. Axionlanceertnooitgezienevorm van internetconcerten: de Axion Banner Concerts25/09/2008Jongerenmerk van Dexiastelteigenreclameruimte op het internet terbeschikking van jonge bandsAxion, het jongerenmerk van Dexia, lanceert de Axion Banner Concerts: eenopmerkelijkecampagneomjongeren die muziekmakenfinancieel en promotioneelteondersteunen. Dezeuniekeinternetconcertenvindenplaats in banners, hétdigitalereclameformatbijuitstek. Doel is ombeloftevollejongemuzikanten op die manierversneldvisibiliteit en bekendheidtegeven. De groep die het beste Banner Concert speelt, winteenoptreden in de AncienneBelgique, een streaming van dit concert en eenopnamedag in de AB sound-studio.Het conceptSindsjaar en dagsteuntAxionjongerentussen 12 en 25 jaar in alleaspecten van hunleven. Muziekhoortdaarbij. En aangezien steeds meerjongeren op steeds jongereleeftijd in eenmuziekgroepspelen – de jongstewinnaars van Humo’s Rock Rally warengemiddeld 15 jaaroud – vondAxiondat het hoogtijdwerdommuziekmakendejongereneen platform tegeven en hen financieeltesteunen.Met de lancering van de Axion Banner Concerts wordteenvolledignieuw concept in het levengeroepen: internetconcerten die plaatsvinden in banners, het bekendstedigitalereclameformat. Axionsteltzijneigen banners op het internet terbeschikking van jongemuzikanten. Op die manierbereiken de groepen in kwestieeenveelruimerpubliekdanuitsluitend via huneigenMySpace, Netlog of Facebookpagina’s. Of hoe de reclameruimte van een bank de reclameruimte van een band wordt.Axion Banner ConcertsDe internetcampagneDe lancering van de Axion Banner Concerts gaatgepaard met eenuitgebreide – hoe kan het ookanders – bannercampagnewaarinbekendeartiestenzoals Tim Vanhamel, A Brand, Tom Helsen en Malibu Stacey zélfeen Banner Concert spelen. Op die manierwordteenbeeldgeschetst van wat het format Banner Concerts preciesinhoudt. Via deze banners komt men terecht op axionweb.bewaarallemogelijkeinformatietevinden is omdeeltenemenaan de wedstrijd en kanstemakenomzelfzo’n Banner Concert tewinnen.De wedstrijdInsturen van de nummersTot 17 oktober 2008 kunnenalle bands (of solo-performers) waarvanalleledentussen 12 en 25 jaaroudzijn, eennummerinsturendatzegraagalsAxion Banner Concert willenopnemen. Ditnummermoeteeneigencreatiezijn. Deelnemenkan via het wedstrijdformulier op www.axionweb.be.Selecteren van 25 bands door een juryAlleingezondennummerswordeneerstindividueelbeluisterd en beoordeeld door eenonafhankelijke jury bestaandeuit 3 personenuit de muziekwereld: Peter Crosbie (producer Daan, Axelle Red …), Kurt Overbergh (artistiekdirecteur van de AncienneBelgique) en Axel Stevens (programmering Dour Festival). Iederjurylidkent per nummereenwaardecijfer van 1 tot 5 toe. Door dezeindividuelebeoordelingenwordteen top 40 opgesteld. Deze 40 nummerswordenvervolgens door de juryledensamenbeluisterd en zijbepalensamen de 25 genomineerden. Dezegeselecteerdenmogen op kosten van Axioneenprofessioneleopname van hunnummermeemakendatzalwordenvertaaldnaareen Banner Concert. Deze 25 Banner Concerts wordenvervolgens op tal van drukbezochte websites geplaatstwaarze door iedereenbekekenkunnenworden.Het publiekkiest de uiteindelijkewinnaarDe eindwinnaar van de Axion Banner Concerts zalwordenbepaald door het publiek. Iedereenkangedurendeeenaantalwekenstemmen op de 25 Banner Concerts. Ditkan op 2 manieren: online (via axionweb.be) of per sms.De prijzenVoor de eindoverwinnaarwordtwellichteenlevensdroomwerkelijkheid: eeneigenoptreden in de AB in Brusseldatmeteenookwordtgestreamd op de AB-site. En daarblijft het nietbij. Bovenopdit “moment of fame” wordt de laureaatuitgenodigdvooreenvolledigeopnamedag in de AB sound-studio onderprofessionelebegeleiding.Nuttige links: * http://internetconcerten.blogspot.com/ * http://www.axionweb.be/nl/bannerconcerts
39. Eenvirale film voor Brussels Airlines laatonszienwaarom al die Europeanenaltijd in Brusselkomenbetogen. ZekomennietomdatBrussel de Europesehoofdstad is, maaromdat Brussels Airlines de bestetarievenaanbiedtomnaareenEuropesebestemmingtevliegen: slechts 49,99 euro.In de film zien we verschillendebetogendeactiegroepen: Duitseverpleegsters, Spaansevredesactivisten, Italiaansekaasmakers, Poolsevakbondsafgevaardigdenenz. De vraagverschijnt op het scherm: \"Waaromkomenzealtijdnaar Brussels omtebetogen?”. Het antwoord is simpel: “Brusselvoor 49.99€. Meer info op brusselsairlines.com”. De film wordtviraalverspreid via de verschillendeEuropesevestigingen van Brussels Airlines.
40. http://www.slideshare.net/marketingfacts/consumer-innovation-on-the-internethttp://www.slideshare.net/marketingfacts/consumer-innovation-on-the-internet
41. http://www.slideshare.net/marketingfacts/consumer-innovation-on-the-internethttp://www.slideshare.net/marketingfacts/consumer-innovation-on-the-internet
42. This is what I wish the internet search will be able to do with a mobile device in the NEAR future. Touch screen, built in camera, scanner, WiFi, google map (hopefully google earth), google search, image search… all in one device. Like this way, when you can see a building through it, it gives you the image search result right on the spot.Choose a building and touch a floor and it tells you more details of the building.Well, it doesn’t have to be a building, but it can be any object you see. You can use it when you want to know a car model, an insect name, what kind of food is served at a restaurant and how much, who built a bridge, etc. etc. But as a designer myself, I hope it’s able to tell me a name of a font of the type I see, the size, color (in RGB), and so on.It’s got a scanner built in, so you can use it this way when you want to check the meaning of a word in the newspaper, book, magazine, etc.Future of Internet Search: Mobile version * February 10, 2008 – 2:26 pm * Posted in Design, Gadget, future, inspiration, technology * Tagged device, future, Gadget, Google, iGoogle, internet, intuitive, mobile, search engine, technologyMobile version(Followed by a previous post “Future of Internet Search“)This is what I wish the internet search will be able to do with a mobile device in the NEAR future. Touch screen, built in camera, scanner, WiFi, google map (hopefully google earth), google search, image search… all in one device. Like this way, when you can see a building through it, it gives you the image search result right on the spot.Mobile versionChoose a building and touch a floor and it tells you more details of the building.Well, it doesn’t have to be a building, but it can be any object you see. You can use it when you want to know a car model, an insect name, what kind of food is served at a restaurant and how much, who built a bridge, etc. etc. But as a designer myself, I hope it’s able to tell me a name of a font of the type I see, the size, color (in RGB), and so on.Mobile versionIt’s got a scanner built in, so you can use it this way when you want to check the meaning of a word in the newspaper, book, magazine, etc.Mobile version It would be much easier to read a real book. You can use the dictionary, wikipedia, thesaurus and anything else available on the web. What do you think?
43. http://www.slideshare.net/marketingfacts/consumer-innovation-on-the-internethttp://www.slideshare.net/marketingfacts/consumer-innovation-on-the-internet
44. http://www.slideshare.net/netlash/the-state-of-the-web-back-to-the-middle-ages
45. http://www.w3.org/2001/sw/
46. De echte data zit ergensverstopt in databases, XML files, Excel sheets,…… en jijhebtenkeltoegang tot waar de webdesignersonstoegang toe verschaffenMaarsomswil je je info personaliseren: toeganshebben tot de originele data en zelfcombineren