Joseph Koudelka .pptx

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A presentation made on Magnum Photographer Joseph Koudelka , Who has photographed variety of subjects including his most well known Prague War and pioneering work on gypsies, Turning to landscape photography in his later part of career

Biography
• Born in Czechoslovakia
• Began Photographing in teenage
• Studied Aeronautical engineering in Czech technological university
immediately after graduation he had his first photography exhibition
• Received commissions from theatre magazines,
• Photographs to stage productions at Bronx theatre using only sex
camera
• Did this part time for six years
• Eventually became a full time photographer

By photographing theatre you learnt to see the world as theatre

• Alongside was also photographing : Romani people = Gypsies (eng) in
• Rural Romania , France , hungary , Spain
• Romani people are found in Europe & adjoining part of asia
• Believed to be originally belonging to northwestern india
(rajasthan,Punjab)
• From 1961 to 68
• Work published in “Gypsies” in 1975

One of the seminal photoessays of the 20th Century,

• Returned to Prague
• In a short time prague or Czech republic was invaded by Russia
• Extensively photographed this invasion
• The films smuggled and published in Sunday times London & Look
Magazine USA
• Under the pseudoname P.P. (prague photographer)
• Highly appreciated and acclaimed
• However due to political threats he remained anonymous
• Received Overseas Press Club’s Robert Capa Gold Medal

"Only after the death of my father did I admit that they were mine“
1984

• Fled to England
• Sought political asylum
• Initially for 3 months which eventually became a decade
• Received support from Henry cartier Bresson & Robert Delpire
• Became magnum photographer

• Joining Magnum not only gave Koudelka a bank of friends, but also a
network of people to help him out and places to stay when he
travelled. However, Koudelka did not work as a conventional agency
photographer, turning down assignments, and choosing instead to
travel and to pursue a personal study. He photographed the gypsy
population, minority groups, and everything that is destined to
become extinct, to be ‘exiled’ in some way –

• “To be in exile is simply to have left one’s country and to be unable to
return. Every exile is a different, personal experience. Myself, I
wanted to see the world and photograph it. That’s forty-five years I’ve
been travelling. I’ve never stayed anywhere more than three months.

“For fifteen years, I didn’t work for anybody. I
never accepted any assignment, never
photographed for money. I took photographs
just for myself. I lived on the minimum. I didn’t
need much: a good sleeping bag and some
clothes – one pair of shoes, two pairs of socks
and a pair of trousers for one year. One jacket
and two shirts lasted me for three years,”

• 1990s and beyond :
• Majorly photographs landscapes
• Chaos (1999)

• In 1987, Koudelka became a French citizen, and was able to return to
Czechoslovakia for the first time, in 1990.[2]
• He then produced Black Triangle, documenting the wasted landscape
in the Podkrušnohoří region, the western tip of the Black Triangle's
foothills of the Ore Mountains, located between Germany and the
Czech Republic.

• Koudelka's impressive imagery is
accompanied here by five essays that
provide a thorough understanding of and
appreciation for this outstanding artist,
willfully independent and reclusive
despite his renown.

• most recent book Wall: Israeli and Palestinian Landscapes was
published by Aperture Foundation in 2013

If you photograph people you are losing all the time something; you are running
after something which doesn’t exist anymore. If you photograph the landscape,
you are waiting

• Koudelka lives in France and Prague and is continuing his work
documenting the European landscape

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Joseph Koudelka .pptx

1. Joseph Koudelka

2. Biography • Born in Czechoslovakia • Began Photographing in teenage • Studied Aeronautical engineering in Czech technological university immediately after graduation he had his first photography exhibition • Received commissions from theatre magazines, • Photographs to stage productions at Bronx theatre using only sex camera • Did this part time for six years • Eventually became a full time photographer

3. By photographing theatre you learnt to see the world as theatre

7. • Alongside was also photographing : Romani people = Gypsies (eng) in • Rural Romania , France , hungary , Spain • Romani people are found in Europe & adjoining part of asia • Believed to be originally belonging to northwestern india (rajasthan,Punjab) • From 1961 to 68 • Work published in “Gypsies” in 1975

8. One of the seminal photoessays of the 20th Century,

13. Isolation Human Relationships Death

14. • Returned to Prague • In a short time prague or Czech republic was invaded by Russia • Extensively photographed this invasion • The films smuggled and published in Sunday times London & Look Magazine USA • Under the pseudoname P.P. (prague photographer) • Highly appreciated and acclaimed • However due to political threats he remained anonymous • Received Overseas Press Club’s Robert Capa Gold Medal

19. "Only after the death of my father did I admit that they were mine“ 1984

20. • Fled to England • Sought political asylum • Initially for 3 months which eventually became a decade • Received support from Henry cartier Bresson & Robert Delpire • Became magnum photographer

21. • Joining Magnum not only gave Koudelka a bank of friends, but also a network of people to help him out and places to stay when he travelled. However, Koudelka did not work as a conventional agency photographer, turning down assignments, and choosing instead to travel and to pursue a personal study. He photographed the gypsy population, minority groups, and everything that is destined to become extinct, to be ‘exiled’ in some way –

22. • “To be in exile is simply to have left one’s country and to be unable to return. Every exile is a different, personal experience. Myself, I wanted to see the world and photograph it. That’s forty-five years I’ve been travelling. I’ve never stayed anywhere more than three months.

23. “For fifteen years, I didn’t work for anybody. I never accepted any assignment, never photographed for money. I took photographs just for myself. I lived on the minimum. I didn’t need much: a good sleeping bag and some clothes – one pair of shoes, two pairs of socks and a pair of trousers for one year. One jacket and two shirts lasted me for three years,”

29. • 1990s and beyond : • Majorly photographs landscapes • Chaos (1999)

33. • In 1987, Koudelka became a French citizen, and was able to return to Czechoslovakia for the first time, in 1990.[2] • He then produced Black Triangle, documenting the wasted landscape in the Podkrušnohoří region, the western tip of the Black Triangle's foothills of the Ore Mountains, located between Germany and the Czech Republic.

37. • Koudelka's impressive imagery is accompanied here by five essays that provide a thorough understanding of and appreciation for this outstanding artist, willfully independent and reclusive despite his renown.

38. • most recent book Wall: Israeli and Palestinian Landscapes was published by Aperture Foundation in 2013

40. If you photograph people you are losing all the time something; you are running after something which doesn’t exist anymore. If you photograph the landscape, you are waiting

43. • Koudelka lives in France and Prague and is continuing his work documenting the European landscape

44. Thank you.

Editor's Notes

#5: Untitled, from a performance of Topol's "Hour of Love", directed by Otomar Krejca at the Theatre Divadlo Za Branou (Behind the Gate) in Prague., 1965-1968 Vintage gelatin silver print 6 5/8 x 9 1/16 in.
#6: Untitled, from a performance of Chekhov’s “Three Sisters” at the Theatre Divadlo Za Branou (Behind the Gate) in Prague, directed by Otomar Krejca., 1966 Vintage gelatin silver print 7 15/16 x 5 in.
#7: Untitled, from a performance at the Theatre Divadlo Za Branou (Behind the Gate) in Prague, directed by Otomar Krejca., 1965-1968 Vintage gelatin silver print 6 9/16 x 9 1/8 in.
#10: Zehra, Czechoslovakia. 1967.
#11: . Jarabina, Czechoslovakia. 1963.
#12: 'Reconstruction of a homicide. In the foreground: a young gypsy suspected of being guilty.
#16: “Minutes leading to invasion” Anticipation Capturing whats not there in the photo
#25: Exiles Parc de Sceaux, Hauts-de-Seine, France.1987.
#26: ireland. 1978.
#28: ental hospital. Sicily, Palermo, Italy. 1985
#29: Brittany, France 1973
#37: A new rubbish disposal site. The Black Triangle, Czech Republic. 1991.
#43: The Wall is taking on the characteristics of a unilaterally imposed border, replacing the internationally recognized Green Line. Rachel's Tomb.

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