This document outlines Miles Guillet's personal brand exploration and career goals in the music industry. It summarizes his short-term goal of securing an A&R internship and long-term goal of starting a successful record label. It provides details on his target occupation of A&R, potential job titles, target audience, competition in the field, identity branding, networking and professional development plans, and references.
This proposal outlines a radio show project focusing on music from the 1930s and 1940s era of World War II. The target audience is those aged 65 and older, as well as introducing younger generations to the genre. Research will include analyzing existing radio shows and audience demographics. Production will include recording music, sound effects, and narration to create a fully edited radio show. A poster will also be designed to promote the show. Progress will be evaluated weekly and upon completion through self-reflection and comparing the final products to initial goals and research models.
Christian Wilds is a digital marketer and musician who aims to help artists distribute music and art. His short-term career goal is to gain recognition from successful professionals in the music industry. Long-term, he wants to master all skills needed for a career in music including production, marketing, and distribution.
The document proposes a radio show project focused on music from the 1930s and 1940s era of World War 2. The target audience is those aged 65 and older, but also aims to introduce the music to younger generations. Research will include existing radio shows and audience demographics to create an authentic product. The schedule outlines 10 weeks of initial response, research, production experiments, pre-production planning, and production, evaluation, and development. The bibliography provides 7 sources of information on songs and artists from the time period to inform the project.
The document provides information about various existing media formats that can be used to promote music, including album covers, showreels, posters, podcasts, and music videos. It analyzes examples of each format, discussing what elements they include and how they are effective promotional tools. Key points covered include how album covers represent the artist's branding and theme, showreels showcase an artist's work and abilities, posters promote events and include important details, podcasts engage listeners and raise recognition, and music videos boost visibility and define the artist's brand through visual storytelling.
Conner is a 26-year-old resident of Dallas, Texas with a passion for music. His goal is to become an A&R scout representing the reggae genre and discovering new reggae talent. As a caregiver and entertainer, he believes he can relate well to clients and make solid deals. In the short term, he aims to get an entry-level A&R position through internships. Long term, he wants to be the Head Director of A&R at a major label like Universal Music Group and help establish reggae as one of the top 3 genres in the US.
Conner Denkmann is a 26-year-old Dallas resident pursuing a degree in music business. His goal is to become an A&R representative to revitalize the reggae genre by discovering new talent. In the short term, he aims to complete an internship at a major label to gain experience. Long term, he wants to be the head of A&R at Universal Music Group and make reggae one of the top 3 genres. He believes his caring personality and passion for music make him well-suited to nurture artists' careers.
Conner Denkmann is a 26-year-old music enthusiast from Dallas, Texas pursuing a degree in music business. His goal is to work as an A&R representative to discover new reggae talent and help popularize the genre. In the short term, he aims to complete an internship at a major label and get an entry-level A&R role. Long term, he wants to become the head of A&R at a label to significantly grow the reggae community. He has marketing and networking skills and is building experience through education and internships to achieve his dream career.
Marc Velasquez is a musician and DJ aiming to bring a new sound to the EDM industry. He describes himself as creative, imaginative, and driven to achieve his goals. His personal brand, "Novuh," will provide unique audio and visual experiences for audiences seeking new sounds and adventures. Marc's goals are to grow his social media presence and brand recognition over the short, mid, and long-term timeframes. He plans to network within the industry and pursue further education and skills to establish himself as the future of music.
This proposal outlines a student's project to create a fanzine called "EXPOSE Magazine" about the downsides of the music industry. The target audience is ages 16-24 who are music enthusiasts. The student will discuss topics like record labels, women in the industry, independent artists, and streaming services. They will use Photoshop skills gained from previous projects to edit and design the fanzine's visual elements. Over four weeks, the student will write articles, conduct an interview, design the front and back covers and contents pages, lay out pages including the interview spread, and finalize the fanzine. They will provide weekly reflections and a final self-evaluation to analyze if the fanzine appeals to the target
A producer collective of independent creatives working collaboratively in order to develop sustainable models
for careers in content production and distribution.
Working with Partners and Sponsors, we create opportunities and resources, that connect Collaborators, Partners and Sponsors with prosumers.
Through opportunities, we are developing a platform of sustainable business models for creative collaborators.
Formed in 2013 by Sound Groove Entertainment and Trip Digital Sound Design, #MassivelyEpic is a producer collective of artists, musicians, DJs and performers, with the aim of working collaboratively in order to develop a sustainable model for an independent creative career.
Since July we have been partnering with community organizations, businesses and artists to produce educational workshops (#ArtistEngage) and distribution outlets (#ArtistTransform, #MassivelyEpic Radio, #Undergroove, and #Groovelust), along with original productions, live performances, weekly radio broadcasts, private and public showcases and parties.
Our vision is to build the world’s leading independent creative content resource platform by 2020, by artist and entrepreneurs from the ground up.
The student proposes creating a fanzine called "EXPOSE Magazine" about the downsides of the music industry. The target audience is ages 16-24 and music enthusiasts. They will discuss topics like record labels, women in the industry, independent artists, and streaming services. Photoshop skills from previous projects will be used to edit images creatively. Existing fanzines were analyzed for inspiration. An interview with an independent artist will be included. Progress will be evaluated through weekly reflections and feedback from the target audience on the final product. Skills developed in previous graphic design projects will support creating the magazine covers, layouts, and editing images.
This document provides advice on leveraging social media to maximize the potential of a music sync placement. It discusses building a consistent brand on social media through maintaining a recognizable voice, logo and visual style across platforms. It also recommends delivering valuable and relatable content to fans, like sharing varied types of posts and high-quality videos. The document emphasizes engaging in meaningful conversations with followers through replies, hashtags and connecting on a personal level. It stresses analyzing social media analytics to understand fan engagement and shape strategies. Finally, it offers tips for promoting an upcoming sync placement by confirming allowed details and preparing assets and campaigns ahead of time.
This proposal outlines a student's plan to create a fanzine called "EXPOSE Magazine" about the downsides of the music industry. The target audience is music enthusiasts aged 16-24. The student will use Photoshop skills developed in previous projects to design the fanzine's cover, layouts, and edit images. Over three weeks, the student will write articles, conduct an interview with an independent artist, and design the front cover, back cover, contents pages, and interior pages. Each week they will reflect on their progress. To evaluate the finished fanzine, the student will analyze its features, get feedback from the target audience, and reflect on what they learned for future projects.
This proposal outlines a project to create a radio show called "Fortitude through the Forties" about music from World War II. The target audience is males and females of various ages from social grades ABC1 who are likely to be politically left-leaning. Over 10 weeks, the student will conduct research on existing radio shows and products, experiment with equipment, develop a script and materials list, produce a poster and audio ad in Weeks 5-6, record and edit the radio show in Weeks 7-8, and evaluate the final project in Week 9 with peer and self-reflection. Contingency time is allocated in Week 10 to improve the work based on feedback.
This proposal outlines a project to create a radio show called "Fortitude through the Forties" about music from World War II. The target audience is males and females of all ages from social grades ABC1 who are likely to be politically left-leaning. Over 10 weeks, the student will conduct research on existing radio shows and products, experiment with equipment, develop a script and materials list, produce a poster and audio ad in Weeks 5-6, record and edit the radio show in Weeks 7-8, and evaluate the final project in Week 9. Time in Week 10 allows for improvements based on feedback. The proposal provides a schedule of specific tasks for each week to complete the project on time and to a high
Suau, Lucas Project and portfolio 1 assigment 1 February 12,2024.pdfluxsuau
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Lucas Suau is exploring a career in the music business. His short term goal is to obtain an entry level position at a major or independent record label by 2025 through existing connections. His long term goal is to have an established reputation at a label in a managerial role by 2030. He will focus on networking at industry events, improving his online presence through LinkedIn and content creation, and gaining experience through an internship in event production.
Ryan Dillon wants to work in the music industry helping to create and execute album rollouts for artists. His goal is to base marketing and promotion tactics around an album's art and concept to provide unique rollouts that draw in a core fan base attached to the music and art. Ryan is passionate about music and wants to improve album promotion, having noticed that some artists receive little support from labels. He plans to use his education and network to build relationships and showcase his dedication to creative marketing that puts artists first.
Skylar Jones is exploring their personal brand focused on artist management in the hip hop and R&B genres. Their brand aims to give artists complete creative freedom and ownership over their music. After graduation, Skylar hopes to work for Atlantic Records as a talent scout and eventually become an artist manager, in order to gain experience before starting their own artist management company focused on hip hop and R&B artists.
This document discusses research into ancillary products like digipacks used in the music industry. Digipacks are used to promote both artists and music companies by establishing a connection with audiences. They promote the artist as a person and draw in consumers by providing information. Artists and producers also benefit from promotion. Digipacks usually display the artist name, album name, and producer on the outside. Some artists minimize information for branding purposes or curiosity. Reasons for using digipacks include making money, building the artist's brand, promoting their image, and ensuring future success by creating an iconic brand to exploit.
This document provides information and advice about securing grant funding from various Australian arts funding bodies such as the Australia Council for the Arts. It discusses:
- Examples of grants awarded to support international touring by Australian artists such as RVG, Amy Shark, and Gang of Youths.
- Tips for applying for touring grants from the Australia Council, including targeting regional areas, having confirmed show dates and venues, and using metrics to benchmark experience and audience size.
- General advice about grant writing, including developing a clear rationale, using facts and examples, and pitching the application persuasively rather than just describing plans.
The document proposes a docuseries titled "Behind the Stage" that provides an intimate look at the touring lives of popular artists. It would feature artists like Taylor Swift, Harry Styles, and Beyoncé along with their crews. The target audience is ages 21-45 who enjoy music and value creativity. Episodes would showcase the personal journeys, creative processes, and behind-the-scenes moments of putting on live shows. Distributed on Netflix, each episode would focus on a different artist to inspire and entertain viewers with the untold stories that shape these musicians.
Social media, live performances, playlists, and storytelling are effective ways for musicians to promote their music in 2022 according to the article. It recommends using platforms like TikTok, Instagram Reels, and Spotify playlists to reach large audiences. Speaking engagements and concerts help artists directly connect with fans. Crafting compelling stories that detail an artist's influences and process can engage listeners and help music go viral. The article advises musicians to strategically utilize these promotion methods and technology to help their careers in the new year.
This page contains my portfolio data and career journey, which consists of: introduction, educational background, internship experience and organizational experience.
Bangor University: A Legacy of Excellence in Education and Researchstudyabroad731
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Bangor University, also known as Prifysgol Bangor in Welsh, is a prominent institution of higher education situated in Bangor, Wales. At Study Abroad Established in 1885, it has grown into a respected center for academic excellence
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Conner Denkmann is a 26-year-old music enthusiast from Dallas, Texas pursuing a degree in music business. His goal is to work as an A&R representative to discover new reggae talent and help popularize the genre. In the short term, he aims to complete an internship at a major label and get an entry-level A&R role. Long term, he wants to become the head of A&R at a label to significantly grow the reggae community. He has marketing and networking skills and is building experience through education and internships to achieve his dream career.
Marc Velasquez is a musician and DJ aiming to bring a new sound to the EDM industry. He describes himself as creative, imaginative, and driven to achieve his goals. His personal brand, "Novuh," will provide unique audio and visual experiences for audiences seeking new sounds and adventures. Marc's goals are to grow his social media presence and brand recognition over the short, mid, and long-term timeframes. He plans to network within the industry and pursue further education and skills to establish himself as the future of music.
This proposal outlines a student's project to create a fanzine called "EXPOSE Magazine" about the downsides of the music industry. The target audience is ages 16-24 who are music enthusiasts. The student will discuss topics like record labels, women in the industry, independent artists, and streaming services. They will use Photoshop skills gained from previous projects to edit and design the fanzine's visual elements. Over four weeks, the student will write articles, conduct an interview, design the front and back covers and contents pages, lay out pages including the interview spread, and finalize the fanzine. They will provide weekly reflections and a final self-evaluation to analyze if the fanzine appeals to the target
A producer collective of independent creatives working collaboratively in order to develop sustainable models
for careers in content production and distribution.
Working with Partners and Sponsors, we create opportunities and resources, that connect Collaborators, Partners and Sponsors with prosumers.
Through opportunities, we are developing a platform of sustainable business models for creative collaborators.
Formed in 2013 by Sound Groove Entertainment and Trip Digital Sound Design, #MassivelyEpic is a producer collective of artists, musicians, DJs and performers, with the aim of working collaboratively in order to develop a sustainable model for an independent creative career.
Since July we have been partnering with community organizations, businesses and artists to produce educational workshops (#ArtistEngage) and distribution outlets (#ArtistTransform, #MassivelyEpic Radio, #Undergroove, and #Groovelust), along with original productions, live performances, weekly radio broadcasts, private and public showcases and parties.
Our vision is to build the world’s leading independent creative content resource platform by 2020, by artist and entrepreneurs from the ground up.
The student proposes creating a fanzine called "EXPOSE Magazine" about the downsides of the music industry. The target audience is ages 16-24 and music enthusiasts. They will discuss topics like record labels, women in the industry, independent artists, and streaming services. Photoshop skills from previous projects will be used to edit images creatively. Existing fanzines were analyzed for inspiration. An interview with an independent artist will be included. Progress will be evaluated through weekly reflections and feedback from the target audience on the final product. Skills developed in previous graphic design projects will support creating the magazine covers, layouts, and editing images.
This document provides advice on leveraging social media to maximize the potential of a music sync placement. It discusses building a consistent brand on social media through maintaining a recognizable voice, logo and visual style across platforms. It also recommends delivering valuable and relatable content to fans, like sharing varied types of posts and high-quality videos. The document emphasizes engaging in meaningful conversations with followers through replies, hashtags and connecting on a personal level. It stresses analyzing social media analytics to understand fan engagement and shape strategies. Finally, it offers tips for promoting an upcoming sync placement by confirming allowed details and preparing assets and campaigns ahead of time.
This proposal outlines a student's plan to create a fanzine called "EXPOSE Magazine" about the downsides of the music industry. The target audience is music enthusiasts aged 16-24. The student will use Photoshop skills developed in previous projects to design the fanzine's cover, layouts, and edit images. Over three weeks, the student will write articles, conduct an interview with an independent artist, and design the front cover, back cover, contents pages, and interior pages. Each week they will reflect on their progress. To evaluate the finished fanzine, the student will analyze its features, get feedback from the target audience, and reflect on what they learned for future projects.
This proposal outlines a project to create a radio show called "Fortitude through the Forties" about music from World War II. The target audience is males and females of various ages from social grades ABC1 who are likely to be politically left-leaning. Over 10 weeks, the student will conduct research on existing radio shows and products, experiment with equipment, develop a script and materials list, produce a poster and audio ad in Weeks 5-6, record and edit the radio show in Weeks 7-8, and evaluate the final project in Week 9 with peer and self-reflection. Contingency time is allocated in Week 10 to improve the work based on feedback.
This proposal outlines a project to create a radio show called "Fortitude through the Forties" about music from World War II. The target audience is males and females of all ages from social grades ABC1 who are likely to be politically left-leaning. Over 10 weeks, the student will conduct research on existing radio shows and products, experiment with equipment, develop a script and materials list, produce a poster and audio ad in Weeks 5-6, record and edit the radio show in Weeks 7-8, and evaluate the final project in Week 9. Time in Week 10 allows for improvements based on feedback. The proposal provides a schedule of specific tasks for each week to complete the project on time and to a high
Suau, Lucas Project and portfolio 1 assigment 1 February 12,2024.pdfluxsuau
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Lucas Suau is exploring a career in the music business. His short term goal is to obtain an entry level position at a major or independent record label by 2025 through existing connections. His long term goal is to have an established reputation at a label in a managerial role by 2030. He will focus on networking at industry events, improving his online presence through LinkedIn and content creation, and gaining experience through an internship in event production.
Ryan Dillon wants to work in the music industry helping to create and execute album rollouts for artists. His goal is to base marketing and promotion tactics around an album's art and concept to provide unique rollouts that draw in a core fan base attached to the music and art. Ryan is passionate about music and wants to improve album promotion, having noticed that some artists receive little support from labels. He plans to use his education and network to build relationships and showcase his dedication to creative marketing that puts artists first.
Skylar Jones is exploring their personal brand focused on artist management in the hip hop and R&B genres. Their brand aims to give artists complete creative freedom and ownership over their music. After graduation, Skylar hopes to work for Atlantic Records as a talent scout and eventually become an artist manager, in order to gain experience before starting their own artist management company focused on hip hop and R&B artists.
This document discusses research into ancillary products like digipacks used in the music industry. Digipacks are used to promote both artists and music companies by establishing a connection with audiences. They promote the artist as a person and draw in consumers by providing information. Artists and producers also benefit from promotion. Digipacks usually display the artist name, album name, and producer on the outside. Some artists minimize information for branding purposes or curiosity. Reasons for using digipacks include making money, building the artist's brand, promoting their image, and ensuring future success by creating an iconic brand to exploit.
This document provides information and advice about securing grant funding from various Australian arts funding bodies such as the Australia Council for the Arts. It discusses:
- Examples of grants awarded to support international touring by Australian artists such as RVG, Amy Shark, and Gang of Youths.
- Tips for applying for touring grants from the Australia Council, including targeting regional areas, having confirmed show dates and venues, and using metrics to benchmark experience and audience size.
- General advice about grant writing, including developing a clear rationale, using facts and examples, and pitching the application persuasively rather than just describing plans.
The document proposes a docuseries titled "Behind the Stage" that provides an intimate look at the touring lives of popular artists. It would feature artists like Taylor Swift, Harry Styles, and Beyoncé along with their crews. The target audience is ages 21-45 who enjoy music and value creativity. Episodes would showcase the personal journeys, creative processes, and behind-the-scenes moments of putting on live shows. Distributed on Netflix, each episode would focus on a different artist to inspire and entertain viewers with the untold stories that shape these musicians.
Social media, live performances, playlists, and storytelling are effective ways for musicians to promote their music in 2022 according to the article. It recommends using platforms like TikTok, Instagram Reels, and Spotify playlists to reach large audiences. Speaking engagements and concerts help artists directly connect with fans. Crafting compelling stories that detail an artist's influences and process can engage listeners and help music go viral. The article advises musicians to strategically utilize these promotion methods and technology to help their careers in the new year.
This page contains my portfolio data and career journey, which consists of: introduction, educational background, internship experience and organizational experience.
Bangor University: A Legacy of Excellence in Education and Researchstudyabroad731
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Bangor University, also known as Prifysgol Bangor in Welsh, is a prominent institution of higher education situated in Bangor, Wales. At Study Abroad Established in 1885, it has grown into a respected center for academic excellence
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Engage is FSU College of Social Sciences and Public Policy’s annual magazine for alumni and friends.
Each edition contains highlights from the college’s many student, faculty, staff, and alumni achievements during that academic year.
I served as Editor-in-Chief and Creative Director for this project, which included all graphic design services.
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Kevin Lee - Not Only Noise Connect Call Recap.pdf
2. Meeting Recap
NOTES:
Location: Atl, ga
-does a lot of live shows, streaming performances
Genre: new wave punk rock alternative
Performance:
- twice a month lately but use to perform every other week
Been doing music professionally for 15 years
- guitar, bass, vox, & songwriting
Currently:
- streaming live sometimes once a week but consistently 3x a month
- ascap member
Coming up:
- more social content
Recommendations
-Find the right team - communication, relationship, adn shared
vision are the most important. Day to day support can be essential
to brand and strategy development
- Put together a comprehensive release strategy and set yourself
up that in 2023 you can be consistently rolling out music in order
to keep your audience engaged and grow your algorithmic
support. Best practices say you should be releasing every 6-8
weeks
- Prepare ALL content: Artwork, music video(s), and announcement
graphics and also all the promotional content for each release -
giving yourself about 2 weeks leading up to it and 3-4 weeks
worth of content after release
- marketing - let your brand identity build your marketing plan.
Who really is your audience and what do they want to know from
you? Find your creative niche and build the engagement through
consistency and repetitiveness
3. ARIST
DEVELOPMENT
NOT ONLY NOISE USES THE ZERO TO 60 BY AGD
ARTIST DEVELOPMENT PROGRAM TO EFFICIENTLY
BRING ARTIST’S CREATIVE PROJECTS TO
COMPLETION.
wHILE ROSTER POSITIONS AT NoN MIGHT BE LIMITED,
THE ZT60 SERVICE IS AVAILABLE TO ALL ARTISTS AT
ANY LEVEL OF TALENT. WE ARE AN AFFORDABLE
SOLUTION FOR ARTISTS NEEDING GUIDANCE AND
DAY-TO-DAY MANAGEMENT SUPPORT WHILE WORKING
TO PROPERLY EXECUTE A PROJECTS RELEASE AND
BUILD A LONG LASTING ARTIST CAREER.
4. EMERGING ARTIST DEVELOPMENT WORKSHOP & DISCORD MEMBERSHIP - FREE
BE SURE TO WATCH OUT FREE WORKSHOP ON WHAT ARTIST DEVELOPMENT IS AND JOIN OUR DISCORD TO
TO CONNECT WITH OTHER ARTISTS AND ASPIRING MUSIC INDUSTRY PROFESSIONALS
ARTIST DISCOVERY PACKAGE - $435
INCLUDES: Zero To 60 Artist Expansion & Discovery Audit w/ Nicole Arruda
IN THIS EXPANSION YOU WILL RECEIVE OVER 10 HOURS OF ARTIST DEVELOPMENT TRAINING BREAKING DOWN
THE CREATION OF AN ARTIST DEVELOPMENT PLAN. THESE LEARNING MATERIALS HAS SERVED OUR CLIENTELE FOR
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YOU WILL THEN COMPLETE AN ARTIST DISCOVERY ASSESSMENT THAT NICOLE WILL REVIEW and use to outline a strategy
summary for you. THIS IS THE BEST WAY TO PLAN AHEAD FOR YOUR RELEASE CAMPAIGN.
IN THIS AUDIT WE WILL CONSULT IN DEPTH ON GOALS, OBJECTIVES, TIMELINES AND BUDGETS
+ OPTIONAL COMMUNITY MEMBERSHIP ADD-ON - $50/MONTH
Artist Coaching: $142.50 Setup + $99 - $250/MONTH
artists who have completed a Discovery Package with Nicole, are eligible for a coaching campaign when roster
openings are available.
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5. NOT ONLY NOISE IS IS A SUBSIDIARY OF AGD ENT. CO.
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