Keynote The Digital Challenge Nordiska Museet April 2011
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Photography collections in the digital environment: what role should photography play in the saturated, digital world of images. How do we share stories, start conversations and provide new opportunities for museums to engage audiences using photography collections online, with mobile technologies and in our galleries.
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Keynote The Digital Challenge Nordiska Museet April 2011
- 1. The digital challenge Photography collections in the digital environment Powerhouse Museum Paula Bray Manager, Visual & Digitisation services by krazydad / jbum Twitter @paulabray
- 3. 22,000 in central Sydney 4 million people in greater Sydney
- 6. by Australian War Memorial
- 7. Visual & Digitisation teams
- 8. Digital, social & emerging technologies
- 12. photography is changing what we do
- 13. need to be relevant continue to engage new audiences Museums are experiencing change in the fast pace of changing technologies
- 14. but how is the content relevant? vast amounts of content out there how do we reward our audiences
- 15. How does photography position itself in this changing environment of saturated digital images?
- 16. why do photography collections matter?
- 17. by Fylkesarkivet i Sogn og Fjordane from this to this
- 18. how do we share stories? by New York Public Library
- 19. start conversations by Library of Congress
- 20. get social
- 22. social media
- 23. photography collections are perfect for all these platforms
- 24. by National Library NZ on The Commons
- 25. re by National Media Museum
- 26. by Library of Congress
- 27. by National Library NZ on The Commons
- 28. by George Eastman House
- 29. by Library of Congress
- 30. Traditionally Museums havent put their collections online by EssG
- 32. Really signi鍖cant initiative for photography collections
- 33. 1. To increase access to publicly-held photography collections & 2. To provide a way for the general public to contribute information and knowledge. (Then watch what happens when they do!)
- 34. 47 institutions
- 36. Text 332 discussions in Flickr Commons)
- 37. 60 replies
- 38. 28 replies
- 39. 78 replies
- 40. level of discussion between members
- 44. participation is key by moirabot
- 45. access to photography collections
- 46. audiences not seen this material before by arobynejay
- 47. innovation tagging comments citizen curators location then and now identi鍖cation remix
- 51. The people depicted are Lucy Sawtell (nee Frost) (b 1878) wife of Henry Charles Sawtell, Edna (b 1901), Ella (seated) (b 1902), Ina (b 1904) and George (b 1905) standing beside chimney near house.
- 52. our audience wants to engage with us and with our content
- 53. digitise for your audience
- 54. Your audience appreciates it by Auntie P
- 55. generated lots of discussions
- 56. and some noise
- 57. one glass plate negative = many stories experiment
- 64. x 息 easy with collections that are out of copyright
- 65. or released using a Creative Commons license
- 66. share remix huge development for sharing photography reuse
- 67. 鍖exible licensing tool multiple licenses across various platforms by colemama
- 68. x by robonline
- 69. 5 available 鍖ndable it is where I am and where I look online/web onsite/galleries and meaningful I can understand it offsite/community usable/shareable I can pass it on and share responsive to my interests, moods, location by Seb Chan fresh+new(er)
- 70. geo-location
- 71. examples or reuse then and now photography
- 74. by Sarah Rhodes
- 75. by ScottSchrantz
- 76. by Scotticus_ CC BY-NC 2.0
- 79. we know our audience wants to participate
- 80. shared his story
- 81. taught us a lot
- 82. we then share on Photo of the Day
- 85. audience wants to know you and the behind the scenes process
- 86. extend to the gallery experience
- 87. mobile is changing in-gallery experiences
- 92. QR codes
- 94. what is the right platform? how will it work for my photography collection?
- 97. in-gallery photography policies by Leo Reynolds
- 98. we welcome by Leo Reynolds
- 100. started blogging Benini archive Bruno Benini
- 101. Bruno Benini inviting our audience to participate
- 102. digital impacting exhibition development
- 103. not to be traditional photography exhibition by mediafury
- 104. Yiping Lim no more talking heads
- 105. integrated with all content
- 106. we experimented with digital
- 107. central pods
- 108. the darkroom experience
- 111. causing audience to touch
- 112. needed to extend the experience beyond the gallery back to the web
- 113. thank you Nordiska Museet Powerhouse Museum photographers all Flickr members using Creative Commons licenses paula bray manager, visual & digitisation services paulab@phm.gov.au twitter @paulabray www.powerhousemuseum.com/imageserices