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The document discusses the changing role of copyright in the information society through three questions: 1) What will happen to copyright's role? It argues current laws are becoming difficult to enforce and will threaten free speech if enforcement is broadened. 2) What is copyright protection aimed at - creativity or the work? Creativity is now seen as an evolutionary process rather than the work of genius. New forms of collaborative creation are emerging. 3) How should creativity be organized and protected? Historically it was to provide economic incentives, but what now produces existential value as industries change rapidly? Future protection may focus on institutions that facilitate, not restrict, creativity.
پٱٲäٳ
- 2. پٱٲäٳ?
- 4. <1>
- 5. vad händer med upphovsrättens roll i informationssamhället?
- 8. 1996
- 9. declaration of independence of cyberspace
- 10. ”Governments of the Industrial World, you weary giants of flesh and steel, I come from Cyberspace, the new home of Mind. On behalf of the future, I ask you of the past to leave us alone. You are not welcome among us. You have no sovereignty where we gather.”
- 11. ”I declare the global social space we are building to be naturally independent of the tyrannies you seek to impose on us. You have no moral right to rule us nor do you possess any methods of enforcement we have true reason to fear.”
- 12. Your legal concepts of property, expression, identity, movement, and context do not apply to us. They are all based on matter, and there is no matter here.
- 13. ”We will create a civilization of the Mind in Cyberspace. May it be more humane and fair than the world your governments have made before.”
- 14. ideologisk punkt
- 15. exceptionalism
- 16. exceptionalism
- 19. "We reject kings, presidents and voting. We believe in rough consensus and running code."
- 21. vad är frågan?
- 24. "If nature has made any one thing less susceptible than all others of exclusive property, it is the action of the thinking power called an idea, which an individual may exclusively possess as long as he keeps it to himself; but the moment it is divulged, it forces itself into the possession of everyone, and the receiver cannot dispossess himself of it.”
- 25. "Its peculiar character, too, is that no one possesses the less, because every other possesses the whole of it. He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me."
- 26. vad är rättvist?
- 29. A commodity appears at first sight an extremely obvious, trivial thing. But its analysis brings out that it is a very strange thing, abounding in metaphysical subtleties and theological niceties.
- 30. ”Sell a man a fish, he eats for a day, teach a man how to fish, you ruin a wonderful business opportunity.”
- 34. 0
- 35. 1994
- 36. ”Furthermore, the increasing difficulty of enforcing existing copyright and patent laws is already placing in peril the ultimate source of intellectual property, the free exchange of ideas.”
- 37. That is, when the primary articles of commerce in a society look so much like speech as to be indistinguishable from it, and when the traditional methods of protecting their ownership have become ineffectual, attempting to fix the problem with broader and more vigorous enforcement will inevitably threaten freedom of speech.
- 38. ”The greatest constraint on your future liberties may come not from government but from corporate legal departments laboring to protect by force what can no longer be protected by practical efficiency or general social consent.”
- 41. lag -> norm
- 42. -> upphovsrätten blir en norm bland flera
- 43. </1>
- 44. <2>
- 45. vad är upphovsrättens skyddsobjekt?
- 46. ?
- 47. ”kپٱ”
- 49. Creativity is universally agreed to be a good that copyright law should seek to promote, yet copyright scholarship and policymaking have proceeded largely on the basis of assumptions about what it actually is...
- 50. å
- 53. ”att delta i det gudomliga”
- 54. verket
- 55. geniet
- 56. nu
- 61. ?
- 62. kreationism mot evolution
- 64. ”R”
- 70. ”mԾ”
- 75. och...
- 87. kreativitet?
- 88. -> Kreativiteten biologisk?
- 89. </2>
- 90. <3>
- 91. hur organiserar vi skyddet av kreativiteten?
- 92. å
- 93. ekonomiskt
- 96. Arnstad
- 98. üܲ
- 100. Wilhelm Ernst
- 102. Leopold
- 103. incitament?
- 104. SDG
- 105. Soli Deo Gloria
- 107. religion producerade existentiellt värde
- 108. Nu?
- 109. Ekonomiskt
- 110. Knippe rättigheter i lagstiftning och...
- 114. Cavern Club
- 116. Bruno Koschmider
- 119. incitament?
- 122. frihet, pengar, njutning producerar existentiellt värde
- 123. ?
- 124. framtid?
- 125. ekonomiskt
- 128. 250 000 000 verk
- 131. incitament?
- 133. -> Vi organiserar skyddet av kreativiteten efter de samhälleliga institutioner som producerar existentiellt värde...
- 134. </3>
- 135. framtid?
- 136. <1>
- 139. WIPO
- 140. WCT 1996
- 141. EU
- 142. Infosoc 2001
- 143. Sverige
- 144. Förändringar 2005
- 145. Ledtid: 9 år.
- 147. reformkostnader -> äԻٱ
- 148. snabbare att införa öٰڴ?
- 149. </1>
- 150. <2>
- 151. nuvarande institutionella ramverk kommer att marginaliseras
- 152. ca 35 000
- 153. 30 992
- 154. ”the amateur-point”
- 155. success?
- 157. 10 000 sold albums 25 000 single downloads 300 hard tickets in multiple cities
- 158. 12 icke-signade artister 2008 (T Silverman)
- 159. eller?
- 161. On a macro level, in 2009 alone, the internet allowed the “long tail” unsigned artists that used TuneCore to generate over $32,000,000 in music sales by selling over 42,000,000 songs – this is more than one song a second selling by a TuneCore Artist on iTunes. This “long tail” catalog that TuneCore’s Aritsts represent is now one of the most valuable music catalogs in the world.
- 162. Kelly sold over 2,000,000 million tracks William Fitzsimmons sold over 150,000 tracks Soulja Boy sold over 200,000 tracks Boyce Avenue sold over 1,200,000 tracks Ron Pope sold over 250,000 tracks Colt Ford sold over 300,000 tracks Secondhand Serenade sold over 250,000 tracks Tapes N Tapes sold over 200,000 tracks Nevershoutnever sold over 1,000,000 tracks Drake sold over 300,000 tracks MGMT sold over 225,000 tracks The Medic Droid sold over 150,00 tracks Nickasaur sold over 150,000 tracks Harry and the Potters sold over 200,000 tracks
- 163. öäԻԲپٱ?
- 164. </2>
- 165. diskussion!