This document proposes an alternative model for art student group tutorials. It suggests adopting an "agonistic model of democracy" where inherent conflicts within the group are acknowledged and put to constructive use. Group members would be required to suggest practical experimentation methods for the presenting student, rather than express opinions on their artwork. The presenting student would then choose one method to adopt and present their work again in two weeks, demonstrating their skills in evaluation, decision-making, and experimentation. This model aims to avoid divisiveness and subjectivity while cultivating students' critical thinking and selective response to others' feedback.
2. ï‚ž Divisive
ï‚ž Subjective
ï‚ž Overly influenced by egos (Biggs and Tang)
ï‚ž Opinions expressed by students are shaped by the
power dynamics within the group (Burbules)
 The democratic set-up, led by the group’s tutor, can
create an illusion of consensus on the value of the art
work, rather than equipping the student to evaluate.
ï‚ž Creativity can be killed off by the opinion of the group.
ï‚ž Group tutorials do not equip the student with the skills
they need to respond critically and selectively to the
opinions of tutors and fellow students.
3. Artefact: The
student’s
artwork, prese
nted to the
Group
Subject: The
individual student
Outcome: a
constructive, group
discussion;
individual
experimentation, dec
ision making and
evaluation
Community: the student group
Activity:
Each member of the
Group proposes a
different (conflicting)
means of
experimentation for
the student to take
their work forward
Rules: Compulsory participation
from each member of the group.
Instead of expressing opinions on
the artefact, practical methods of
experimentation must be
suggested. The student must
choose one method.
Object: the student must
decide which approach
to adopt then presents to
the Group again two
weeks later
Division of effort: each
member of the Group
must be produce an idea;
the individual responds
through their practice
4. ï‚ž The tutorial adopts an agonistic model of democracy, as
proposed by Chantal Mouffe, (Agonistics, 2013)
ï‚ž The inherent conflicts and power struggles that exist within the
group are acknowledged and put to constructive use.
ï‚ž Value is placed on the skill of the group members in coming up
with different ideas rather than reaching a consensus view on
how good the art work.
ï‚ž Power is displayed through the ability to come up with
constructive ideas rather than express judgment.
ï‚ž The presenting student is judged on their ability to evaluate
the usefulness of the advice given by others, their decision-
making in selecting a method of practice, and their willingness
to experiment.