LACER/ACTIONS POSTCARDS 2017

Oct 13, 20170 likes163 views

Celebrating 100.000 photos for "Lacer/actions", visual art project and research by Roberto Alborghetti. Browse a postcards series with some of the artworks. They are not paintings, but abstract and macro photos of decomposed matters. Extraordinary pictures for every modern design!

LACER/ACTIONS and CRACKS
Roberto Alborghetti 's LaceR/Actions is a multidisciplinary project and research about
the apparent chaos of ripped and decomposed publicity posters and urban/street signs.
Roberto Alborghetti (professional journalist, author and visual artist) has been
collecting about 50.000 images from outside advertisings all around the world.
Transferred on canvases, reproduced on lithographic prints or textiles (as pure silk), re-
built on collages or scanned in videoclips, the compelling details of torn and
decomposed publicity posters and urban tokens give new life to paper lacerations and
matter decomposition.
Since 2009, Roberto Alborghetti has been also workin' on signs, tokens and crevices
appearing on metal, plastic and stony surfaces and platings. So, he entered the
wonderful world of Cracks... Lacer/actions and Cracks researches want to be “an active
aesthetical appreciation” of what we call the disturbing elements of imperfection...
Lacer/actions and Cracks are realistic, natural, random and not enhanced images, as you
see in this “Postcards” album.
The most recent Roberto Alborghetti Show (“Colors of an Apocalypse: An Intrigue for
the Eyes and Mind from the Decomposed Publicity Posters”) was displaced for 100 days
in the enchanting Aldobrandesca Fortress (XIII Century) in Tuscany (Piancastagnaio,
Siena, Italy) from October 6, 2012, to January 15, 2013. One of Roberto Alborghetti
pieces is shown at the new Permanent Collection of Contemporary Art in Mercatello
S/M, Pesaro Urbino, Marche (Italy)
Lacer/azioni è un progetto di Roberto Alborghetti, giornalista professionista, autore di
saggi e biografie, fotografo e blogger. Da anni ha l'hobby di “catturare”, in giro per il
mondo, particolari e dettagli dell'apparente caos della carta lacerata delle affissioni. Ha
finora raccolto oltre 50.000 immagini che giocano a contaminarsi con stili, forme ed
espressioni diversi. Impressionati dall'obiettivo digitale, poi trasferite su tela o su tessuti,
riprodotte su litografia o scansionate in un videoclip, i particolari delle lacerazioni
pubblicitarie e dei “segni urbani”- come le crepe (Cracks) su varie superfici - sembrano
riprendere nuova vita e ragione di essere, in una sovrapposizione di messaggi e di colori.
L'attività collegata al progetto, ha visto Roberto Alborghetti tenere workshops nelle
scuole ed esperienze didattiche sugli effetti sensoriali e sinestetici delle sue immagini. La
sua più recente mostra (ottobre 2012-gennaio 2013) si è svolta per 100 giorni in Toscana,
sul Monte Amiata, nella suggestiva Rocca Aldobrandesca di Piancastagnaio, Siena. Una
delle sue opere figura nella nuova Raccolta Permanente di Arte Contemporanea di
Mercatello sul Metauro (Pesaro Urbino, Marche).

Le Sale Monumentali della Biblioteca Marciana in Piazza San Marco, luogo simbolo di Venezia, accolgono la mostra dal grande valore iconico Estetiche di Soglia/ In- Betweenness il doppio la luce il vuoto. L’apertura della mostra avverrà venerdì 18 novembre alle ore 18.00 a Venezia presso gli spazi espositivi delle Biblioteca Nazionale Marciana in Piazzetta San Marco n. 13/A alla presenza del Console Generale della Repubblica di Corea, Kang Hyung-Shik e del Direttore della Biblioteca, Stefano Campagnolo. La cerimonia di apertura sarà seguita da un piccolo cocktail di benvenuto. È possibile partecipare gratuitamente all’inaugurazione, fino ad esaurimento dei posti disponibili, mediante prenotazione al seguente link: https://bit.ly/3NVj9Rq

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LACER/ACTIONS POSTCARDS 2017

15. LACER/ACTIONS and CRACKS Roberto Alborghetti 's LaceR/Actions is a multidisciplinary project and research about the apparent chaos of ripped and decomposed publicity posters and urban/street signs. Roberto Alborghetti (professional journalist, author and visual artist) has been collecting about 50.000 images from outside advertisings all around the world. Transferred on canvases, reproduced on lithographic prints or textiles (as pure silk), re- built on collages or scanned in videoclips, the compelling details of torn and decomposed publicity posters and urban tokens give new life to paper lacerations and matter decomposition. Since 2009, Roberto Alborghetti has been also workin' on signs, tokens and crevices appearing on metal, plastic and stony surfaces and platings. So, he entered the wonderful world of Cracks... Lacer/actions and Cracks researches want to be “an active aesthetical appreciation” of what we call the disturbing elements of imperfection... Lacer/actions and Cracks are realistic, natural, random and not enhanced images, as you see in this “Postcards” album. The most recent Roberto Alborghetti Show (“Colors of an Apocalypse: An Intrigue for the Eyes and Mind from the Decomposed Publicity Posters”) was displaced for 100 days in the enchanting Aldobrandesca Fortress (XIII Century) in Tuscany (Piancastagnaio, Siena, Italy) from October 6, 2012, to January 15, 2013. One of Roberto Alborghetti pieces is shown at the new Permanent Collection of Contemporary Art in Mercatello S/M, Pesaro Urbino, Marche (Italy) Lacer/azioni è un progetto di Roberto Alborghetti, giornalista professionista, autore di saggi e biografie, fotografo e blogger. Da anni ha l'hobby di “catturare”, in giro per il mondo, particolari e dettagli dell'apparente caos della carta lacerata delle affissioni. Ha finora raccolto oltre 50.000 immagini che giocano a contaminarsi con stili, forme ed espressioni diversi. Impressionati dall'obiettivo digitale, poi trasferite su tela o su tessuti, riprodotte su litografia o scansionate in un videoclip, i particolari delle lacerazioni pubblicitarie e dei “segni urbani”- come le crepe (Cracks) su varie superfici - sembrano riprendere nuova vita e ragione di essere, in una sovrapposizione di messaggi e di colori. L'attività collegata al progetto, ha visto Roberto Alborghetti tenere workshops nelle scuole ed esperienze didattiche sugli effetti sensoriali e sinestetici delle sue immagini. La sua più recente mostra (ottobre 2012-gennaio 2013) si è svolta per 100 giorni in Toscana, sul Monte Amiata, nella suggestiva Rocca Aldobrandesca di Piancastagnaio, Siena. Una delle sue opere figura nella nuova Raccolta Permanente di Arte Contemporanea di Mercatello sul Metauro (Pesaro Urbino, Marche).

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LACER/ACTIONS POSTCARDS 2017

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