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3. R E A D I N G
C O M P R E H E N S I O N
Q U E S T I O N S
T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
4. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 156
5. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
1.What can
you tell
about Bill from
Katie`s
conversation?
Page 156
6. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
1.What can
you tell
about Bill from
Katie`s
conversation?
Page 156
It seems that
Bill is a writer
who is worried
and is
complaining
about is health.
7. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
2. How does
the setting and
characters
work in this
scene to point
toward the
future?
Page 156
8. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
2. How does
the setting and
characters
work in this
scene to point
toward the
future?
Page 156
The setting
suggest that the
Weidermans are
well off; they
cave a
comfortable and
modern house.
9. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
3. What “not-
quite-ordinary”
thing does the
author want
readers to take
note of?
Page 156
10. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
3. What “not-
quite-ordinary”
thing does the
author want
readers to take
note of?
Page 156
Line 15
11. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
4. What
significance do
you think this
detail might
have for the rest
of the story?
Page 156
12. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
4. What
significance do
you think this
detail might
have for the rest
of the story?
Page 156
Line 15
13. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
5. Based on your
experience, do the
relationships
among the
Weiderman
children seem
realistic?
Page 158
14. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
5. Based on your
experience, do the
relationships
among the
Weiderman
children seem
realistic?
Page 158
Yes
because
…….
15. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
6. Based on the
dialogue among
the children,
what do you
learn about the
Weidermans as a
family?
Page 158
16. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
6. Based on the
dialogue among
the children,
what do you
learn about the
Weidermans as a
family?
Page 158
They are
creatures of
habit. They
watch the same
TV programs
every week-but
they are also
close and
thoughtful.
17. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
7. What kind
of mother is
Katie?
Page 159
18. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
7. What kind
of mother is
Katie?
Page 159
Line 74
She is caring
and concerned,
attractive even
to the tone of
her family`s
voices.
19. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
8. Why
does Katie
put her call
on hold?
Page 159
20. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
8. Why
does Katie
put her call
on hold?
Lines
(123-130)
Page 159
21. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
9. Whose
voice does
Katie think
she hears on
the other
line?
Page 159
22. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
9. Whose
voice does
Katie think
she hears on
the other
line?
Page 159
Line 136
23. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
10. Why
does the call
end
abruptly?
Page 159
24. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
10. Why
does the call
end
abruptly?
Page 159
Lines 138-140
25. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
11. What
effect does
this call have
on the
teleplay`s level
of suspense?
Page 159
26. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
11. What
effect does
this call have
on the
teleplay`s level
of suspense?
Page 159
Line 123
27. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
12. What is it
about thee
phone call
that changes
the mood of
the story?
Page 159
28. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
12. What is it
about thee
phone call
that changes
the mood of
the story?
Page 159
The voice on the
phone is
accompanied by
“desperate
sobbing,” described
as “awful,
heartbreaking,” and
the connection is
suddenly lost. The
mood is now
disturbing and
upsetting.
29. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 161
13. After Katie speaks
with Polly, Bill
concludes that the
sobbing phone call
was either “a prank”
or “someone
who…dialed a wrong
number.” Katie ,
however, strongly
disagrees. Do you
agree with Bill or with
Katie? Why?
30. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 161
13. After Katie speaks
with Polly, Bill
concludes that the
sobbing phone call
was either “a prank”
or “someone
who…dialed a wrong
number.” Katie ,
however, strongly
disagrees. Do you
agree with Bill or with
Katie? Why?
Lines 220-265
31. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
14. How does
the author
maintain the
tension level
after Katie talks
to Polly?
Page 161
32. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
14. How does
the author
maintain the
tension level
after Katie talks
to Polly?
Page 161
Katie insists that the
call” was not a prank
and it was not a
wrong number! It
was someone in my
family!” the she
concludes that
something must have
happened to Dawn,
her younger sister.
33. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
15. Do you
feel that the
operator
acted
appropriately
in this scene?
Page 162
34. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
15. Do you
feel that the
operator
acted
appropriately
in this scene?
Page 162
How the
operator`s
actions did or
did not
reflect the
situation……
…..
35. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
16. How`s
Bill`s attitude
changing?
What is the
effect of this
change on the
level of the
tension?
Page 162
36. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
16. How`s
Bill`s attitude
changing?
What is the
effect of this
change on the
level of the
tension?
Page 162
Bill seemed
relatively
unconcerned. He no
longer seems quite
as confident that
nothing is wrong,
which makes
readers wonder
whether Katie`s
fears may be well-
founded.
37. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
17. Why do you
think King
includes the
operator`s
personal
comments about
Bill`s books?
Page 162
38. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
17. Why do you
think King
includes the
operator`s
personal
comments about
Bill`s books?
Page 162
The operator`s chatty
conversation- broken
off when Bill
abruptly hangs up-
contrasts with the
stress that Katie and
Bill are feeling, which
adds to the
suspense.
39. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
A supernatural
event is an event
that could not
happen naturally in
our world under
any circumstances.
40. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
18. What natural
and supernatural
reasons might
account for te
phone at the
farmhouse being
off the hook as
shown in
lines 323 – 329?
Page 162
41. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
18. What natural
and supernatural
reasons might
account for te
phone at the
farmhouse being
off the hook as
shown in
lines 323 – 329?
Someone took the
phone off the hook
because he or she did
not want to be
disturbed; the phone
was knocked off the
hook during a struggle;
an intruder cut the
phone wires so no one
could call for help.
Page 162
42. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
20. Infer the
atmosphere
of the story
from the
photograph.
Page 163
43. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
20. Infer the
atmosphere
of the story
from the
photograph.
The photograph
shows how
isolated and
vulnerable the
house is suggesting
that the residents
may be in danger.
Page 163
44. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
21. How do the
first two camera
directions at the
beginning of Act 2
build suspense?
Page 163
45. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
21. How do the
first two camera
directions at the
beginning of Act 2
build suspense?
The first two
camera directions
connect an
exterior shot of
the farm with an
interior shot in
which Katie says
how scared she is.
Page 163
46. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 164
22. Have you or
someone you know
ever encountered
something
unusually
suspicious or out of
the ordinary?
47. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 164
22. Have you or
someone you know
ever encountered
something
unusually
suspicious or out of
the ordinary?
Your opinion
48. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 164
23. What chain
of events have
intensified the
suspense at this
point in the
plot?
49. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 164
23. What chain
of events have
intensified the
suspense at this
point in the
plot?
King increases the
suspense through a
sequence of events:
Bill takes out a gun;
there is no answer to
the doorbell; the lock
has tampered with; as
Bill enters the house,
he tells the “terrified”
Katie to “be ready to
turn.”
50. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
24. How have the
roles of Bill and
Katie changed as
a result of plot
development at
this point?
Page 164
51. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
24. How have the
roles of Bill and
Katie changed as
a result of plot
development at
this point?
It was mainly Katie
who set plot
events into motion.
Now it is Bill who is
controlling the
action.
Page 164
52. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 165
25. King has ruled
out characters who
could have been
responsible for the
mysterious call-
Polly, Katie`s
mother, and Dawn.
How does he use
dialogue to
maintain suspense?
53. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 165
25. King has ruled
out characters who
could have been
responsible for the
mysterious call-
Polly, Katie`s
mother, and Dawn.
How does he use
dialogue to
maintain suspense?
Bill has had health
problems (line 5) and
that he secretly
obtained a permit to
carry a gun ( act 2,
lines 8 – 13). Now, Bill
is going to be alone in
his study.
54. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 166
26. What , if any,
supernatural
events have
taken place so
far?
55. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 166
26. What , if any,
supernatural
events have
taken place so
far?
All the events so
far have been
ordinary. Others
may think that
the phone call
came from a
supernatural
source that has
yet to be
explored.
56. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 167
27. What
devices are used
to disclose
important
events that
happen to the
Weidermans
over a period of
time?
57. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 167
27. What
devices are used
to disclose
important
events that
happen to the
Weidermans
over a period of
time?
There is a link
between the
exterior shots
with a
monologue and
narrator`s
comments to
move from Bill`s
death to Polly`s
wedding.
58. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 167
28. To whom is
the
groundskeeper
speaking?
59. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 167
Lines 263- 266
28. To whom is
the
groundskeeper
speaking?
……..
60. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 167
29. How much
time passes
between the
funeral and Polly`s
wedding? How do
you think this
passage of time
has changed the
Weiderman family
……..
61. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 167
Line 269
29. How much
time passes
between the
funeral and Polly`s
wedding? How do
you think this
passage of time
has changed the
Weiderman family
……..
62. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 168
30. What
might have
caused
problems
between Polly
and Hank in
the past?
63. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 168
30. What
might have
caused
problems
between Polly
and Hank in
the past?
It is likely that
Polly missed her
natural father
and resented
Hank because he
took the father`s
place in the
household.
64. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 168
31. How does
the reference
to the tension
between Polly
and Hank
contribute to
the plot?
65. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 168
31. How does
the reference
to the tension
between Polly
and Hank
contribute to
the plot?
The tension
indicates that
Bill is very
much missed
and his death
is still
unresolved for
the family.
66. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 169
32. How does
the TV
announcer`s
reference to the
movie Ghost Kiss
add a creepy,
supernatural
element to the
plot?
67. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 169
32. How does
the TV
announcer`s
reference to the
movie Ghost Kiss
add a creepy,
supernatural
element to the
plot?
Ghost Kiss is a
horror movie made
from Bill`s first
book. It is also the
same movie that
was playing on TV-
and that Bill was
recording for his
son Jeff- When Bill
died from a heart
attack exactly five
years earlier
68. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 169
33. At what
point does King
move out of the
realm of “
ordinary
events”? How
does he signal
this shift in the
teleplay?
69. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 169
33. At what
point does King
move out of the
realm of “
ordinary
events”? How
does he signal
this shift in the
teleplay?
The camera
moves into the
telephone
receiver. Then
we hear Bill`s
voice,
prompting
Katie to make
a phone call,
which turns
out to be
herself.
70. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 170
34. Who
was the
mysterious
caller?
71. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 170
34. Who
was the
mysterious
caller?
Lines
435 - 439
72. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 171
35. What
was the
purpose of
the call?
73. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 171
35. What
was the
purpose of
the call?
Lines
394 - 396
74. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
36. When
Katie tries to
call the
second time,
why is her
face “filled
with…. Hope
and fear”?
Page 171
75. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
36. When
Katie tries to
call the
second time,
why is her
face “filled
with…. Hope
and fear”?
Lines
415 - 422Page 171
76. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 172
37.At first,
whom does
Katie believe
the sobbing
caller to be?
77. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 172
37.At first,
whom does
Katie believe
the sobbing
caller to be?
She thinks the
daughter is
her daughter
Polly
78. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 172
38. Why does
not Bill
return to bed
after
watching the
movie?
79. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 172
38. Why does
not Bill
return to bed
after
watching the
movie?
He has a fatal
heart attack
80. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 172
39. What
happens on
the fifth
anniversary
of Bill`s
death?
81. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 172
39. What
happens on
the fifth
anniversary
of Bill`s
death?
Polly gets
married; Katie
subsequently
telephones
herself in the
past in a futile
effort to warn
Bill about the
heart attack.
82. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 172
40.Who is
the sobbing
caller?
83. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 172
40.Who is
the sobbing
caller?
The
sobbing
caller is
Katie
herself.
84. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 172
41. What
is the
plot?
87. PLOT
Exposition rising action climax falling action resolution
Family
member
s interact
Katie gets an
upsetting
phone call;
Katie and Bill
try to identify
the caller, but
they could not.
Bill gets a heart
attack and
Katie breaks
down
emotionally
88. PLOT
Exposition rising action climax falling action resolution
Katie
makes
emotion
al phone
call
Katie gets an
upsetting
phone call;
Katie and Bill
try to identify
the caller, but
they could not.
Bill gets a heart
attack and
Katie breaks
down
emotionally
Family
member
s interact
89. PLOT
Exposition rising action climax falling action resolution
Katie
makes
emotion
al phone
call
Katie gets an
upsetting
phone call;
Katie and Bill
try to identify
the caller, but
they could not.
Bill gets a heart
attack and
Katie breaks
down
emotionally
Family
member
s interact
Katie
Tries
to
call
again
90. PLOT
Exposition rising action climax falling action resolution
Katie
makes
emotion
al phone
call
Katie gets an
upsetting
phone call;
Katie and Bill
try to identify
the caller, but
they could not.
Bill gets a heart
attack and
Katie breaks
down
emotionally
Family
member
s interact
Katie
Tries
to
call
again
Katie
realizes
that she
herself
was the
sobbing
caller
91. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
Page 172
Foreshadowing
42. Find
foreshadowing
examples
93. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
94. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M
95. T I S 2 0 1 6 E N G L I S H @ G M A I L . C O M