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Log Book

E
Edward Deane

This media log book documents the production process of a student thriller film. It records story development meetings, research into thriller conventions, creation of props lists and filming schedules, and multiple filming sessions. Key events included an initial brainstorming meeting to discuss story ideas, surveys of the target audience, analysis of successful thriller openings for inspiration, treatment outlining the film's plot and style, and two filming sessions to capture necessary shots and fix any continuity errors in editing. The log provides details of tasks and creative work undertaken by the film's director and cast to organize and execute the production.

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! ! NAME media log book ! LOG YOUR PRODUCTION WORK ON A DAY today Basis ! This book will be used As a basis for your Mark in the group !
date Summary of my work worked with Production Meeting 03/05/2015 This was our 鍖rst production meeting on our main thriller sequence. Here we discussed our main ideas in what we all had for the 鍖lm. We started off with a brainstorm and we thought about the different ideas in which we would like to 鍖lm about. These were items such as the ideas behind the story in the 鍖lm, such as the idea of isolation we all agreed on was a good idea because it conformed with the thriller genre. Jacob Park, Octave Gascoin and Edward Deane Survey - 04/05/2015 I created a survey with survey monkey as part of our research for the task, so our group could 鍖nd out what appealed to our age audience that we were presenting our 鍖lm to. This was key to 鍖nding out what we wanted to do with our 鍖lm and gave us some useful ideas, such as using a 鍖lter over the 鍖lm to make it appear more mysterious. Edward Deane Research of well known thriller openings - 06/05/2015 This was where I had a look at 2 thriller openings to analyse how other directors and companies created their openings. This helped us build our thriller opening so it conformed to the thriller conventions. This helped us Dind out what we needed to do to make our thriller openings look good. I looked at the dark night rises and Shutter Island Edward Deane Treatment 08/05/2015 This is where I wrote pages of work to show what we were doing in our thriller Dilm and why, in a formal sense, I gave a rundown of how the Dilm was going to look and what effect it would show on the audience. Edward Deane
Props and Costumes List -足 8/05/2015 This was a list I wrote with pictures which helped our group to be organised in what we needed to bring to our Dilming sessions, and gave us an idea for what we needed to buy for Dilming purposes. Edward Deane Cast and Crew release forms - 09/05/2015 This is where we all signed each others documents, saying legally that we would all Dilm whit each other. Edward Deane, Jacob Park, Octave Gascoin Shooting Schedual 09/05/2015 This was where I said what times we were going to do our filming, this helped us stay organised and we were then better prepared for filming. Edward Deane, Group Meeting -足 09/05/2015 This is where we discussed exactly what we were going to Dilm and, how we were going to do it to make out time more effective of what we had for our Dilming. Edward Deane, Jacob Park, Octave Gascoin Filming -足 10/05/2015 This was when we all meet at the factory where we decided to film and we followed the script and we got all the shots we needed to start fi Edward Deane, Jacob Park, Octave Gascoin Secondary Filming - 20/05/2015 This was to fix any continuity errors we had encountered in our editing, and we had decided on having more camera shots to enhance out film. Edward Deane, Jacob Park, Octave Gascoin
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Log Book

  • 1. ! ! NAME media log book ! LOG YOUR PRODUCTION WORK ON A DAY today Basis ! This book will be used As a basis for your Mark in the group !
  • 2. date Summary of my work worked with Production Meeting 03/05/2015 This was our 鍖rst production meeting on our main thriller sequence. Here we discussed our main ideas in what we all had for the 鍖lm. We started off with a brainstorm and we thought about the different ideas in which we would like to 鍖lm about. These were items such as the ideas behind the story in the 鍖lm, such as the idea of isolation we all agreed on was a good idea because it conformed with the thriller genre. Jacob Park, Octave Gascoin and Edward Deane Survey - 04/05/2015 I created a survey with survey monkey as part of our research for the task, so our group could 鍖nd out what appealed to our age audience that we were presenting our 鍖lm to. This was key to 鍖nding out what we wanted to do with our 鍖lm and gave us some useful ideas, such as using a 鍖lter over the 鍖lm to make it appear more mysterious. Edward Deane Research of well known thriller openings - 06/05/2015 This was where I had a look at 2 thriller openings to analyse how other directors and companies created their openings. This helped us build our thriller opening so it conformed to the thriller conventions. This helped us Dind out what we needed to do to make our thriller openings look good. I looked at the dark night rises and Shutter Island Edward Deane Treatment 08/05/2015 This is where I wrote pages of work to show what we were doing in our thriller Dilm and why, in a formal sense, I gave a rundown of how the Dilm was going to look and what effect it would show on the audience. Edward Deane
  • 3. Props and Costumes List -足 8/05/2015 This was a list I wrote with pictures which helped our group to be organised in what we needed to bring to our Dilming sessions, and gave us an idea for what we needed to buy for Dilming purposes. Edward Deane Cast and Crew release forms - 09/05/2015 This is where we all signed each others documents, saying legally that we would all Dilm whit each other. Edward Deane, Jacob Park, Octave Gascoin Shooting Schedual 09/05/2015 This was where I said what times we were going to do our filming, this helped us stay organised and we were then better prepared for filming. Edward Deane, Group Meeting -足 09/05/2015 This is where we discussed exactly what we were going to Dilm and, how we were going to do it to make out time more effective of what we had for our Dilming. Edward Deane, Jacob Park, Octave Gascoin Filming -足 10/05/2015 This was when we all meet at the factory where we decided to film and we followed the script and we got all the shots we needed to start fi Edward Deane, Jacob Park, Octave Gascoin Secondary Filming - 20/05/2015 This was to fix any continuity errors we had encountered in our editing, and we had decided on having more camera shots to enhance out film. Edward Deane, Jacob Park, Octave Gascoin
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