This photo summarizes key details about a footballer's career and lifestyle. It shows the team he plays for, his home surroundings indicating wealth, and the type of car he owns. The footballer's pose is meant to portray superiority, and his attire in a suit illustrates his high wages. The photo establishes the topic of the magazine article and provides important context for readers.
The lighting plan aims to take multiple photos in the studio for a magazine. Photos will include close-ups of props like boxing gloves shown in different ways to provide visual representations of MMA. The images will help provide context for the magazine's information and give audiences a better understanding of the different types of MMA.
The document discusses using a photography studio to take images for a magazine cover and spread. The studio will allow the photographer to use different artificial lighting setups and color schemes to create custom lighting for images of MMA equipment like gloves, gis, belts and certificates. By controlling the lighting, the photographer can add depth and interest to the images to make them look professional.
This document discusses plans to create a new magazine that combines elements of two existing magazine styles. The new magazine would take the modern, minimal visual style of I-D and Dazed magazines but focus content on lifestyle, fashion, music and profiles like in Black Hair and Essence magazines. The goal is to make a magazine that is visually appealing while also featuring relatable content for the target audience.
Young black actresses, activists and artists are making their name known and achieving success in their fields. The terms "Black Girl Magic" and "Stay Woke" have become popular phrases used to celebrate and bring awareness to the accomplishments of black women and important social issues. Several talented women are harnessing social media to spread their message and influence.
The magazine proposal outlines a magazine focused on MMA and fighting called "Fight Night". The cover will feature an enlarged photo of an MMA fighter in a fighting stance or move. Around the photo, the masthead, puffs describing the content, price and barcode will be included. Throughout the magazine, fighting terms will be used and colors like red will represent blood, while backgrounds will be in varying shades of grey like the magazine "Fight". Photos will show different MMA equipment, styles, stances and techniques. The masthead font will be bold and large to stand out against the dark background.
The four young black actresses - Amandla Stenberg, Zendaya Coleman, Willow Smith, and Yara Shahidi - came together as an activist group after meeting at the Black Girls Rock awards show. While not officially named, they are commonly referred to as the "woke gurls". Through social media, they educate people on issues relating to black culture and lives. Their message focuses on empowerment, self-love, and beauty regardless of skin color or features. Though some see them as too young to address social issues, their activism has gained significant media attention especially among young audiences.
The production schedule details filming over two days in Anand Toora's living room and media studio. On the 14th, filming of scenes with the main character began at 6pm and wrapped at 6:47pm after multiple takes were captured. Lighting was set up at 5:50pm and taken down at 6:48pm. On the 16th, lighting was set up at 4:30pm and both actors were on set by 5:15pm. All scenes in the media studio were filmed until 6:05pm before lighting was taken down at 6:10pm.
The magazine proposal outlines a magazine focused on MMA fighting called "Fight Night". The cover will feature an enlarged photo of an MMA fighter in a fighting stance or move. Around the photo, the masthead, puffs describing the content, price and barcode will be included. Throughout the magazine, fighting terminology will be used and colors like red will represent blood, while backgrounds will be in varying shades of grey like the magazine "Fight". Photos will depict different MMA equipment, styles, stances and techniques. The masthead font will be large and bold to stand out against the dark background.
Lucas brings a dying Sandie to an abandoned hospital, shouting for help before realizing no one is there. Feeling trapped and alone with only his phone connecting him to others, Lucas struggles to save Sandie using instructions from voices on his phone. As Sandie's condition worsens and eventually dies, Lucas transitions from frantic movements to slower, cautious ones as he accepts her death and focuses on escaping alone.
The document summarizes the cover design of a magazine about fighting. It features an enlarged photo of a fighter covering the entire front cover to emphasize that he is important to the magazine. The masthead is in a large font behind the fighter to direct attention to him. The inside pages also feature enlarged photos of boxers and information about them. One spread profiles a boxer who has opened a new gym to train fighters. The design and photos are intended to highlight featured fighters and grab readers' attention.
The document discusses plans for a magazine focused on MMA/sports. The author has chosen an MMA magazine because they participate in MMA and it will be easy to gather equipment and photos. The main image on the magazine cover will be large and bold to catch readers' attention. The text will also be eye-catching by using gold printing on a light to dark grey background. The magazine layout will be simple, featuring one large central photo surrounded by brief text sections, and include a barcode generated online.
A girl finds a doll on the street and brings it home, but the doll mysteriously moves to different locations in her apartment. Unbeknownst to her, the doll is working against her to demonstrate that she made a mistake. A man encounters a strange boy sitting in his living room who disappears and reappears holding a knife, stalking the man until killing him in his bedroom. A girl trapped in a room hallucinates that she butchered her own family, and realizes she is being punished by her only surviving brother. A socially isolated doctor decides to kill 100 people and take trophies from each to fill his "shelf of contentment" as he blames humanity for his lack of friends.
This document provides pictures of different locations within a house to be used for filming including the front of the house, hallway and stairwell, bathroom, and bedroom as they are easily accessible and spacious enough for the film's needs.
The document appears to be a production script detailing two scenes of a crime. Scene 1 describes a teenager entering his home in frustration and looking at his victim on his phone with heavy breathing. Scene 2 shows the teen entering a studio with the victim, putting on a mask and gloves, and proceeding to repeatedly slice the victim with a knife while the victim screams. Various shots are used including of the teen's eyes as he kills the victim and the knife clattering to the ground afterwards with blood dripping down the victim's neck.
The document analyzes costume choices, props, lighting, sound, camera techniques, and editing used in a scene from the horror film Annabelle. It describes how the light blue nightgown and matching pajamas of the main characters symbolize their purity as Christians, while the white outfits of the murderers symbolize the opposite as they worship Satan. It also analyzes how props like the phone, doll, gun and knife are used iconographically, and how the dark lighting, diegetic sounds of wind and creaking floors, and non-diegetic music and screams are used to build tension. Camera techniques like close-ups, slow motion and whip pans, along with slow editing, are employed when violence occurs
This lighting plan document outlines lighting designs for downstairs, upstairs, and a bedroom. It lists areas like the downstairs floor plan, stairwell, and doors that will use LED lights, as well as the upstairs hallway, stairwell, and doors. A bedroom lighting plan is also included, listing furniture like a bed, desk, tv stand, and chair as well as a door.
This document contains a risk assessment form used by the BBC. It summarizes a proposed filming involving about 6 people filming a documentary. Locations involved include a studio and outdoor locations. Hazards identified include slipping/tripping hazards, manual handling, noise, and working at height. The assessor and authorized signatory are also provided. The form includes sections to list team members, hazards, likelihood and severity of harm, and the site/location details. It aims to outline any risks and ensure appropriate safety measures are planned.
This document contains a storyboard layout with multiple shots described in a table format. Each shot lists the shot type, description, music/audio effects, special effects, duration and transitions. The storyboard covers various scenes showing characters, locations, actions and includes notes on music, sounds effects and transitions between shots.
The Neon Demon follows Jesse, a 16-year-old model, as she enters the modeling world in Los Angeles. Initially, Jesse is complimented on her natural beauty. However, her good fortune causes disruption when she meets two established models, Ruby and Sarah, at a party. They judge and question Jesse, seeing her as a potential threat. Jesse later realizes how fascinated others are with her appearance, developing narcissism. This leads the jealous models to kill and eat Jesse. In an attempt to purge herself of Jesse's purity, one model kills herself, allowing the narrative to reach a new equilibrium.
The document analyzes the film techniques used in the short film "2AM: The Smiling Man" through a micro-analysis of its mise-en-scene, sound, cinematography, and editing. It discusses how the empty street setting at 2AM isolates the characters. The smiling man's unusual dancing and the tense music build an unsettling atmosphere. Camerawork creates a trapped feeling and emphasizes the main character's isolation. The pacing speeds up dramatically during the chase scene. Comparisons are made to the film "The Neon Demon" regarding location, lighting, character movements, costume, sounds, cinematography, and target audiences.
This document provides location information for filming a two minute scene. The locations include outside the high school, a pathway near the school, a study room door and inside room at the school, and a bathroom. For each location, details are given about why it was chosen, where the camera will be placed, and how lighting will be used to create tension through shadows. The goal is to use different angles and lighting conditions at each location to build suspense as the scene progresses towards its climax in the bathroom.
This document outlines lighting and shot plans for 16 scenes in a two minute horror film opening. The scenes will take place in classroom and bathroom settings, with desks/computers and bathroom stalls as key locations. Precise camera, lighting and tripod setups are specified for each shot, with an emphasis on lighting angles and intensities to create darker atmospheres and play with shadows. Shot types include static shots, pans, and overhead views.
6 edited photos i have used for my magazine liampage99
油
The document discusses 6 photos that have been edited for use in a magazine. For each photo, the author describes the edits made, which commonly include removing or blurring backgrounds, adjusting lightness and saturation to make models stand out, adding drop shadows or circles behind images, sharpening or cropping images, and resizing photos to fit layouts. The overall goal of the edits is to focus attention on the models by making them lighter or brighter than surrounding areas.
Danny wakes up his mother Wendy by repeating the word "redrum" and writing it on the door with lipstick. Wendy realizes it spells "murder" backwards in the mirror. Jack begins aggressively attacking the bathroom door with an axe where Wendy and Danny have fled. Wendy escapes out the window but is unable to get Danny to safety before Jack breaks through. Jack threatens Wendy through a hole in the door before she cuts his hand with a knife.
Blind Spots in AI and Formulation Science Knowledge Pyramid (Updated Perspect...Ajaz Hussain
油
This presentation delves into the systemic blind spots within pharmaceutical science and regulatory systems, emphasizing the significance of "inactive ingredients" and their influence on therapeutic equivalence. These blind spots, indicative of normalized systemic failures, go beyond mere chance occurrences and are ingrained deeply enough to compromise decision-making processes and erode trust.
Historical instances like the 1938 FD&C Act and the Generic Drug Scandals underscore how crisis-triggered reforms often fail to address the fundamental issues, perpetuating inefficiencies and hazards.
The narrative advocates a shift from reactive crisis management to proactive, adaptable systems prioritizing continuous enhancement. Key hurdles involve challenging outdated assumptions regarding bioavailability, inadequately funded research ventures, and the impact of vague language in regulatory frameworks.
The rise of large language models (LLMs) presents promising solutions, albeit with accompanying risks necessitating thorough validation and seamless integration.
Tackling these blind spots demands a holistic approach, embracing adaptive learning and a steadfast commitment to self-improvement. By nurturing curiosity, refining regulatory terminology, and judiciously harnessing new technologies, the pharmaceutical sector can progress towards better public health service delivery and ensure the safety, efficacy, and real-world impact of drug products.
The production schedule details filming over two days in Anand Toora's living room and media studio. On the 14th, filming of scenes with the main character began at 6pm and wrapped at 6:47pm after multiple takes were captured. Lighting was set up at 5:50pm and taken down at 6:48pm. On the 16th, lighting was set up at 4:30pm and both actors were on set by 5:15pm. All scenes in the media studio were filmed until 6:05pm before lighting was taken down at 6:10pm.
The magazine proposal outlines a magazine focused on MMA fighting called "Fight Night". The cover will feature an enlarged photo of an MMA fighter in a fighting stance or move. Around the photo, the masthead, puffs describing the content, price and barcode will be included. Throughout the magazine, fighting terminology will be used and colors like red will represent blood, while backgrounds will be in varying shades of grey like the magazine "Fight". Photos will depict different MMA equipment, styles, stances and techniques. The masthead font will be large and bold to stand out against the dark background.
Lucas brings a dying Sandie to an abandoned hospital, shouting for help before realizing no one is there. Feeling trapped and alone with only his phone connecting him to others, Lucas struggles to save Sandie using instructions from voices on his phone. As Sandie's condition worsens and eventually dies, Lucas transitions from frantic movements to slower, cautious ones as he accepts her death and focuses on escaping alone.
The document summarizes the cover design of a magazine about fighting. It features an enlarged photo of a fighter covering the entire front cover to emphasize that he is important to the magazine. The masthead is in a large font behind the fighter to direct attention to him. The inside pages also feature enlarged photos of boxers and information about them. One spread profiles a boxer who has opened a new gym to train fighters. The design and photos are intended to highlight featured fighters and grab readers' attention.
The document discusses plans for a magazine focused on MMA/sports. The author has chosen an MMA magazine because they participate in MMA and it will be easy to gather equipment and photos. The main image on the magazine cover will be large and bold to catch readers' attention. The text will also be eye-catching by using gold printing on a light to dark grey background. The magazine layout will be simple, featuring one large central photo surrounded by brief text sections, and include a barcode generated online.
A girl finds a doll on the street and brings it home, but the doll mysteriously moves to different locations in her apartment. Unbeknownst to her, the doll is working against her to demonstrate that she made a mistake. A man encounters a strange boy sitting in his living room who disappears and reappears holding a knife, stalking the man until killing him in his bedroom. A girl trapped in a room hallucinates that she butchered her own family, and realizes she is being punished by her only surviving brother. A socially isolated doctor decides to kill 100 people and take trophies from each to fill his "shelf of contentment" as he blames humanity for his lack of friends.
This document provides pictures of different locations within a house to be used for filming including the front of the house, hallway and stairwell, bathroom, and bedroom as they are easily accessible and spacious enough for the film's needs.
The document appears to be a production script detailing two scenes of a crime. Scene 1 describes a teenager entering his home in frustration and looking at his victim on his phone with heavy breathing. Scene 2 shows the teen entering a studio with the victim, putting on a mask and gloves, and proceeding to repeatedly slice the victim with a knife while the victim screams. Various shots are used including of the teen's eyes as he kills the victim and the knife clattering to the ground afterwards with blood dripping down the victim's neck.
The document analyzes costume choices, props, lighting, sound, camera techniques, and editing used in a scene from the horror film Annabelle. It describes how the light blue nightgown and matching pajamas of the main characters symbolize their purity as Christians, while the white outfits of the murderers symbolize the opposite as they worship Satan. It also analyzes how props like the phone, doll, gun and knife are used iconographically, and how the dark lighting, diegetic sounds of wind and creaking floors, and non-diegetic music and screams are used to build tension. Camera techniques like close-ups, slow motion and whip pans, along with slow editing, are employed when violence occurs
This lighting plan document outlines lighting designs for downstairs, upstairs, and a bedroom. It lists areas like the downstairs floor plan, stairwell, and doors that will use LED lights, as well as the upstairs hallway, stairwell, and doors. A bedroom lighting plan is also included, listing furniture like a bed, desk, tv stand, and chair as well as a door.
This document contains a risk assessment form used by the BBC. It summarizes a proposed filming involving about 6 people filming a documentary. Locations involved include a studio and outdoor locations. Hazards identified include slipping/tripping hazards, manual handling, noise, and working at height. The assessor and authorized signatory are also provided. The form includes sections to list team members, hazards, likelihood and severity of harm, and the site/location details. It aims to outline any risks and ensure appropriate safety measures are planned.
This document contains a storyboard layout with multiple shots described in a table format. Each shot lists the shot type, description, music/audio effects, special effects, duration and transitions. The storyboard covers various scenes showing characters, locations, actions and includes notes on music, sounds effects and transitions between shots.
The Neon Demon follows Jesse, a 16-year-old model, as she enters the modeling world in Los Angeles. Initially, Jesse is complimented on her natural beauty. However, her good fortune causes disruption when she meets two established models, Ruby and Sarah, at a party. They judge and question Jesse, seeing her as a potential threat. Jesse later realizes how fascinated others are with her appearance, developing narcissism. This leads the jealous models to kill and eat Jesse. In an attempt to purge herself of Jesse's purity, one model kills herself, allowing the narrative to reach a new equilibrium.
The document analyzes the film techniques used in the short film "2AM: The Smiling Man" through a micro-analysis of its mise-en-scene, sound, cinematography, and editing. It discusses how the empty street setting at 2AM isolates the characters. The smiling man's unusual dancing and the tense music build an unsettling atmosphere. Camerawork creates a trapped feeling and emphasizes the main character's isolation. The pacing speeds up dramatically during the chase scene. Comparisons are made to the film "The Neon Demon" regarding location, lighting, character movements, costume, sounds, cinematography, and target audiences.
This document provides location information for filming a two minute scene. The locations include outside the high school, a pathway near the school, a study room door and inside room at the school, and a bathroom. For each location, details are given about why it was chosen, where the camera will be placed, and how lighting will be used to create tension through shadows. The goal is to use different angles and lighting conditions at each location to build suspense as the scene progresses towards its climax in the bathroom.
This document outlines lighting and shot plans for 16 scenes in a two minute horror film opening. The scenes will take place in classroom and bathroom settings, with desks/computers and bathroom stalls as key locations. Precise camera, lighting and tripod setups are specified for each shot, with an emphasis on lighting angles and intensities to create darker atmospheres and play with shadows. Shot types include static shots, pans, and overhead views.
6 edited photos i have used for my magazine liampage99
油
The document discusses 6 photos that have been edited for use in a magazine. For each photo, the author describes the edits made, which commonly include removing or blurring backgrounds, adjusting lightness and saturation to make models stand out, adding drop shadows or circles behind images, sharpening or cropping images, and resizing photos to fit layouts. The overall goal of the edits is to focus attention on the models by making them lighter or brighter than surrounding areas.
Danny wakes up his mother Wendy by repeating the word "redrum" and writing it on the door with lipstick. Wendy realizes it spells "murder" backwards in the mirror. Jack begins aggressively attacking the bathroom door with an axe where Wendy and Danny have fled. Wendy escapes out the window but is unable to get Danny to safety before Jack breaks through. Jack threatens Wendy through a hole in the door before she cuts his hand with a knife.
Blind Spots in AI and Formulation Science Knowledge Pyramid (Updated Perspect...Ajaz Hussain
油
This presentation delves into the systemic blind spots within pharmaceutical science and regulatory systems, emphasizing the significance of "inactive ingredients" and their influence on therapeutic equivalence. These blind spots, indicative of normalized systemic failures, go beyond mere chance occurrences and are ingrained deeply enough to compromise decision-making processes and erode trust.
Historical instances like the 1938 FD&C Act and the Generic Drug Scandals underscore how crisis-triggered reforms often fail to address the fundamental issues, perpetuating inefficiencies and hazards.
The narrative advocates a shift from reactive crisis management to proactive, adaptable systems prioritizing continuous enhancement. Key hurdles involve challenging outdated assumptions regarding bioavailability, inadequately funded research ventures, and the impact of vague language in regulatory frameworks.
The rise of large language models (LLMs) presents promising solutions, albeit with accompanying risks necessitating thorough validation and seamless integration.
Tackling these blind spots demands a holistic approach, embracing adaptive learning and a steadfast commitment to self-improvement. By nurturing curiosity, refining regulatory terminology, and judiciously harnessing new technologies, the pharmaceutical sector can progress towards better public health service delivery and ensure the safety, efficacy, and real-world impact of drug products.
Finals of Rass MELAI : a Music, Entertainment, Literature, Arts and Internet Culture Quiz organized by Conquiztadors, the Quiz society of Sri Venkateswara College under their annual quizzing fest El Dorado 2025.
APM event hosted by the South Wales and West of England Network (SWWE Network)
Speaker: Aalok Sonawala
The SWWE Regional Network were very pleased to welcome Aalok Sonawala, Head of PMO, National Programmes, Rider Levett Bucknall on 26 February, to BAWA for our first face to face event of 2025. Aalok is a member of APMs Thames Valley Regional Network and also speaks to members of APMs PMO Interest Network, which aims to facilitate collaboration and learning, offer unbiased advice and guidance.
Tonight, Aalok planned to discuss the importance of a PMO within project-based organisations, the different types of PMO and their key elements, PMO governance and centres of excellence.
PMOs within an organisation can be centralised, hub and spoke with a central PMO with satellite PMOs globally, or embedded within projects. The appropriate structure will be determined by the specific business needs of the organisation. The PMO sits above PM delivery and the supply chain delivery teams.
For further information about the event please click here.
QuickBooks Desktop to QuickBooks Online How to Make the MoveTechSoup
油
If you use QuickBooks Desktop and are stressing about moving to QuickBooks Online, in this webinar, get your questions answered and learn tips and tricks to make the process easier for you.
Key Questions:
* When is the best time to make the shift to QuickBooks Online?
* Will my current version of QuickBooks Desktop stop working?
* I have a really old version of QuickBooks. What should I do?
* I run my payroll in QuickBooks Desktop now. How is that affected?
*Does it bring over all my historical data? Are there things that don't come over?
* What are the main differences between QuickBooks Desktop and QuickBooks Online?
* And more
How to Modify Existing Web Pages in Odoo 18Celine George
油
In this slide, well discuss on how to modify existing web pages in Odoo 18. Web pages in Odoo 18 can also gather user data through user-friendly forms, encourage interaction through engaging features.
Information Technology for class X CBSE skill SubjectVEENAKSHI PATHAK
油
These questions are based on cbse booklet for 10th class information technology subject code 402. these questions are sufficient for exam for first lesion. This subject give benefit to students and good marks. if any student weak in one main subject it can replace with these marks.
How to attach file using upload button Odoo 18Celine George
油
In this slide, well discuss on how to attach file using upload button Odoo 18. Odoo features a dedicated model, 'ir.attachments,' designed for storing attachments submitted by end users. We can see the process of utilizing the 'ir.attachments' model to enable file uploads through web forms in this slide.
APM People Interest Network Conference 2025
- Autonomy, Teams and Tension
- Oliver Randall & David Bovis
- Own Your Autonomy
Oliver Randall
Consultant, Tribe365
Oliver is a career project professional since 2011 and started volunteering with APM in 2016 and has since chaired the People Interest Network and the North East Regional Network. Oliver has been consulting in culture, leadership and behaviours since 2019 and co-developed HPTM速an off the shelf high performance framework for teams and organisations and is currently working with SAS (Stellenbosch Academy for Sport) developing the culture, leadership and behaviours framework for future elite sportspeople whilst also holding down work as a project manager in the NHS at North Tees and Hartlepool Foundation Trust.
David Bovis
Consultant, Duxinaroe
A Leadership and Culture Change expert, David is the originator of BTFA and The Dux Model.
With a Masters in Applied Neuroscience from the Institute of Organisational Neuroscience, he is widely regarded as the Go-To expert in the field, recognised as an inspiring keynote speaker and change strategist.
He has an industrial engineering background, majoring in TPS / Lean. David worked his way up from his apprenticeship to earn his seat at the C-suite table. His career spans several industries, including Automotive, Aerospace, Defence, Space, Heavy Industries and Elec-Mech / polymer contract manufacture.
Published in Londons Evening Standard quarterly business supplement, James Caans Your business Magazine, Quality World, the Lean Management Journal and Cambridge Universities PMA, he works as comfortably with leaders from FTSE and Fortune 100 companies as he does owner-managers in SMEs. He is passionate about helping leaders understand the neurological root cause of a high-performance culture and sustainable change, in business.
Session | Own Your Autonomy The Importance of Autonomy in Project Management
#OwnYourAutonomy is aiming to be a global APM initiative to position everyone to take a more conscious role in their decision making process leading to increased outcomes for everyone and contribute to a world in which all projects succeed.
We want everyone to join the journey.
#OwnYourAutonomy is the culmination of 3 years of collaborative exploration within the Leadership Focus Group which is part of the APM People Interest Network. The work has been pulled together using the 5 HPTM速 Systems and the BTFA neuroscience leadership programme.
https://www.linkedin.com/showcase/apm-people-network/about/