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Jenny Parsons, South Australian Museum
Regan Forrest, South Australian Museum
                  (UQ)
Presentation Overview
           
Project context
Volunteer data collection
What to do with the data?
Data analysis
Applying the findings
Lessons learned
Project context
                 
 The Opportunity
 Official Reason
 Unofficial Reason
 Desired Outcomes
   A better visitor experience
   Relationship development
   Institutional learning
Australian Aboriginal
 Cultures Gallery (AACG)
                        
 10yr old gallery
 What needed to be updated?
 What was missing?
 Or worse, what was broken..
 Opening up our internal discussions in order to
  consider the visitor experience
Volunteer-led data
           collection
               
 The idea: The Museum is Watching You, WSJ August 18, 2010
 Consultation with Matt Sikora, Detroit Institute of
  Arts' director of evaluation
 Creating the map, evaluator letters, signage &
  learning about stops
 Dream Team: financial analysts
 No budget, entrepreneurial approach
Sample tracking sheets
Descriptive Statistics
                 
 Sample size n=92, 59 males and 64 females (G Floor)

Mean Dwell Time: 9.1 minutes
                                                                                                 13-18
Median Dwell Time: 5.0 minutes                                                                   19-39
                                                                                                 40-65
Mode Dwell Time: 5.0 minutes                                                                     65+




Approx. SRI* = 600 sq.ft. / min

(*SRI= Sweep Rate Index as defined in Serrell, B. (1998) Paying Attention: Visitors and Museum
     Exhibitions. Published by the American Association of Museums)
AACG Dwell Time
                     35               
                     30


                     25
Number of visitors




                     20


                     15


                     10


                      5


                      0
                          1-3   4-6   7-9   10-12    13-15    16-18   19-21    22-24   25-27   28-30   30+

                                                    Minutes spent in gallery
Visitor Entry Paths:
         


 64%

       20%




             18%
Median Dwell Visitors
        (n=11)
Gallery zoning  example
         from the literature
                                              




Klein, HJ (1993) Tracking Visitor Circulation in Museum Settings. Environment and Behavior 1993 25:
782-800. p. 792
Zoning the AACG
                                         1 entry
                                         Direction =
                                         90



                                         2 entries
                                         Direction = n/a



                                         1 entry
                                         Direction =
 Overlay gallery plan to divide         135
  into 24 zones
 Count each entry into a zone as
                                          1 entry
  well as overall direction where         Direction = n/a
  applicable
 Code direction numerically
  (0, 45, 90, 135, 180, 235, 270, 315)      2 entries
                                            Direction = 90
Number Crunching
          
                   Rest assured  this looks
                   a lot nastier than it really
                              is! 


 Sum of
entries for
each zone                                         Compare
              Comparison              Mode
                                     reveals
                                                    with
              to average
              (Total entries          most        opposite
               for all zones        common        direction
                   /24)             direction
Visually Representing
  Visitor Movement
What this told us and how
       we used it
                             
 Important sections were in visitation deserts
    brought the light levels up
 Clear biases in visitor routes
    moved the new introductory wall
 The first floor was a racetrack
    new colourful display with seating & touchscreens
The AACG Renovation
        
   Before     After
Lessons learned
                
 Visitor tracking relies on expert knowledge
 Its essential in understanding and improving the
  experience of our visitors
 It has given us a better gallery
 It needs to reside somewhere in the Museum
 Beta exercise. Activating Corporate Social
  Responsibility takes strong collaboration internally
  but can build relationships & lead to giving.
Questions?

More Related Content

Making the most of Corporate Social Responsibility and Volunteer-collected visitor data

  • 1. Jenny Parsons, South Australian Museum Regan Forrest, South Australian Museum (UQ)
  • 2. Presentation Overview Project context Volunteer data collection What to do with the data? Data analysis Applying the findings Lessons learned
  • 3. Project context The Opportunity Official Reason Unofficial Reason Desired Outcomes A better visitor experience Relationship development Institutional learning
  • 4. Australian Aboriginal Cultures Gallery (AACG) 10yr old gallery What needed to be updated? What was missing? Or worse, what was broken.. Opening up our internal discussions in order to consider the visitor experience
  • 5. Volunteer-led data collection The idea: The Museum is Watching You, WSJ August 18, 2010 Consultation with Matt Sikora, Detroit Institute of Arts' director of evaluation Creating the map, evaluator letters, signage & learning about stops Dream Team: financial analysts No budget, entrepreneurial approach
  • 7. Descriptive Statistics Sample size n=92, 59 males and 64 females (G Floor) Mean Dwell Time: 9.1 minutes 13-18 Median Dwell Time: 5.0 minutes 19-39 40-65 Mode Dwell Time: 5.0 minutes 65+ Approx. SRI* = 600 sq.ft. / min (*SRI= Sweep Rate Index as defined in Serrell, B. (1998) Paying Attention: Visitors and Museum Exhibitions. Published by the American Association of Museums)
  • 8. AACG Dwell Time 35 30 25 Number of visitors 20 15 10 5 0 1-3 4-6 7-9 10-12 13-15 16-18 19-21 22-24 25-27 28-30 30+ Minutes spent in gallery
  • 9. Visitor Entry Paths: 64% 20% 18%
  • 11. Gallery zoning example from the literature Klein, HJ (1993) Tracking Visitor Circulation in Museum Settings. Environment and Behavior 1993 25: 782-800. p. 792
  • 12. Zoning the AACG 1 entry Direction = 90 2 entries Direction = n/a 1 entry Direction = Overlay gallery plan to divide 135 into 24 zones Count each entry into a zone as 1 entry well as overall direction where Direction = n/a applicable Code direction numerically (0, 45, 90, 135, 180, 235, 270, 315) 2 entries Direction = 90
  • 13. Number Crunching Rest assured this looks a lot nastier than it really is! Sum of entries for each zone Compare Comparison Mode reveals with to average (Total entries most opposite for all zones common direction /24) direction
  • 14. Visually Representing Visitor Movement
  • 15. What this told us and how we used it Important sections were in visitation deserts brought the light levels up Clear biases in visitor routes moved the new introductory wall The first floor was a racetrack new colourful display with seating & touchscreens
  • 16. The AACG Renovation Before After
  • 17. Lessons learned Visitor tracking relies on expert knowledge Its essential in understanding and improving the experience of our visitors It has given us a better gallery It needs to reside somewhere in the Museum Beta exercise. Activating Corporate Social Responsibility takes strong collaboration internally but can build relationships & lead to giving.