The document analyzes the 1977 horror film poster for Suspiria. It discusses how the poster prominently features a screaming woman to attract audiences. Her hair and facial expression convey fear and the need for help, stimulating interest in viewers. The title Suspiria means "sighs" and fits the film's gloomy premise. Taglines promise a terrifying 92 minutes and convey that viewers will never feel safe in the dark after seeing it. Overall, the analysis concludes the poster effectively promoted the film and influenced modern horror design through its chilling visuals and provocative text.
The document summarizes key elements of a film poster's design and purpose. A film poster's goal is to generate awareness and hype for an upcoming movie in a visually engaging way. Effective posters prominently display the film's title and stars to attract audience interest. They also provide clues about the film's genre and tone through images, colors, and short taglines, but avoid revealing too much of the plot. Well-designed posters balance promotional and artistic elements to successfully advertise the film.
Film trailers follow certain conventions to effectively promote and sell movies to audiences. They typically begin with the production company's logo to establish reputation. This is followed by the film title near the end to aid recall. Age ratings shown later provide guidelines on appropriate audience and content. Trailers also introduce characters and feature music/voiceovers to set tone and pace. They often conclude with a fast-paced montage of climactic scenes and shots under two seconds to generate interest without giving too much away. Standard trailer lengths are between 1.5-2 minutes but shorter 10-second versions also aim to build hype.
The document analyzes six slasher film posters and identifies common design elements and conventions used. It finds that all posters feature a masked male antagonist holding a signature weapon, use similar color schemes of black, red, and grey, and follow standard layouts with the film title largest at the bottom. Key patterns identified include an emphasis on the threatening weapon in posters like Texas Chainsaw through dark colors and angled shots. Overall, the posters effectively promote the slasher genre through iconic visuals and sharing common stylistic cues to attract fans.
The document discusses creating a promotional campaign for a new supernatural horror film called "The Basement". It explains that the campaign will include a trailer, poster, and magazine cover that are linked thematically. The film aims to fuse psychological and slasher elements while retaining a supernatural feel. Researching iconic moments from films like "The Sixth Sense" and "The Exorcist" that continue to terrify audiences will help design promotional material that scares viewers deeply and leaves a lasting impression. The goal is to create a successful campaign that attracts audiences through applying genre conventions.
The poster depicts a woman being dragged into hell by mummified hands, indicating the supernatural horror genre. It uses stereotypical imagery of a female victim to raise fear in the audience by allowing them to imagine themselves in her situation. The tagline poses the question of why the woman, who has a good life, is being sent to hell in three days, hooking viewers to learn more. Through its ominous imagery and teasing of an upcoming release, the poster effectively builds intrigue around the film's disturbing premise.
This document analyzes how the media producer's horror magazine, film poster, and trailer for "The Forgotten" use, develop, and challenge conventions of real horror media. The analysis finds that conventions like color schemes, typography, logos, and intertextual references are used consistently across the products to create synergy and draw in the target audience. Locations, camerawork, scenes of suspense, and final "jump scares" also adhere to common horror media conventions. The goal is to attract audiences already familiar with these conventions from other films.
This document summarizes the conventions used in the trailers for three horror films: Cabin in the Woods, Unfriended, and Saw. For Cabin in the Woods, the trailer starts sunny but turns darker and more tense, following horror conventions. It also features typical horror characters like the athlete. Unfriended uses unique camera angles and social media to feel modern while still including blood and the convention of teenagers dying from stupid actions. Saw uses close-ups of victims' faces and features a masked villain, with themes of good vs. evil and a lone trapped person, conforming to common horror codes.
The document provides information about two Harry Potter films - Harry Potter and the Philosopher's Stone from 2001 and Harry Potter and the Deathly Hallows from 2010. It includes the release dates, budgets, revenues, directors, and producers for each film. It also analyzes and compares the posters for both films, noting elements like characters, colors, fonts, slogans, and the audiences they seem to target.
The Scream 4 movie poster uses standard horror conventions like dark colors and a masked villain to hint at the plot. The title font shows normal letters turning jagged and sharp to suggest something terrible happens. The tagline "New Decade. New Rules" tells viewers that previous events will reoccur but be worse, with a new villain and new rules. An image shows three protagonists being watched over by the iconic Scream mask in smoke, further hinting at the storyline. Standard information like the studio names, director, actors, and release date are also included.
The document analyzes 8 posters from psychological horror films to identify common features. Most posters feature a solitary female character making eye contact, intended to represent stereotypes about women's mental stability. Locations are often omitted, using plain colors instead, though some like The Shining show settings. Icons like the axe in The Shining immediately identify the antagonist and genre. Blacks and whites predominate, indicating a lack of graphic gore. Taglines and credits are placed strategically to avoid detracting from the central image. Analyzing these posters informed conventions for psychological horror posters, aiding the creation of the author's own design.
The document discusses the ways in which the student's poster, magazine cover, and movie trailer for a horror film use and develop conventions of real media products in three areas:
1. The poster borrows elements from real horror movie posters, such as using the color red to represent blood and only featuring the antagonist. It sticks closely to traditional horror poster conventions.
2. The magazine cover is modeled after Empire magazine and features film titles and icons as real magazines do. However, it challenges conventions by using an unedited photo without special effects.
3. The trailer borrows shot compositions and transitions from films like Friday the 13th but also develops conventions like using over-the-shoulder shots to build mystery
The opening of Final Destination 3 sets up an ominous atmosphere through its dark background and blue lighting, which is a common convention for thriller films. While the funfair setting is an unexpected location compared to typical thrillers, its bright colors and fast-paced rides create a sense of mystery. Non-diegetic music and tracking shots of the characters on the rides enhance the eerie feeling and draw the viewer into the film's world from the start.
The trailer uses various film techniques to build anticipation and intrigue for the audience. It begins with production logos and establishes the 1920s setting before revealing the film's director and stars near the end to generate interest. Soundtracks by modern artists are incorporated to appeal to current audiences. Camera work includes establishing shots, close-ups of characters, and a montage to tease the plot. Mise-en-scene features lavish costumes and sets that reflect the wealth of the characters. Editing alternates between fast-paced climactic clips and slower moments to engage the viewer.
This document analyzes and summarizes three horror movie posters:
- The "Quarantine" poster features a frightened woman with green lines implying she is being filmed, adding to the found-footage atmosphere.
- The "The Descent" poster shows screaming women in the shape of a skull over a pit, with one woman frightened above and light coming from below, hinting at danger underground.
- The "Shutter" poster uses many small pictures of people to form the face of a screaming woman, with half her face a skull, creating an unsettling effect.
Media2014 focus group analysis and linksJake Shelvey
油
The document summarizes the feedback from focus group interviews conducted to gather opinions on a horror film idea called "The Basement". Participants generally responded positively to the premise but had some concerns about realistic execution. Their favorite films indicated a preference for psychologically complex narratives with unpredictable elements. The interviews informed changes to emphasize the film's dream-reality aspects and show only the devil's silhouette rather than a potentially unrealistic CGI depiction.
This poster summary analyzes a horror film poster:
1) The ripped effect on the faces creates intrigue while hinting at the film's theme.
2) The tagline "I dare you to watch until our movie is done" directly addresses the audience and implies danger from the characters.
3) The poster challenges conventions by using a happy couple image contradicted by the ripped effect.
The document analyzes several movie posters, summarizing key elements and techniques used:
The Black Dahlia poster uses dark red text on white to represent death covering happiness. Legend prominently features the main characters and title in bold, noting it is based on a true story. The Dark Corner uses bright colors against a dark background to draw the eye to the title and actors. Positioning and lighting of characters are analyzed to infer plot details and character traits. Effective poster techniques highlighted include using contrast to make important elements stand out and conveying personality through lighting.
This poster for Transformers: Dark of the Moon conveys a sense of danger and mystery. It depicts a towering Transformer attacking a destroyed city while three characters prepare for battle in the foreground. Bold text promotes the film's 3D release and June 27th premiere, timed for summer break to maximize viewership. Additional text and imagery establish a dark, powerful tone through use of black color and the tagline "Stand together or face extinction", enticing audiences to learn more by seeing the film.
Paranormal and supernatural films rely on certain conventions to create suspense and scare audiences. Locations like isolated houses are used to make viewers feel alone and vulnerable. Characters often include an innocent person in danger and someone trying to help them. Music, sounds, and editing techniques like jump cuts also contribute to the scary atmosphere. The narrative structure commonly features a character in an unpleasant situation at the start, a cliffhanger ending leaving the plot unresolved, and a big climax with horrible consequences. These elements come together to effectively tell paranormal stories and keep audiences entertained.
A film poster advertises a movie. It usually contains an image and text to promote the film's title, actors, director, release date and other details. Film posters are displayed inside and outside theaters as well as in other public places to generate interest. Posters have evolved over time from simple text listings to highly visual designs. They are produced in various sizes for different advertising purposes. An example poster for the movie "Jaws" features the shark in the center to grab attention, with hints of the plot and use of red, blue and black colors that relate to the film's theme.
How effective is the combination of your main product and ancillary texts?bquittenton
油
The document discusses the effectiveness of a poster, magazine cover, and trailer created to advertise a horror film called "Cold Blood". The poster, magazine cover, and trailer were designed to fit horror genre conventions and be cohesive. They feature a dark color scheme and images relating to the film's plot about a character undergoing a transformation. The materials are aimed at a target audience of males and females aged 18-25 by including elements of both sci-fi and psychological horror genres.
The document analyzes the titles presented at the opening of the film "The Shawshank Redemption." It discusses three key aspects: 1) The production company Castle Rock Entertainment is prominently displayed in large white text on a black background to draw attention. 2) The actors' names, including lead Morgan Freeman, are also in white text on black to attract audiences. Freeman's name in particular draws fans. 3) The movie title "The Shawshank Redemption" is the largest in size, again in white on black, to signify its importance, while the dramatic color scheme of black hints at the film's themes of shadows, death, and mystery.
This document analyzes and summarizes key elements of horror movie posters, including Friday the 13th, The Collection, and The Conjuring. For Friday the 13th, the title stands out in bold capital letters and the tagline relates to the film's setting of Crystal Lake. The main image creates mystery by only illuminating part of the villain. For The Collection, the main image focuses on a masked figure and creates tension, while the tagline and release date are incorporated into sentences. For The Conjuring, the title is centered in scary font, the main image looks deserted and hints at a hanging, and the billing board is placed to not cover the shadowy image.
The document discusses the opening title sequences of several horror films and analyzes how they use symbolic elements. It finds that most horror film openings are symbolic in nature, using techniques like ambiguous imagery, lack of explanations, and unsettling music or sounds to create narrative mysteries and generate suspense without revealing too much information. This encourages audiences to watch to discover more about the characters, settings, and themes.
The marketing campaign for the movie "Warm Bodies" utilized various media platforms to promote the film. It established a consistent brand identity using red, white, and black colors and zombie-themed puns in posters and trailers. The campaign released multiple teasers and trailers, clips and interviews in the pre-launch period to generate hype. Post-launch, it promoted the film through cast interviews and highlighting positive reviews. Overall, the campaign effectively created awareness and interest in the film through its cohesive visual branding and gradual release of content.
The document discusses how the student's horror trailer project adhered to common horror genre conventions to appeal to audiences. It utilized isolation, tension-building techniques, and character archetypes typical in psychological horror films like The Blair Witch Project and Nightmare on Elm Street. Flashback sequences and collision cutting were employed to reveal backstory and create suspense. Cinematography and editing followed conventions of slow buildup and quick cuts seen in successful horror trailers. The student's individual style was slightly influenced by Tim Burton's use of exaggerated fake blood effects.
The document discusses how the media product adheres to conventions of the horror genre. It analyzes how the poster uses iconography like a frightened young female protagonist, dark colors, and references to hell to be consistent with horror conventions. The film magazine cover also follows conventions with its bold masthead, red colors symbolizing blood, and central action shot of the protagonist. Similarly, the trailer uses fast cuts and pacing to build tension, along with straps to provide information to the audience, both of which are standard horror trailer conventions. Overall, the document examines how the promotional materials effectively utilize codes and conventions of the horror genre.
This document provides details about the production and evaluation of a short film created by the author. It discusses how the film challenges conventions of psychological thriller/drama genres through its use of minimal dialogue and voiceovers. Feedback from test audiences is discussed, such as recommendations to improve the audio mixing and reduce the prominence of music. The author explains how research, planning and evaluation were conducted using online resources and film review magazines, and how technologies like iMovie and Ken Burns effects were used in the construction and editing stages.
This document summarizes the conventions used in the trailers for three horror films: Cabin in the Woods, Unfriended, and Saw. For Cabin in the Woods, the trailer starts sunny but turns darker and more tense, following horror conventions. It also features typical horror characters like the athlete. Unfriended uses unique camera angles and social media to feel modern while still including blood and the convention of teenagers dying from stupid actions. Saw uses close-ups of victims' faces and features a masked villain, with themes of good vs. evil and a lone trapped person, conforming to common horror codes.
The document provides information about two Harry Potter films - Harry Potter and the Philosopher's Stone from 2001 and Harry Potter and the Deathly Hallows from 2010. It includes the release dates, budgets, revenues, directors, and producers for each film. It also analyzes and compares the posters for both films, noting elements like characters, colors, fonts, slogans, and the audiences they seem to target.
The Scream 4 movie poster uses standard horror conventions like dark colors and a masked villain to hint at the plot. The title font shows normal letters turning jagged and sharp to suggest something terrible happens. The tagline "New Decade. New Rules" tells viewers that previous events will reoccur but be worse, with a new villain and new rules. An image shows three protagonists being watched over by the iconic Scream mask in smoke, further hinting at the storyline. Standard information like the studio names, director, actors, and release date are also included.
The document analyzes 8 posters from psychological horror films to identify common features. Most posters feature a solitary female character making eye contact, intended to represent stereotypes about women's mental stability. Locations are often omitted, using plain colors instead, though some like The Shining show settings. Icons like the axe in The Shining immediately identify the antagonist and genre. Blacks and whites predominate, indicating a lack of graphic gore. Taglines and credits are placed strategically to avoid detracting from the central image. Analyzing these posters informed conventions for psychological horror posters, aiding the creation of the author's own design.
The document discusses the ways in which the student's poster, magazine cover, and movie trailer for a horror film use and develop conventions of real media products in three areas:
1. The poster borrows elements from real horror movie posters, such as using the color red to represent blood and only featuring the antagonist. It sticks closely to traditional horror poster conventions.
2. The magazine cover is modeled after Empire magazine and features film titles and icons as real magazines do. However, it challenges conventions by using an unedited photo without special effects.
3. The trailer borrows shot compositions and transitions from films like Friday the 13th but also develops conventions like using over-the-shoulder shots to build mystery
The opening of Final Destination 3 sets up an ominous atmosphere through its dark background and blue lighting, which is a common convention for thriller films. While the funfair setting is an unexpected location compared to typical thrillers, its bright colors and fast-paced rides create a sense of mystery. Non-diegetic music and tracking shots of the characters on the rides enhance the eerie feeling and draw the viewer into the film's world from the start.
The trailer uses various film techniques to build anticipation and intrigue for the audience. It begins with production logos and establishes the 1920s setting before revealing the film's director and stars near the end to generate interest. Soundtracks by modern artists are incorporated to appeal to current audiences. Camera work includes establishing shots, close-ups of characters, and a montage to tease the plot. Mise-en-scene features lavish costumes and sets that reflect the wealth of the characters. Editing alternates between fast-paced climactic clips and slower moments to engage the viewer.
This document analyzes and summarizes three horror movie posters:
- The "Quarantine" poster features a frightened woman with green lines implying she is being filmed, adding to the found-footage atmosphere.
- The "The Descent" poster shows screaming women in the shape of a skull over a pit, with one woman frightened above and light coming from below, hinting at danger underground.
- The "Shutter" poster uses many small pictures of people to form the face of a screaming woman, with half her face a skull, creating an unsettling effect.
Media2014 focus group analysis and linksJake Shelvey
油
The document summarizes the feedback from focus group interviews conducted to gather opinions on a horror film idea called "The Basement". Participants generally responded positively to the premise but had some concerns about realistic execution. Their favorite films indicated a preference for psychologically complex narratives with unpredictable elements. The interviews informed changes to emphasize the film's dream-reality aspects and show only the devil's silhouette rather than a potentially unrealistic CGI depiction.
This poster summary analyzes a horror film poster:
1) The ripped effect on the faces creates intrigue while hinting at the film's theme.
2) The tagline "I dare you to watch until our movie is done" directly addresses the audience and implies danger from the characters.
3) The poster challenges conventions by using a happy couple image contradicted by the ripped effect.
The document analyzes several movie posters, summarizing key elements and techniques used:
The Black Dahlia poster uses dark red text on white to represent death covering happiness. Legend prominently features the main characters and title in bold, noting it is based on a true story. The Dark Corner uses bright colors against a dark background to draw the eye to the title and actors. Positioning and lighting of characters are analyzed to infer plot details and character traits. Effective poster techniques highlighted include using contrast to make important elements stand out and conveying personality through lighting.
This poster for Transformers: Dark of the Moon conveys a sense of danger and mystery. It depicts a towering Transformer attacking a destroyed city while three characters prepare for battle in the foreground. Bold text promotes the film's 3D release and June 27th premiere, timed for summer break to maximize viewership. Additional text and imagery establish a dark, powerful tone through use of black color and the tagline "Stand together or face extinction", enticing audiences to learn more by seeing the film.
Paranormal and supernatural films rely on certain conventions to create suspense and scare audiences. Locations like isolated houses are used to make viewers feel alone and vulnerable. Characters often include an innocent person in danger and someone trying to help them. Music, sounds, and editing techniques like jump cuts also contribute to the scary atmosphere. The narrative structure commonly features a character in an unpleasant situation at the start, a cliffhanger ending leaving the plot unresolved, and a big climax with horrible consequences. These elements come together to effectively tell paranormal stories and keep audiences entertained.
A film poster advertises a movie. It usually contains an image and text to promote the film's title, actors, director, release date and other details. Film posters are displayed inside and outside theaters as well as in other public places to generate interest. Posters have evolved over time from simple text listings to highly visual designs. They are produced in various sizes for different advertising purposes. An example poster for the movie "Jaws" features the shark in the center to grab attention, with hints of the plot and use of red, blue and black colors that relate to the film's theme.
How effective is the combination of your main product and ancillary texts?bquittenton
油
The document discusses the effectiveness of a poster, magazine cover, and trailer created to advertise a horror film called "Cold Blood". The poster, magazine cover, and trailer were designed to fit horror genre conventions and be cohesive. They feature a dark color scheme and images relating to the film's plot about a character undergoing a transformation. The materials are aimed at a target audience of males and females aged 18-25 by including elements of both sci-fi and psychological horror genres.
The document analyzes the titles presented at the opening of the film "The Shawshank Redemption." It discusses three key aspects: 1) The production company Castle Rock Entertainment is prominently displayed in large white text on a black background to draw attention. 2) The actors' names, including lead Morgan Freeman, are also in white text on black to attract audiences. Freeman's name in particular draws fans. 3) The movie title "The Shawshank Redemption" is the largest in size, again in white on black, to signify its importance, while the dramatic color scheme of black hints at the film's themes of shadows, death, and mystery.
This document analyzes and summarizes key elements of horror movie posters, including Friday the 13th, The Collection, and The Conjuring. For Friday the 13th, the title stands out in bold capital letters and the tagline relates to the film's setting of Crystal Lake. The main image creates mystery by only illuminating part of the villain. For The Collection, the main image focuses on a masked figure and creates tension, while the tagline and release date are incorporated into sentences. For The Conjuring, the title is centered in scary font, the main image looks deserted and hints at a hanging, and the billing board is placed to not cover the shadowy image.
The document discusses the opening title sequences of several horror films and analyzes how they use symbolic elements. It finds that most horror film openings are symbolic in nature, using techniques like ambiguous imagery, lack of explanations, and unsettling music or sounds to create narrative mysteries and generate suspense without revealing too much information. This encourages audiences to watch to discover more about the characters, settings, and themes.
The marketing campaign for the movie "Warm Bodies" utilized various media platforms to promote the film. It established a consistent brand identity using red, white, and black colors and zombie-themed puns in posters and trailers. The campaign released multiple teasers and trailers, clips and interviews in the pre-launch period to generate hype. Post-launch, it promoted the film through cast interviews and highlighting positive reviews. Overall, the campaign effectively created awareness and interest in the film through its cohesive visual branding and gradual release of content.
The document discusses how the student's horror trailer project adhered to common horror genre conventions to appeal to audiences. It utilized isolation, tension-building techniques, and character archetypes typical in psychological horror films like The Blair Witch Project and Nightmare on Elm Street. Flashback sequences and collision cutting were employed to reveal backstory and create suspense. Cinematography and editing followed conventions of slow buildup and quick cuts seen in successful horror trailers. The student's individual style was slightly influenced by Tim Burton's use of exaggerated fake blood effects.
The document discusses how the media product adheres to conventions of the horror genre. It analyzes how the poster uses iconography like a frightened young female protagonist, dark colors, and references to hell to be consistent with horror conventions. The film magazine cover also follows conventions with its bold masthead, red colors symbolizing blood, and central action shot of the protagonist. Similarly, the trailer uses fast cuts and pacing to build tension, along with straps to provide information to the audience, both of which are standard horror trailer conventions. Overall, the document examines how the promotional materials effectively utilize codes and conventions of the horror genre.
This document provides details about the production and evaluation of a short film created by the author. It discusses how the film challenges conventions of psychological thriller/drama genres through its use of minimal dialogue and voiceovers. Feedback from test audiences is discussed, such as recommendations to improve the audio mixing and reduce the prominence of music. The author explains how research, planning and evaluation were conducted using online resources and film review magazines, and how technologies like iMovie and Ken Burns effects were used in the construction and editing stages.
The document discusses how the student's horror trailer fits conventions of the horror genre and horror trailers. It addresses several key points:
1) The trailer uses common horror conventions like the "final girl" archetype and close-up shots to make audiences uncomfortable and fit audience expectations.
2) It subverts some conventions like the "male gaze" by making the female protagonist the driver of the story rather than a victim.
3) Elements like pacing, editing, music, and narrative are used to create suspense and shock viewers in keeping with effective horror trailers.
4) The student drew most influence from Alfred Hitchcock in building suspense and shocking audiences, making the trailer psychological and
The document provides details about a student's short film project and evaluation. It discusses the forms and conventions used in the film, including voiceovers, quick cuts, and flashbacks. Feedback from test audiences is presented, such as comments on the audio quality and use of music. The student describes using iMovie and GarageBand software for editing, audio editing, and uploading the film online. Production details like costumes, makeup, lighting and locations are also summarized.
Codes and Conventions of Horror TrailersBogwizMedia
油
The document discusses common codes and conventions used in horror movie trailers. It outlines conventions in narrative structure, camerawork, mise-en-scene, editing, sound, and character representation. For narrative, horror trailers typically follow a three-act structure and use semiotics to introduce characters and enigma codes. Camerawork employs techniques like handheld shots and high angles. Mise-en-scene features isolated settings and low-key lighting. Editing uses slow pacing initially and quick cuts later. Sound incorporates diegetic effects and non-diegetic music. Characters usually feature helpless female victims and vulnerable youth.
The document discusses conventions of horror trailers, film posters, and film magazines. It states that film posters typically use dark colors like red, black, and grey to convey danger and fear, and feature close-ups of characters' eyes to show emotion. Horror trailers also follow conventions - they begin with calm shots and build tension through quick cuts and loud sounds. Magazine covers conventionally have the title in a bold font at the top, a large central image, additional text promoting interior content, and barcodes at the bottom right.
The document discusses how the media product, a horror film trailer, uses and challenges conventions of existing horror film trailers and other media. It analyzed typical conventions in trailers, posters, and film magazines. The trailer follows many conventions, such as an eerie soundtrack, fast edits, and leaving the killer's identity ambiguous. However, it challenges conventions by having a vulnerable male protagonist rather than the typical vulnerable female. The document examines how the trailer fulfills the uses and gratifications theory by engaging audiences and allowing them to interpret events and decide if they want to see the full film.
The document discusses how the media product, a horror film trailer, uses and challenges conventions of existing horror film trailers and other media. It analyzed typical conventions in trailers, posters, and film magazines. The trailer follows many conventions like an eerie soundtrack, fast edits, and leaving the killer's identity ambiguous. However, it challenges conventions by having a vulnerable male protagonist instead of the typical vulnerable female. The document examines how the trailer fulfills the uses and gratifications theory by engaging audiences and leaving interpretation up to them.
In what ways does your media products use, develop and challenge conventions ...chloeedwards
油
The document discusses how the media product, a horror film trailer, uses and challenges conventions of existing horror film trailers and other media. It analyzed typical conventions in trailers, posters, and film magazines. The trailer follows many conventions, such as an eerie soundtrack, fast edits, and leaving the killer's identity ambiguous. However, it challenges conventions by having a vulnerable male protagonist rather than the typical vulnerable female. The document examines how the trailer fulfills the uses and gratifications theory by engaging audiences and allowing them to interpret events.
The document discusses how the media product, a horror film trailer, uses and challenges conventions of existing horror film trailers and other media. It analyzed typical conventions in trailers, posters, and film magazines. The created trailer follows many conventions, such as an eerie soundtrack, fast edits, and leaving the killer's identity ambiguous. However, it challenges conventions by having a vulnerable male protagonist rather than the typical vulnerable female. The trailer aims to fulfill the uses and gratifications theory by engaging audiences to interpret events and decide if they want to see the full film.
The document discusses how the media product, a horror film trailer, uses and challenges conventions of existing horror film trailers and other media. It analyzed typical conventions in trailers, posters, and film magazines. The trailer follows many conventions like an eerie soundtrack, fast edits, and leaving the killer's identity ambiguous. However, it challenges conventions by having a vulnerable male protagonist instead of the typical vulnerable female. The document examines how the trailer fulfills the uses and gratifications theory by engaging audiences and leaving interpretation up to them.
The document discusses how the media product, a horror film trailer, uses and challenges conventions of existing horror film trailers and other media. It analyzed typical conventions in trailers, posters, and film magazines. The trailer follows many conventions, such as an eerie soundtrack, fast edits, and leaving the killer's identity ambiguous. However, it challenges conventions by having a vulnerable male protagonist rather than the typical vulnerable female. The document examines how the trailer fulfills the uses and gratifications theory by engaging audiences and allowing them to interpret events.
The document discusses how the media product, a horror film trailer, uses and challenges conventions of existing horror film trailers and other media. It analyzed typical conventions in trailers, posters, and film magazines. The trailer follows many conventions, such as an eerie soundtrack, fast edits, and leaving the killer's identity ambiguous. However, it challenges conventions by having a vulnerable male protagonist rather than the typical vulnerable female. The document analyzes how the trailer fulfills the uses and gratifications theory by engaging audiences to interpret events and decide if they want to see the full film.
Conventions of Horror Trailers, Film Posters and Film Magazinesscarletthayward
油
This document discusses conventions of horror film trailers, posters, and magazines. It notes that posters typically use dark colors like red, black, and grey and feature close-ups of characters' eyes to convey emotion. Teaser posters build anticipation while revealing minimal details. Trailers conventionally start with calm shots and build tension through quick cuts and music. They aim to attract audiences with unique hooks. Magazines conventionally feature large central images on covers along with headlines to entice readers about interior content. Overall, the document outlines common design and storytelling techniques across horror marketing media to effectively promote films and draw in audiences.
Horror movie trailers typically follow certain conventions: they begin with establishing shots of characters and settings, use transitions like fade to black to build tension, include exciting moments but not the resolution to leave viewers guessing, and feature a crescendo of music and silence for impact. Transitions through cutting and fading are used to portray changes in scene and create tension. Sound effects and music are important for mood setting and conveying emotions to viewers.
The document summarizes the research and planning Laura Bruce did to create a horror trailer, poster, and magazine cover for a film project. Some key points:
- The trailer opens with a happy scene then introduces disruption, using short clips to build intrigue without revealing the full narrative.
- Research showed horror trailers typically end with a final scare. Hers included a long buildup leading to this scare.
- For the poster, she used conventions like title design, credits font, and imagery related to the film's location and characters.
- Rolland Barthes' "enigma code" of mystery was represented to engage the audience.
- Non-diegetic music was chosen to set moods and
The document discusses the conventions used in creating a horror film trailer and related marketing materials. It begins by outlining research conducted into existing horror trailers to understand necessary elements. Key conventions followed include using footage from an in-production film to promote it, focusing on protagonists, locations, sounds, and introducing main characters. The trailer challenges conventions by not having a satisfying conclusion or the typical "good over evil" narrative. Related materials like a magazine cover and film poster were also created, following researched conventions for those media.
The document summarizes the process of creating a horror trailer and poster for a media project. Key points include:
- The trailer follows horror conventions like starting with a happy scene then introducing disruption. It uses short clips out of order to build intrigue without revealing the full narrative.
- Research on existing trailers informed choices like including a final scare and using a masked killer for mystery.
- The poster features a dark image, red title, credits font, and slogan to draw in audiences, representing Barthes' enigma code theory.
- Non-diegetic music shifts from slow to sharp to intense, mirroring changes in the trailer's narrative structure.
In what ways does your media product use, develop or challenge forms and conv...shannoncotton
油
This document discusses the filmmaker's approach to creating a trailer, poster, and magazine cover for a horror film. For the trailer, they aimed to balance conventional and unconventional elements. They used found footage and jump cuts, but stuck to typical editing techniques. For the poster, they challenged conventions by using a long shot but included standard horror elements. The magazine cover followed conventions for layout but took inspiration from another cover by including a two-shot image. Overall, the filmmaker considered conventions from their research but also experimented with some unconventional elements.
Unlock Full Access to Canva Pro Crack Features 2025crackstore786
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4K Video Downloader Crack 4.28.0.5600 + License Key [2024]abbaskanju3
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Avast Premium Security Crack + License Key Till 2050andrewmargaret40
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The Philippines is home to a diverse range of ethnic groups, each with its own distinct culture, language, and traditions. The major ethnic groups include:
Major Ethnolinguistic Groups:
1. Tagalog Predominantly in Luzon, especially in Metro Manila, Batangas, and Bulacan.
2. Cebuano (Bisaya/Binisaya) Largest group in the Visayas and parts of Mindanao.
3. Ilocano Mainly in Northern Luzon (Ilocos Region and parts of Cagayan Valley and Cordillera).
4. Hiligaynon (Ilonggo) Mostly in Western Visayas, particularly Iloilo and Negros Occidental.
5. Bikolano (Bicolano) Found in the Bicol Region.
6. Waray In Eastern Visayas, particularly Samar and Leyte.
7. Kapampangan Predominantly in Pampanga and parts of Tarlac.
8. Pangasinense In Pangasinan province.
Indigenous and Ethnic Minority Groups:
1. Igorot Tribes Includes Kankanaey, Ifugao, Bontoc, Ibaloi, and others in the Cordillera region.
2. Mangyan Indigenous people of Mindoro, composed of subgroups like Iraya, Alangan, and Hanunuo.
3. Aeta (Ati, Dumagat, Agta) Negrito groups in Luzon, Visayas, and Mindanao.
4. Lumad A collective term for non-Muslim indigenous groups in Mindanao, including Manobo, T'boli, and Bagobo.
5. Badjao (Sea Gypsies) Nomadic seafaring people in Mindanao, Sulu, and Sabah.
Muslim Ethnic Groups (Moro People):
1. Maranao Found around Lake Lanao in Mindanao.
2. Maguindanao Predominantly in Maguindanao province.
3. Tausug Primarily in Sulu and parts of Mindanao.
4. Yakan Native to Basilan.
5. Sama-Bajau Found in Tawi-Tawi, Sulu, and Zamboanga.
These ethnic groups have contributed to the rich cultural heritage of the Philippines through their languages, traditions, and customs. Would you like more details on a specific group?
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Media Evaluation: In what ways does your media product use, develop or challenge forms and conventions of real media products?
1. In what ways does your media product use, develop or
challenge forms and conventions of real media
products?
Media Evaluation
2. The definition of a convention suggests the standard way in
which a media product is usually portrayed. This has been
portrayed in the media in almost every form, such as posters,
magazines, trailers and the film itself. Through my own
research carried out on horror trailers, such as Get Out,
Lights Out and Splitallowed me to understand the
necessary convention required for my horror trailer. This
research has allowed me to recognise that there is usually a
3 act structure involving laying out the context, establishing
a problem and ending with a dramatic climax and a montage
of key moments throughout the film. This structure was used
as a template to make the trailer as professional in
appearance as possible, which was the goal for a successful
trailer. The context is laid out in the first 4 scenes in which
there are 4 establishing shots of the town in which the film is
set, of an empty forest, dark grey house, play park and empty
school hallway. Not only this set the context, but also
throughout the trailer there was text explaining the storyline of
3. The trailer also follows the convention of having a
montage of key moments throughout the film, for
example in the forest, the creature starts chasing
two young people, and children and a mother going
missing in a play park. This can also relate to Annie
Kaplans theory suggests that In Hollywood films,
women are ultimately refused a voice, a discourse,
and their desire is subject to male desire, which is
represented in the trailer as the only females
portrayed in the trailer have the least amount of
screen time in comparison to the males, as well as
disappearing almost as soon as they are introduced
on screen, which refuses them a voice.
4. The problem was established throughout the trailer, portrayed
visually with people consistently going missing and being
attacked, while also having text suggesting these mysterious
disappearances. Another convention is the transitions are
typically jump cuts, as it increases the tension and sense of
danger in order to thrill our target audience of young adults,
which is why it is the main transition used within my trailer.
Sounds in horror trailers van vary from silent scenes with
eerie background music, to sudden loud music to create
jumpscares. The idea of a loud noise followed by a visual
jumpscare is a very common convention within the middle of
the trailers I researched, which is why I developed the
convention by putting the jumpscare at the end of the whole
trailer, even after the end movie title with cast names, as I
believe it will catch the audience of guard and scare them.
Lastly every trailer conventionally has a narrative that is
clearly demonstrated consistently through the trailer, without a
voice-over as in the modern day this has been removed from
trailers, as it is suggested that it decreases an element of