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Microphone essay

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Microphones convert sound waves into electrical signals. There are different types that use different transduction methods like electromagnetic induction, capacitance change, or piezoelectric generation. The history of microphones began with devices to amplify voices in ancient Greece. Modern development started with Edison's carbon microphone in the 1870s and includes innovations like condenser, dynamic, ribbon, fiber optic, laser and other microphones. Microphones come in different designs for various applications and convert sound into electrical signals that need amplification before use.

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Microphones A microphone (colloquially called a mic or mike; both pronounced / ma k 肘 /) is an acoustic-to-electric transducer or sensor that converts sound into an electrical signal. Microphones are used in many applications such as telephones, tape recorders, karaoke systems, hearing aids, motion picture production, live and recorded audio engineering, FRS radios, megaphones, in radio and television broadcasting and in computers for recording voice, speech recognition, VoIP, and for non-acoustic purposes such as ultrasonic checking or knock sensors. Most microphones today use electromagnetic induction (dynamic microphone), capacitance change (condenser microphone), piezoelectric generation, or light modulation to produce an electrical voltage signal from mechanical vibration The history of microphones to modern development Invention In order to speak to larger groups of people, there was a desire to increase the volume of the spoken word. The earliest known device to achieve this dates to 600 BC with the invention of masks with specially designed mouth openings that acoustically augmented the voice in amphitheatres. In 1665, the English physicist Robert Hooke was the first to experiment with a medium other than air with the invention of the "lovers' telephone" made of stretched wire with a cup attached at each end. In 1874, Ernst von Siemens described the "dynamic" or "moving-coil" transducer, though the first result of this invention was not the microphone, but its adaptation in 1920 to make a loudspeaker. During the mid-19th century a number of inventors came up with devices that led to the invention of the first practical electrical telephone patented by Alexander Graham Bell in 1876. Inventors Emile Berliner and Thomas Edison were inspired to improve this and both went on to design and build the first carbon microphone (then called transmitter) in mid-1877, within a month of each other. After a long legal dispute, Edison was awarded the patent. Modern development
Jack Brown interviews Humphrey Bogart and Lauren Bacall for broadcast to troops overseas during World War II. Edison continued to refine the carbon microphone, which was employed at the first ever radio broadcast, a performance at the New York Metropolitan Opera House in 1910.[7] In 1916, C. Wente of Bell Labs developed the next breakthrough with the first condenser microphone. In 1923 the first practical moving coil microphone was built. "The Marconi Skykes" or "magnetophon", developed by Captain H. J. Round, was the standard for BBC studios in London. This was improved in 1930 by Blumlein and Holman who released the HB1A and was the best standard of the day. In the same year, the ribbon microphone was introduced, another electromagnetic type, believed to have been developed by Harry F. Olson, who essentially reverse-engineered a ribbon speaker. Over the years these microphones were developed by several companies, most notably RCA that made large advancements in pattern control, to give the microphone directionality. With television and film technology booming there was demand for high fidelity microphones and greater directionality. Electro-Voice responded with their Academy Award-winning shotgun microphone in 1963. During the second half of 20th century development advanced quickly with the Shure Brothers bringing out the SM58 and SM57. Digital was pioneered by Milab in 1999 with the DM-1001.The latest research developments include the use of fibre optics, lasers and interferometers. Reference : https://en.wikipedia.org/wiki/Microphone How it works Microphones are a type of transducer - a device which converts energy from one form to another. Microphones convert acoustical energy (sound waves) into electrical energy (the audio signal). Different types of microphone have different ways of converting energy but they all share one thing in common: The diaphragm. This is a thin piece of material (such as paper, plastic or aluminium) which vibrates when it is struck by sound waves. In a typical hand- held mic like the one below, the diaphragm is located in the head of the microphone. Location of Microphone Diaphragm
When the diaphragm vibrates, it causes other components in the microphone to vibrate. These vibrations are converted into an electrical current which becomes the audio signal. Note: At the other end of the audio chain, the loudspeaker is also a transducer - it converts the electrical energy back into acoustical energy. Types of Microphone There are a number of different types of microphone in common use. The differences can be divided into two areas: (1) The type of conversion technology they use This refers to the technical method the mic uses to convert sound into electricity. The most common technologies are dynamic, condenser, ribbon and crystal. Each has advantages and disadvantages, and each is generally more suited to certain types of application. The following pages will provide details. (2) The type of application they are designed for Some mics are designed for general use and can be used effectively in many different situations. Others are very specialized and are only really useful for their intended purpose. Characteristics to look for include directional properties, frequency response and impedance (more on these later). Mic Level & Line Level The electrical current generated by a microphone is very small. Referred to as mic level, this signal is typically measured in millivolts. Before it can be used for anything serious the signal needs to be amplified, usually to line level (typically 0.5 -2V). Being a stronger and more robust signal, line level is the standard signal strength used by audio processing equipment and common domestic equipment such as CD players, tape machines, VCRs, etc. This amplification is achieved in one or more of the following ways: Some microphones have tiny built-in amplifiers which boost the signal to a high mic level or line level. The mic can be fed through a small boosting amplifier, often called a line amp. Sound mixers have small amplifiers in each channel. Attenuators can accommodate mics of varying levels and adjust them all to an even line level. The audio signal is fed to a power amplifier - a specialised amp which boosts the signal enough to be fed to loudspeakers.
Refrence:http://www.mediacollege.com/audio/microphones/how-microphones- work.html Types of microphones Liquid microphone Liquid microphones, invented by Alexander Graham Bell and Thomas Watson, were among the first working microphones to be developed, and they were a precursor to what would later become the condenser microphone. Early liquid microphones used a metal cup filled with water and sulfuric acid. A diaphragm was placed over the cup with a needle on the receiving side of the diaphragm. Sound waves would cause the needle to move in the water. A small electrical current ran to the needle, which was modulated by sound vibrations. The liquid microphone was never a particularly functional device, but it makes a great science experiment. Carbon microphone The oldest and simplest microphone uses carbon dust. This is the technology used in the first telephones and is still used in some telephones today. The carbon dust
has a thin metal or plastic diaphragm on one side. As sound waves hit the diaphragm, they compress the carbon dust, which changes its resistance. By running a current through the carbon, the changing resistance changes the amount of current that flows. Fiber optic microphone Fiber optic systems, which use super-thin strands of glass to transmit information instead of traditional metal wires, have been revolutionizing the field of telecommunications in recent years, including microphone technology. So what's the big deal? Unlike conventional mics, which are often big and send an electrical signal, fiber optic microphones can be extremely small, and they can be used in electrically sensitive environments. They can also be produced with no metal, which makes them very useful in magnetic resonance imaging applications and other situations where radio frequency interference is an issue. Dynamic microphones
A dynamic microphone takes advantage of electromagnet effects. When a magnet moves past a wire (or coil of wire), the magnet induces current to flow in the wire. In a dynamic microphone, the diaphragm moves either a magnet or a coil when sound waves hit the diaphragm, and the movement creates a small current. Electret microphone Electret microphones are among the most widely used microphones on Earth. Because they're cheap and relatively simple, electret mics are used in cell phones, computers and hands-free headsets. An electret microphone is a type of condenser microphone in which the external charge is replaced with an electret material, which by definition is in a permanent state of electric polarization. Ribbon microphones
In a ribbon microphone, a thin ribbon -- usually aluminum, duraluminum or nanofilm -- is suspended in a magnetic field. Sound waves move the ribbon, which changes the current flowing through it. Ribbon microphones are bidirectional meaning they pick up sounds from both sides of the mic. The RCA PB-31 was one of the first ribbon microphones. It was produced in 1931, and changed the audio and broadcasting industries because it set a new standard when it came to clarity. Several other microphone makers made comparable models, including the BBC-Marconi Type A and ST&C Coles 4038. Laser microphone A laser microphone works by capturing vibrations off of a plane, like a windowpane, for example, and transmitting the signal back to a photo detector, which converts the reflected laser beam into an audio signal. When sound hits the windowpane, it bends and causes the laser beam to bend, which can be translated to sound using a photocell. In recent years, scientists have been developing a new type of laser microphone that works by streaming smoke across a laser beam that's aimed at photocell, which is then converted to an audio signal. Carbon microphone
The oldest and simplest microphone uses carbon dust. This is the technology used in the first telephones, and is still used in some telephones today. The carbon dust has a thin metal or plastic diaphragm on one side. As sound waves hit the diaphragm, they compress the carbon dust, which changes its resistance. By running a current through the carbon, the changing resistance changes the amount of current that flows. Condenser microphones A condenser microphone is essentially a capacitor, with one plate of the capacitor moving in response to sound waves. The movement changes the capacitance of the capacitor, and these changes are amplified to create a measurable signal. Condenser microphones usually need a small battery to provide voltage across the capacitor. Crystal microphones
Certain crystals change their electrical properties as they change shape for one example of this phenomenon). By attaching a diaphragm to a crystal, the crystal will create a signal when sound waves hit the diaphragm. As you can see, just about every technology imaginable has been harnessed to convert sound waves, into electrical signals. The one thing most have in common is the diaphragm, which gathers the sound waves and creates movement in whatever technology is being used to create the signal. Reference:http://www.howstuffworks.com Polar patterns
A microphone's directionality or polar pattern indicates how sensitive it is to sounds arriving at different angles about its central axis. The polar patterns illustrated above represent the locus of points that produce the same signal level output in the microphone if a give sound pressure level (SPL) is generated from that point. How the physical body of the microphone is oriented relative to the diagrams depends on the microphone design. For large-membrane microphones such as in the Oktava (pictured above), the upward direction in the polar diagram is usually perpendicular to the microphone body, commonly known as "side fire" or "side address". For small diaphragm microphones such as the Shure (also pictured above), it usually extends from the axis of the microphone commonly known as "end fire" or "top/end address".

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Microphone essay

  • 1. Microphones A microphone (colloquially called a mic or mike; both pronounced / ma k 肘 /) is an acoustic-to-electric transducer or sensor that converts sound into an electrical signal. Microphones are used in many applications such as telephones, tape recorders, karaoke systems, hearing aids, motion picture production, live and recorded audio engineering, FRS radios, megaphones, in radio and television broadcasting and in computers for recording voice, speech recognition, VoIP, and for non-acoustic purposes such as ultrasonic checking or knock sensors. Most microphones today use electromagnetic induction (dynamic microphone), capacitance change (condenser microphone), piezoelectric generation, or light modulation to produce an electrical voltage signal from mechanical vibration The history of microphones to modern development Invention In order to speak to larger groups of people, there was a desire to increase the volume of the spoken word. The earliest known device to achieve this dates to 600 BC with the invention of masks with specially designed mouth openings that acoustically augmented the voice in amphitheatres. In 1665, the English physicist Robert Hooke was the first to experiment with a medium other than air with the invention of the "lovers' telephone" made of stretched wire with a cup attached at each end. In 1874, Ernst von Siemens described the "dynamic" or "moving-coil" transducer, though the first result of this invention was not the microphone, but its adaptation in 1920 to make a loudspeaker. During the mid-19th century a number of inventors came up with devices that led to the invention of the first practical electrical telephone patented by Alexander Graham Bell in 1876. Inventors Emile Berliner and Thomas Edison were inspired to improve this and both went on to design and build the first carbon microphone (then called transmitter) in mid-1877, within a month of each other. After a long legal dispute, Edison was awarded the patent. Modern development
  • 2. Jack Brown interviews Humphrey Bogart and Lauren Bacall for broadcast to troops overseas during World War II. Edison continued to refine the carbon microphone, which was employed at the first ever radio broadcast, a performance at the New York Metropolitan Opera House in 1910.[7] In 1916, C. Wente of Bell Labs developed the next breakthrough with the first condenser microphone. In 1923 the first practical moving coil microphone was built. "The Marconi Skykes" or "magnetophon", developed by Captain H. J. Round, was the standard for BBC studios in London. This was improved in 1930 by Blumlein and Holman who released the HB1A and was the best standard of the day. In the same year, the ribbon microphone was introduced, another electromagnetic type, believed to have been developed by Harry F. Olson, who essentially reverse-engineered a ribbon speaker. Over the years these microphones were developed by several companies, most notably RCA that made large advancements in pattern control, to give the microphone directionality. With television and film technology booming there was demand for high fidelity microphones and greater directionality. Electro-Voice responded with their Academy Award-winning shotgun microphone in 1963. During the second half of 20th century development advanced quickly with the Shure Brothers bringing out the SM58 and SM57. Digital was pioneered by Milab in 1999 with the DM-1001.The latest research developments include the use of fibre optics, lasers and interferometers. Reference : https://en.wikipedia.org/wiki/Microphone How it works Microphones are a type of transducer - a device which converts energy from one form to another. Microphones convert acoustical energy (sound waves) into electrical energy (the audio signal). Different types of microphone have different ways of converting energy but they all share one thing in common: The diaphragm. This is a thin piece of material (such as paper, plastic or aluminium) which vibrates when it is struck by sound waves. In a typical hand- held mic like the one below, the diaphragm is located in the head of the microphone. Location of Microphone Diaphragm
  • 3. When the diaphragm vibrates, it causes other components in the microphone to vibrate. These vibrations are converted into an electrical current which becomes the audio signal. Note: At the other end of the audio chain, the loudspeaker is also a transducer - it converts the electrical energy back into acoustical energy. Types of Microphone There are a number of different types of microphone in common use. The differences can be divided into two areas: (1) The type of conversion technology they use This refers to the technical method the mic uses to convert sound into electricity. The most common technologies are dynamic, condenser, ribbon and crystal. Each has advantages and disadvantages, and each is generally more suited to certain types of application. The following pages will provide details. (2) The type of application they are designed for Some mics are designed for general use and can be used effectively in many different situations. Others are very specialized and are only really useful for their intended purpose. Characteristics to look for include directional properties, frequency response and impedance (more on these later). Mic Level & Line Level The electrical current generated by a microphone is very small. Referred to as mic level, this signal is typically measured in millivolts. Before it can be used for anything serious the signal needs to be amplified, usually to line level (typically 0.5 -2V). Being a stronger and more robust signal, line level is the standard signal strength used by audio processing equipment and common domestic equipment such as CD players, tape machines, VCRs, etc. This amplification is achieved in one or more of the following ways: Some microphones have tiny built-in amplifiers which boost the signal to a high mic level or line level. The mic can be fed through a small boosting amplifier, often called a line amp. Sound mixers have small amplifiers in each channel. Attenuators can accommodate mics of varying levels and adjust them all to an even line level. The audio signal is fed to a power amplifier - a specialised amp which boosts the signal enough to be fed to loudspeakers.
  • 4. Refrence:http://www.mediacollege.com/audio/microphones/how-microphones- work.html Types of microphones Liquid microphone Liquid microphones, invented by Alexander Graham Bell and Thomas Watson, were among the first working microphones to be developed, and they were a precursor to what would later become the condenser microphone. Early liquid microphones used a metal cup filled with water and sulfuric acid. A diaphragm was placed over the cup with a needle on the receiving side of the diaphragm. Sound waves would cause the needle to move in the water. A small electrical current ran to the needle, which was modulated by sound vibrations. The liquid microphone was never a particularly functional device, but it makes a great science experiment. Carbon microphone The oldest and simplest microphone uses carbon dust. This is the technology used in the first telephones and is still used in some telephones today. The carbon dust
  • 5. has a thin metal or plastic diaphragm on one side. As sound waves hit the diaphragm, they compress the carbon dust, which changes its resistance. By running a current through the carbon, the changing resistance changes the amount of current that flows. Fiber optic microphone Fiber optic systems, which use super-thin strands of glass to transmit information instead of traditional metal wires, have been revolutionizing the field of telecommunications in recent years, including microphone technology. So what's the big deal? Unlike conventional mics, which are often big and send an electrical signal, fiber optic microphones can be extremely small, and they can be used in electrically sensitive environments. They can also be produced with no metal, which makes them very useful in magnetic resonance imaging applications and other situations where radio frequency interference is an issue. Dynamic microphones
  • 6. A dynamic microphone takes advantage of electromagnet effects. When a magnet moves past a wire (or coil of wire), the magnet induces current to flow in the wire. In a dynamic microphone, the diaphragm moves either a magnet or a coil when sound waves hit the diaphragm, and the movement creates a small current. Electret microphone Electret microphones are among the most widely used microphones on Earth. Because they're cheap and relatively simple, electret mics are used in cell phones, computers and hands-free headsets. An electret microphone is a type of condenser microphone in which the external charge is replaced with an electret material, which by definition is in a permanent state of electric polarization. Ribbon microphones
  • 7. In a ribbon microphone, a thin ribbon -- usually aluminum, duraluminum or nanofilm -- is suspended in a magnetic field. Sound waves move the ribbon, which changes the current flowing through it. Ribbon microphones are bidirectional meaning they pick up sounds from both sides of the mic. The RCA PB-31 was one of the first ribbon microphones. It was produced in 1931, and changed the audio and broadcasting industries because it set a new standard when it came to clarity. Several other microphone makers made comparable models, including the BBC-Marconi Type A and ST&C Coles 4038. Laser microphone A laser microphone works by capturing vibrations off of a plane, like a windowpane, for example, and transmitting the signal back to a photo detector, which converts the reflected laser beam into an audio signal. When sound hits the windowpane, it bends and causes the laser beam to bend, which can be translated to sound using a photocell. In recent years, scientists have been developing a new type of laser microphone that works by streaming smoke across a laser beam that's aimed at photocell, which is then converted to an audio signal. Carbon microphone
  • 8. The oldest and simplest microphone uses carbon dust. This is the technology used in the first telephones, and is still used in some telephones today. The carbon dust has a thin metal or plastic diaphragm on one side. As sound waves hit the diaphragm, they compress the carbon dust, which changes its resistance. By running a current through the carbon, the changing resistance changes the amount of current that flows. Condenser microphones A condenser microphone is essentially a capacitor, with one plate of the capacitor moving in response to sound waves. The movement changes the capacitance of the capacitor, and these changes are amplified to create a measurable signal. Condenser microphones usually need a small battery to provide voltage across the capacitor. Crystal microphones
  • 9. Certain crystals change their electrical properties as they change shape for one example of this phenomenon). By attaching a diaphragm to a crystal, the crystal will create a signal when sound waves hit the diaphragm. As you can see, just about every technology imaginable has been harnessed to convert sound waves, into electrical signals. The one thing most have in common is the diaphragm, which gathers the sound waves and creates movement in whatever technology is being used to create the signal. Reference:http://www.howstuffworks.com Polar patterns
  • 10. A microphone's directionality or polar pattern indicates how sensitive it is to sounds arriving at different angles about its central axis. The polar patterns illustrated above represent the locus of points that produce the same signal level output in the microphone if a give sound pressure level (SPL) is generated from that point. How the physical body of the microphone is oriented relative to the diagrams depends on the microphone design. For large-membrane microphones such as in the Oktava (pictured above), the upward direction in the polar diagram is usually perpendicular to the microphone body, commonly known as "side fire" or "side address". For small diaphragm microphones such as the Shure (also pictured above), it usually extends from the axis of the microphone commonly known as "end fire" or "top/end address".