The document describes 5 murals located in different areas of Malaysia. It provides background information on the artists and concepts behind each mural. The murals use visual imagery and symbolic representations to communicate various messages to viewers about community, politics, and social issues. Each mural section analyzes the artwork in terms of effective public communication concepts.
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1. E F F E C T I V E
P U B L I C
C O M M U N I C A T I O N
KIING KIU CHUN | LAU CHIN SHENG |
CLAUDWIE TAN | QILA HUSIN | SHAM
ZHEN WEN | KHAIRUL JEFRI
F C O M 0 1 0 2
2. A N A L Y S I N G
3
M U R A L
P A I N T I N G S
3. K A M P U N G K U
b y
E A R N E S T
Z A C H A R E V I C
J A L A N G E R E J A
4. A R T I S T & H I S B A C K G R O U N D
E R N E S T Z A C H A R E V I C
27 years old.
Born in Europe.
Well-known for transforming the
streets of Penang with his series of
interactive murals.
5. A B O U T T H E M U R A L P A I N T I N G
Massive 21m x 25m mural spanning over six storeys high of Wisma
Allianz.
Completed in two weeks time (3rd April 16th April)
Especially commissioned by Allianz General Insurance Company to
reach out the rural community via its new catching phrase
"kampungku.
Ernest went all the way to the rural area of Sarawak to look for
inspiration for this mural.
A symbol to remind people of home.
6. E F F E C T I V E P U B L I C
C O M M U N I C A T I O N C O N C E P T S
1. N O N V E R B A L C O M M U N I C A T I O N
Sleepy face of the kid and the sleeping cat shows
the coziness in the village.
7. 2. P A S S I V E P E R C E P T I O N
Peaceful village Flood
8. 3. I N T E R C U L T U R A L C O M M U N I C A T I O N
Mural portraying a Malay village scene drawn by an
European Artist
9. 4. C O N N O T A T I V E M E A N I N G
Kampung reminds them
about their hometown.
K A M P U N G =
H O M E T O W N
In Google Translate,
For Malaysians,
11. V A C U U M
b y
M U H A M M A D
I Q B A L
R I D Z U A N
L A M A N S E N I 7
S H A H A L A M
12. M U H A M M A D I Q B A L R I D Z U A N
A R T I S T & H I S B A C K G R O U N D
Contestant of an urban art
competition held by KHZNH
Studio and Shah Alam City
Council (MBSA) at Seksyen
7.
Currently still a student.
Often post his illustrations
on his Facebook account.
13. Drawn on 16th May 2014.
Message behind its name Vacuum:
Dont be sucked in by the hollow pretentious physical values of
life.
A part of transforming the back alley of Shah Alam Seksyen 7 which
used to be dark street to an open space that adds liveliness to the
community.
A B O U T T H E M U R A L P A I N T I N G
14. E F F E C T I V E P U B L I C
C O M M U N I C A T I O N C O N C E P T S
1. N O N V E R B A L C O M M U N I C A T I O N
Body of the
individual is
elevated
Basic
emotion of
being
shocked and
surprised
15. 2. I N T E R P R E T A T I O N
( P E R C E P T I O N P R O C E S S )
INTERPRETS
TITLE
VACUUM
MEANING
PORTRAYED
IN MURAL
RELATION-
SHIP
BETWEEN
16. 3. F E E D B A C K
FEEDBACKS ARE MOSTLY POSITIVE FROM SOCIAL MEDIA
17. 4. F I R S T I M P R E S S I O N
While observing the mural, you will initially feel scared
seeing the little boy being sucked into the huge black hole.
18. 4. P A S S I V E P E R C E P T I O N
IF YOU
CONTINUE TO
OBSERVE THE
MURAL
BECOME
AWARE
THROUGH
SENSES
FEEL AS IF
YOU ARE
GOING TO
BE SUCKED
INTO THE
HOLE
AND
19. M A L A Y A H E R O
b y
A B S T R A X
J I N G G A
F A D H I | M E D E A
K L A N G R I V E R
20. A B S T R A X J I N G G A
A street art group formed in 2008.
Founded by:
a) Mohammad Fahmi Fadhi (32), a graphic artist
b) A street artist who wants to be identified as Medea
ABSTRAX JINGGA aim to convey stories, create relationships,
aspire and inspire the younger generation through
representation of their creative art.
A R T I S T S & T H E I R B A C K G R O U N D
21. A B O U T T H E M U R A L P A I N T I N G
10 meter long.
Painted in October 2012.
Completed in one week.
A portrait of two arch-rival politicians in Malaysia; Tun Dr.
Mahathir Mohamad and Nik Abdul Aziz, to honor both of
them.
A symbol to remind both politicians
contribution to the country.
Inspired by Barrack Obamas Hope
graphics during the 2008 United State
Presidential Elections.
22. 1. N O N V E R B A L C O M M U N I C A T I O N
E F F E C T I V E P U B L I C
C O M M U N I C A T I O N C O N C E P T S
23. 2. P A S S I V E P E R C E P T I O N
V A N D A L I S M
N O T
R E S P E C T I N G
P O L I T I C I A N
24. 3. F E E D B A C K
P O S I T I V E
F E E D B A C K
N E G A T I V E
F E E D B A C K
25. 4. S E L E C T I V E A T T E N T I O N
VS
SUPPORTER OF PAS SUPPORTER OF BN
26. 5. S P A C E
SPACE showing the arch-rival relationship between both leaders
27. R A P I D K L 3 D M U R A L
b y H A Z E L O N G & F R I E N D S
M A S J I D J A M E K L R T S T A T I O N
28. T H E A R T I S T S
CHAN YI HAN (CONCEPT & PRODUCTION) | ANGEL NG (3D ARTIST) | HAZE LONG
(3D ARTIST) | MICHELLE YEOH (3D ARTIST) | ANOKAYER (3D Artist)
FROM LEFT TO
RIGHT:
29. A B O U T T H E M U R A L P A I N T I N G
Features a combination of props and realistic painting to give an
illusion of realism.
Utilizes more than 4 viewpoints for the 3D effect.
The first panel starts with a
futuristic scene.
30. The scene then leads the viewer into an underwater sequence.
31. The underground water station brings the traveller back into a
forest city. And the last panel ends the series with a
prehistoric dinosaur rampaging into the train.
32. E F F E C T I V E P U B L I C
C O M M U N I C A T I O N C O N C E P T S
1. N O N V E R B A L C O M M U N I C A T I O N
33. 2. F E E D B A C K
FEEDBACKS ARE MOSTLY POSITIVE FROM SOCIAL MEDIA
34. 3. F I R S T I M P R E S S I O N
Peaceful and happy scene A dinosaur attacking the LRT
35. 4. P A S S I V E P E R C E P T I O N
Some 3D props such as the red seat and railings, are able to blend
in well with the realistic mural painting.
36. 5. S P A C E
The girl holding a tablet
is standing two seats
next to the robot.
In an empty LRT, you
wont normally go to sit
beside of a stranger.