Music of the 20th Century - Neo classicism
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This document provides information about 20th century composers Sergei Prokofieff and Francis Poulenc. It describes Prokofieff as a neo-classical, nationalist, and avant-garde composer known for his progressive technique, pulsating rhythms, and melodic directness. Prokofieff was born in Ukraine in 1891 and studied at the St. Petersburg Conservatory, though his early works were criticized. The document also provides brief biographical information about Poulenc and lists some of his major works, describing his style as having a "coolly elegant modernity, tempered by a classical sense of proportion."
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20th Century music era (1900-Present). By the end of the Romantic period, classical music had reached something of a turning point. Composers began to reject these traditions in different ways in the 20th Century, creating a broad range of totally new and often radical music. As a result, there is no recognizable unified sound to the music of this period, and it is, in general, much more stylistically divergent than the preceding eras of Western art music.
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20th century music saw dramatic innovations in musical styles and forms enabled by new recording and distribution technologies. Key styles that emerged included impressionism, expressionism, neo-classicism, avant-garde music, and modern nationalism. Neo-classicism drew inspiration from 18th century classical music, combining tonal harmonies with some dissonance. It aimed to find a balance between romanticism and expressionism. Avant-garde music, like serialism, sought to break traditional boundaries and structures through experimental techniques including electronic music. Modern nationalism incorporated folk melodies, rhythms and harmonies to combine modern techniques with patriotic musical traditions.Filipino - ppt reporting--bagay ni San diego
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20th century music saw dramatic innovations in musical styles and forms enabled by new recording and distribution technologies. Key styles that emerged included impressionism, expressionism, neo-classicism, avant-garde music, and modern nationalism. Neo-classicism drew inspiration from 18th century classical music, combining tonal harmonies with some dissonance. Avant-garde music like serialism sought to break boundaries and innovate, exemplified by composers like John Cage. Modern nationalism incorporated folk melodies and motifs to combine modern techniques with patriotic themes, as seen in the works of Bartok, Prokofiev, and Russian composers.
musichstryrmntcprd-161016191042.pptx
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The document discusses the Romantic period in music history from 1820-1910. Some key aspects include composers expressing their passion and imagination through program music like Berlioz's Symphonie Fantastique, and incorporating national folk styles. Romantic music also saw the rise of short piano pieces that conveyed emotion through forms like ballades and nocturnes. As concert halls became more common, instrumental music reached a wider audience during this period. In general, Romantic music aimed to portray literature, history, emotions, and nature through various musical compositions.musicofthe20thcentury-180729202354(1).pdf
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The document discusses various musical styles that emerged in the 20th century in response to a shift away from classical conventions. These included Impressionism, Expressionism, Neo-Classicism, Avant-Grade music, and Modern Nationalism. Impressionism was influenced by art and used non-traditional harmonies. Claude Debussy was a major exponent. Expressionism used extreme emotions and lacked stable harmonies. Arnold Schoenberg was influential. Neo-Classicism partially returned to classical forms. Sergei Prokofiev combined elements. Avant-grade music abandoned traditional rules. Important figures included George Gershwin and Leonard Bernstein. Modern Nationalism combined modern techniques with folk music, seen in B辿music of the 20thcentury..pptx
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The document provides an overview of different musical styles that emerged in the 20th century in response to a shift away from classical conventions. It discusses impressionism, expressionism, neo-classicism, primitivism, avant-garde music, modern nationalism, and electronic music. Key composers and their innovations are mentioned, including Debussy, Ravel, Schoenberg, Stravinsky, Bartok, Prokofieff, Poulenc, Gershwin, Bernstein, Glass, Varese, and Stockhausen. The styles reflected new approaches to harmony, rhythm, form, and the incorporation of modern techniques and folk traditions.Recently uploaded (20)
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Music of the 20th Century - Neo classicism
- 1. Compiled by: ERIC P. INDIE, Carmen National High School
- 2. Learning Competencies Listens perceptively to selected 20th century music. Describes distinctive musical elements of given pieces in 20th century styles. Relates 20th century music to its historical and cultural background.
- 3. Excerpts from the Romeo and Juliet & War and Peace
- 4. Neo Classicism defines is a trend in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint. neoclassicism was a reaction against the unrestrained emotionalism and perceived formlessness of late romanticism, as well as a "call to order" after the experimental ferment of the first two decades of the twentieth century
- 5. He is regarded today as a combination of neo-classicist, nationalist, and avant garde composer His style is uniquely recognizable for its progressive technique, pulsating rhythms, melodic directness, and a resolving dissonance Born in the Ukraine in 1891, Prokofieff set out for the St. Petersburg Conservatory equipped with his great talent as a composer and pianist. His early compositions were branded as avant garde and were not approved of by his elders, he continued to followhis stylistic path as he fled to other places for hopefully better acceptance of his creativity SERGEI PROKOFIEFF (18911953)
- 8. WORKS AND CHARACTERISTICS MASTERPIECES His compositions had a coolly elegant modernity, tempered by a classical sense of proportion. He was a successful composer for piano, voice, and choral music His output included the harpsichord concerto, known as Concert Champetre (1928); the Concerto for Two Pianos (1932), which combined the classical touches of Mozart with a refreshing mixture of wit and exoticism in the style of Ravel; and a Concerto for solo Piano(1949) written for the Boston Symphony Orchestra.
- 10. Who was the targets of Prokofieff Peter and Wolf compositions?