Music videos aim to promote artists and their songs. They use conventions like actors, settings, costumes, and product placement that are targeted towards the artist's audience. Product placement features brands the target audience would be interested in purchasing. Music videos also represent the target audience and may include political or social messages important to the artist. They showcase the artist visually and can include storylines, live performances, or special effects. In some cases, music videos promote movies by featuring clips when a song is included in the film's soundtrack.
The document discusses the aims and objectives of music videos and album promotion. It provides examples of several music videos, including their narratives, visual elements, and how they promote the artist's brand and target audience. It also discusses how album covers and magazine advertisements aim to attract listeners by representing the artist's music genre and drawing connections between the visual content of each promotional medium.
The document analyzes several album covers from electronic rock bands such as Awolnation, Pendulum, The Rapture, How to Destroy Angels, and The Prodigy. It discusses common conventions across the covers including dark color palettes that fit the genre, lack of band images, use of effects and editing, prominence of band names, and subtle references to technology. The covers generally aim to attract younger audiences through modern, plain but futuristic designs while representing the bands' unique sounds and themes.
The document discusses various album covers for indie rock artists and analyzes design elements and stylistic choices that indicate the genre. Common elements highlighted include:
1) Artists are often not featured prominently or at all on covers, instead focusing on artistic imagery.
2) Covers frequently use desaturated black and white tones or soft color palettes that connote the genre's retro influences and emotional sound.
3) Quirky borders and close-up shots of artists help identify them and suggest an alternative style.
The digipak design for One Republic's 2013 album "Native" represents each band member with a different animal. The animals are positioned similarly to Queen's album cover, reinforcing the band's pop rock genre. Earth tones and tribal fonts/symbols on the front, back, and CD maintain a native theme. This unconventional design emphasizes the band's music over their images and shows their differences while appealing to mainstream audiences ages 15 and up.
The summary analyzes the CD album cover for Rihanna's "LOUD" album. It notes that the title is written in Arial font across the bottom of the white album cover. This draws the focus to the main image of Rihanna with red hair and lipstick, symbolizing strong emotions that relate to the album title. The close-up shot emphasizes her femininity and allure. The use of red connotes the passionate, sensual nature of the R&B/soul music on the album based on tracks like "S&M" and "California King Bed". The cover appeals to both men drawn to its sexuality and teenage girls who may idolize Rihanna.
The document analyzes several album covers and discusses common techniques used. Most covers have clear and simple designs with a connection between the album name and pack-shot. The artist or group name is prominently displayed on the front cover with limited use of colors. The pack-shot typically relates in some way to the artist or group.
Toro y Moi is an American recording artist known for chillwave music. His 2010 debut album Causer of This uses layered, transparent images of beaches and oceans on the digipak design to reflect the calm, atmospheric style of chillwave. The front cover features overlapping ocean images with a green tint, while the back cover has a darker ocean photo and minimal text listing the tracks. Though simple, the design draws on conventions of the chillwave genre to represent Toro y Moi's downtempo music and target an audience that may appreciate atmospheric indie styles.
The CD cover represents Eminem's journey to recovery from drug addiction through the image of him walking down a lonely road. Medical symbols like the red cross also reference his recovery. The title and artist's name stand out clearly against the plain background for visibility on store shelves.
Advertisement and Album Cover Annotation Exampleslpgsmedia
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This document provides instructions for an assignment analyzing conventions of music CD covers and advertisements. Students are asked to find examples of conventional CD covers and advertisements, one each for a solo artist and band. They should annotate the examples, identifying conventions and explaining how they relate to the artist's persona and target audience. Examples are provided of conventions like the artist's image, song lists, and design elements that appeal to different genres and audiences.
The document analyzes several album covers and a concert poster. It discusses how the visual design elements of each cover - including the background, imagery, typography, color schemes, and composition - relate to the musical artists and genres. Key themes addressed across the covers include power, calmness, edginess, and representing the artists' brands and styles of music. The poster is also analyzed for how its imagery, fonts, and included information promote the musical act in a genre-appropriate way.
The album artwork shows the artist provocatively dressed on a beach towel, giving off a "california vibe" to match the album title. Her bold hair color and the artwork's summery feel suggest carefree music for relaxed listeners. The imagery aims to highlight the type of people who would enjoy the music.
The title "Teenage Dream" indicates youthful songs to appeal to a young audience. A collaboration with Snoop Dogg aims to introduce new elements and fans from different genres. The single "California Girls" ties in with the carefree, provocative imagery often associated with Californians. The record label selects popular artists, so being signed is a positive sign for the music.
The document discusses album covers for Adele's "21", Ne-Yo's "Year of the Gentleman", and Susan Boyle's "I Dreamed a Dream". The Adele cover features a simple black and white image showing her natural beauty. The Ne-Yo cover uses colors to create a palette and shows him in a suit. The Susan Boyle cover title represents her dream to succeed in music and features her transformed glamorous image.
This document summarizes and analyzes the album covers of three different albums:
1) AC/DC's "Black Ice" album cover uses red and black colors and imagery of deteriorating metal to represent the rock genre.
2) Nelly's "Sweatsuit" album cover depicts the artist in a prison-like setting using dull colors to make the audience feel sympathetic and suggest the required hard work.
3) Justin Timberlake's "Suit & Tie" album cover simply shows the upper half of a black, white, and red suit to represent the high-class impression of the R&B album and appeal to its target audience of ages 15-30.
The album cover for Pendulum - in Silico features a small title to focus attention on the circular maze-like artwork, which relates to the sci-fi style music. The Linkin Park - Minutes to Midnight cover uses minimal greyscale images and silhouettes to convey a dark feeling. Pendulum - Immersion depicts band members reaching towards figures amid neon-lit ocean life, relating to their electronic style.
The album cover features a photo of John Legend sitting at a piano on an urban street, gazing to the side as he plays. The piano is the central motif, appearing on both the front and back covers against a backdrop of the city. Black is the dominant color, providing contrast for the white and gold text listing the artist, album and track details. The cover conveys that the music will feature the piano and fit John Legend's soul/R&B style, without explicitly stating the genre.
The album cover for The Clash's "London Calling" shows bassist Paul Simonon in mid-smash of his bass guitar on stage, capturing the passion and anger of punk rock. The black and white photo emphasizes Simonon and references the album cover of Elvis Presley's debut. Michael Jackson's "Dangerous" cover features only his eyes and strange scenes that represent the madness of fame. Lupe Fiasco's "Food & Liquor" depicts him floating with urban props, signifying his dominance in the rap/R&B genre. Kanye West's "The College Dropout" cover subverts rap album conventions by depicting West as a teddy bear mascot, reflecting his decision to drop out
The back cover of the album continues the color scheme and imagery from the front cover. The main image from the front is split down the middle, with the track list in between. This draws attention to the list of songs. The plain white background helps the black text for the track list stand out as the focal point. Information on the spine matches the front cover for easy identification when stacked. The consistent style and colors tie the front and back covers cohesively together.
1) The album cover for One Republic's 2013 album "Native" features five animals representing each band member against a backdrop of dawn sky.
2) It was designed this way to showcase each member's individuality while embracing their differences as a unique band.
3) Elements like tribal fonts, earth tones, and references to Queen album art reinforce the "native" theme and the band's pop rock genre.
The album art and poster for the band's 2007 album "Riot!" featured a consistent orange hand-scratched font for the album name that became a trademark visual element. The album cover showed the band from above against a white background, while the poster lacked the busy background to draw more attention to the band image. Both the album and poster emphasized the band members and album name through visual elements and font choices to clearly link the two promotional items and center attention on the band.
This document analyzes and summarizes the cover art and themes of several pop albums. It discusses how the covers represent the female artists and their music. Elements like fonts, poses, clothing, and background colors are examined and related to the album's title, theme, and portrayal of gender. The document also explores the covers of albums by Jason Derulo and Lady Gaga, noting design elements and how they relate to the artist's image and music.
The document provides details about the band Dinner and Suit, including their background, formation, and the meaning behind their name. It then discusses why the song "Enough" was chosen for a music video, including that it has emotional lyrics and a slow pace. The document outlines initial ideas for shots, locations, props, costumes, and casting for the music video. It aims to tell a story of a breakup through flashbacks while also including performances of the band.
This document summarizes and analyzes the album covers of three different albums: Gym Class Heroes' "The Papercut Chronicles 2", Kesha's "Animal", and LMFAO's "Sorry For Party Rocking". For each album cover, the document examines the color schemes, fonts, images, and other design elements used and how they relate to the theme or message of the album. Key details like symbolism in the images and connectivity of elements to the album titles are discussed. The document provides an in-depth visual analysis of how colors, fonts, and imagery are purposefully applied on the covers to attract audiences and represent the music.
Textual analysis - Album Covers and AdvertsJack Lawther
Ìý
The document analyzes and summarizes the key elements and design choices in several album covers and advertisements. It discusses how elements like fonts, images, colors and text are used to represent the artist, album themes, and target genres. Design choices aim to attract intended audiences and establish brands, while communicating essential details like release dates. Overall, the document examines how visual design conveys important information about the music to potential listeners.
The document provides examples of album artwork from various vinyl and CD releases. It summarizes the key elements and themes represented in the artwork for albums by U2, John Lennon, The Beatles, Sky Sailing, Kings of Leon, Franz Ferdinand, and The Script. Common aspects discussed include the use of photography, themes, fonts, color schemes, and layouts that tie the different elements of the artwork together and represent the music and band in an appealing way to audiences.
This document provides information about the electro-pop/electro house genre of music. It discusses the history and development of electronic music starting in the 1970s with the invention of the Moog synthesizer. It then outlines some of the most popular artists in the genre, including Kraftwerk, Afrika Bambaataa, Madonna, David Guetta, Kesha, Gym Class Heroes, and LMFAO. The document also describes how electro-pop music is produced using electronic devices like synthesizers, drum machines, and software. It provides an example of the electro-pop artist Kesha and one of her most popular songs "Tik Tok".
This document provides ideas and plans for promoting a music album and music video. It discusses ideas for the album cover, CD, DVD, and music video. The album cover would be simplistic with a black and white color scheme. The music video would tell a narrative story and include shots of the band performing, following a theme of anger after a breakup. It also outlines plans for costumes, locations, and target audience. The promotional package would be cohesive across formats to effectively promote the artist and album.
The document summarizes research on the album covers of three popular albums from 2012-2013: fun.'s "Some Nights", Bruno Mars' "Doo-Wops and Hooligans", and Adele's "21". It analyzes the visual design elements, color schemes, photos, and typography used on the front and back covers of each album's digipack and how they relate to the mood and themes of the music.
The document discusses conventions for album covers, back covers, inside covers, and magazine advertisements across different music genres. It notes that album covers often feature the artist and relate to the genre's imagery. Back and inside covers usually list the tracklist and credits. Magazine ads prominently display the artist, album, release date, and where to buy the album. Overall, conventions provide recognition of the product while allowing room for uniqueness.
The front cover shows the band onstage with the crowd in the background to convey the live album concept. The band name is displayed prominently. The inside sleeve features a photo of lead singer Joey Ramone, known for his style and stage presence. The basic disc artwork lacks embellishment to emphasize the raw live sound. Track listings on the back cover are not in a typical popular-to-less popular order, showing the band's appreciation for all their songs.
Advertisement and Album Cover Annotation Exampleslpgsmedia
Ìý
This document provides instructions for an assignment analyzing conventions of music CD covers and advertisements. Students are asked to find examples of conventional CD covers and advertisements, one each for a solo artist and band. They should annotate the examples, identifying conventions and explaining how they relate to the artist's persona and target audience. Examples are provided of conventions like the artist's image, song lists, and design elements that appeal to different genres and audiences.
The document analyzes several album covers and a concert poster. It discusses how the visual design elements of each cover - including the background, imagery, typography, color schemes, and composition - relate to the musical artists and genres. Key themes addressed across the covers include power, calmness, edginess, and representing the artists' brands and styles of music. The poster is also analyzed for how its imagery, fonts, and included information promote the musical act in a genre-appropriate way.
The album artwork shows the artist provocatively dressed on a beach towel, giving off a "california vibe" to match the album title. Her bold hair color and the artwork's summery feel suggest carefree music for relaxed listeners. The imagery aims to highlight the type of people who would enjoy the music.
The title "Teenage Dream" indicates youthful songs to appeal to a young audience. A collaboration with Snoop Dogg aims to introduce new elements and fans from different genres. The single "California Girls" ties in with the carefree, provocative imagery often associated with Californians. The record label selects popular artists, so being signed is a positive sign for the music.
The document discusses album covers for Adele's "21", Ne-Yo's "Year of the Gentleman", and Susan Boyle's "I Dreamed a Dream". The Adele cover features a simple black and white image showing her natural beauty. The Ne-Yo cover uses colors to create a palette and shows him in a suit. The Susan Boyle cover title represents her dream to succeed in music and features her transformed glamorous image.
This document summarizes and analyzes the album covers of three different albums:
1) AC/DC's "Black Ice" album cover uses red and black colors and imagery of deteriorating metal to represent the rock genre.
2) Nelly's "Sweatsuit" album cover depicts the artist in a prison-like setting using dull colors to make the audience feel sympathetic and suggest the required hard work.
3) Justin Timberlake's "Suit & Tie" album cover simply shows the upper half of a black, white, and red suit to represent the high-class impression of the R&B album and appeal to its target audience of ages 15-30.
The album cover for Pendulum - in Silico features a small title to focus attention on the circular maze-like artwork, which relates to the sci-fi style music. The Linkin Park - Minutes to Midnight cover uses minimal greyscale images and silhouettes to convey a dark feeling. Pendulum - Immersion depicts band members reaching towards figures amid neon-lit ocean life, relating to their electronic style.
The album cover features a photo of John Legend sitting at a piano on an urban street, gazing to the side as he plays. The piano is the central motif, appearing on both the front and back covers against a backdrop of the city. Black is the dominant color, providing contrast for the white and gold text listing the artist, album and track details. The cover conveys that the music will feature the piano and fit John Legend's soul/R&B style, without explicitly stating the genre.
The album cover for The Clash's "London Calling" shows bassist Paul Simonon in mid-smash of his bass guitar on stage, capturing the passion and anger of punk rock. The black and white photo emphasizes Simonon and references the album cover of Elvis Presley's debut. Michael Jackson's "Dangerous" cover features only his eyes and strange scenes that represent the madness of fame. Lupe Fiasco's "Food & Liquor" depicts him floating with urban props, signifying his dominance in the rap/R&B genre. Kanye West's "The College Dropout" cover subverts rap album conventions by depicting West as a teddy bear mascot, reflecting his decision to drop out
The back cover of the album continues the color scheme and imagery from the front cover. The main image from the front is split down the middle, with the track list in between. This draws attention to the list of songs. The plain white background helps the black text for the track list stand out as the focal point. Information on the spine matches the front cover for easy identification when stacked. The consistent style and colors tie the front and back covers cohesively together.
1) The album cover for One Republic's 2013 album "Native" features five animals representing each band member against a backdrop of dawn sky.
2) It was designed this way to showcase each member's individuality while embracing their differences as a unique band.
3) Elements like tribal fonts, earth tones, and references to Queen album art reinforce the "native" theme and the band's pop rock genre.
The album art and poster for the band's 2007 album "Riot!" featured a consistent orange hand-scratched font for the album name that became a trademark visual element. The album cover showed the band from above against a white background, while the poster lacked the busy background to draw more attention to the band image. Both the album and poster emphasized the band members and album name through visual elements and font choices to clearly link the two promotional items and center attention on the band.
This document analyzes and summarizes the cover art and themes of several pop albums. It discusses how the covers represent the female artists and their music. Elements like fonts, poses, clothing, and background colors are examined and related to the album's title, theme, and portrayal of gender. The document also explores the covers of albums by Jason Derulo and Lady Gaga, noting design elements and how they relate to the artist's image and music.
The document provides details about the band Dinner and Suit, including their background, formation, and the meaning behind their name. It then discusses why the song "Enough" was chosen for a music video, including that it has emotional lyrics and a slow pace. The document outlines initial ideas for shots, locations, props, costumes, and casting for the music video. It aims to tell a story of a breakup through flashbacks while also including performances of the band.
This document summarizes and analyzes the album covers of three different albums: Gym Class Heroes' "The Papercut Chronicles 2", Kesha's "Animal", and LMFAO's "Sorry For Party Rocking". For each album cover, the document examines the color schemes, fonts, images, and other design elements used and how they relate to the theme or message of the album. Key details like symbolism in the images and connectivity of elements to the album titles are discussed. The document provides an in-depth visual analysis of how colors, fonts, and imagery are purposefully applied on the covers to attract audiences and represent the music.
Textual analysis - Album Covers and AdvertsJack Lawther
Ìý
The document analyzes and summarizes the key elements and design choices in several album covers and advertisements. It discusses how elements like fonts, images, colors and text are used to represent the artist, album themes, and target genres. Design choices aim to attract intended audiences and establish brands, while communicating essential details like release dates. Overall, the document examines how visual design conveys important information about the music to potential listeners.
The document provides examples of album artwork from various vinyl and CD releases. It summarizes the key elements and themes represented in the artwork for albums by U2, John Lennon, The Beatles, Sky Sailing, Kings of Leon, Franz Ferdinand, and The Script. Common aspects discussed include the use of photography, themes, fonts, color schemes, and layouts that tie the different elements of the artwork together and represent the music and band in an appealing way to audiences.
This document provides information about the electro-pop/electro house genre of music. It discusses the history and development of electronic music starting in the 1970s with the invention of the Moog synthesizer. It then outlines some of the most popular artists in the genre, including Kraftwerk, Afrika Bambaataa, Madonna, David Guetta, Kesha, Gym Class Heroes, and LMFAO. The document also describes how electro-pop music is produced using electronic devices like synthesizers, drum machines, and software. It provides an example of the electro-pop artist Kesha and one of her most popular songs "Tik Tok".
This document provides ideas and plans for promoting a music album and music video. It discusses ideas for the album cover, CD, DVD, and music video. The album cover would be simplistic with a black and white color scheme. The music video would tell a narrative story and include shots of the band performing, following a theme of anger after a breakup. It also outlines plans for costumes, locations, and target audience. The promotional package would be cohesive across formats to effectively promote the artist and album.
The document summarizes research on the album covers of three popular albums from 2012-2013: fun.'s "Some Nights", Bruno Mars' "Doo-Wops and Hooligans", and Adele's "21". It analyzes the visual design elements, color schemes, photos, and typography used on the front and back covers of each album's digipack and how they relate to the mood and themes of the music.
The document discusses conventions for album covers, back covers, inside covers, and magazine advertisements across different music genres. It notes that album covers often feature the artist and relate to the genre's imagery. Back and inside covers usually list the tracklist and credits. Magazine ads prominently display the artist, album, release date, and where to buy the album. Overall, conventions provide recognition of the product while allowing room for uniqueness.
The front cover shows the band onstage with the crowd in the background to convey the live album concept. The band name is displayed prominently. The inside sleeve features a photo of lead singer Joey Ramone, known for his style and stage presence. The basic disc artwork lacks embellishment to emphasize the raw live sound. Track listings on the back cover are not in a typical popular-to-less popular order, showing the band's appreciation for all their songs.
The document provides information about album covers for Coldplay's Mylo Xyloto, Keane's Under the Iron Sea, and The Weeknd's Beauty Behind the Madness. It describes key design elements and symbolism of each cover, such as graffiti themes and typefaces for Mylo Xyloto, sea horses and waves for Under the Iron Sea, and the artist's unwritten expression for Beauty Behind the Madness. Background details are also given on the concept albums and their commercial success.
The document discusses the album art, packaging, and promotional strategies for several albums. It describes elements like the album covers, posters, fonts, and color schemes used, noting where they are consistent across materials or reference the band's style. Details like images of band members, tracklists, and phone numbers used in promotions are summarized. The minimal or intricate designs, as well as illustrations relating to song themes, are emphasized as unique identifying traits for the bands.
Analysis of Similar Artists to The Hype TheoryVickii Randell
Ìý
This document analyzes similar artists to The Hype Theory, including Paramore, All Time Low, and You Me At Six. It summarizes key details about each band such as their album covers, websites, and music videos. Common themes identified across the bands include alternative designs, prominent logos, use of similar colors, and narrative or performance-focused music videos.
The album cover for Imagine Dragons' album "Smoke and Mirrors" features two mirrored hands releasing a bird from golden silk bindings against a dark background covered in a broken mirror web design. The imagery symbolizes the band feeling confined by their popularity but wanting their music to break free and be unique. The bird represents their music being released into the world. The font used for the band's name is their standard logo style, while the album title is smaller and centered among the imagery, indicating the band's identity is more important than any individual album. Religious symbols like the cross and words in the background also reference the band seeing their music as their "religion".
The document provides information about creating a music video for the song "To Anyone" by the indie rock band Crystal Whites. It discusses comparing the song to similar music videos to determine themes. It also analyzes lyrics and discusses using band members in the video to make it feel realistic. Location ideas and influences from other young bands' videos are presented. Elements of the rock/indie music video genre like focusing on performance over narrative and using natural low-budget settings are also covered.
The document discusses music videos and their purpose. It provides examples of different music videos and analyzes their conventions and techniques. The key points are:
1) Music videos help sell songs, promote artists, and make songs more memorable by telling a visual narrative that allows audiences to better understand and relate to the song.
2) Popular music videos use conventions like telling a storyline that cuts between the band performing and jumping between shots to the beat of the music.
3) Covering a popular song and creating a memorable music video can help unknown artists and bands gain popularity.
Willie Dixon's 1970 blues album "I Am the Blues" features a black and white portrait of Dixon sitting and clapping on a creased backdrop. The earthy tones and Dixon's relaxed pose aim to portray his down-to-earth personality and appeal to mature blues fans. The rounded font for the title reflects the playful side of Dixon's blues sound.
Came Out Swinging - Video Analysis - Andrew Goodwin TheoryEmilyMoorby
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This document discusses seven theories of key components typically found in music videos according to Andrew Goodwin. These include demonstrating genre characteristics, relationships between lyrics/music and visuals, demands of record labels for close-ups of artists, recurring visual motifs, references to notions of looking, intertextual references, and performance/concept/narrative elements. The document then analyzes a music video for "Came Out Swinging" by The Wonder Years band according to Goodwin's seven theories, noting genre cues, representations of lyrics, reflections of music tone, and focus on the band through close-ups.
The document provides details on promotional packages for a CD including the music and extras on the CD and DVD. It then discusses considerations for music videos including contrasting a storyline with performance footage, matching the editing to the rhythm, using realistic situations, and having darker suburban settings. It also outlines plans for the CD artwork including a minimalist black and white design with the artist's name, and for a magazine advert using a polaroid photo and Q&A style text with neon colors tying it to the CD theme.
The document analyzes two contrasting digipaks - an acoustic album by Jack Johnson and a punk album by Alkaline Trio. It discusses design elements common to each genre, including imagery, fonts, and use of intertextuality to establish artist identity. Key conventions highlighted include simplicity and nature imagery for acoustic albums, and recognizable logos and darker colors for punk albums.
The document outlines 7 key ideas about music videos:
1) Music videos demonstrate genre characteristics like stage performances for rock bands.
2) There is usually a relationship between lyrics and visuals where lyrics are represented through images.
3) The tone and atmosphere of visuals usually reflects the music through illustrating or amplifying it.
The poster advertises Kings of Leon's album "Only by the Night" using the album cover as the main image. The album cover features partial faces of the band members arranged symmetrically to represent their collaborative work. It also depicts an eagle in the background symbolizing their American heritage. The green overlay and target indicators on the album cover relate to the title "Only by the Night" by evoking a night vision theme. Text on the poster is in different colors and a sans-serif font to match the variety of songs. Including popular song titles from the album will attract more fans. The dark tones and computer-inspired design target a mainly young male audience.
This document summarizes and provides examples from the CD booklets of various artists, including Oasis, Blondie, One Direction, and Arctic Monkeys. For Oasis' album Morning Glory, it discusses the front cover photo and details in the booklet layout. For Blondie's albums Parallel Lines and Plastic Letters, it analyzes the effective black and white color schemes and styling of the covers and inside pages. Finally, it examines the bright colors and personal front cover photo of One Direction's single What Makes You Beautiful, as well as the simple back cover design.
The Killers are an indie rock band formed in 2001 in Las Vegas, Nevada consisting of 4 members. They have released 4 studio albums and are popular in the UK. Their songs typically focus on relationships and music videos relate to the theme of the corresponding album. The Killers maintain consistency with their logo and font across albums while allowing for evolution in their image and sound over time.
1) Enter Shikari establishes a consistent style for their album and single artwork beginning in 2007, featuring abstract imagery, greens and greys, and their band name prominently displayed.
2) Their album and single covers are designed to be visually cohesive and reference the title or lyrics of the music, maintaining a unified identity.
3) The band's artwork evolves over time but maintains recurring visual themes, changing styles when appropriate such as for a compilation album or to represent a new phase of music.
The document analyzes and compares the album artwork for albums across different musical genres, including classical (Ludovico Einaudi's Elements), EDM/dance (Sub Focus' Torus), and indie (The Smiths' Meat Is Murder). For the classical album, the front and back covers feature hand-drawn musical notation, reflecting the genre's association with sheet music. The EDM album uses typography and geometric shapes consistent with the artist's branding. The indie album features a Vietnam War photo on the front with the title replacing text on the soldier's helmet, showing the album's political message regarding vegetarianism.
The key elements of a CD cover are:
1. There is always a main image that represents the artist's style through a photograph of them or illustrative cartoons.
2. The artist's name is always prominently displayed to identify them and allow the cover to reinforce their name.
3. The album name is included on all covers to indicate the songs and provide context through the style and color of font used.
4. Many bands also have their own logo that helps audiences instantly recognize them across different materials and events.
Alt-J is a British indie rock band formed in 2007 at Leeds University. They released their debut album in 2012 which featured popular songs and won a Mercury Prize. Their website, album artwork, and music videos focus on their unique sounds and music rather than their images. They use abstract paintings and bright colors as symbols of their style. This allows audiences to focus on their eccentric music rather than appearances.
2. Music Video Aims and Objectives
Music videos are a form of promotion of the artist/band who are able to entice
people into listening to the song. It uses certain conventions that will help the
video appeal to the artist/band’s target audience, for example the actors that are
used in the video and the mise en scene, focusing on elements such as setting
and costume. Product placement is also frequently used within music videos to
advertise certain products to the target audience for the artist to gain more of a
profit. These products have to be aimed at the target audience as they would be
what they would usually purchase. For example, in the video to What The Hell
by Avril Lavigne product placement is frequently used of her perfumes, which
is a product her target audience would be interested in.
What The Hell Love The Way You Lie Don’t Wanna Miss A Thing
3. …
Music videos also represent the target audience
as they feature actors of a similar social standing
or gender etc. They also may have messages
within them be it political or social to get the
artists view across on something that they feel
strongly about. Sometimes actors can be well
known. An example of this could be Love The
Way You Lie by Eminem, as it features the
actress Megan Fox and also deals with the issue
of domestic abuse.
4. …
Music videos are a popular way of being able to
display the band although there are various types
of music videos where it’s actors that play out a
story in relation to the video or shots of the
actual band playing, or they could be a mixture
between the two including things such as special
effects, still images or stop motions to entice
their audience into watching.
5. …
In some cases music videos can be an example
of synergy if the song in the music video is
featured in the movie. Then clips from the movie
will be featured within the music video, giving
the featured film and the artist/band’s promotion.
An example of this could be Don’t Wanna Miss
A Thing by Aerosmith featured in Armageddon.
6. The Bucket – Kings of Leon
http://www.youtube.com/watch?v=kWaFVvVoj4o
Kings of Leon released Indie Rock song The Bucket as a single from
their album Aha Shake Heartbreak that was released in 2004.
The music video features the four members in a studio and has up to
16 screens showing the band at a time. The shots frequently alternate
between showing the setting of the music video (the studio the band
are in), and the band. Also during the video there are different shots of
things such as fireworks, flowers (which could
relate back to the cover of the single, which
features a flower), and several close up shots
of the instruments the band are playing, this is
focusing on an action as the song is fast paced
and therefore the close up shots reflect this as
we are able to see the speed that the band are
playing their instruments.
7. …
The lighting within the studio is also quite a natural
lighting, enabling you to clearly see what’s going on within
the music video.
It also comes across as a natural practice or performance
because all member of the band are in casual attire, making
the music video feel at a more persona level, as it’s
allowing their fans to seem them how they really are.
The synchronization of the music and the video is matched
up perfectly, this could be due to the cost of production.
The end of the video shows a microphone standing on it’s
own, signifying that the song has now ended.
This video has a linear narrative and it is single strand, as it
solely just focuses on the band performing.
8. Say You Don’t Want It – One Night Only
http://www.youtube.com/watch?v=wF1WzzrLmpk
One Night Only released the single ‘Say You Don’t Want It’ off of
their second album ‘One Night Only’ in 2010.
The music video features a linear storyline of the front man of the
band, George Craig, and his girlfriend at the time, Emma Watson,
wandering the streets of New York, with several shots of the band
playing on a rooftop of a building. The music video appears to be quite
saturated, to make the lights and colours stand out upon the night that
the video was filmed in. It has a twist at the end of it, as the two
characters turn out to be dogs in a ‘Lady and the
Tramp’ type situation, as the female character
belongs to a wealthy lady and the male character
is a stray dog that the female character dog came
across when she was accidentally separated from
her owner.
9. …
The music video frequently shows situations where it could
relate to both of the characters being dogs, for example at
one part George lick’s Emma’s face, and another when the
male character comes across a group of people he’s
familiar with, and the female character looks scared and
intimidated. The mise en scene of this music video also
reflects the story line, as George is wearing a simple black
casual trouser suit and Emma is wearing a more formal
outfit, with jewellery and a fur jacket. Landmarks around
New York are shown frequently within the music video,
and a hot dog branch ‘Grays Papaya is a predominant
feature among the story line, making the characters within
the video seem more like everyday citizens of New York,
and removing their status as a well known musician or
actress to make the video seem a lot more authentic.
10. Album Cover and Album Release
Magazine Advert Aims and Objectives
Album covers have many purposes when it comes to
promoting the band, as the artist who’s album it is would
want the album artwork or image to reflect the genre of their
music, drawing any potential listeners into downloading,
streaming or purchasing the album. The album normally
contains an insert, which is usually a little booklet featuring
lyrics of the songs featured on the album, or images and a
letter of thanks to let fans have an insight into artists life.
Digipack’s also encourage the purchase of a hard copy of an
album.
11. …
Magazine adverts also have the same objectives,
as they are to encourage listener’s and the artist’s
fans to purchase the album. They often contain a
release date, informing listener’s as to when the
album is coming out, and often the style of the
magazine advert is reflected within the album
cover, so listeners can make a correlation
between the two, with both media forms using
either the same image or text, or shows a picture
of the album.
12. Aha Shake Heartbreak Album Release
Album Cover(s)
Aha Shake Heartbreak was released with
RCA/HandMeDown Records and produced by
Ethan Johns. It had two different release dates for
the UK and America, being released in late 2004 in
the UK and early 2005 in the USA, featuring two
different album covers, one for it’s UK release and
one for the release in America.
The UK release of the album shows a very simple
and contrasting image of a white, brightly lit flower
on a black background, with a quite ornamental font,
that cold be quite difficult to read from a distance
due to the exaggerated serifs and italics. As the
flower featured on the cover is quite close up, digital
manipulation was probably used to make the surface
smooth and unmarked.
13. …
The white colour of the flower could connotation the purity of the
album on which the album was made, and the openness could
reflect the topic of song within the album, and that within the
songs featured they were messages the band wanted to get across
to feel a connectedness to their fans. The album cover conforms
to the general conventions of the product, as it features the title of
the album, the band’s name and has a main image.
The USA’s cover for the release of an album sticks to a similar
arrangement of the UK release, although the background is white
and the text is black, with a different flower being used as the
main image. The use of the two different covers of the album
could relfect how they want to appear to be shown within both
continents, with the USA release being a lot brighter, as it’s the
band’s home country, and the UK release a lot darker and
contrasting.
14. Tribes Album Release
Album Cover
Baby by Tribes was recorded at The Motor Museum in Liverpool and
released on the 16th January 2012 on the label ‘Island’. It reflects an
Indie Rock genre.
The layout of this album is quite simple, with a clear image of the
band members as the main focus within the cover. The text to image
ratio is quite uneven, with only a small text just under the band name
displaying the album title. The band use a white background behind
their name in a bold sans serif font, drawing attention to the text. The
album cover also features the logo of the record
company they released the album off of in the
top right corner, which is not conforming to
traditional album conventions as the record
company’s logo is usually found in the bottom
at the back of the album, along with the track
list.
15. …
The main image of the album cover features the band sitting on a
bench in front of a brick run down, plain wall. The outfit choices
of the band members and the plain background that they are
sitting in front of creates a juxtaposition, as the member’s of the
band are dressed quite eccentrically, in a way that would reflect
their album’s genre. Each of the members also have an
uninterested or distant look on their face, which is often a
common convention of images within the Indie Rock genre (see
for example, The Libertines magazine advertisement). The album
cover reflects the music on the album, and the characters that the
band represent, as it’s displayed that they each have their own
style and that this album is different to a lot of other mainstream
products, with a 90s vibe about it as displayed within the mise en
scene of the image featured.
16. Magazine Advert (New Album)
This magazine advert is for Kings of Leon’s 2nd studio album ‘Aha Shake
Heartbreak’that was released in November 2004 in the UK. The album reflects an
Indie/Southern Rock genre. The image of the flower on the magazine advert is also
featured on the UK cover for the album. The advert for the new album features a
black, mostly plain background, other for what looks like a smoke/water effect at the
top of the page where the band’s name is. The focal point of the poster is the close
up image of a white flower, as it contrasts with the dark background and really
stands out on the page. In terms of image manipulation, the image is very clear and
therefore the brightness may have been enhanced and any blemishes or unneeded
marks upon the flower may have been removed as the image
is a close up and everything would be visible upon it. The
image to text ratio of this advert is relatively even and the
text featured is a simple, plain white sans serif font which
doesn't’t distract away from the main image of the advert.
The further the text gets down the page the smaller it gets,
and there is also more text featured at the bottom of the page
than the top.
17. …
This contradicts the research that when reading text the eye falls
to the top left of the page first as, with this advert the eye would
tend to look to the album name and release date first with the way
that the advertisement is laid out. The very bottom of the adverts
has the band’s webpage in very small text, so the people that are
interested can go on the website and find out more, but the advert
isn’t absorbed by this text as it’s a very simple advert. The
connotation of this advert could be that it reflects the simplicity
and pureness of the album that’s featured within the advert, so
readers get a sense of what type of genre album this will ne
without already knowing of the band.
Overall this magazine advert is a very simple one that gets
straight to the point and doesn’t use lots of special editing within
it, and it also reflects the genre of the band/album.
18. The Libertines Album Release
Magazine Advert (New Album)
This magazine advert is for the release of The Libertine’s self titled album that
was released in August 2004 in the UK. The album reflects an Indie Rock genre.
This was the Libertines’ 2nd studio recorded album. It features an image of the
two front men of the band with clear lighting, so you are able to see their facial
expressions, which seem quite distant. The image used within the magazine
advert is also the image that’s used on the album cover, so along with the band’s
logo the advert is very distinguishable of the album. The
photo within the magazine advert shows the two front men
displaying their ‘Libertine’ tattoo, reflecting the member’s
passion to the band and the close relationship that has been
formed.
By the magazine advert naming a well known song that
features on the album, it draws potential listeners in because,
if they liked the song mentioned on the advert the may be
More inclined to see what other music they have to offer.
19. …
For this magazine advert, the outfits and hair style and general
mise en scene of the image is very natural, and doesn’t come
off staged, as if the artists have intended to look a certain way.
This is often a common convention for this genre of music. It
appears that this magazine advert for the self titled album gets
straight to the point in displaying that the album is already out,
and the image and type face used within it greatly reflects the
type of album that is being promoted, therefore potential
buyers can get a feel of what they will be listening to before
they actually do. As this album was released in 2004, just 3
years after broadband had been released to the public it does
not mention the formats that the album is available in, which is
a common feature in more modern adverts.
20. Conclusion
From my research of certain products from the
Indie Rock genre, I have found more often than
not they take a simplistic approach, not focusing
too much on the album artwork, but much rather
the name of the band and the title of the album or
song. This shows the importance and actual
emphasis of music within the indie rock genre,
rather than just focusing on the exterior of the
band’s image.
21. …
For my own ancillary products, I will take this
into account and make the main emphasis within
them on what the product is all about, although I
will use an obvious main image within my
products that do stand out to make sure that I
catch my audience’s eyes, making them more
inclined to find more out about the band or even
by the album.
22. …
For the two music videos I looked at, they both
had shots of the band playing, which appears to
be a typical convention of this genre. Although,
in my music video due to the technical ability of
my actors, I will substitute these scenes for more
shots of story line, which is a common feature in
One Night Only’s music video, I am therefore
challenging the conventions somewhat.