This document discusses the concept of auteur theory in film and music videos. Auteur theory suggests that a director's films reflect their personal creative vision, with the director acting as the primary author. The document then examines two music video directors, Michel Gondry and Chris Cunningham, as examples of auteurs. It analyzes several of each director's music videos to identify their signature directorial styles and recurring techniques. For Gondry, this includes technical wizardry, dependence on watching the full video, repetition, and single long takes. For Cunningham, it includes fast editing, strange or unrealistic elements, reflecting the horror genre, and handheld camerawork.