際際滷

際際滷Share a Scribd company logo

musicofsouthcentralandwestasia-

Download as PPTX, PDF
F
FOURTHDALISAY

This document provides information on the instrumental music of India, Pakistan, Israel, and other West Asian countries. It discusses the classification of instruments in India into five categories - ghan, avanaddh, sushir, tat, and vitat. It also describes the two main vocal styles of singing in Pakistani music - ghazal and qawwali. The document outlines the two divisions of Jewish music as devotional and secular. It notes that Israeli singers have a distinctive vocal style and lists some significant instruments used in the music of Israel and other West Asian countries.

1 of 44
Download to read offline
MUSIC OF SOUTH, CENTRAL AND WEST ASIA
INSTRUMENTAL MUSIC OF INDIA
1. Ghan described as a non- membranous percussive instrument but with solid resonators. It is one of the oldest classes of instrument in India. It may also be a melodic instrument or instruments to keep tal. CLASSIFICATION OF INSTRUMENTS IN INDIA
GHATAM AND KARTA
MANJIRA AND NOUT
2. Avanaddh - described as a membranous percussive instrument. This class of instruments typically comprise the drums.
DAF (DUF/DAPHU) AND TABLA
DHOL
3. Sushir also known as blown air. It is characterized by the use of air to excite the various resonators.
SHEHNAI AND SHANKH
SURPETI
4. Tat referred to as vina during the old civilization. Instruments in this class are plucked (stringed instruments).
SITAR AND EKTAR
GOTUVADYAM
GOPICHAND AND RABAB
5. Vitat described as bowed stringed instruments. This is of the oldest classifications of instruments and yet did not occupy a place in classical Indian music until the last few centuries.
BANAM AND ESRAJ
SARANGI AND CHIKARA
occupies an important position in the Indian system of music literally meaning clap; variously transliterated as tal, taal or taala is a regular, repeating rhythmic phrase, particularly as rendered on a percussive instrument with an ebb and flow of various intonations represented as a ''theka'' is the common Indian system of rhythm TALA
Theka - a sequence of drum-syllables or ''bol'' - in Indian classical music, both Hindustani classical music and Carnatic music use complex rules to create elaborate patterns of rhythm Tabla - most common instrument for keeping rhythm in Hindustani music Mridangam - most common instrument for keeping rhythm in Carnatic music - also transliterated as mridang TALA (CONTINUATION)
Khyal Temple Music Unified Northern Krti Southern Nasal Singing Lyrical Persian Influence Imagination CARNATIC MUSIC HINDUSTANI MUSIC ACTIVITY: WHICH IS WHICH?
1. 2. ACTIVITY: NAME IT!
3. 4.
5. 6.
7. 8.
9. 10.
MUSIC OF PAKISTAN
Though Pakistan is part of South Asia, its western part is considered as an extension of Central Asia. Pakistan is known for its unique vocals. The distinctive Pakistani sound was formed with multiple influences not only from various parts of South Asia but it also includes diverse elements from Central Asia, Persia, Turkey, and the Arab world. PAKISTAN
1. Ghazal traditional expressions of love, separation, and loneliness; It tells about both the pain of loss of the lover and the beauty of love in spite of that pain. its structural requirements are more strict than those of most poetic forms traditionally written in English is considered by many to be one of the principal poetic forms in the Persian civilization can be sung by both men and women TWO VOCAL STYLES IN SINGING VOCAL MUSIC OF PAKISTAN
2. Qawwali the devotional music of the Chishti Order a vibrant musical tradition that stretches back more than 700 years originally performed mainly at Sufi shrines throughout the subcontinent and gained mainstream popularity TWO VOCAL STYLES IN SINGING VOCAL MUSIC OF PAKISTAN
Punjabi music strengthens the importance of musical instruments in Pakistan. Punjab is a region in South Asia which is divided into West Punjab, Pakistan and East Punjab, India. Bhangra, one of the most recognized forms of Punjab, is based on the drum rhythm of dhol. INSTRUMENTAL MUSIC OF PAKISTAN
SIGNIFICANT INSTRUMENTS OF PAKISTAN Tabla Dholak Harmonium Rubab
MUSIC OF ISRAEL (WEST ASIA)
In general, the music of West Asia is modal. Harmony is not emphasized but rather includes salient features such as melodic complexity and ornamentation, including 村 tones and rigorous rhythmic development. West Asian music is commonly used during: - Communal worship (in Mosque, Synagogue and Church) - Mystic rituals (Sufis, Hassidic) - Life passage events (Weddings, Bar Mitzvas, Bat Mitzvas, Anniversaries) - Entertainment (Belly Dancing, Folk Dancing) MUSIC OF WEST ASIA
Israeli Music Israeli singers have a distinctive vocal style. They sing with guttural and throaty enunciation. VOCAL MUSIC OF ISRAEL
1. Devotional almost entirely vocal featured during Sabbath and other holy days the art of Hazan (leader of prayer in synagogue) has always been evident in the culture shofar is a special call to prayer and repentance; it is sounded on the High Holidays (the Jewish New Year and Day of Atonement) 2. Secular instruments and voice are used played during life passage events context lies outside the religious domain very rhythmic and have popular and romantic texts TWO DIVISIONS OF JEWISH MUSIC
The lute which is similar to the Philippine banduria and the laud, traces its origins to the Middle Eastern Oud and Indian sitar. Goblet drum, darbuk, the tambourine and other instruments associated with Middle Eastern music are used as accompaniment. One of the dances where accompaniment is used is Hora, a dance that often has strong off beats and asymmetric meters. INTRUMENTAL MUSIC OF ISRAEL
Jewish Lyre Psalterion SIGNIFICANT INSTRUMENTS OF ISRAEL
SHOFAR
Goblet Toft OTHER SIGNIFICANT INSTRUMENTS OF ARAB COUNTRIES
Oud Darbuk OTHER SIGNIFICANT MIDDLE EASTERN INSTRUMENTS
O U D J M A G A M Q T Q M B P D M A Q A M S A D W S T Q P D T R T M Z Q A W W A L I T A I D S L G T E Z R Z L T W A T Z J E W I S A Z G Z E Q L L W I V L V A D R B G O B L E T A T B I U O Z M A L T S G A O H P I Q A Q M L J O N E F R D K Q R M H O R A Z N W A Z N ACTIVITY: WORD SEARCH
11-12. What are the two divisions of Indian Music? 13-17. tat, vitat, avanadh, sushir, ghan 13. Described as blown air. 14. A percussive instrument that is non membranous group of musical instrument. 15. Described as bowed stringed instruments. 16. - described as a membranous percussive instrument. 17. Instruments in this class are plucked (stringed instruments).
18. Strengtens the music of Pakistan. 19. a sequence of drum-syllables or ''bol'' 20. The leader of prayer in synagogue. 21. is a special call to prayer and repentance 22. Traditional expressions of love, separation, and loneliness; It tells about both the pain of loss of the lover and the beauty of love in spite of that pain. 23. literally meaning clap. 24. the devotional music of the Chishti Order 25. most common instrument for keeping rhythm in Hindustani music PUNJABI MUSIC, HAZAN, TABLE, TALA, SHOFAR, GHAZAL, TABLE, QAWWALI

More Related Content

musicofsouthcentralandwestasia-

  • 1. MUSIC OF SOUTH, CENTRAL AND WEST ASIA
  • 3. 1. Ghan described as a non- membranous percussive instrument but with solid resonators. It is one of the oldest classes of instrument in India. It may also be a melodic instrument or instruments to keep tal. CLASSIFICATION OF INSTRUMENTS IN INDIA
  • 6. 2. Avanaddh - described as a membranous percussive instrument. This class of instruments typically comprise the drums.
  • 9. 3. Sushir also known as blown air. It is characterized by the use of air to excite the various resonators.
  • 12. 4. Tat referred to as vina during the old civilization. Instruments in this class are plucked (stringed instruments).
  • 16. 5. Vitat described as bowed stringed instruments. This is of the oldest classifications of instruments and yet did not occupy a place in classical Indian music until the last few centuries.
  • 19. occupies an important position in the Indian system of music literally meaning clap; variously transliterated as tal, taal or taala is a regular, repeating rhythmic phrase, particularly as rendered on a percussive instrument with an ebb and flow of various intonations represented as a ''theka'' is the common Indian system of rhythm TALA
  • 20. Theka - a sequence of drum-syllables or ''bol'' - in Indian classical music, both Hindustani classical music and Carnatic music use complex rules to create elaborate patterns of rhythm Tabla - most common instrument for keeping rhythm in Hindustani music Mridangam - most common instrument for keeping rhythm in Carnatic music - also transliterated as mridang TALA (CONTINUATION)
  • 21. Khyal Temple Music Unified Northern Krti Southern Nasal Singing Lyrical Persian Influence Imagination CARNATIC MUSIC HINDUSTANI MUSIC ACTIVITY: WHICH IS WHICH?
  • 23. 3. 4.
  • 24. 5. 6.
  • 25. 7. 8.
  • 28. Though Pakistan is part of South Asia, its western part is considered as an extension of Central Asia. Pakistan is known for its unique vocals. The distinctive Pakistani sound was formed with multiple influences not only from various parts of South Asia but it also includes diverse elements from Central Asia, Persia, Turkey, and the Arab world. PAKISTAN
  • 29. 1. Ghazal traditional expressions of love, separation, and loneliness; It tells about both the pain of loss of the lover and the beauty of love in spite of that pain. its structural requirements are more strict than those of most poetic forms traditionally written in English is considered by many to be one of the principal poetic forms in the Persian civilization can be sung by both men and women TWO VOCAL STYLES IN SINGING VOCAL MUSIC OF PAKISTAN
  • 30. 2. Qawwali the devotional music of the Chishti Order a vibrant musical tradition that stretches back more than 700 years originally performed mainly at Sufi shrines throughout the subcontinent and gained mainstream popularity TWO VOCAL STYLES IN SINGING VOCAL MUSIC OF PAKISTAN
  • 31. Punjabi music strengthens the importance of musical instruments in Pakistan. Punjab is a region in South Asia which is divided into West Punjab, Pakistan and East Punjab, India. Bhangra, one of the most recognized forms of Punjab, is based on the drum rhythm of dhol. INSTRUMENTAL MUSIC OF PAKISTAN
  • 32. SIGNIFICANT INSTRUMENTS OF PAKISTAN Tabla Dholak Harmonium Rubab
  • 33. MUSIC OF ISRAEL (WEST ASIA)
  • 34. In general, the music of West Asia is modal. Harmony is not emphasized but rather includes salient features such as melodic complexity and ornamentation, including 村 tones and rigorous rhythmic development. West Asian music is commonly used during: - Communal worship (in Mosque, Synagogue and Church) - Mystic rituals (Sufis, Hassidic) - Life passage events (Weddings, Bar Mitzvas, Bat Mitzvas, Anniversaries) - Entertainment (Belly Dancing, Folk Dancing) MUSIC OF WEST ASIA
  • 35. Israeli Music Israeli singers have a distinctive vocal style. They sing with guttural and throaty enunciation. VOCAL MUSIC OF ISRAEL
  • 36. 1. Devotional almost entirely vocal featured during Sabbath and other holy days the art of Hazan (leader of prayer in synagogue) has always been evident in the culture shofar is a special call to prayer and repentance; it is sounded on the High Holidays (the Jewish New Year and Day of Atonement) 2. Secular instruments and voice are used played during life passage events context lies outside the religious domain very rhythmic and have popular and romantic texts TWO DIVISIONS OF JEWISH MUSIC
  • 37. The lute which is similar to the Philippine banduria and the laud, traces its origins to the Middle Eastern Oud and Indian sitar. Goblet drum, darbuk, the tambourine and other instruments associated with Middle Eastern music are used as accompaniment. One of the dances where accompaniment is used is Hora, a dance that often has strong off beats and asymmetric meters. INTRUMENTAL MUSIC OF ISRAEL
  • 38. Jewish Lyre Psalterion SIGNIFICANT INSTRUMENTS OF ISRAEL
  • 40. Goblet Toft OTHER SIGNIFICANT INSTRUMENTS OF ARAB COUNTRIES
  • 41. Oud Darbuk OTHER SIGNIFICANT MIDDLE EASTERN INSTRUMENTS
  • 42. O U D J M A G A M Q T Q M B P D M A Q A M S A D W S T Q P D T R T M Z Q A W W A L I T A I D S L G T E Z R Z L T W A T Z J E W I S A Z G Z E Q L L W I V L V A D R B G O B L E T A T B I U O Z M A L T S G A O H P I Q A Q M L J O N E F R D K Q R M H O R A Z N W A Z N ACTIVITY: WORD SEARCH
  • 43. 11-12. What are the two divisions of Indian Music? 13-17. tat, vitat, avanadh, sushir, ghan 13. Described as blown air. 14. A percussive instrument that is non membranous group of musical instrument. 15. Described as bowed stringed instruments. 16. - described as a membranous percussive instrument. 17. Instruments in this class are plucked (stringed instruments).
  • 44. 18. Strengtens the music of Pakistan. 19. a sequence of drum-syllables or ''bol'' 20. The leader of prayer in synagogue. 21. is a special call to prayer and repentance 22. Traditional expressions of love, separation, and loneliness; It tells about both the pain of loss of the lover and the beauty of love in spite of that pain. 23. literally meaning clap. 24. the devotional music of the Chishti Order 25. most common instrument for keeping rhythm in Hindustani music PUNJABI MUSIC, HAZAN, TABLE, TALA, SHOFAR, GHAZAL, TABLE, QAWWALI