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Nari gandhi

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Rutuja Bhosale
Rutuja Bhosale

Nari Gandhi was an Indian architect who studied under Frank Lloyd Wright at Taliesin in the 1950s. He rejected mainstream architectural conventions and instead focused on using local materials and merging buildings with their natural surroundings. His works displayed skilled craftsmanship through innovations like constructing arches out of stacked earthen pots. Nari introduced unconventional ideas that rethought standardized practices and arranged building functions in new ways. He designed spaces that remained connected to the outside environment and allowed sunlight and wind to interact with indoor areas.

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Howard Ronark of India Nari Gandhi.
Nari studied architecture at Sir J. J. College of Architecture, Mumbai for five years in early 1950s. He traveled to USA to apprentice with Frank Lloyd Wright at the Taliesin and spent five years there. After Wright's death in 1959, Nari left Taliesin and studied pottery at the Kent State University for two years.
Nari gandhi
Nari gandhi
Vernacular architecture takes a new birth He is seen using local materials, as well as design components into new forms and merging them beautifully with nature.
Nari's ideologies and works were in sharp contrast to the mainstream architectural thinking. His works display a distinctive organic character. They appear to have evolved as a response to the context, remaining strongly rooted to the site and being very well connected to the surroundings. Nari's works display highly skilled craftsmanship and structural ingenuity. He has stacked earthen pots to construct arches out of them and built stairs out of brick arches. Throughout his works you see extraordinary use of stone, brick, wood, glass and leather. Nari rejected conventional ideas and paradigms and introduced his own through his work. Through his work, he started 'rethinking' about standardized practices and set up his own. When you visit any one of his houses, you will notice an evident 're-thinking' of the arrangement of various functions within the house. Each building designed by Nari is as an example of unconventional thinking in architecture. He created built spaces that remained forever connected to their un-built surroundings allowing sunlight and wind to interact with the inside and animate the space with time. Each house is a series of dialogs between the built and unbuilt form.
Each of the structures Gandhi built were products of happy marriage between art and architecture.

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Nari gandhi

  • 1. Howard Ronark of India Nari Gandhi.
  • 2. Nari studied architecture at Sir J. J. College of Architecture, Mumbai for five years in early 1950s. He traveled to USA to apprentice with Frank Lloyd Wright at the Taliesin and spent five years there. After Wright's death in 1959, Nari left Taliesin and studied pottery at the Kent State University for two years.
  • 5. Vernacular architecture takes a new birth He is seen using local materials, as well as design components into new forms and merging them beautifully with nature.
  • 6. Nari's ideologies and works were in sharp contrast to the mainstream architectural thinking. His works display a distinctive organic character. They appear to have evolved as a response to the context, remaining strongly rooted to the site and being very well connected to the surroundings. Nari's works display highly skilled craftsmanship and structural ingenuity. He has stacked earthen pots to construct arches out of them and built stairs out of brick arches. Throughout his works you see extraordinary use of stone, brick, wood, glass and leather. Nari rejected conventional ideas and paradigms and introduced his own through his work. Through his work, he started 'rethinking' about standardized practices and set up his own. When you visit any one of his houses, you will notice an evident 're-thinking' of the arrangement of various functions within the house. Each building designed by Nari is as an example of unconventional thinking in architecture. He created built spaces that remained forever connected to their un-built surroundings allowing sunlight and wind to interact with the inside and animate the space with time. Each house is a series of dialogs between the built and unbuilt form.
  • 7. Each of the structures Gandhi built were products of happy marriage between art and architecture.