National-Treasures-Award.pptx

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The document outlines the Gawad sa Manlilikha ng Bayan, a prestigious award recognizing traditional Filipino artists who preserve and promote indigenous crafts and arts. It details guidelines for identifying award recipients, including criteria for artistic excellence and community engagement in passing on traditional skills. The document emphasizes the importance of these artists in contributing to national identity and cultural heritage.

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National Treasures Award :
Gawad sa Manlilikha ng
Bayan

At the end of the module, students
can:
1.Enumerate the guidelines involved
in declaring an individual as a
national living treasure.
2.Discuss the nature and purpose of
the award in nation building.

Republic Act 7355
? This institutionalized the National Living Treasures
Award or the Gawad sa Manlilikha ng Bayan. Through
this law, the NCAA “conducts the search for the finest
traditional artists of land, adopts a program that will
ensure the transfer of their skills to others, and
undertakes measures to promote a genuine
appreciation of and instill pride among our people
about the genius of the Manlilikha ng Bayan.

Recipient of National Living Treasures Award
or the Gawad sa Manlilikha ng Bayan is
described :
?As a “citizen engaged in any traditional art
uniquely Filipino whose distinctive skills have
reached such a high level of technical and
artistic excellence and have passed on to and
widely practiced by the present generation in
his/her community with the same degree of
technical and artistic competence.

Guidelines in identifying and recognizing a person as
a Manlilikha ng Bayan in the field of folk epic
literature, music, textile and mat weaving, dance,
metal work, and casque production:
A. He or she is an inhabitant of an
indigenous/traditional cultural community
anywhere in the Philippines that has
preserved indigenous customs, beliefs, rituals
and traditions and /or has syncretized
whatever external elements that have
influenced it.

B. He or she must have engaged in a folk art
tradition that has been in existence and
documented for at least 50 years.
C. He or she must have consistently
performed or produced, over a significant
period works of superior and distinctive
quality.

D. He or she must possess a mastery of tools and
materials needed by the art, and must have an
established reputation in the art as master and
maker of works of extraordinary technical quality.
E. He or she must have passed on and/or will pass
on to other members of the community their skills
in the folk art for which the community is
traditionally known.

Question:
1. Explain the importance of the rule that “ she or she
must have passed on and or will pass on to other
members of the community their skills in the folk art for
which the community is traditionally known”.

A traditional artist who possesses all the qualities of a
Manlilikha ng Bayan candidate, but due to age or infirmity
(deterioration) has left him or her incapable of teaching further
his or her craft, may still be recognized if the following are
met:
A. He or she had created a significant body of works and/or
has consistently displayed excellence in the practice of his or
her art, thus achieving important contributions for its
development.

B. He or she has been instrumental in the
revitalization of his or her community’s artistic
tradition.
C. He or she has passed on to the other members
of the community skills in the folk art for which
the community is traditionally known.
D. His or her community has recognized him or
her as master and teacher of his or her craft.

Question
1. Explain this sentence “He or she has been
instrumental in the revitalization of his of his or
her community’s artistic tradition.”

The Gawad sa Manlilikha ng Bayan, established by Republic Act No. 7355 in April 1992, is an award recognizing outstanding traditional artists in the Philippines, administered by the National Commission for Culture and the Arts (NCCA). To qualify as a 'manlilikha ng bayan', candidates must demonstrate mastery in a traditional art form, engage in community teaching, and have a documented history of their art for at least 50 years. Awardees receive a gold medallion, financial grants, and other benefits, and are required to participate in significant national cultural events.

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GAMABA: Gawad sa Manlilikha ng Bayan (National Living Treasures Award) The Gawad sa Manlilikha ng Bayan (GAMABA), or National Living Treasures Award, is the highest recognition given by the National Commission for Culture and the Arts (NCCA) to outstanding Filipino traditional artists. Established through Republic Act No. 7355 in 1992, GAMABA aims to preserve, promote, and honor indigenous and folk traditions that are at risk of disappearing due to modernization. Significance and Purpose GAMABA was created to recognize individuals or groups who excel in traditional arts and crafts such as weaving, performing arts, carving, literature, and more. The award ensures that these cultural traditions continue to thrive by supporting the artists financially and providing educational initiatives to pass down their skills to future generations. Unlike the National Artist Award, which focuses on mainstream arts, GAMABA highlights the skills and cultural heritage of indigenous communities, ensuring their contributions remain valued in Filipino society. Criteria for Selection To be recognized as a Manlilikha ng Bayan, an artist must: Be a Filipino citizen engaged in a traditional art that is part of their community’s cultural identity. Demonstrate exceptional skill in their craft, making them a master in their field. Pass down their knowledge to younger generations to ensure continuity. Preserve a tradition at risk of extinction due to modernization. Categories of Traditional Art Forms GAMABA recognizes artists in various traditional disciplines, including: Weaving – Exquisite textile craftsmanship like the T’nalak of the T’boli and Inabel of the Ilocanos. Carving – Woodwork and sculpture such as the Bulul statues of the Ifugao. Performing Arts – Traditional music, chants, and dances passed through generations. Oral Literature – Indigenous storytelling, Ambahan poetry, and epic chanting. Pottery and Crafts – Traditional clay pottery and metalwork. Notable GAMABA Awardees Several master artists have been honored for their contributions: Lang Dulay (1998, T’boli Weaving) – A master weaver known for her intricate T’nalak designs. Salinta Monon (1998, Bagobo Weaving) – Preserved the inabal weaving tradition of the Bagobo people. Ginaw Bilog (1993, Hanunuo Mangyan Poetry) – A poet who documented and passed down Ambahan oral tradition. Samaon Sulaiman (1993, Maguindanao Music) – A master of the kutiyapi, a traditional two-stringed lute. Teofilo Garcia (2012, Abra Hat Weaving) – Crafted Tabungaw hats from gourds, ensuring the survival of this art form. Impact of GAMABA The GAMABA program preserves the Philippines’ cultural heritage, providing national and global recognition to traditional artists. The award also helps sustain indigenous livelihoods by providing financial aid to awardees, allowing them to focus on their craft and train apprentices. Furthermore, GAMABA raises awareness about the importance of folk traditions, helping younger genera

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1. National Treasures Award : Gawad sa Manlilikha ng Bayan

2. At the end of the module, students can: 1.Enumerate the guidelines involved in declaring an individual as a national living treasure. 2.Discuss the nature and purpose of the award in nation building.

3. Republic Act 7355 ? This institutionalized the National Living Treasures Award or the Gawad sa Manlilikha ng Bayan. Through this law, the NCAA “conducts the search for the finest traditional artists of land, adopts a program that will ensure the transfer of their skills to others, and undertakes measures to promote a genuine appreciation of and instill pride among our people about the genius of the Manlilikha ng Bayan.

4. Recipient of National Living Treasures Award or the Gawad sa Manlilikha ng Bayan is described : ?As a “citizen engaged in any traditional art uniquely Filipino whose distinctive skills have reached such a high level of technical and artistic excellence and have passed on to and widely practiced by the present generation in his/her community with the same degree of technical and artistic competence.

5. Guidelines in identifying and recognizing a person as a Manlilikha ng Bayan in the field of folk epic literature, music, textile and mat weaving, dance, metal work, and casque production: A. He or she is an inhabitant of an indigenous/traditional cultural community anywhere in the Philippines that has preserved indigenous customs, beliefs, rituals and traditions and /or has syncretized whatever external elements that have influenced it.

6. B. He or she must have engaged in a folk art tradition that has been in existence and documented for at least 50 years. C. He or she must have consistently performed or produced, over a significant period works of superior and distinctive quality.

7. D. He or she must possess a mastery of tools and materials needed by the art, and must have an established reputation in the art as master and maker of works of extraordinary technical quality. E. He or she must have passed on and/or will pass on to other members of the community their skills in the folk art for which the community is traditionally known.

8. Question: 1. Explain the importance of the rule that “ she or she must have passed on and or will pass on to other members of the community their skills in the folk art for which the community is traditionally known”.

9. A traditional artist who possesses all the qualities of a Manlilikha ng Bayan candidate, but due to age or infirmity (deterioration) has left him or her incapable of teaching further his or her craft, may still be recognized if the following are met: A. He or she had created a significant body of works and/or has consistently displayed excellence in the practice of his or her art, thus achieving important contributions for its development.

10. B. He or she has been instrumental in the revitalization of his or her community’s artistic tradition. C. He or she has passed on to the other members of the community skills in the folk art for which the community is traditionally known. D. His or her community has recognized him or her as master and teacher of his or her craft.

11. Question 1. Explain this sentence “He or she has been instrumental in the revitalization of his of his or her community’s artistic tradition.”

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