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Perfume brands websites and sensoriality
Perfume and website
 A fragrance cannot be tested without beeing smelled. That is why
  it is alwas accompanied by a universe, a dream, values.


 The problem is especially acute on a website : except concerning
  experimental devices, a fragrance cannot be smelled through the
  web.


 So how to make Internet users experience indirectly a luxury
  perfume ?
3 points that must be kept in mind
1. Creation of universes potential on the web has a priori no limit.


2. The presence of luxury brands on the web is still discussed today. As a
   consequence, creativity and avant-gardism of these brands are seldom
   deployed on their websites (save for some exceptions).


3. On the other hand, luxury consumers are expecting them to create as
   extraodinary experiences on their websites as they do in their flagships.
The problem : how can a luxury perfume
brand website satisfy new expectations
        of luxury consumers ?
starting point : the 束 Luxemosphere 損
   Lorna Chicksand (Birmingam Business School) and Rachel Knowles
    (Brandscape) brought into prominence the concept of 束 webmosphere 損 during
    the IBM e-business conference in 2002 : it is about developing a specific
    atmosphere on the Internet context. In their view webmospherics is directly
    linked to five human senses.


   Luxemosphere is a concept created by Luxe Corps analysts and its CEO Uch辿
    Okonkwo, who explains it in her book Luxury Online. Styles, Systems,
    Strategies.The matter is now creating a prestigious atmosphere on a luxury
    brand website, as exceptional as it can be the case in the other interactions with
    the brand. 束 It is about creating an exceptional online experience for every
    person visiting and revisiting the website 損. As for the webmosphere,
    luxemosphere is linked to the senses.
Testing fragance house websites with luxumospheric
criteria (1/4)
                                    Sight
Strong welcome page introduction
High-impact home page
Brand specific design concept
Harmonized color scheme
High-pixel and relevant images
Clear text font style
Legible text font size
Full-screen mode
Relevant avatars
Balanced graphics
Testing fragance house websites with luxumospheric
criteria (2/4)
                                     Aural
Brand identity-specific sound
Music variety
Multiple music options
Sound control tools
Section-specific background sound
Click-sound necessity
Voice narration choices
Balanced tone, pitch and tempo
Text listening options
Text translation possibilities
Testing fragance house websites with luxumospheric
criteria (3/4)
                        Smell
Scent emission
Samples
Descriptions
Testing fragance house websites with luxumospheric
criteria (4/4)
                                Tactile
Universal and selective zoom
Relevant slide shows
Full-screen videos
3-D product view
Interactive views
Flash animation
Horizontal navigation
Close-up shots
Avatar option
Demos
websites analysed
the results
Analysis by brand 1/2
The two-centered websites




 The three-centered websites
Analysis by brand 2/2
Weakly multisensorial   Strongly multisensorial




Multisensorial
Sight : used by all the brands
Aural : overlooked by half of the brands
Smell : used by all the brands but two
Tactile : weakly stimulated by all the brands
The main trends
   Only Thierry Muglers website is really luxemospheric because of its strong polysensoriality.
    Two others are not far from having a luxemosphere : Viktor & Rolf and Paco Rabanne.
           These 3 brands are young and avant-gardist compared to the other small or
         traditionnal perfume makers.


   All the brands stimulate smell except Chanel and Herm竪s. They either explain the smells or
    describe universes related to the fragrances or send samples.
           There is de facto a relationship between sending samples and having an e-boutique.
           Although it seems logical, these relationship is a priori not a necessity.
Some of the best practices 1/2
   http://www.muglerstore.com
      Very strong universe
      Balanced graphics
      Samples


   http://www.viktor-rolf.com and especially its Secret Service :
      Brand identity specific sounds
      Brand specific design concept
      3D experience
      Exceptional and rich universe
Some of the best practices 2/2
   http://www.pacorabanne.com/ and especially http://www.pacorabanne.com/blackxs/uk/your-
    rockstar-experience/
      Very strong and immersive universe
      A real interactivity
      One of the most interesting experience




           Couldnt other brands and especially luxury brands learn from these
            practices and get websites as exceptional as they are offline ?
Discussion to be continued

    https://twitter.com/LionelMillet
    http://www.scoop.it/t/son-of-luxury
    lionel.millet@yahoo.fr




                    THANK YOU FOR HAVING READ THESE SLIDES !
Note : Some remarks about Okonkwos criteria
We can easily imagine 2 kinds of limits :
      In themselves :
            Lack of precision
            Lack of objectivity of some of them (束 strong welcome page 損, ...)
            Need to be explained, especially by ergonomic criteria. That is what we did in order
             to give marks to the websites.
      In regard to a luxury website :
            Semantics is nearly neglect
            Dont take into account users path into the website
                  Not only sensoriality, but spirituality too should be taken into account in a
                   luxury website analysis

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Perfume brands websites and sensoriality

  • 1. Perfume brands websites and sensoriality
  • 2. Perfume and website A fragrance cannot be tested without beeing smelled. That is why it is alwas accompanied by a universe, a dream, values. The problem is especially acute on a website : except concerning experimental devices, a fragrance cannot be smelled through the web. So how to make Internet users experience indirectly a luxury perfume ?
  • 3. 3 points that must be kept in mind 1. Creation of universes potential on the web has a priori no limit. 2. The presence of luxury brands on the web is still discussed today. As a consequence, creativity and avant-gardism of these brands are seldom deployed on their websites (save for some exceptions). 3. On the other hand, luxury consumers are expecting them to create as extraodinary experiences on their websites as they do in their flagships.
  • 4. The problem : how can a luxury perfume brand website satisfy new expectations of luxury consumers ?
  • 5. starting point : the 束 Luxemosphere 損 Lorna Chicksand (Birmingam Business School) and Rachel Knowles (Brandscape) brought into prominence the concept of 束 webmosphere 損 during the IBM e-business conference in 2002 : it is about developing a specific atmosphere on the Internet context. In their view webmospherics is directly linked to five human senses. Luxemosphere is a concept created by Luxe Corps analysts and its CEO Uch辿 Okonkwo, who explains it in her book Luxury Online. Styles, Systems, Strategies.The matter is now creating a prestigious atmosphere on a luxury brand website, as exceptional as it can be the case in the other interactions with the brand. 束 It is about creating an exceptional online experience for every person visiting and revisiting the website 損. As for the webmosphere, luxemosphere is linked to the senses.
  • 6. Testing fragance house websites with luxumospheric criteria (1/4) Sight Strong welcome page introduction High-impact home page Brand specific design concept Harmonized color scheme High-pixel and relevant images Clear text font style Legible text font size Full-screen mode Relevant avatars Balanced graphics
  • 7. Testing fragance house websites with luxumospheric criteria (2/4) Aural Brand identity-specific sound Music variety Multiple music options Sound control tools Section-specific background sound Click-sound necessity Voice narration choices Balanced tone, pitch and tempo Text listening options Text translation possibilities
  • 8. Testing fragance house websites with luxumospheric criteria (3/4) Smell Scent emission Samples Descriptions
  • 9. Testing fragance house websites with luxumospheric criteria (4/4) Tactile Universal and selective zoom Relevant slide shows Full-screen videos 3-D product view Interactive views Flash animation Horizontal navigation Close-up shots Avatar option Demos
  • 12. Analysis by brand 1/2 The two-centered websites The three-centered websites
  • 13. Analysis by brand 2/2 Weakly multisensorial Strongly multisensorial Multisensorial
  • 14. Sight : used by all the brands
  • 15. Aural : overlooked by half of the brands
  • 16. Smell : used by all the brands but two
  • 17. Tactile : weakly stimulated by all the brands
  • 18. The main trends Only Thierry Muglers website is really luxemospheric because of its strong polysensoriality. Two others are not far from having a luxemosphere : Viktor & Rolf and Paco Rabanne. These 3 brands are young and avant-gardist compared to the other small or traditionnal perfume makers. All the brands stimulate smell except Chanel and Herm竪s. They either explain the smells or describe universes related to the fragrances or send samples. There is de facto a relationship between sending samples and having an e-boutique. Although it seems logical, these relationship is a priori not a necessity.
  • 19. Some of the best practices 1/2 http://www.muglerstore.com Very strong universe Balanced graphics Samples http://www.viktor-rolf.com and especially its Secret Service : Brand identity specific sounds Brand specific design concept 3D experience Exceptional and rich universe
  • 20. Some of the best practices 2/2 http://www.pacorabanne.com/ and especially http://www.pacorabanne.com/blackxs/uk/your- rockstar-experience/ Very strong and immersive universe A real interactivity One of the most interesting experience Couldnt other brands and especially luxury brands learn from these practices and get websites as exceptional as they are offline ?
  • 21. Discussion to be continued https://twitter.com/LionelMillet http://www.scoop.it/t/son-of-luxury lionel.millet@yahoo.fr THANK YOU FOR HAVING READ THESE SLIDES !
  • 22. Note : Some remarks about Okonkwos criteria We can easily imagine 2 kinds of limits : In themselves : Lack of precision Lack of objectivity of some of them (束 strong welcome page 損, ...) Need to be explained, especially by ergonomic criteria. That is what we did in order to give marks to the websites. In regard to a luxury website : Semantics is nearly neglect Dont take into account users path into the website Not only sensoriality, but spirituality too should be taken into account in a luxury website analysis