This document discusses the pop music genre and lists popular artists such as Rihanna, Pink, Cher Lloyd, and Justin Timberlake. It also provides YouTube links to music videos for each artist listed.
This document discusses various techniques used in music videos, including:
1) Popular music techniques like using footage from concerts to accompany songs not recorded in a studio.
2) Animation techniques where music videos use animation to create an illusion of movement like Daft Punk's "One More Time".
3) Interpretative and narrative techniques where music videos allow audience interpretation or tell a story like Sia's "Chandelier" and Taylor Swift's "Love Story".
The document defines and provides examples of different music video techniques and conventions. It describes styles as music genres found in chart shows, in-concert footage from live performances, and animation that creates movement illusions. Narrative techniques tell a story through the music video, while impressionist and surrealist techniques take viewers from reality into imaginative worlds. Cutting footage to the beat of the music and miming lyrics are some videomaking techniques. Interpretative and referencing videos leave meanings open for audience interpretation while linking to other artists.
This shot list contains 15 shots for filming a scene. The shots include establishing shots, wide shots, over-the-shoulder shots, point-of-view shots, and close-ups filmed in various locations including a park, center, and alleyways using a 600D camera on a tripod. The shots involve people talking, sensing they are being followed, facing off, a car going by, a man vanishing and fighting with himself before making a decision and walking into an alley where he disappears.
The document discusses the privacy and safety issues of using Facebook. It notes that people's activities and connections on Facebook are often publicly visible. It also discusses how Facebook apps and third parties may be able to access users' data, and reports that over 60% of Facebook users have concerns about privacy on the site. The document questions whether Facebook can truly keep its users safe given the scale of the network and challenges of preventing all threats.
PR3 Types and Styles of Music Based Programmingharrypowell7
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The document provides information about different types of radio stations and their formats, as well as examples of playlists and target audiences for radio shows. It discusses genres like classic rock, country, pop and others. It also includes sample playlists for different contexts like a hospital and Christmas shopping at a mall. The document gives rationale for music choices based on the intended audience and setting.
The document defines and provides examples of different types of music video techniques, including styles (such as pop, rock, indie), in-concert footage, animation, interpretative, and narrative videos. It also lists conventions for music videos such as lyric interpretation and techniques like cutting shots to the beat, miming/lip syncing, and using multiple images on the screen. Examples are provided for many of the defined types and techniques.
This document is a music video reel for award-winning filmmaker Rennie Cowan that includes links to 6 of their music videos along with contact information. The reel provides access to Cowan's work directing videos for songs like "Bow Before Your Throne", "Someone Else", and "Just A Prayer Away" in an effort to showcase their talents and experience creating music videos.
The document provides press coverage and reviews for the band Tweak Bird, including positive reviews of their self-titled album praising its ability to walk the line between heavy and endearing without sounding like a piss-take. The album received coverage from numerous online music publications and websites. The band also has videos available online and has received further press features, reviews of singles, and recommendations as an up-and-coming act.
This document provides contact information for Rennie Cowan who conducts red carpet interviews and other interviews. It includes over 50 links to YouTube videos of interviews conducted by Rennie Cowan with celebrities and other public figures. The videos cover a wide range of interviews on red carpets and other events.
This document lists various Elvis Presley music releases from the record label RCA that were released in 1984, including compilation albums, live recordings, and singles collections. Some of the notable releases include Elvis Golden Records Volume 5, Rocker, Golden Celebration (a 6 LP box set of rare recordings), and two box set collections of Elvis' greatest hits singles from the 1950s and 1960s.
The music video concept is for the song "Friday Night" by McFly. It will show the general daily life and party lifestyle of the artist through a mix of steady cam and handheld camera footage. A main character will be followed throughout the video performing the song and being involved in the narrative. There will be extras needed for realistic party scenes. Lighting will be bright to match the upbeat tempo, and shots will have a simple, minimal effects style to seem realistic.
Pink, born Alecia Beth Moore in 1979, is an American singer-songwriter and actress who originally found fame as a member of the girl group Choice. After starting her solo career in 2000 with her debut album Can't Take Me Home and lead single "There You Go", Pink has gone on to worldwide success and recognition.
The document is a director's reel for Rennie Cowan, an award-winning filmmaker. It provides links to over 30 of Cowan's commercials, trailers, infomercials, music videos, and other works spanning from 1998 to 2014. The reel highlights Cowan's experience directing projects for Chrysler, Broadway plays, sports organizations, animation, and more. It also lists several awards Cowan has received for excellence in cinematography, videography, and from the California legislature and Chapman University.
This document lists the most popular singles from 50 Cent's albums between 1999-2008. It includes the song title, year released, chart performance on the US Hot 100, US R&B/Hip-Hop charts, and UK Singles chart. Many of 50 Cent's singles reached the top 10 on the Hot 100, including "In Da Club", "Candy Shop", and "How We Do". His albums Get Rich or Die Tryin' and The Massacre produced multiple top 10 and platinum singles.
The document discusses potential music genres and songs that could be used for a project. It analyzes genres like post-rock, opera, screamo, hip-hop, and dubstep. Specific artists are mentioned for each genre. Several song suggestions are provided, but copyright issues may limit the selection. As alternatives, several uncopyrighted tracks from Freesound.org are proposed that could create atmospheric, violent, or ominous tones for different scenes.
This document outlines a pitch for a music video featuring the song "I Want It That Way" by The Backstreet Boys. It proposes following conventions of the pop genre through stylish costumes, a focus on relationships, bright colors, and appealing to teenage fans. Five band members would each have brief individual storylines shot on location before coming together for choreographed dancing. The video would end with the band leaving on a fake airport set, mirroring the original music video.
The document discusses how real estate professionals can use video and social media content creation and distribution to build their business. It covers strategies for creating different types of videos like open house, lifestyle and testimonial videos using basic point and shoot cameras, lights and microphones. The presentation also provides tips on content delivery through targeted Facebook ads and emphasizing relationships, content and social media.
This document analyzes the conventions of rock and indie music videos. For rock music videos, the key conventions discussed are that the action is fast-paced to match the beat of the song, videos may include silly or fun elements, clothing and hair styles are unusual, and there are many close-up shots of the singer and band members. For indie music videos, the conventions discussed are that they often feature live performances, lyrics typically have deeper meanings portrayed in the video, videos commonly use filters like black and white, and clothing is usually scruffy.
The document provides a list of radio station genres and the stations that fall under each genre, including: Adult Contemporary, Recurrent, Easy Listening, Classical, Rock n Roll, Indie Rock, Asian, and Gold. It then discusses a radio show called Monday Motivation hosted by Lauren Laverne on BBC Radio 6 Music. It analyzes aspects of the show such as the ratio of speech to music, branding and identification, the suitability of content and target audience, the presenter's style and delivery, and the radio formats of Classical and Indie Rock. Sample songs are provided for different target audiences including kids, girls, and middle aged adults. Finally, sample songs are listed that would be suitable for a hospital
This document discusses and analyzes various TV shows and their representations of music and culture. It includes questions about how The X Factor targets audiences and presents acts, the purpose and accuracy of Britney: Behind the Music, how Pimp My Ride represents American culture and the stereotypes it presents, and how the NME Chart presents artists and targets audiences. It also includes images of various celebrities and asks the reader to analyze how the performers and presenters are represented in terms of mise-en-scene.
This document is an animation reel for Rennie Cowan, an award-winning filmmaker. It includes links to 8 of Cowan's animated works, including Creepies, Glova!, Dewy's Playhouse, Road Rage, Road Kill, CTN Animation, Tales from the Ancients concept intro, Lava Rain, and The Death of Earth. Cowan's contact information is also provided.
This document discusses how sound design impacts storytelling in films. It provides several YouTube links analyzing sound design in iconic movie scenes from films like Jurassic Park, with some scenes shown with and without music to demonstrate the effect. One link describes how the sound designer for Jurassic Park created the sounds. The document also lists a Stack Exchange question about films known for excellent sound design and includes an essay plan outline discussing how sound design can influence a story.
This document is about a musician named Jay Grunke. It summarizes his background and experience in music production and as a DJ. It also outlines his goals of making music for everyone and pursuing his passion of music through continued learning, experimentation and creating.
Hayley Ovington proposes a music video for her song "See You Soon" by Benjamin Francis Leftwich. She draws inspiration from indie/acoustic videos featuring journeys, like those by Mumford and Sons and Ed Sheeran. Her proposed video would follow someone on a journey through the Newcastle area, incorporating a love story of leaving behind a loved one but reuniting. The video aims to fit the song's lyrics about going away and leaving friends through a narrative and possible performance elements.
The document discusses various styles, techniques, and genres used in music videos. It describes interpretive videos that feature scantily clad women to attract viewers, as well as videos that aim to make viewers feel different emotions. Live concert footage and animation are also discussed as genres that allow fans to experience a live show or help an artist tell their story. The document also covers techniques like cutting shots to the beat of the music to keep viewers engaged, as well as lip syncing which allows artists to mime to prerecorded vocals.
This document is a commercial reel for filmmaker Rennie Cowan that provides links to various commercials and trailers they have produced. It includes commercials for Chrysler, Chicago Cable, Oklahoma Cable, American Sports University, Senior Star Power, Coke, Cowan Television Network, Razorbacks, THX, Jazz Festival, Trident, Atari 7800 Flashback, Cardinals, Rebels, and trailers for Ogre 3D, Paraside, Tales from the Ancients, and Hellscape. Contact information is provided at the top for Rennie Cowan including their email and cell phone number.
The document provides press coverage and reviews for the band Tweak Bird, including positive reviews of their self-titled album praising its ability to walk the line between heavy and endearing without sounding like a piss-take. The album received coverage from numerous online music publications and websites. The band also has videos available online and has received further press features, reviews of singles, and recommendations as an up-and-coming act.
This document provides contact information for Rennie Cowan who conducts red carpet interviews and other interviews. It includes over 50 links to YouTube videos of interviews conducted by Rennie Cowan with celebrities and other public figures. The videos cover a wide range of interviews on red carpets and other events.
This document lists various Elvis Presley music releases from the record label RCA that were released in 1984, including compilation albums, live recordings, and singles collections. Some of the notable releases include Elvis Golden Records Volume 5, Rocker, Golden Celebration (a 6 LP box set of rare recordings), and two box set collections of Elvis' greatest hits singles from the 1950s and 1960s.
The music video concept is for the song "Friday Night" by McFly. It will show the general daily life and party lifestyle of the artist through a mix of steady cam and handheld camera footage. A main character will be followed throughout the video performing the song and being involved in the narrative. There will be extras needed for realistic party scenes. Lighting will be bright to match the upbeat tempo, and shots will have a simple, minimal effects style to seem realistic.
Pink, born Alecia Beth Moore in 1979, is an American singer-songwriter and actress who originally found fame as a member of the girl group Choice. After starting her solo career in 2000 with her debut album Can't Take Me Home and lead single "There You Go", Pink has gone on to worldwide success and recognition.
The document is a director's reel for Rennie Cowan, an award-winning filmmaker. It provides links to over 30 of Cowan's commercials, trailers, infomercials, music videos, and other works spanning from 1998 to 2014. The reel highlights Cowan's experience directing projects for Chrysler, Broadway plays, sports organizations, animation, and more. It also lists several awards Cowan has received for excellence in cinematography, videography, and from the California legislature and Chapman University.
This document lists the most popular singles from 50 Cent's albums between 1999-2008. It includes the song title, year released, chart performance on the US Hot 100, US R&B/Hip-Hop charts, and UK Singles chart. Many of 50 Cent's singles reached the top 10 on the Hot 100, including "In Da Club", "Candy Shop", and "How We Do". His albums Get Rich or Die Tryin' and The Massacre produced multiple top 10 and platinum singles.
The document discusses potential music genres and songs that could be used for a project. It analyzes genres like post-rock, opera, screamo, hip-hop, and dubstep. Specific artists are mentioned for each genre. Several song suggestions are provided, but copyright issues may limit the selection. As alternatives, several uncopyrighted tracks from Freesound.org are proposed that could create atmospheric, violent, or ominous tones for different scenes.
This document outlines a pitch for a music video featuring the song "I Want It That Way" by The Backstreet Boys. It proposes following conventions of the pop genre through stylish costumes, a focus on relationships, bright colors, and appealing to teenage fans. Five band members would each have brief individual storylines shot on location before coming together for choreographed dancing. The video would end with the band leaving on a fake airport set, mirroring the original music video.
The document discusses how real estate professionals can use video and social media content creation and distribution to build their business. It covers strategies for creating different types of videos like open house, lifestyle and testimonial videos using basic point and shoot cameras, lights and microphones. The presentation also provides tips on content delivery through targeted Facebook ads and emphasizing relationships, content and social media.
This document analyzes the conventions of rock and indie music videos. For rock music videos, the key conventions discussed are that the action is fast-paced to match the beat of the song, videos may include silly or fun elements, clothing and hair styles are unusual, and there are many close-up shots of the singer and band members. For indie music videos, the conventions discussed are that they often feature live performances, lyrics typically have deeper meanings portrayed in the video, videos commonly use filters like black and white, and clothing is usually scruffy.
The document provides a list of radio station genres and the stations that fall under each genre, including: Adult Contemporary, Recurrent, Easy Listening, Classical, Rock n Roll, Indie Rock, Asian, and Gold. It then discusses a radio show called Monday Motivation hosted by Lauren Laverne on BBC Radio 6 Music. It analyzes aspects of the show such as the ratio of speech to music, branding and identification, the suitability of content and target audience, the presenter's style and delivery, and the radio formats of Classical and Indie Rock. Sample songs are provided for different target audiences including kids, girls, and middle aged adults. Finally, sample songs are listed that would be suitable for a hospital
This document discusses and analyzes various TV shows and their representations of music and culture. It includes questions about how The X Factor targets audiences and presents acts, the purpose and accuracy of Britney: Behind the Music, how Pimp My Ride represents American culture and the stereotypes it presents, and how the NME Chart presents artists and targets audiences. It also includes images of various celebrities and asks the reader to analyze how the performers and presenters are represented in terms of mise-en-scene.
This document is an animation reel for Rennie Cowan, an award-winning filmmaker. It includes links to 8 of Cowan's animated works, including Creepies, Glova!, Dewy's Playhouse, Road Rage, Road Kill, CTN Animation, Tales from the Ancients concept intro, Lava Rain, and The Death of Earth. Cowan's contact information is also provided.
This document discusses how sound design impacts storytelling in films. It provides several YouTube links analyzing sound design in iconic movie scenes from films like Jurassic Park, with some scenes shown with and without music to demonstrate the effect. One link describes how the sound designer for Jurassic Park created the sounds. The document also lists a Stack Exchange question about films known for excellent sound design and includes an essay plan outline discussing how sound design can influence a story.
This document is about a musician named Jay Grunke. It summarizes his background and experience in music production and as a DJ. It also outlines his goals of making music for everyone and pursuing his passion of music through continued learning, experimentation and creating.
Hayley Ovington proposes a music video for her song "See You Soon" by Benjamin Francis Leftwich. She draws inspiration from indie/acoustic videos featuring journeys, like those by Mumford and Sons and Ed Sheeran. Her proposed video would follow someone on a journey through the Newcastle area, incorporating a love story of leaving behind a loved one but reuniting. The video aims to fit the song's lyrics about going away and leaving friends through a narrative and possible performance elements.
The document discusses various styles, techniques, and genres used in music videos. It describes interpretive videos that feature scantily clad women to attract viewers, as well as videos that aim to make viewers feel different emotions. Live concert footage and animation are also discussed as genres that allow fans to experience a live show or help an artist tell their story. The document also covers techniques like cutting shots to the beat of the music to keep viewers engaged, as well as lip syncing which allows artists to mime to prerecorded vocals.
This document is a commercial reel for filmmaker Rennie Cowan that provides links to various commercials and trailers they have produced. It includes commercials for Chrysler, Chicago Cable, Oklahoma Cable, American Sports University, Senior Star Power, Coke, Cowan Television Network, Razorbacks, THX, Jazz Festival, Trident, Atari 7800 Flashback, Cardinals, Rebels, and trailers for Ogre 3D, Paraside, Tales from the Ancients, and Hellscape. Contact information is provided at the top for Rennie Cowan including their email and cell phone number.
Business structure for today's economy in bulgariaMike Smay
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The document discusses adjusting a business structure for today's economy. It suggests focusing on core competencies and outsourcing non-essential tasks. Additionally, it recommends making it easy for customers to find the business online, contact the business via multiple methods, and complete transactions through various payment options in order to tailor the business for a fast-paced, globally competitive marketplace.
The document discusses the target audience for a pop music magazine aimed at teenage girls aged 12-18 who enjoy pop music and artists. Research showed that the audience would be teenage girls attracted to popular pop artists. In creating the magazine, factors like age, interests, attitudes, gender, and audience profiles were considered to design a magazine that would appeal to fans of pop music through informative and entertaining content focusing on the latest popular artists.
Surrealism originated in the late 1910s and 1920s in Paris as an artistic movement that sought to release creativity from the unconscious mind. Key historical surrealist artists included Salvador Dali, Rene Magritte, Max Ernst, and Man Ray. Common themes in historical surrealist works were disjointedness, the unfamiliar, dreams and nightmares, and portrayals of the subconscious mind. Techniques included cutouts, unusual proportions, and incorporating everyday objects. Contemporary surrealism is used in advertising to create new perceptions of products and services, as seen in WWF advertisements, through techniques like photo manipulation and three-dimensional images.
The document discusses three different camera shots taken by the photographer: a reflection shot showing a person making eye contact with their reflection in the camera, a rule of thirds shot that failed to properly demonstrate the rule of thirds composition, and an unsuccessful lead shot where the subject was half cropped with too much empty space ahead of them. Improvements suggested for each shot include using a different background for the reflection shot, repositioning the subjects in the rule of thirds shot to better illustrate the rule, and zooming out or changing angles for the lead shot to clearly show the subject in motion.
This was the closing presentation for the session on September 26th, about using the maturity model for future orientation.
PreEvents in Bonn, Helsinki and Amsterdam
In order to optimize the outcome of the co-working unconference LaFutura 2013 on November 11th in Amsterdam we have organised a sequence of PreEvents in different cities in Europe. And as part of this series we organised two PreEvents in Amsterdam at the end of September.
The first Dutch event on September 25th was attended by different people from mainly the supply side of the future business. As on the 26th the majority of the attendees was from the demand side. We have chosen this design because of LaFutura’s theme of this year ‘NOW NEW NEXT Building the future industry’ which is for the morning program ‘mapping the future industry of today’. The afternoon will be structured around the theme ‘building the future industry of tomorrow’. The supply side tackled the theme ‘who are we and what do we do’ in order to contribute to the ultimate goal to create an organized future industry with happy clients. The demand side tackled the question ‘how can we connect future questions with the future industry’. These PreEvents had the same unconference character as the main gathering will have. Therefore it was co-creation and picking and mixing the brainpower present.
The outcome of the first events where four models or maps (including The Future Navigator by Delia Dumitrescu) with the working titles ‘Attitude versus processes’, ‘Travel guide’ and ‘Network of spheres’. During day two the future related questions where plotted on those different maps. It wasn’t a piece of cake to come up with ultimate questions, answers and maps but steps were made towards more clarity and mutual understanding grew. The outcome of the Dutch days will be combined with the outcomes of Helsinki and Germany and the key findings and key learnings will in their turn be input for November 11th.
http://www.lafutura2013.com
This document provides a contents page plan and mock up for a magazine. It includes a list of what will be on the contents page such as the title, artist images and subtitles, an editorial page with a script about an interview with an artist, and mock ups of how the layout will look including artist images and subtitles. The editorial previews an interview on page 15 with an artist discussing their relationship and love for Christmas is discussed along with images of Christmas jumpers worn until January.
The document summarizes the results of a questionnaire about a magazine. Most respondents indicated that they liked the magazine's layout, cover, and design. The majority also said the magazine appealed to them, they would buy it for £3.99, they would be attracted to it in a shop, and that it looked professional. When rated on a scale of 1 to 10, most gave it a 10. Of the 20 people asked, 18 said they would buy the magazine.
- The document discusses travelling harmonic waves, providing the harmonic wave equation and exploring an example of a battle rope wave.
- It describes how the displacement of a medium changes as a wave passes through it, and that harmonic waves can travel in increasing or decreasing x directions.
- An example problem is given about a battle rope wave with known amplitude, wavelength, and period, asking the wave type, harmonic wave equation, and wave speed. The solutions show it is a transverse wave and calculate the wave equation and speed.
Growing your business managing cost, funding, customer satisfaction - finalMike Smay
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The document discusses key aspects of managing a small business, including financial management, accounting, financial reporting, and cash flow. It emphasizes the importance of understanding cash flow, collecting receivables, and ensuring customer satisfaction to help the business grow over time through gaining new customers and repeat business. Maintaining financial records and reports allows owners to monitor the health and profitability of the company.
This document analyzes the target audiences of 5 different music magazines:
- NME targets men in their late teens to early 20s interested in rock/indie music.
- Blender targets teenage girls interested in pop music and artists.
- Q targets both men and women ages 20+ with varied interests including indie/rock.
- Mixmag targets young men interested in partying and dance music.
- BBC Music targets an older audience, both men and women, with an interest in relaxation and instrumental music.
This was our ‘warming up’ presentation for the session on September 25th, presenting different models from different industries.
PreEvents in Bonn, Helsinki and Amsterdam
In order to optimize the outcome of the co-working unconference LaFutura 2013 on November 11th in Amsterdam we have organised a sequence of PreEvents in different cities in Europe. And as part of this series we organised two PreEvents in Amsterdam at the end of September.
The first Dutch event on September 25th was attended by different people from mainly the supply side of the future business. As on the 26th the majority of the attendees was from the demand side. We have chosen this design because of LaFutura’s theme of this year ‘NOW NEW NEXT Building the future industry’ which is for the morning program ‘mapping the future industry of today’. The afternoon will be structured around the theme ‘building the future industry of tomorrow’. The supply side tackled the theme ‘who are we and what do we do’ in order to contribute to the ultimate goal to create an organized future industry with happy clients. The demand side tackled the question ‘how can we connect future questions with the future industry’. These PreEvents had the same unconference character as the main gathering will have. Therefore it was co-creation and picking and mixing the brainpower present.
The outcome of the first events where four models or maps (including The Future Navigator by Delia Dumitrescu) with the working titles ‘Attitude versus processes’, ‘Travel guide’ and ‘Network of spheres’. During day two the future related questions where plotted on those different maps. It wasn’t a piece of cake to come up with ultimate questions, answers and maps but steps were made towards more clarity and mutual understanding grew. The outcome of the Dutch days will be combined with the outcomes of Helsinki and Germany and the key findings and key learnings will in their turn be input for November 11th.
http://www.lafutura2013.com/
This document discusses evaluation questions for a media product and includes examples of typical parts of media products like a front cover, contents page, and double page spread. It aims to understand how a created media product may use, develop, or challenge real-world conventions and forms within the genre.
This document discusses the front cover design of a media product and how it uses conventions of real pop magazines. It notes that the barcode is placed at the bottom right corner of the cover, as is typical in pop magazines, and contains issue details. The cover lines are slightly slanted, emulating the style of other pop magazines to make the media product look more like a real magazine. Some cover lines have a white background while others have a light purple background to make them stand out and catch the eye of the audience.
This document discusses the front cover design of a media product and how it uses conventions of real pop magazines. It notes that the barcode is placed at the bottom right corner of the cover, as is typical in pop magazines, and contains issue details. The cover lines are slightly slanted, as seen in other pop magazines, and use different colored backgrounds to make them eye-catching and attract audiences, emulating conventions of real pop magazines.
This document identifies risks and ways to minimize risks for various activities:
1) Taking photos could risk tripping on equipment, so make everyone aware of the equipment and not block areas.
2) Making magazine pages on a computer could involve spilling drinks or staring at screens too long, so avoid drinks by computers and take breaks.
3) Questionnaires with strangers could make them uncomfortable or seem untrustworthy, so explain the purpose and bring someone else.
4) Focus groups could involve spilling on cameras or going somewhere unsafe with strangers, so keep liquids away from cameras, stay with trusted people, and let others know your location.
This document contains a task planning checklist with deadlines and responsibilities. It includes tasks to write an article by November 25th, take photos by January 3rd with a model, produce a front cover by January 20th, create a contents page by February 28th, make a double page spread by March 3rd, and conduct an evaluation with feedback by March 15th. All tasks are assigned to be completed by "me".
The document describes several improvements made to a double page magazine spread. First, the magazine title was placed on the right page and main article title on the left, with a quote and artist name. The background was light pink. Second, the article was placed in the middle with questions in pink and answers in black, and the page number at bottom right. A skyline, writer, and website were also included. Third, the main image was placed on the left with the article next to it, as in the magazine. The main title was centered to link the pages. Finally, the image background was made transparent to contrast with the page background, the image was placed over the skyline at the bottom, and text was enlarged
The document discusses improvements made to a magazine contents page layout. It describes placing the masthead, editorial, image, and table of contents in different areas of the page. Specific improvements include placing the masthead towards the right and including the magazine title on the left. Shapes were added to the sides to resemble an actual pop magazine contents page. The final layout has the masthead in the middle right, title on the left, image below the masthead on the left, editorial on the right, and table of contents on the left.
The document outlines plans for the front cover of a magazine. It will feature original photographs of a model taken by the author in different poses. The language will be casual and aimed at teenagers. The front cover will include headlines about the featured artist, their story, and other artists. The text will be in fonts that match the magazine's color theme. The front cover design will have the model's full-bleed image as the background. Cover lines will describe the artist in the center left and right. The magazine title will be at the top with the masthead stretching across. The artist's name will be bold and large near the bottom. A brief tagline will also promote the artist's content. The barcode will be in
The author outlines their house style plan for a magazine, which will use a pink, purple, white and blue color theme to attract audiences. These colors were chosen because they contrast well together and are commonly used in pop magazines targeted towards females, as they are bold, bright colors that help the magazine stand out. The feminine colors are intended to appeal more to female readers of pop magazines.
This magazine content plan outlines the sections to include: a front cover, contents page, and double page artist spread. Additionally, it will feature a poster, interviews, previews of next week's issue, competitions, reviews, advertisements, an advice section for readers, fashion advice, and updates on celebrities.
Pop-sessed was chosen as the title for the magazine because it directly conveys that the audience is obsessed with pop music. When individuals aged 13-18 were asked for feedback on potential titles, Pop-sessed was the most popular choice. The title combines the genre "pop" with the word "obsessed" to clearly indicate the magazine's focus on pop music fans. The title is written in black font to make it bold and help it stand out against the bright colors typically used in pop magazines. A heart was added behind the title to further represent the magazine's theme of loving and being obsessed with pop genre music.
The document analyzes data from a questionnaire about audience demographics for a music magazine. It finds that:
1) More females than males completed the questionnaire, so the magazine should be slightly targeted towards females.
2) Most respondents were ages 16-20, so the magazine should focus on content relevant to that age group.
3) Pakistanis were the most represented ethnicity, so the magazine content should reflect a diversity of cultures.
4) Pop was the most popular music genre, so the magazine should focus on pop artists and topics to appeal to the largest audience.
The document provides details about the layout and design elements of an NME magazine cover and pages. Key elements like the masthead, images, headings, and placement of text, dates and prices are described. The target audience is music fans who listen to genres like hip hop. Images and colors like red are used consistently across pages to connect the different sections and attract readers interested in the featured artist, Dizzee Rascal.