Popular Culture in Latin America
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Popular culture in Latin America includes expressions like salsa, samba, religious rituals, masks, weaving, and oral stories that originate from subordinate classes. In the 19th century, popular culture became intertwined with notions of national identity. Popular culture represents the whole way of life and produces symbolic forms of expression. It involves syncretic religious practices like pilgrimages, festivals, and morality plays. Governments have both promoted popular culture to represent the nation but also pushed for modernization. Popular culture offers alternative ways of life and identity compared to Western culture. Mass media like radio, television, and telenovelas act as a bridge between traditional and modern aspects of society. Popular culture can be a site of resistance and
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![Popular Culture and concientizaci坦n
In this form of cinema [or radio, or
theather] the popular exists in a different
mode to the cinematic productions of the
1930s [] that is, as a commitment to use
cinema as a form of consciousness
raising. (196)](https://image.slidesharecdn.com/popularculture-121124190827-phpapp02/85/Popular-Culture-in-Latin-America-13-320.jpg)
![Popular Culture in Latin America today
The specificity of popular culture in Latin America
[] lies in the fact that folk traditions persist and
develop as part of the daily life and memory of poor
urban and rural communities. [] folklore in Latin
America still exists as a means for the construction
of identities: Afro, indigenous, gender, migrant. It
also endures as a reference point and material for
elite art and literature, and [] as a repository of
themes, images and forms of communication used
by mass culture. (198-199)](https://image.slidesharecdn.com/popularculture-121124190827-phpapp02/85/Popular-Culture-in-Latin-America-14-320.jpg)
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truly public if those who shared space with it were consulted about its ultimate form and use. In
California in particular, a new and dynamic movement evolved that took inspiration from both the
murals of Mexico and the struggles of farm workers in the United States, led by Cesar Chavez
and Luisa Moreno, to unionize under the United Farm Workers of America (UFW).
The growing political activism of individuals of Mexican descent around this unionization drive, which
ultimately grew into a full-blown civil rights movement, led to the adoption by many of the name Chicano,
derived from Mexicano. While it had circulated as an informal term for several decades within
communities whose members described themselves as Mexican Americans, it was now used publicly
as a form of positive self-identification, indicative of a new political consciousness and a commitment
to social change. One of the first Chicano murals was produced in 1968 by Antonio Bernal on the side of
the UFW Center in Del Ray, California. The piece celebrates modern revolutionary leaders, including
Pancho Villa, and Emiliano Zapata (key figures in the Mexican Revolution of 1910-20), Cesar Chavez, ,
Malcolm X, and Martin Luther King. A companion piece depicted Pre-Columbian leaders.
Chicana Muralist Judith Baca and The Great Wall of Los An ...Final voices of immigration in usa
Final voices of immigration in usaSole Loutayf
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This document summarizes a workshop about voices of Latino immigrants in the USA. The workshop aims to analyze two New York Times articles on this topic to rethink metaphors and hybrid identities. It provides background on The New York Times newspaper and discusses key concepts like immigration, identity, culture, and hybridity. Participants will analyze the articles using guiding questions on topics like metaphors, elements of identity, and configurations of culture.3[1][1].1walsh![3[1][1].1walsh](https://cdn.slidesharecdn.com/ss_thumbnails/311-131109155729-phpapp02-thumbnail.jpg?width=560&fit=bounds)
3[1][1].1walshJos辿 Carlos Bonino Jasaui
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This document discusses the (re)articulation of political subjectivities and colonial difference in Ecuador. It focuses on the emergence of new cultural identity politics among indigenous and Afro-descendent movements in Latin America in the 1990s. These movements politicize ethnic and racial differences as well as colonial legacies of subalternity. They aim to transform national social and political structures by confronting transnational neoliberal policies and interests. The document examines how these movements bring into question concepts of state, citizenship, democracy, and nation, and discusses their implications for understanding transnationalism and the multiculturalization of capitalism.Popular Culture in study of Cultural Studies.pdf
Popular Culture in study of Cultural Studies.pdfAsha Rathod
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M.A sem 3 paper No -205 cultural studies I'm deal with the topic popular Culture presentation submitted to Department of English, M K Bhavnagar University of GujaratD0391019022
D0391019022inventionjournals
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International Journal of Humanities and Social Science Invention (IJHSSI) is an international journal intended for professionals and researchers in all fields of Humanities and Social Science. IJHSSI publishes research articles and reviews within the whole field Humanities and Social Science, new teaching methods, assessment, validation and the impact of new technologies and it will continue to provide information on the latest trends and developments in this ever-expanding subject. The publications of papers are selected through double peer reviewed to ensure originality, relevance, and readability. The articles published in our journal can be accessed online.Enchanted Folk Music and the Development of Cultural Capital: Lithuanias Mil...
Enchanted Folk Music and the Development of Cultural Capital: Lithuanias Mil...Emily Daina aras
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AABS Poster. Enchanted Folk Music and the Development of Cultural Capital: Lithuanias Millennial National Brand. Yale University, Spring 2014, Emily Daina Saras.Five types of c.s
Five types of c.sDepartment of English M.K.Bhavnagar University
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The document summarizes five types of cultural studies: (1) British Cultural Materialism, (2) New Historicism, (3) American Multiculturalism including African American, Latina/o, American Indian, and Asian American writers, (4) Postmodernism and Popular Culture, and (5) Postcolonial Studies. It provides details on the key ideas and scholars associated with each type of cultural studies.More from vgrinb (20)
Tradition & transformation in la music amd salsa
Tradition & transformation in la music amd salsavgrinb
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Latin American music has its origins in the indigenous, African, and European musical traditions that were brought together during the colonial period. The differences in musical forms throughout Latin America can be explained by these colonial influences and the development of national identities after independence. Contemporary Latin American music such as salsa, bossa nova, and nueva canci坦n demonstrate the hybrid nature and continued evolution of musical styles in the region through blending diverse cultural influences.
Humor, grotesco, iron鱈avgrinb
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El documento resume tres cuentos hispanoamericanos que utilizan el humor, la iron鱈a y lo grotesco. El primero, "Carretera sin buey" de Claudia Hern叩ndez, trata sobre un hombre que se castra para convertirse en buey. El segundo, "Democrash" de Dante Liano, usa un lenguaje coloquial e ir坦nico para criticar la sociedad. El tercero, "El ratero" de Franz Galich, describe de manera grotesca la vida de un hombre que se alimenta de ratas.
cuento afrohispanovgrinb
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El documento resume la cuent鱈stica afrohispanoamericana. Explica que en la 辿poca colonial el tema principal era "el tema del negro", mientras que en el siglo XIX era "el cimarr坦n" y la literatura abolicionista. En los a単os 30 y 40 hubo dos modalidades est辿ticas - de contenido social/pol鱈tico/hist坦rico y de contenido mitol坦gico/folkl坦rico. Tambi辿n analiza corrientes literarias afrocentroamericanas ex坦genas como la invisibilizaci坦n y corrientes end坦gen
La palabra feminista en el cuento hispanoamericanovgrinb
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Este documento analiza la representaci坦n de la palabra "feminista" en el cuento hispanoamericano. Explora temas como la igualdad de g辿nero, los roles de g辿nero, y la cr鱈tica al falogocentrismo. Tambi辿n discute c坦mo el feminismo ha influenciado la escritura y el canon literario. Luego resume dos cuentos de Ana Rueda, "La par叩bola de la tejedora" y "Letra para salsa y tres soneos por encargo", enfoc叩ndose en sus temas sobre g辿nero.The American Dream revisited in Drown
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The document provides a summary of key themes and events in the short story collection "Drown" by Junot D鱈az. It discusses the changing perspective to focus on the character Papi. It also touches on themes of machismo behavior, the difficulties of immigrant life in America including racism and hardship, and the complex nature of migration.Drown 4
Drown 4vgrinb
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The document discusses several short stories and essays written by Junot D鱈az including "Edison, New Jersey", "How to Date a Browngirl, Blackgirl, Whitegirl or Halfie", and "No Face". It notes that D鱈az's work often parodies stereotypes about women and encourages empathy with Dominicans. It also briefly mentions that one of his characters returns to the Dominican Republic.
Microcuentovgrinb
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El documento describe las caracter鱈sticas del microcuento en Hispanoam辿rica, incluyendo la brevedad, la indivisibilidad de la introducci坦n, el nudo y el desenlace, la condensaci坦n sem叩ntica, la elipsis, el efecto de sorpresa con un final abierto, y los juegos con el lenguaje, arquetipos, discursos y textos a trav辿s de la polisemia, lo figurado a lo literal, la parodia y la hip辿rbole.
El realismo m叩gico en dos cuentos hispanoamericanosvgrinb
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El documento resume cinco tesis sobre el realismo m叩gico como corriente literaria que se origina de las creencias y tradiciones latinoamericanas. Tambi辿n analiza dos cuentos hispanoamericanos, "La lluvia" de Arturo Uslar Pietri y "El prisionero" de Augusto Roa Bastos, que ejemplifican las caracter鱈sticas del realismo m叩gico.
Lo fant叩stico en "La isla a mediod鱈a"vgrinb
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Este documento resume el cuento "La isla a mediod鱈a" de Julio Cort叩zar. Explora elementos como la focalizaci坦n, los personajes, los lugares y la 辿poca. Tambi辿n analiza si la historia se desarrolla en el sue単o o la realidad, y el final ambiguo que oscila entre lo fant叩stico y lo real. Finalmente, clasifica el cuento como fant叩stico debido a su naturaleza ambigua y la falta de una explicaci坦n singular de los eventos narrados.Drown - Part III: Masculinity 
Drown - Part III: Masculinity vgrinb
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The document discusses themes in Junot D鱈az's short story collection Drown, including the struggles of young Latino males pursuing the American Dream, the role of mothers and issues of masculinity and sexuality. It also provides historical context about the dictatorship of Rafael Trujillo in the Dominican Republic from 1930 to 1961, noting his cult of personality, repression of civil liberties and political opponents, use of torture, promotion of motherhood and racism.Gender roles in Junot D鱈az' Drown
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The document is an excerpt from the short story "Drown" by Junot D鱈az. It describes Yunior waiting to meet up with Aurora, a woman he has a volatile relationship with involving physical abuse towards each other. The excerpt reflects on their relationship through vignettes of past interactions, expressing both nostalgia for happier times together as well as detachment from the physical and emotional harm they cause one another.
El realismo social en los cuentos de Carmen Lyravgrinb
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El documento resume el realismo social en los cuentos de Carmen Lyra, una escritora costarricense. El realismo social se enfoca en temas como la literatura comprometida, antiimperialista y de protesta. Tambi辿n discute la tradici坦n del realismo social en Am辿rica Latina y c坦mo Lyra contribuy坦 a este g辿nero a trav辿s de su novela Bananos y hombres, la cual documenta las duras condiciones de vida de los trabajadores en las fincas bananeras y denuncia las injusticias sociales.Drown - Part 1
Drown - Part 1vgrinb
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This document provides a summary of the short story "Boyfriend" by Junot D鱈az. It outlines the narrator, main characters, settings, time period, plot, and themes addressed in the story. The narrator is a child and the story follows his experiences in the Dominican Republic and later moving to New Jersey. Key issues explored include loss of innocence, violence, prejudice, migration, and cultural influences. The narrator's perspective is reflective yet critical as he recounts his childhood.
Borges cuentistavgrinb
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Jorge Luis Borges era un destacado cuentista, poeta, ensayista y traductor argentino. Se destac坦 principalmente por sus cuentos cortos y su dominio de diversos g辿neros literarios. Borges prefer鱈a el cuento breve sobre la novela extensa, y exploraba temas filos坦ficos y lo fant叩stico a trav辿s de la literatura. Dos de sus cuentos m叩s famosos fueron "El jard鱈n de senderos que se bifurcan" y "La muerte y la br炭jula".Borderlands/La Frontera
Borderlands/La Fronteravgrinb
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1) The document is an excerpt from Gloria Anzald炭a's book Borderlands/La Frontera, which deals with the cultural borderlands experienced by Chicanos and Mexican Americans living at the geographic border between the U.S. and Mexico.
2) Anzald炭a explores the history of Anglo conquest and colonization of Mexican territory in the Southwest U.S., which displaced indigenous and Mexican residents from their lands. She describes the borderlands as an open wound and the experiences of those who cross borders illegally.
3) Anzald炭a develops the concept of "mestizaje" or mixed heritage as a symbol of a new identity and consciousness for those of mult
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El resumen analiza dos cuentos hispanoamericanos que presentan elementos del decadentismo y el criollismo. El primer cuento de 1915 de Rafa辿l Ar辿valo Mart鱈nez titulado "El hombre que parec鱈a un caballo" incluye rasgos modernistas y decadentes en la descripci坦n sensorial y amoral de los personajes. El segundo cuento de 1928 de Horacio Quiroga "El hijo" contiene elementos decadentes y se enfoca en detalles del paisaje criollo de Misiones, adem叩s de incluir un giro fant叩stI am joaqu鱈n
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The poem "I am Joaqu鱈n" by Rodolfo "Corky" Gonzales is about Mexican and Latino/a identity, including their historical, ethnic, religious, cultural, and gender-related heritage. It discusses influential figures and events in Mexican history. It also addresses themes of struggling against exploitation, bigotry, and racial hatred faced by the Latino community, while maintaining their cultural survival despite losing economic battles.Transnational political identities
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This document discusses transnational political and cultural identities among Latinos in the United States. It notes that Latinos have crossed political borders or have been crossed by them, and citizenship is required for political participation but assumes loyalty to a single nation-state. However, immigrant communities develop hybrid identities that incorporate both their home and host cultures, as seen in the paintings of Bibiana Suarez that depict experiences between cultures.Poverty, injustice and the ecological crisis
Poverty, injustice and the ecological crisisvgrinb
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This document discusses how poverty, injustice, and ecological issues are interrelated. Large industrial farms contribute to social and economic inequality as well as environmental degradation, as they prioritize profits and externalize costs. Meanwhile, small-scale farms struggle due to a lack of support and integration into the economic system. Overall, a dualistic model has emerged where large agricultural operations are separate from local communities and the natural environment.
Decadentismovgrinb
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El documento describe el decadentismo como un movimiento literario y art鱈stico que surgi坦 en la segunda mitad del siglo XIX en Europa, inspirado en la obra de Charles Baudelaire. Se caracteriza por la angustia ante el deterioro social y el impacto de la modernidad, as鱈 como por temas como la sensualidad, la belleza artificial y la ambivalencia frente a la muerte. Luego, menciona que este movimiento tambi辿n tuvo presencia en Hispanoam辿rica a trav辿s de las obras de los escritores venezolano Manuel D鱈az Rodr鱈guePopular Culture in Latin America
- 1. Popular Culture in Latin America Vivian Schelling
- 2. Popular culture expressions: salsa, samba religious rituals, magic, carnivals alternative theater, video and radio masks, pottery, weaving oral narratives the whole way of life language, dress, political culture from subordinate classes and ethnic groups.
- 3. Popular culture and national identity In the 19th century the notion of popular culture became interwoven with the search for and affirmation of national identity. (172)
- 4. Popular culture as folklore 1. Popular culture is the whole way of life. 2. Peoples way of way of life produces symbolic forms: music, language, literature & cultural artifacts
- 5. Syncretic religious forms and practices in Latin America: Pilgrimages fiestas (festivities) autos sacramentales (morality plays) the figure of the devil the Virgin of Guadalupe
- 6. The use of popular culture in Latin America during the 20th century Populist government (40s and 50s) and military administrations (60s, 70s and 80s) appropriated popular culture to represent the nation. At the same time, those same administrations forced subordinate social classes and ethnic groups to adopt modern ways of life.
- 7. Modernity vs. Popular Culture: Popular culture offers alternative ways of life, identity, development and social order Popular culture is embedded in systems of belief different from Western culture
- 8. Mass culture and popular culture Mass media have acted as mediators between the State and the masses, between the urban and the rural, tradition and modernity. (183)
- 9. Mass culture forms Radio Television Telenovela Film
- 10. Telenovelas transform abstract issues into private passions plots revolve around the emotional life of family incorporate the struggle between good and evil typical of oral narratives are open to the world of current events sites of mestizaje between the popular, the national, the transnational, the modern and the traditional promote sentimental integration of Latin America
- 11. Popular Culture and Power Relations popular culture was seen as a form of resistance or oppositional culture prefiguring a new social order no longer characterized by alienation and human exploitation. (190)
- 12. Popular Culture and Power Relations Popular culture can be seen as a site of conflict between hegemonic and counter- hegemonic forces.
- 13. Popular Culture and concientizaci坦n In this form of cinema [or radio, or theather] the popular exists in a different mode to the cinematic productions of the 1930s [] that is, as a commitment to use cinema as a form of consciousness raising. (196)
- 14. Popular Culture in Latin America today The specificity of popular culture in Latin America [] lies in the fact that folk traditions persist and develop as part of the daily life and memory of poor urban and rural communities. [] folklore in Latin America still exists as a means for the construction of identities: Afro, indigenous, gender, migrant. It also endures as a reference point and material for elite art and literature, and [] as a repository of themes, images and forms of communication used by mass culture. (198-199)
Editor's Notes
- #8: .