際際滷

際際滷Share a Scribd company logo
Deborah Rubin
  Portfolio




     Contents

    Introduction
      Paintings
      Resume
Three White Peonies
      20 x 30
    Watercolor
Potted Croton
       40 x 76
Watercolor and Acrylic
White Tulips
 22 x 30
Watercolor
Daffodils with Tulips
      40 x 60
    Watercolor
Autumn Leaves
   20 x 70
 Watercolor
Coconuts in Sunlight
       40 x 60
Watercolor and Acrylic
Lilies with Hibiscus
       40 x 40
     Watercolor
Boats with Re鍖ections
       24 x 40
     Watercolor
Eleven Boats
   18 x 30
 Watercolor
El Cielo
12 x 12
Gouache
Yellow Cab
     30 x 40
Gouache and Acrylic
Laguna Pottery
   22 x 30
  Gouache
DEBORAH                 RUBIN

                          Studio at 143 Flat Hills Rd, Amherst, Massachusetts 01002
                             413-253-7922        deborahrubin@comcast.net
                                      www.deborahrubin.com
                               Bachelor of Fine Arts, University of Illinois, 1970
                          Graduate study in painting, University of Minnesota, 1971

Solo Exhibitions

R. Michelson Galleries, Northampton, MA, 1992, 1993, 1995, 1997, 1999, 2001, 2003, 2005,2007

Coconut Grove Galleries, Miami, FL, March 21  April 16, 2002, October 28  November 11, 2004

Of鍖ce of State Senator Stan Rosenberg, December 1  January 15, 2003, Boston Statehouse, MA

Loring Gallery, Shef鍖eld, MA, July 19-August 9, 1997, 2000

Capricorn Galleries, Bethesda, MA, 1985, 1987, 1990, 1993, 1995

Museum of Fine Arts, Sales and Rental Gallery, Spring鍖eld, MA, Garden Varieties
    April 10June 14, 1992

Sync Gallery, Northampton, MA, April 6May 13, 1989

Zimmerman-Saturn Gallery, Nashville, TN, December 5, 1986January 10, 1987

Museum of Fine Arts, Spring鍖eld, MD, September 23October 13, 1985

Quadrum Gallery, Chestnut Hill, MA, June 1125, 1982

W. P. A. (Washington Place Artists) Gallery, 715 Broadway, New York City,
      April 16May 10, 1981

Burnett Gallery, Jones Library, Amherst, MA, June, 1980

Bibos Gallery, Peoria, IL, February, 1978

Spring鍖eld Art Association, Spring鍖eld, IL, November, 1977

Someplace Unique Gallery, Monticello, IL, October, 1977


Juried Exhibitons

Insight Suburbia, Sage College, Albany, NY; Purdue University, West Lafayette, IN,
        September 7  February 17, 2008.

Masters of Watercolor, New Bedford Art Museum, New Bedford, MA, September 28  December 31, 2006
Allied Artists, National Arts Club, New York City, November 9-26, 2002

American Watercolor Society, Salmagundi Club, New York City, April, 2000

Catherine Lorillard Wolfe 102nd Exhibition, National Arts Club, New York City,
     October 9-30, 1998, 2003, 2004

Spring鍖eld Art League National Exhibition, Spring鍖eld (MA) Museum of Art,
     1985, 1988, 1994, 1995

Ridge鍖eld Guild of Artists 11th Annual Show, Ridge鍖eld, CT,
     November 18December 4, 1988

Works on Paper, Berkshire Museum, Pitts鍖eld, MA, October 931, 1982

New England Watercolor Society, North American Open Exhibition, Federal Reserve Bank, Boston, May
    October 9-30, 1998, 2003, 2004

Spring鍖eld Art League National Exhibition, Spring鍖eld (MA) Museum of Art,
     1985, 1988, 1994, 1995

Ridge鍖eld Guild of Artists 11th Annual Show, Ridge鍖eld, CT,
     November 18December 4, 1988

Works on Paper, Berkshire Museum, Pitts鍖eld, MA, October 931, 1982

New England Watercolor Society, North American Open Exhibition, Federal Reserve Bank, Boston, May
    10June 24, 1988, 1998, 1999

36th New England Exhibition of Painting, Drawing and Sculpture, Silvermine Guild Center for the Arts, New
     Canaan, CT, May 25June 21, 1985

Elements of Landscape, Boston University Art Gallery, Boston,
     November 17December 17, 1983

Works on Paper, Green鍖eld (MA) Community College Art Gallery,
    November 17December 9, 1983

National Society of Painters in Casein and Acrylic Annual Exhibitions, National Arts Club, New York City,
     1982, 1983

Audubon Artists Award Winners Exhibition, Lotus Club, New York City,
    April 27May 11, 1982

Audubon Artists Annual Exhibitions, National Arts Club, New York City 1980, 1981, 1982

National Academy of Design 157th Annual Exhibition, New York City,
      February 28March 28, 1982

Kentucky Watercolor Society Aqueous Exhibitions, Kentucky Art Center, Louisville, KY, October 18
-November 21, 1980; Kentucky Historical Society, Frankfort, KY, 1981, 1986

Berkshire Art Association Exhibitions of Painting and Sculpture, Berkshire Museum, Pitts鍖eld, MA, 1979,
     1980, 1981, 1998

Butler Institute of American Art Annual Midyear Show, Youngstown, OH,
     1981, 1983, 1984, 1985, 1989

Watercolor USA, Spring鍖eld Art Museum, Spring鍖eld, MO, 1981, 1987

Valley Women Artists Annual Exhibitions, Hampshire College Gallery, Amherst, MA,
     1980, 1981, 1983

Danco Art Gallery Open Juried Exhibition, Northampton, MA,
      December 1, 1980January 4, 1981

23rd Annual Chautauqua National Exhibition of American Art, Chautauqua, NY,
     June 20July 13, 1980

Spring鍖eld Art League 61st National Exhibition, G. W. V. Smith Art Museum, Spring鍖eld, MA, April 20May
     18, 1980

1st Annual Spring Art Exhibition, Wistariahurst Museum, Holyoke, MA,
      April 12May 10, 1980

Milwaukee (WI) Art Museum, Cudahy Gallery Spring Show, Milwaukee,WI, April, 1979

Four Counties Exhibition, Kohler Art Center, Sheboygan, WI,
     FebruaryMarch, 1979
Limited Group Exhibitions

Blue Plate Special, Gallery 137, Indian Orchard, MA, June 2007

Transportation Cues, National Association of Women Artists Gallery, New York, NY, April 2006

Art League of Marco Island, Marco Island, FL, Feb. 3- 27, 2003

Ralls Collection, Washington, D.C. July 20  September 15, 2002

Pen and Brush Club, New York City, July 13  27, 2002

Spring鍖eld (MA) Museum of Fine Arts, Still Life for the 90s, June 26Sept 22, 1996

8th International Exhibition of Botanical Art and Illustration, Hunt Institute for Botanical Documentation,
      Carnegie Mellon University, Pittsburgh, PA,
       November 13, 1995  February 28, 1996

New England Watercolor Society Members Show, Attleboro, MA, 1988, Boston, 1992, 1998, 1999, 2000,
    2001, 2002 Kennebunkport, ME, 1993, Rockport, MA, 1995
Sightlines, Double Door Gallery, Islesboro, ME, August 23September 3, 1994

Getting Real: 20th Century American Realism from the Philip Desind Collection, South Bend (IN) Regional
     Museum of Art, July 31Sept 11, 1994; Fitchburg (MA) Art Museum,
     January 29March 26, 1995

Facing Reality, Sharon Arts Center Invitational Show, Sharon, NH,
     June 19July 31, 1994

Styles, Strands, and Sequences: American Realist Paintings and Drawings from the Philip Desind Collection,
     University of FloridaGainesville, October 5November 4, 1990; Deland (FL) Museum of Art, May
     10June 16, 1991; Tampa (FL) Museum of Art, July 12Sept 13, 1992

From the Garden, R. Michelson Gallery, Amherst, MA, April 530, 1991

Sync Gallery, Northampton, MA, Family and Friends, April, 1990

Sync Selects Seven, Sync Gallery, Northampton, MA, September 15November 15, 1988

Watercolor Now, Watercolor USA Honor Society Membership Exhibition, Spring鍖eld (MO) Art Museum,
    November 1December 27, 1987

Mainstream America: The Collection of Philip Desind, The Butler Institute of American Art, Youngstown,
    OH, March 1April 5, 1987

Spring Landscapes, Thronja Gallery, Spring鍖eld, MA, April 5 May 3, 1986

The Past 100 Years, Karen Sprague/Esther Griswold Art Center, American International College, Spring鍖eld,
     MA, SeptemberOctober, 1985

Painting on Photographs/Paintings from Photographs, Project Community Arts Center, Cambridge, MA,
     March 25April 19, 1985

Women Artists in the Community, in conjunction with International Womens Week, Herter Gallery,
    University of Massachusetts, Amherst, March 116, 1983

University of Massachusetts Student Union Art Gallery, Amherst,
     February 22March 8, 1982

Zone Gallery, Spring鍖eld, MA, Valley Women Artists Group Invitational
     June 13July 14, 1981

Milwaukee (WI) Art Museum, Two-by-Two Invitational Show, December, 1980

Lane-Blackbourn Gallery, Janesville, WI, April, 1979

Wisconsin Fine Arts Association Exhibit, Ozaukee Art Center, Cedarburg, WI, MarchApril, 1979

Evanston (IL) Art Center, April, 1974
Permanent Collections

Zimmerli Art Museum, Rutgers University, New Brunswick, NJ

Easthampton Savings Bank, Easthampton, MA

Harvard University Graduate School of Business, Cambridge, MA

Vassar College, Poughkeepsie, NY

Bridgestone, USA, Nashville, TN

Cabot Corporation, Boston, MA

Citizens Bank, Boston, MA

City Savings Bank, Pitts鍖eld, MA

PriceWaterhouseCoopers, Boston, MA

Employers Mutual of Wausau, WI

Farm Credit Bank of New England, Spring鍖eld, MA

Fidelity Investments Management Corporation, Boston, MA

Marine Bank of Milwaukee, WI

Marriott Hotel Corporation Headquarters, Washington DC

Massachusetts Financial Services, Boston, MA

Massachusetts Mutual Life Insurance Company, Spring鍖eld, MA

Merrill, Lynch, Pierce, Fenner & Smith, Spring鍖eld, MA

Savings Bank Life Insurance, Woburn, MA

MBNA Bank, Camden, ME

Citizens Bank, Boston, MA

Forbes Library, Northampton, MA

Awards and Honors

Artist-in-Resident, Acadia National Park, ME, May 9  29, 2004

Edgar A. Whitney Memorial Award, Catherine Lorillard Wolfe 107th Annual Exhibition, 2003, 2004, National
Arts Club, New York City

Henry Gasser-Moses Worthman Memorial Award, Allied Artists Exhibition, Nov. 9  26th, 2002, National Arts
     Club, New York City

Two Honorable Mentions, Pen and Brush Club, NYC, July 13  27, 2002

Painting used for St. Stephens Arts & Craft Festival, Coconut Grove, FL, February 2000

Bronze medal, New England Watercolor Society Members Show, Guild of Boston Artists, Boston, January
     1999, 2000, honorable mention 2002

Best in Show Award, Spring鍖eld (MA) Art League 75th National Exhibition,
      April 10May 15, 1994

WGBYTV, public television in Spring鍖eld, MA, featured artist for the Annual Art Auction; Gallery 57
   catalogue cover, February 11-12, 1994

The New York Art Review, 1990 Reference Book

Marquis Whos Who of American Women

First Place in Pastel, Ridge鍖eld Guild of Artists 11th Annual Show, Ridge鍖eld, CT,
      November 18 - December 4, 1988

New England Watercolor Society $200 Merit Award, North American Open Exhibition, Federal Reserve Bank,
    Boston, May 10 - June 24, 1988

Grumbacher Inc Gold Medallion and $300 prize, Spring鍖eld (MA) Art League 66th National Exhibition, April,
    1985

Member: Watercolor USA Honor Society; New England Water Color Society, National Association of Women
   Artists

Semi鍖nalist, Judith Selkowitz Fine Arts 1984 competition for Realistic Works on Paper in a Series, New
    York City

Valley Women Artists Annual Exhibition, Hampshire College Gallery, Amherst, MA, Honorable Mention 1983

Works on Paper, $300 award, Berkshire Museum, Pitts鍖eld, MA, 1982

Audubon Artists Anniversary Award of $500, National Arts Club, New York City, 1982

Spring鍖eld (MO) Art Museum Cash Award at the Watercolor USA Exhibition, 1981

Watercolor USA Traveling Exhibition, October 1981 - October 1983

Anna N Mamonas Award for Watercolor, Berkshire Art Association Exhibition, Berkshire Museum, Pitts鍖eld,
    MA, 1979
Merit Award, Kohler Art Center, Sheboygan, WI, 1979

City Savings Bank Purchase Award, Berkshire Art Association Exhibition, Berkshire Museum, Pitts鍖eld, MA,
     1979

Membership

New England Watercolor Society
National Association of Women Artists
Watercolor USA

Bibliography

   Cover , New England Watershed Magazine. Summer, 2007

Amherst Artist Shows and Tells at R. Michelson Galleries, by Maggie Shader, Amherst Bulletin, July 1, 2005 ,
    Daily Hampshire Gazette, July 7, 2005

Splash 8, Edited by Rachel Rubin Wolf, Northlight Books, 2004, p. 88.

Ordinary Into Extraordinary . Catalog of paintings with text by Laura Holland. Marcus Printing, March 2003

Praise the Flag and Pass the Abstract, Washington Post, Washington, D.C., July 18, 2002

Bloom Still on Rose by Christina Barber, Daily Hampshire Gazette, Northampton, MA, May 29, 2001.

Artist, Potter Find Beauty in Everyday Objects by Gloria Russell, Sunday Republican (Spring鍖eld, MA),
     April 20, 1997

Where Have All the Flowers Gone? by Bonnie Wells, Amherst (MA) Bulletin, April 11, 1997

Fresher Than a Daisy by Fred Contrada, Spring鍖eld (MA) Union-News, April 10, 1997

Exhibit a lush bouquet of botanical art by Donald Miller, Pittsburgh Post-Gazette,
     December 2, 1995

Really real by Alice Field, Keene (NH) Sentinel, June 23, 1994

Art Leagues 75th Exhibition Awash in Color, Style by Gloria Russell, Sunday Republican (Spring鍖eld,
     MA), May 1, 1994

The Art of Watercolor by Laura Holland, in Art New England,
     February-March, 1994

Flowers Drenched in Sunlight by Christine Benvenuto, Amherst (MA) Bulletin,
     November 5, 1993

Valley Optimist (Northampton, MA) cover illustration, November 2, 1993

Art Views by Patricia Wright, Daily Hampshire Gazette (Northampton, MA),
April 23, 1992

From the Garden II by Jon Reed, Valley Optimist (Northampton, MA), with cover illustration, April 13, 1992

Styles, Strands, & Sequences: American Realist Paintings and Drawings from the Philip Desind Collection by
      John Ward (Gainesville: University of Florida Press, 1991), p. 18

When Paintings of Flowers Are More Than Pretty Pictures by Patricia Wright, Daily Hampshire Gazette
    (Northampton, MA), April 18, 1991

Her Flowers Bring Gardens to Galleries by Bruce Watson, Amherst (MA) Bulletin,
     March 27, 1991

American Artist magazine, selected work for article, Preserving Our Natural Resources,
    August 1990

Making the Ordinary Look Extraordinary by Stanley Marcus Watercolor 89, published by American Artist
    Magazine

Rubin Takes More Risks With Work by Patricia Wright, Daily Hampshire Gazette (Northampton, MA),
    October 26, 1988

A Flowering of Watercolor by Maris Nichols, Amherst (MA) Bulletin,
      November 23, 1988

Arts Feature interview with Jim Weinberg, WPLN Radio, Nashville, TN,
     December 8, 1986

Gallery showcases paintings by Julie MacPherson, Nashville Banner,
     December 9, 1986

Seeing the familiar at close range by Patricia Wright, Daily Hampshire Gazette (Northampton, MA), October
     9, 1985

Art Scene series under way at museums, October 6, 1985 and Four artists show varied works with theme of
      Spring, by Gloria Russell, Sunday Republican (Spring鍖eld, MA),
      April 20, 1986

Four Artists, Four Views by Nora Seton, Hampshire Life, Daily Hampshire Gazette (Northampton, MA),
     April 23, 1983


Women Artists Play It Safe by Robin Karson, Spring鍖eld (MA) Daily News, July 9, 1981

Beyond Photorealism by Nancy Stapen, The Villager, New York City, May 7, 1981

Women Exhibit Artworks by Robin Karson, Spring鍖eld (MA) Daily News, April 9, 1981

Delicate But Different by Lee Bramwell Roberts, Milwaukee Journal, April 8, 1979
From the Reviews

The in鍖uence of the lush countryside is everywhere evident in her paintings, which are essentially graceful and
     sometimes brilliant testimonials to the expressive potential of nature.

     To say that Rubin is a photorealist, a watercolorist, a painter of foliage and 鍖owers, is to state the obvious but
     bypass the truth Those terms inevitably evoke myriad, sometimes deprecatory images, and in fact hold only a
     fragmentary relationship to the visual meanings of these paintings While Rubins technical pro鍖ciency recalls
     her photorealist concerns, the crystalline-yet-鍖uent quality of her images creates a depth of feeling and a strong
     concern with content and symbolic meaning.

     Rubin chooses small moments in nature, 鍖lling her canvas with the multitudinous patterns of leaves, 鍖owers,
     twigs, and berries as they respond to the pristine light of dappled forest clearings Closer viewing reveals a
     variety of soft and distinct focus, and varying intensities of value and hue, which in turn express a singular,
     carefully chosen, and 鍖eeting vision The concentration of that focus lends an extraordinary power to small
     things, to that which is usually unseen and unobserved.
                                                                                           Nancy Stapen, The Villager,
                                                                                            New York City, May 7, 1981



     Deborah Rubins watercolors of 鍖owers combine a spectacular large scale with brilliant light and meticulous
     detail In one piece a row of yellow sun鍖owers marches across a 鍖ve-foot expanse of blue sky, with every petal,
     seed, stalk, and leaf illuminated by the glory of a late summers afternoon sun A similarly large-scale study of
     narcissus becomes a 鍖reworks display of foliage - stems, stalks, and blossoms explode up and out, while the
     orange edges of the petals vibrate with neon intensity.

     The in鍖uence of photography is clear in the cropped compositions, close-up imagery, attention to detail, and
     conscious play with depth-of-鍖eld and focus Rubin has a 鍖are for unusual angles that frame and thus de鍖ne the
     picture In more than one painting she chops off the tops of blossoms to make the tangle of greenery the subject.
     ..

     The best (renderings) reveal a strong painterly eye and intention Red Poppies captures beautifully the sunlit
     glow of colored petals in exquisite detail Yet the work also has a painterly, abstract quality in the patterned
     blurring of the background and the stylized rendering of the shade and shadows The image is an orchestrated
     series of visual contrasts: sunlight pierces shade; intense red petals 鍖ame from a jungle of myriad greens; sharp
     lines edge against a soft blur of color; and above all, a photographic reality vies with the edited reality of the
     artists eye that picks and chooses from the scene It is clear we are dealing with a carefully composed art,
     rather than randomly focused fragments of nature.

                       Laura Holland, Deborah Rubin: The Art of Watercolor,
                      Art New England, February/March 1994


     Deborah Rubin has made her reputation, and it is national in scope, with images of 鍖owers In these
     watercolors she exchanges the traditional subtleties of poetic intimacy for the audacity of large-scale
     photorealism. . .
The huge Provincetown Dock is a virtuoso performance in trompe loeil rendering Ropes, ladders,
    gulls, pilings, signs, a 鍖shing boat alongside, ripples and sunbeams in the water all together perform the
    illusion of actuality Just as remarkable is the portrait of a farmhouse, White House with Red Door, its
    antique structure now 鍖tted with cheap window screens and an air conditioner unit, with plastic bucket
    and a garden hose reel. . .

    Yet somehow or other, tug at our eyes and hearts as does these isolated bits of everyday life, they are
    amusing more than sentimental Rubins close-up focus on the character of her subject, detaching the
    motif from a wider panorama, gives access to a catalog of things; it serves to monumentalize the subject,
    and to smile at the individuality and the fortitude dreary places can suggest, or at the very abundance of
    stuff that crowds our 鍖eld of vision, and that we take for granted.
                                                                                                 Gloria Russell,
                                                                                               Sunday Republican,
                                                                                     Reviewing Deborah Rubin:
                                                                                 A New Point View, April 1997

Galleries


     R. Michelson Galleries, Northampton and Amherst, MA

     Coconut Grove Gallery, Miami, FL

     Cavalier Galleries, Greenwich CT, Nantucket

     Loring Gallery, Shef鍖eld, MA

     Jacqueline Becker Art Consultant, Newton, MA

More Related Content

What's hot (20)

Ron Larson CV, 6.12.16
Ron Larson CV, 6.12.16Ron Larson CV, 6.12.16
Ron Larson CV, 6.12.16
Ron Larson
wheeler_terri_cv
wheeler_terri_cvwheeler_terri_cv
wheeler_terri_cv
Terri Wheeler
Robyn Phillips-Pendleton CV 2017
Robyn Phillips-Pendleton CV 2017Robyn Phillips-Pendleton CV 2017
Robyn Phillips-Pendleton CV 2017
Robyn Phillips-Pendleton
SusanWhiteCVJune2015
SusanWhiteCVJune2015SusanWhiteCVJune2015
SusanWhiteCVJune2015
Susan White
Resume
ResumeResume
Resume
janelinders
Mavis Erlene Keepin Curriculum Vitae
Mavis Erlene Keepin Curriculum VitaeMavis Erlene Keepin Curriculum Vitae
Mavis Erlene Keepin Curriculum Vitae
Mavis Keepin
Debbie Resume 9
Debbie Resume 9Debbie Resume 9
Debbie Resume 9
debrabuchanan
C Whitefeather VITAE
C Whitefeather VITAEC Whitefeather VITAE
C Whitefeather VITAE
Carolynne Whitefeather
Artist Resume Aug. 2016
Artist Resume Aug. 2016Artist Resume Aug. 2016
Artist Resume Aug. 2016
Rosetta DeBerardinis
alt - CV 2015
alt - CV 2015alt - CV 2015
alt - CV 2015
Amandda Leigh Tirey
EnidBaxterRyceCV2014public
EnidBaxterRyceCV2014publicEnidBaxterRyceCV2014public
EnidBaxterRyceCV2014public
Enid Baxter Ryce
Zola Delburn 2016 CV
Zola Delburn 2016 CVZola Delburn 2016 CV
Zola Delburn 2016 CV
Zola Delburn
bio
biobio
bio
Cheryl Kelley
Rodrigo Valenzuela CV
Rodrigo Valenzuela CVRodrigo Valenzuela CV
Rodrigo Valenzuela CV
Rodrigo Valenzuela
cv
cvcv
cv
dawn_gettler
2016_CV
2016_CV2016_CV
2016_CV
JManzella
borgen_CV_july2015
borgen_CV_july2015borgen_CV_july2015
borgen_CV_july2015
Alex Borgen
Mounira Stott CV-July-2015
Mounira Stott CV-July-2015Mounira Stott CV-July-2015
Mounira Stott CV-July-2015
mounira stott
Ma'ayan: Zalman's Suite, oil paintings
Ma'ayan: Zalman's Suite, oil paintingsMa'ayan: Zalman's Suite, oil paintings
Ma'ayan: Zalman's Suite, oil paintings
guest5b299c5
Lombardo_artist_resume 8 2016
Lombardo_artist_resume 8 2016Lombardo_artist_resume 8 2016
Lombardo_artist_resume 8 2016
Mary Jo Lombardo

Similar to Portfolio (20)

Schmit_Randall_2pg_r辿sum辿 2024.pdf
Schmit_Randall_2pg_r辿sum辿 2024.pdfSchmit_Randall_2pg_r辿sum辿 2024.pdf
Schmit_Randall_2pg_r辿sum辿 2024.pdf
Randall Schmit
GR Resume Oct-15
GR Resume Oct-15GR Resume Oct-15
GR Resume Oct-15
Gail Rothschild
Exhibitions:
Exhibitions:Exhibitions:
Exhibitions:
ROGER WEIK STUDIOS
Artist Biography
Artist BiographyArtist Biography
Artist Biography
milomatar
Carter_Inclusive 10_2016_CV
Carter_Inclusive 10_2016_CVCarter_Inclusive 10_2016_CV
Carter_Inclusive 10_2016_CV
Nanette Carter
Scott Kahn Resume
Scott Kahn  ResumeScott Kahn  Resume
Scott Kahn Resume
ScottKahn
Susana Jacobson
Susana JacobsonSusana Jacobson
Susana Jacobson
susanaja
Scott Kahn resume
Scott Kahn  resumeScott Kahn  resume
Scott Kahn resume
ScottKahn
Charles Nivens Bio 2016
Charles Nivens Bio 2016Charles Nivens Bio 2016
Charles Nivens Bio 2016
Charles Nivens
ROGER WEIK Biographical History
ROGER WEIK Biographical HistoryROGER WEIK Biographical History
ROGER WEIK Biographical History
ROGER WEIK STUDIOS
SharonBartelClementsResume
SharonBartelClementsResumeSharonBartelClementsResume
SharonBartelClementsResume
Sharon Bartel-Clements
Bibliography
BibliographyBibliography
Bibliography
ROGER WEIK STUDIOS
Adolf Resume
Adolf ResumeAdolf Resume
Adolf Resume
Dr.Hc. Adolf von Benz Cadolfin budapest keizerkunztnobel
Adolf Resume
Adolf ResumeAdolf Resume
Adolf Resume
Dr.Hc. Adolf von Benz Cadolfin budapest keizerkunztnobel
Dennis Elliott Art Resume
Dennis Elliott Art ResumeDennis Elliott Art Resume
Dennis Elliott Art Resume
denniselliott
2016 Janise Yntema Resume
2016 Janise Yntema Resume2016 Janise Yntema Resume
2016 Janise Yntema Resume
Janise Yntema
Arm_CV FINAL
Arm_CV FINALArm_CV FINAL
Arm_CV FINAL
Karen Arm
P.Sierra Resume Oct.2009
P.Sierra Resume Oct.2009P.Sierra Resume Oct.2009
P.Sierra Resume Oct.2009
guestdd2e38
P.Sierra Resume Oct.2009
P.Sierra Resume Oct.2009P.Sierra Resume Oct.2009
P.Sierra Resume Oct.2009
guestdd2e38
2015 art resume
2015 art resume2015 art resume
2015 art resume
Tara Sabharwal

Portfolio

  • 1. Deborah Rubin Portfolio Contents Introduction Paintings Resume
  • 2. Three White Peonies 20 x 30 Watercolor
  • 3. Potted Croton 40 x 76 Watercolor and Acrylic
  • 4. White Tulips 22 x 30 Watercolor
  • 5. Daffodils with Tulips 40 x 60 Watercolor
  • 6. Autumn Leaves 20 x 70 Watercolor
  • 7. Coconuts in Sunlight 40 x 60 Watercolor and Acrylic
  • 8. Lilies with Hibiscus 40 x 40 Watercolor
  • 9. Boats with Re鍖ections 24 x 40 Watercolor
  • 10. Eleven Boats 18 x 30 Watercolor
  • 11. El Cielo 12 x 12 Gouache
  • 12. Yellow Cab 30 x 40 Gouache and Acrylic
  • 13. Laguna Pottery 22 x 30 Gouache
  • 14. DEBORAH RUBIN Studio at 143 Flat Hills Rd, Amherst, Massachusetts 01002 413-253-7922 deborahrubin@comcast.net www.deborahrubin.com Bachelor of Fine Arts, University of Illinois, 1970 Graduate study in painting, University of Minnesota, 1971 Solo Exhibitions R. Michelson Galleries, Northampton, MA, 1992, 1993, 1995, 1997, 1999, 2001, 2003, 2005,2007 Coconut Grove Galleries, Miami, FL, March 21 April 16, 2002, October 28 November 11, 2004 Of鍖ce of State Senator Stan Rosenberg, December 1 January 15, 2003, Boston Statehouse, MA Loring Gallery, Shef鍖eld, MA, July 19-August 9, 1997, 2000 Capricorn Galleries, Bethesda, MA, 1985, 1987, 1990, 1993, 1995 Museum of Fine Arts, Sales and Rental Gallery, Spring鍖eld, MA, Garden Varieties April 10June 14, 1992 Sync Gallery, Northampton, MA, April 6May 13, 1989 Zimmerman-Saturn Gallery, Nashville, TN, December 5, 1986January 10, 1987 Museum of Fine Arts, Spring鍖eld, MD, September 23October 13, 1985 Quadrum Gallery, Chestnut Hill, MA, June 1125, 1982 W. P. A. (Washington Place Artists) Gallery, 715 Broadway, New York City, April 16May 10, 1981 Burnett Gallery, Jones Library, Amherst, MA, June, 1980 Bibos Gallery, Peoria, IL, February, 1978 Spring鍖eld Art Association, Spring鍖eld, IL, November, 1977 Someplace Unique Gallery, Monticello, IL, October, 1977 Juried Exhibitons Insight Suburbia, Sage College, Albany, NY; Purdue University, West Lafayette, IN, September 7 February 17, 2008. Masters of Watercolor, New Bedford Art Museum, New Bedford, MA, September 28 December 31, 2006
  • 15. Allied Artists, National Arts Club, New York City, November 9-26, 2002 American Watercolor Society, Salmagundi Club, New York City, April, 2000 Catherine Lorillard Wolfe 102nd Exhibition, National Arts Club, New York City, October 9-30, 1998, 2003, 2004 Spring鍖eld Art League National Exhibition, Spring鍖eld (MA) Museum of Art, 1985, 1988, 1994, 1995 Ridge鍖eld Guild of Artists 11th Annual Show, Ridge鍖eld, CT, November 18December 4, 1988 Works on Paper, Berkshire Museum, Pitts鍖eld, MA, October 931, 1982 New England Watercolor Society, North American Open Exhibition, Federal Reserve Bank, Boston, May October 9-30, 1998, 2003, 2004 Spring鍖eld Art League National Exhibition, Spring鍖eld (MA) Museum of Art, 1985, 1988, 1994, 1995 Ridge鍖eld Guild of Artists 11th Annual Show, Ridge鍖eld, CT, November 18December 4, 1988 Works on Paper, Berkshire Museum, Pitts鍖eld, MA, October 931, 1982 New England Watercolor Society, North American Open Exhibition, Federal Reserve Bank, Boston, May 10June 24, 1988, 1998, 1999 36th New England Exhibition of Painting, Drawing and Sculpture, Silvermine Guild Center for the Arts, New Canaan, CT, May 25June 21, 1985 Elements of Landscape, Boston University Art Gallery, Boston, November 17December 17, 1983 Works on Paper, Green鍖eld (MA) Community College Art Gallery, November 17December 9, 1983 National Society of Painters in Casein and Acrylic Annual Exhibitions, National Arts Club, New York City, 1982, 1983 Audubon Artists Award Winners Exhibition, Lotus Club, New York City, April 27May 11, 1982 Audubon Artists Annual Exhibitions, National Arts Club, New York City 1980, 1981, 1982 National Academy of Design 157th Annual Exhibition, New York City, February 28March 28, 1982 Kentucky Watercolor Society Aqueous Exhibitions, Kentucky Art Center, Louisville, KY, October 18
  • 16. -November 21, 1980; Kentucky Historical Society, Frankfort, KY, 1981, 1986 Berkshire Art Association Exhibitions of Painting and Sculpture, Berkshire Museum, Pitts鍖eld, MA, 1979, 1980, 1981, 1998 Butler Institute of American Art Annual Midyear Show, Youngstown, OH, 1981, 1983, 1984, 1985, 1989 Watercolor USA, Spring鍖eld Art Museum, Spring鍖eld, MO, 1981, 1987 Valley Women Artists Annual Exhibitions, Hampshire College Gallery, Amherst, MA, 1980, 1981, 1983 Danco Art Gallery Open Juried Exhibition, Northampton, MA, December 1, 1980January 4, 1981 23rd Annual Chautauqua National Exhibition of American Art, Chautauqua, NY, June 20July 13, 1980 Spring鍖eld Art League 61st National Exhibition, G. W. V. Smith Art Museum, Spring鍖eld, MA, April 20May 18, 1980 1st Annual Spring Art Exhibition, Wistariahurst Museum, Holyoke, MA, April 12May 10, 1980 Milwaukee (WI) Art Museum, Cudahy Gallery Spring Show, Milwaukee,WI, April, 1979 Four Counties Exhibition, Kohler Art Center, Sheboygan, WI, FebruaryMarch, 1979 Limited Group Exhibitions Blue Plate Special, Gallery 137, Indian Orchard, MA, June 2007 Transportation Cues, National Association of Women Artists Gallery, New York, NY, April 2006 Art League of Marco Island, Marco Island, FL, Feb. 3- 27, 2003 Ralls Collection, Washington, D.C. July 20 September 15, 2002 Pen and Brush Club, New York City, July 13 27, 2002 Spring鍖eld (MA) Museum of Fine Arts, Still Life for the 90s, June 26Sept 22, 1996 8th International Exhibition of Botanical Art and Illustration, Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh, PA, November 13, 1995 February 28, 1996 New England Watercolor Society Members Show, Attleboro, MA, 1988, Boston, 1992, 1998, 1999, 2000, 2001, 2002 Kennebunkport, ME, 1993, Rockport, MA, 1995
  • 17. Sightlines, Double Door Gallery, Islesboro, ME, August 23September 3, 1994 Getting Real: 20th Century American Realism from the Philip Desind Collection, South Bend (IN) Regional Museum of Art, July 31Sept 11, 1994; Fitchburg (MA) Art Museum, January 29March 26, 1995 Facing Reality, Sharon Arts Center Invitational Show, Sharon, NH, June 19July 31, 1994 Styles, Strands, and Sequences: American Realist Paintings and Drawings from the Philip Desind Collection, University of FloridaGainesville, October 5November 4, 1990; Deland (FL) Museum of Art, May 10June 16, 1991; Tampa (FL) Museum of Art, July 12Sept 13, 1992 From the Garden, R. Michelson Gallery, Amherst, MA, April 530, 1991 Sync Gallery, Northampton, MA, Family and Friends, April, 1990 Sync Selects Seven, Sync Gallery, Northampton, MA, September 15November 15, 1988 Watercolor Now, Watercolor USA Honor Society Membership Exhibition, Spring鍖eld (MO) Art Museum, November 1December 27, 1987 Mainstream America: The Collection of Philip Desind, The Butler Institute of American Art, Youngstown, OH, March 1April 5, 1987 Spring Landscapes, Thronja Gallery, Spring鍖eld, MA, April 5 May 3, 1986 The Past 100 Years, Karen Sprague/Esther Griswold Art Center, American International College, Spring鍖eld, MA, SeptemberOctober, 1985 Painting on Photographs/Paintings from Photographs, Project Community Arts Center, Cambridge, MA, March 25April 19, 1985 Women Artists in the Community, in conjunction with International Womens Week, Herter Gallery, University of Massachusetts, Amherst, March 116, 1983 University of Massachusetts Student Union Art Gallery, Amherst, February 22March 8, 1982 Zone Gallery, Spring鍖eld, MA, Valley Women Artists Group Invitational June 13July 14, 1981 Milwaukee (WI) Art Museum, Two-by-Two Invitational Show, December, 1980 Lane-Blackbourn Gallery, Janesville, WI, April, 1979 Wisconsin Fine Arts Association Exhibit, Ozaukee Art Center, Cedarburg, WI, MarchApril, 1979 Evanston (IL) Art Center, April, 1974
  • 18. Permanent Collections Zimmerli Art Museum, Rutgers University, New Brunswick, NJ Easthampton Savings Bank, Easthampton, MA Harvard University Graduate School of Business, Cambridge, MA Vassar College, Poughkeepsie, NY Bridgestone, USA, Nashville, TN Cabot Corporation, Boston, MA Citizens Bank, Boston, MA City Savings Bank, Pitts鍖eld, MA PriceWaterhouseCoopers, Boston, MA Employers Mutual of Wausau, WI Farm Credit Bank of New England, Spring鍖eld, MA Fidelity Investments Management Corporation, Boston, MA Marine Bank of Milwaukee, WI Marriott Hotel Corporation Headquarters, Washington DC Massachusetts Financial Services, Boston, MA Massachusetts Mutual Life Insurance Company, Spring鍖eld, MA Merrill, Lynch, Pierce, Fenner & Smith, Spring鍖eld, MA Savings Bank Life Insurance, Woburn, MA MBNA Bank, Camden, ME Citizens Bank, Boston, MA Forbes Library, Northampton, MA Awards and Honors Artist-in-Resident, Acadia National Park, ME, May 9 29, 2004 Edgar A. Whitney Memorial Award, Catherine Lorillard Wolfe 107th Annual Exhibition, 2003, 2004, National
  • 19. Arts Club, New York City Henry Gasser-Moses Worthman Memorial Award, Allied Artists Exhibition, Nov. 9 26th, 2002, National Arts Club, New York City Two Honorable Mentions, Pen and Brush Club, NYC, July 13 27, 2002 Painting used for St. Stephens Arts & Craft Festival, Coconut Grove, FL, February 2000 Bronze medal, New England Watercolor Society Members Show, Guild of Boston Artists, Boston, January 1999, 2000, honorable mention 2002 Best in Show Award, Spring鍖eld (MA) Art League 75th National Exhibition, April 10May 15, 1994 WGBYTV, public television in Spring鍖eld, MA, featured artist for the Annual Art Auction; Gallery 57 catalogue cover, February 11-12, 1994 The New York Art Review, 1990 Reference Book Marquis Whos Who of American Women First Place in Pastel, Ridge鍖eld Guild of Artists 11th Annual Show, Ridge鍖eld, CT, November 18 - December 4, 1988 New England Watercolor Society $200 Merit Award, North American Open Exhibition, Federal Reserve Bank, Boston, May 10 - June 24, 1988 Grumbacher Inc Gold Medallion and $300 prize, Spring鍖eld (MA) Art League 66th National Exhibition, April, 1985 Member: Watercolor USA Honor Society; New England Water Color Society, National Association of Women Artists Semi鍖nalist, Judith Selkowitz Fine Arts 1984 competition for Realistic Works on Paper in a Series, New York City Valley Women Artists Annual Exhibition, Hampshire College Gallery, Amherst, MA, Honorable Mention 1983 Works on Paper, $300 award, Berkshire Museum, Pitts鍖eld, MA, 1982 Audubon Artists Anniversary Award of $500, National Arts Club, New York City, 1982 Spring鍖eld (MO) Art Museum Cash Award at the Watercolor USA Exhibition, 1981 Watercolor USA Traveling Exhibition, October 1981 - October 1983 Anna N Mamonas Award for Watercolor, Berkshire Art Association Exhibition, Berkshire Museum, Pitts鍖eld, MA, 1979
  • 20. Merit Award, Kohler Art Center, Sheboygan, WI, 1979 City Savings Bank Purchase Award, Berkshire Art Association Exhibition, Berkshire Museum, Pitts鍖eld, MA, 1979 Membership New England Watercolor Society National Association of Women Artists Watercolor USA Bibliography Cover , New England Watershed Magazine. Summer, 2007 Amherst Artist Shows and Tells at R. Michelson Galleries, by Maggie Shader, Amherst Bulletin, July 1, 2005 , Daily Hampshire Gazette, July 7, 2005 Splash 8, Edited by Rachel Rubin Wolf, Northlight Books, 2004, p. 88. Ordinary Into Extraordinary . Catalog of paintings with text by Laura Holland. Marcus Printing, March 2003 Praise the Flag and Pass the Abstract, Washington Post, Washington, D.C., July 18, 2002 Bloom Still on Rose by Christina Barber, Daily Hampshire Gazette, Northampton, MA, May 29, 2001. Artist, Potter Find Beauty in Everyday Objects by Gloria Russell, Sunday Republican (Spring鍖eld, MA), April 20, 1997 Where Have All the Flowers Gone? by Bonnie Wells, Amherst (MA) Bulletin, April 11, 1997 Fresher Than a Daisy by Fred Contrada, Spring鍖eld (MA) Union-News, April 10, 1997 Exhibit a lush bouquet of botanical art by Donald Miller, Pittsburgh Post-Gazette, December 2, 1995 Really real by Alice Field, Keene (NH) Sentinel, June 23, 1994 Art Leagues 75th Exhibition Awash in Color, Style by Gloria Russell, Sunday Republican (Spring鍖eld, MA), May 1, 1994 The Art of Watercolor by Laura Holland, in Art New England, February-March, 1994 Flowers Drenched in Sunlight by Christine Benvenuto, Amherst (MA) Bulletin, November 5, 1993 Valley Optimist (Northampton, MA) cover illustration, November 2, 1993 Art Views by Patricia Wright, Daily Hampshire Gazette (Northampton, MA),
  • 21. April 23, 1992 From the Garden II by Jon Reed, Valley Optimist (Northampton, MA), with cover illustration, April 13, 1992 Styles, Strands, & Sequences: American Realist Paintings and Drawings from the Philip Desind Collection by John Ward (Gainesville: University of Florida Press, 1991), p. 18 When Paintings of Flowers Are More Than Pretty Pictures by Patricia Wright, Daily Hampshire Gazette (Northampton, MA), April 18, 1991 Her Flowers Bring Gardens to Galleries by Bruce Watson, Amherst (MA) Bulletin, March 27, 1991 American Artist magazine, selected work for article, Preserving Our Natural Resources, August 1990 Making the Ordinary Look Extraordinary by Stanley Marcus Watercolor 89, published by American Artist Magazine Rubin Takes More Risks With Work by Patricia Wright, Daily Hampshire Gazette (Northampton, MA), October 26, 1988 A Flowering of Watercolor by Maris Nichols, Amherst (MA) Bulletin, November 23, 1988 Arts Feature interview with Jim Weinberg, WPLN Radio, Nashville, TN, December 8, 1986 Gallery showcases paintings by Julie MacPherson, Nashville Banner, December 9, 1986 Seeing the familiar at close range by Patricia Wright, Daily Hampshire Gazette (Northampton, MA), October 9, 1985 Art Scene series under way at museums, October 6, 1985 and Four artists show varied works with theme of Spring, by Gloria Russell, Sunday Republican (Spring鍖eld, MA), April 20, 1986 Four Artists, Four Views by Nora Seton, Hampshire Life, Daily Hampshire Gazette (Northampton, MA), April 23, 1983 Women Artists Play It Safe by Robin Karson, Spring鍖eld (MA) Daily News, July 9, 1981 Beyond Photorealism by Nancy Stapen, The Villager, New York City, May 7, 1981 Women Exhibit Artworks by Robin Karson, Spring鍖eld (MA) Daily News, April 9, 1981 Delicate But Different by Lee Bramwell Roberts, Milwaukee Journal, April 8, 1979
  • 22. From the Reviews The in鍖uence of the lush countryside is everywhere evident in her paintings, which are essentially graceful and sometimes brilliant testimonials to the expressive potential of nature. To say that Rubin is a photorealist, a watercolorist, a painter of foliage and 鍖owers, is to state the obvious but bypass the truth Those terms inevitably evoke myriad, sometimes deprecatory images, and in fact hold only a fragmentary relationship to the visual meanings of these paintings While Rubins technical pro鍖ciency recalls her photorealist concerns, the crystalline-yet-鍖uent quality of her images creates a depth of feeling and a strong concern with content and symbolic meaning. Rubin chooses small moments in nature, 鍖lling her canvas with the multitudinous patterns of leaves, 鍖owers, twigs, and berries as they respond to the pristine light of dappled forest clearings Closer viewing reveals a variety of soft and distinct focus, and varying intensities of value and hue, which in turn express a singular, carefully chosen, and 鍖eeting vision The concentration of that focus lends an extraordinary power to small things, to that which is usually unseen and unobserved. Nancy Stapen, The Villager, New York City, May 7, 1981 Deborah Rubins watercolors of 鍖owers combine a spectacular large scale with brilliant light and meticulous detail In one piece a row of yellow sun鍖owers marches across a 鍖ve-foot expanse of blue sky, with every petal, seed, stalk, and leaf illuminated by the glory of a late summers afternoon sun A similarly large-scale study of narcissus becomes a 鍖reworks display of foliage - stems, stalks, and blossoms explode up and out, while the orange edges of the petals vibrate with neon intensity. The in鍖uence of photography is clear in the cropped compositions, close-up imagery, attention to detail, and conscious play with depth-of-鍖eld and focus Rubin has a 鍖are for unusual angles that frame and thus de鍖ne the picture In more than one painting she chops off the tops of blossoms to make the tangle of greenery the subject. .. The best (renderings) reveal a strong painterly eye and intention Red Poppies captures beautifully the sunlit glow of colored petals in exquisite detail Yet the work also has a painterly, abstract quality in the patterned blurring of the background and the stylized rendering of the shade and shadows The image is an orchestrated series of visual contrasts: sunlight pierces shade; intense red petals 鍖ame from a jungle of myriad greens; sharp lines edge against a soft blur of color; and above all, a photographic reality vies with the edited reality of the artists eye that picks and chooses from the scene It is clear we are dealing with a carefully composed art, rather than randomly focused fragments of nature. Laura Holland, Deborah Rubin: The Art of Watercolor, Art New England, February/March 1994 Deborah Rubin has made her reputation, and it is national in scope, with images of 鍖owers In these watercolors she exchanges the traditional subtleties of poetic intimacy for the audacity of large-scale photorealism. . .
  • 23. The huge Provincetown Dock is a virtuoso performance in trompe loeil rendering Ropes, ladders, gulls, pilings, signs, a 鍖shing boat alongside, ripples and sunbeams in the water all together perform the illusion of actuality Just as remarkable is the portrait of a farmhouse, White House with Red Door, its antique structure now 鍖tted with cheap window screens and an air conditioner unit, with plastic bucket and a garden hose reel. . . Yet somehow or other, tug at our eyes and hearts as does these isolated bits of everyday life, they are amusing more than sentimental Rubins close-up focus on the character of her subject, detaching the motif from a wider panorama, gives access to a catalog of things; it serves to monumentalize the subject, and to smile at the individuality and the fortitude dreary places can suggest, or at the very abundance of stuff that crowds our 鍖eld of vision, and that we take for granted. Gloria Russell, Sunday Republican, Reviewing Deborah Rubin: A New Point View, April 1997 Galleries R. Michelson Galleries, Northampton and Amherst, MA Coconut Grove Gallery, Miami, FL Cavalier Galleries, Greenwich CT, Nantucket Loring Gallery, Shef鍖eld, MA Jacqueline Becker Art Consultant, Newton, MA