2. I worked 7 seasons at the Oregon Shakespeare Festival as staff carpenter and
director of Black Swan Midnight Projects. Built these two towers for Henry V.
3. Medea
Director Oregon Shakespeare Black Swan Project
With Kristin Patton, William Moreing, and Sands Hall
4. Director of 11 projects
while a student
at the University of Wyoming,
including a
full length version of Hamlet.
5. “I’ve known three men who had the drive to start with nothing and form a viable
and exciting company—
Angus Bowmer [founder Oregon Shakespeare Festival],
Michael Leibert [founder Berkeley Repertory], and
Michael O’Rourke [founder Actors’ Theatre].
All three had the tenacity to overcome artistic and financial obstacles.”
—Karl Barron, San Francisco Bay Area Critic
..
inning .
e beg
In th
6. . . . Actors’ Theatre was a nomadic company
performing on the street, at fairs, in bars, and empty
office buildings . . .
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Queen [mus
The Snow re 1985
emie
World Pr ne Building
ho
Ashland P
8. I welcomed the opportunity to cast an acting
student at Southern Oregon University to play
the title role in The Elephant Man as his BFA
acting thesis. I directed the play on the
backstage of a movie theatre, enlisting “the
entire audience as extras in the opening crowd
scenes.”
“Elephant Man is brilliant, moving, excellent,
A marvelous theatrical illusion that draws the
audience inside the play . . . Doane [the
student] portrays Merrick with consummate
skill.”
—Medford Mail Tribune
(Note: I took the stage name O’Rourke in honor of my
grandmother 6 months after this production.)
9. The Miracle on Main Theatre
Before
The main room of an office suite before we remodeled in 1987.
10. Miracle on Main Theatre
After
I designed this 49-seat black box.
11. • Amadeus
“An intimate pageant with just 7 actors. . .” in the Miracle on Main Producer / Director
12. CAPITAL CAMPAIGN
In the winter of ‘89 I negotiated a lease with an option to buy a
vaudeville house in Talent, OR, 4 miles north of Ashland. I
organized a successful capital campaign to purchase and
renovate the Miracle Playhouse, where I directed a wide
spectrum of plays.
15. Tale of Two Cities [musical]
Miracle Playhouse
16. CO-AUTHOR / DIRECTOR
A TRIBUTE TO GARLAND [MUSICAL REVUE]
OREGON CABARET THEATRE / REGIONAL TOUR
17. Actors’ Theatre
“An astonishing example of how a
small company can become a major
theatrical force ... Dazzling
critics and audiences with
audacious undertakings, as well as
beautifully acted revivals of
classics.”
— A. J. Esta, critic for Back Stage
18. In the Land Where Acorns Dance
After 5 years of research, I wrote a screenplay portraying the lifeways and
suffering of the Winnemem Wintu in the wake of the Gold Rush of ’49 in
Northern California. Directed 7 staged readings in Oregon and Alaska.
19. Anchorage Community Theatre Golden Anniversary 2003
Managing Artistic Director, Michael O’Rourke
Mainstage Productions
Count of Monte Cristo [world premiere]
Long Day’s Journey Into Night [Alaska premiere]
Magician’s Nephew [musical, Alaska premiere]
Bus Stop [held over twice; invitation to Valdez]
Woody Guthrie’s American Song [musical, Alaska premiere]
20. Bus Stop ACT Studio Theatre
Co-Director / Co-Set Designer
In 2003 I designed a 49-seat black box in a
warehouse owned by ACT. For one of the first
productions in the new Studio Theatre, we
created “a terrific production design that put
the audience right inside the diner.”
21. Dr. McDowell, president of Prince William Sound Community College, invited ACT to
perform Bus Stop for the Last Frontier Theatre Conference in Valdez, AK in June
2004. We transferred the set to a large proscenium stage, sitting 100 onstage—twice
as many as in this theatre in Anchorage.
23. Student Showcase Producer
Anchorage Community Theatre Golden Anniversary
11 student showcases on school and club sites, and 13 showcases at the new
ACT Studio Theatre
Funded in part by grants from the Municipality of Anchorage, ConocoPhillips Alaska,
and the U.S. Department of Education Fund for the Improvement of Education.
24. Scrap Mettle SOUL, Chicago, moved into the Ravenswood United Methodist Church
rummage room with a flexible
120-seat theatre in the Fall of
2005, which we dubbed
The New Theatre.
As Artistic Director, I wrote
and directed the winter show
to open in the new black box.
25. musical book / director 2006
Streetwise performers and highly trained professionals, taking cues from
the rhythms, languages, and ethnicities of Uptown, Chicago, work to build
community through the arts in one of the most diverse neighborhood in the
US. Rehearsal shots of “Uptown Christmas Carol” show a gritty new
musical set in a Chicago homeless camp.
26. sica l]
w Qu een [mu
The Snoremiere 2006 e
P
o tr
a
Chicag ood New The
w
Ravens
27. Hoka Hey Stone Soup!
Woodland Montessori Kindergarten 2011 Director / Adaptor
28. Still photo from my short film Refuge of Dragonflies,
based on characters in Victor Hugo’s ‘Hunchback of Notre Dame.’
I wrote, directed & edited in 2008, winning 4 international film fest awards.
29. Great Plains Theatre Conference
Omaha 2010
Carry Me [original play staged reading]
Director
31. Screen adaptation & staged
reading based on Winona’s
powerful novel, which traces the
lives of seven generations of
Anishinaabe (Ojibwe) on the
White Earth Reservation in
Minnesota. Winona was present
for post show discussion.
32. “Michael O’Rourke has been tireless in his pursuit of excellence . . . his
intelligence is keen . . . his imagination unlimited . . . his integrity unshakable.
His vision for what this art can be or do for artists and audiences is among the
highest I know. ”
—James Edmondson, Associate Artist, Oregon Shakespeare Festival
Michael O’Rourke
Director
http://vimeo.com/user2696242/videos
Photos: Vilmar Borges, Lisa Byrne, Chava Florendo, David French, Kent Harrison, Rob Jaffe, Oliver Korshin,
Hank Kranzler, Leah Levinger, James O. Mason, Helga Motley, Marie Schulte, Jared Silver.