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Pp Chap31 Cezanne

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Cezanne was an influential post-Impressionist painter from 1839-1906 who developed new techniques for depicting spatial relationships and perspectives in his work. He moved beyond traditional representation by using simple geometric shapes and showing objects from multiple viewpoints. His paintings strongly influenced the development of Cubism through this innovative approach. Cezanne's later works focused on landscapes of Mont Sainte-Victoire, abstracting nature in a way that explored the tension between stasis and change. His work contributed to the rise of nonrepresentational art through his revolutionary painting style.

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The Move Toward Modernism: A Look at Cezanne Chapter 31 Humanities 103 Instructor Beth Camp
Challenge Questions: Do the paintings by Cezanne reinforce or contradict your understanding of non-representational art? Of abstract painting? As you view these works, select two paintings which you think are “most representative” of Cezanne’s work.
Cezanne: 1839-1906 Early paintings : Cezanne created fantastic dreamlike scenes and used a heavy palette knife 1872 Cezanne met Monet and began using color to show perspective and light to “recreate nature” Accomplishments: Cezanne developed new type of spatial pattern, showing objects from shifting viewpoints and simple shapes. Strongly influenced CUBISM
Cezanne Portrait of the Artist's Father c. 1866
Cezanne: The Abduction, 1867 Does this painting show the influence of the Romantic era? How?
Cezanne: Bathers at Rest, 1875-1876 Does the use of light here suggest an Impressionist influence?
Cezanne: Large Bathers, 1899-1906 Can you find triangles in the composition of this painting?
Cezanne: Still Life with Apples, 1895-1898
Cezanne (1839-1905) Later years: Major subject was a large mountain near his home, Mont Sainte-Victoire With these paintings, Cezanne “abstracted what he considered nature’s depest truth – its essential tension between stasis and change” (Stokstad 1035)
Cezanne: Mont Sainte-Victoire, 1885-1895
Cezanne: Bay from L'Estaquec, 1886
Cezanne:The Card Players, 1890-1892
Cezanne Madame Cézanne 1885-1887 Notice how Cezanne creates emotion with color and light
Cezanne Self-Portrait with Rose Background c. 1875 Did van Gogh influence the background of this painting?
Cezanne Self-Portrait with Soft Hat c. 1894
What’s Next? Challenge Question : In what ways did Cezanne contribute to nonrepresentational art? Can you see how Cezanne influenced Picasso? Sources: ݺߣs. Mark Hardin’s Artchive online. Stokstad, Marilyn. Art History. New York: Harry N. Abrams, 1999.

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Pp Chap31 Cezanne

  • 1. The Move Toward Modernism: A Look at Cezanne Chapter 31 Humanities 103 Instructor Beth Camp
  • 2. Challenge Questions: Do the paintings by Cezanne reinforce or contradict your understanding of non-representational art? Of abstract painting? As you view these works, select two paintings which you think are “most representative” of Cezanne’s work.
  • 3. Cezanne: 1839-1906 Early paintings : Cezanne created fantastic dreamlike scenes and used a heavy palette knife 1872 Cezanne met Monet and began using color to show perspective and light to “recreate nature” Accomplishments: Cezanne developed new type of spatial pattern, showing objects from shifting viewpoints and simple shapes. Strongly influenced CUBISM
  • 4. Cezanne Portrait of the Artist's Father c. 1866
  • 5. Cezanne: The Abduction, 1867 Does this painting show the influence of the Romantic era? How?
  • 6. Cezanne: Bathers at Rest, 1875-1876 Does the use of light here suggest an Impressionist influence?
  • 7. Cezanne: Large Bathers, 1899-1906 Can you find triangles in the composition of this painting?
  • 8. Cezanne: Still Life with Apples, 1895-1898
  • 9. Cezanne (1839-1905) Later years: Major subject was a large mountain near his home, Mont Sainte-Victoire With these paintings, Cezanne “abstracted what he considered nature’s depest truth – its essential tension between stasis and change” (Stokstad 1035)
  • 11. Cezanne: Bay from L'Estaquec, 1886
  • 13. Cezanne Madame Cézanne 1885-1887 Notice how Cezanne creates emotion with color and light
  • 14. Cezanne Self-Portrait with Rose Background c. 1875 Did van Gogh influence the background of this painting?
  • 15. Cezanne Self-Portrait with Soft Hat c. 1894
  • 16. What’s Next? Challenge Question : In what ways did Cezanne contribute to nonrepresentational art? Can you see how Cezanne influenced Picasso? Sources: ݺߣs. Mark Hardin’s Artchive online. Stokstad, Marilyn. Art History. New York: Harry N. Abrams, 1999.

Editor's Notes

  • #4: .
  • #5: Image: Mark Hardin Artchive Portrait of the Artist's Father c. 1866 Oil on canvas 198.5 x 119.3 cm (78 1/8 x 47 in.)
  • #6: Image: Mark Hardin Artchive The Abduction 1867 Oil on canvas 35 1/4 x 45 1/2" (89.5 x 115.5 cm) Fitzwilliam Museum, Cambridge, UK
  • #7: Image: Mark Hardin Artchive Bathers at Rest (Les baigneurs au repos) 1875-1876 Oil on canvas 32 1/4 x 39 7/8 in. (82 x 102.2 cm) The Barnes Foundation, Merion, Pennsylvania
  • #8: Image: Mark Hardin Artchive Large Bathers 1899-1906 Oil on canvas 81 7/8 x 98 in (208 x 249 cm) Philadelphia Museum of Art
  • #9: Image: Mark Hardin Artchive Still Life with Apples 1895-1898 Oil on canvas 27 x 36 1/2 in (68.8 x 92.7 cm) The Museum of Modern Art, New York Venturi 736
  • #10: Source: Marilyn Stokstad, Art History. New York: Harry N. Abrams, 1999.
  • #11: Image: Mark Hardin Artchive Mont Sainte-Victoire (La Montagne Sainte-Victoire) 1885-1895 Oil on canvas 28 5/8 x 38 1/8 in. (72.8 x 91.7 cm) The Barnes Foundation, Merion, Pennsylvania
  • #12: Image: Mark Hardin Artchive The Bay from L'Estaque c. 1886 Oil on canvas 31 1/2 x 38 1/2 in The Art Institute of Chicago
  • #13: Mark Hardin Artchive The Card Players (Les joueurs de cartes) 1890-1892 Oil on canvas 52 3/4 x 71 1/2 in. (134 x 181.5 cm) The Barnes Foundation, Merion, Pennsylvania
  • #14: Image: Mark Hardin Artchive Madame Cézanne 1885-1887 Oil on canvas 36 1/2 x 28 3/4 in. (92.6 x 72.9 cm) The Barnes Foundation, Merion, Pennsylvania
  • #15: Image: Mark Hardin Artchive Self-Portrait with Rose Background c. 1875 Oil on canvas 26 x 21 5/8" (66 x 55 cm) Private collection Venturi no. 286
  • #16: Image: Mark Hardin Artchive Self-Portrait with Soft Hat c. 1894 Oil on canvas 23 5/8 x 19 5/8" (60.2 x 50.1 cm) Bridgestone Museum of Art, Tokyo Venturi no. 579