PR1 - Efficient Magazine Workflow for Production and Editorial
These slides are from my presentation this morning at MagNet, Canada's Magazine Conference.
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MagNet 2013 - PR1 2013
1. PR1 Efficient Workflow for
Production and Editorial
Kim Latreille, Digital Media Consultant
@kim_elle
2. Here
is
todays
topic:
Learn
how
you
can
integrate
and
streamline
the
process
to
make
the
whole
magazine
produc:on
cycle
easier
and
more
e鍖cient,
preven:ng
nail-足bi:ng
stress
for
everyone
as
deadlines
begin
to
loom.
3. My
best
advice:
The
only
way
to
prevent
nail-足bi:ng
is
to
get
a
good
manicure.
4. Why
listen
to
me?
≒ 20
years
experience
in
a
rapidly
changing
environment
≒ Magazine
hoarder
≒ Closet
geek/technology
lover
≒ Prefers
to
do
things
once
≒ Pet
peeve
backtracking
≒ Capable
of
the
odd
joke
6. Screen
size
varia,ons
Delivery
鍖le
format
varia,ons
No
鍖le
standards
What
makes
work鍖ow
di鍖cult?
Its
the
stu鍖
nightmares
are
made
of.
7. Another
problem
is
language.
≒ Print
side
versus
Web
side
≒ CMYK
versus
RGB
≒ 300
dpi
versus
72
ppi
≒ Inches
versus
pixels
≒ PDF
versus
PNG
≒ Which
route
is
be^er?
≒ Where
do
tablet
edi:ons
鍖t
then?
They
are
a
digital
product
8. Whats
common
to
both?
HTML
(or
HyperText
Markup
Language)
De鍖ni,on:
a
set
of
standards,
used
to
tag
the
elements
of
a
hypertext
document.
It
is
a
text
descrip:on
language
that
is
used
for
electronic
publishing,
especially
on
the
web.
So
what
about
publishing
in
any
format
isnt
electronic?
9. Who
has
heard
these
terms
to
describe
magazine
work鍖ow?
≒ Print-足Centric
≒ Web-足Centric
≒ Mobile-足Centric
≒ Content-足Centric
≒ Any
thoughts
on
which
of
these
might
make
the
most
sense?
10. It
depends
on
who
you
ask.
≒ A
print
produc:on
person
Print-足Centric
≒ A
interac:ve
webby
guy
Web-足Centric
≒ A
few
industry
analysts
Mobile-足Centric
≒ An
idealist
Content-足Centric
11. In
fact,
this
slide
claims
to
represent
a
prac:cal
HTML5
magazine
work鍖ow:
Source:
h^p://www.slideshare.net/
mkowalski1/developing-足a-足
prac:cal-足html5-足magazine-足
work鍖ow
Uh, wheres
the printed
magazine?
12. Where
then,
do
we
go
from
here?
≒ Unfortunately,
the
idealists
Content-足Centric
work鍖ow
does
not
exist
≒ Print-足Centric
work鍖ow
is
the
one
being
used
by
most
publishers
≒ Publishers
are
either:
Too
heavily
invested
in
exis:ng
technology
Unwilling
to
shid
to
a
new
way
of
thinking
≒ Or
both
13. Lets
dig
into
Print-足Centric.
≒ Most
publishers
are
knee-足deep
in
legacy
systems
and
technology
CMS
such
as
K4,
Woodwing
Adobe
InDesign
QuarkXpress
≒ Publishers
s:ll
rely
on
print
for
almost
90%
of
their
revenue
≒ Not
surprising
they
think
print
鍖rst
14. Cond辿
Nast
and
Adobe
h^p://www.youtube.com/watch?v=34f13csGLIs
≒ Cond辿
Nast
uses
Adobe
Digital
Publishing
Suite
to
produce
enhanced
digital
edi:ons
of
their
printed
magazine
≒ Their
approach
is
typical
of
many
publishers
who
think
print
鍖rst
15. The
typical
digital
edi:on
is
sta:c.
≒ Most
publishers
have
edi:ons
on
digital
newsstands
≒ Many
publishers
choose
print
circula:on
distributor
rela:onships
to
get
onto
digital
newsstands
≒ CDS
Global
≒ Dis:cor
≒ More
oden
than
not,
these
edi:ons
are
replicas
of
print
edi:ons
created
from
single
page
PDFs
16. Alterna:ve
solu:ons:
≒ Solu:ons
exist
that
allow
publishers
to
use
print
PDF
鍖les
to
create
digital
edi:ons
Issuu
3Dissue
Uni鍖ip
Zinio
VirtualPaper
Turnit
Adobe
Publishing
Suite
Texterity
≒ DIY
advantage
maintains
control
of
your
product
≒ Pricing
and
tools
vary
17. Great
digital
DIY
examples:
≒ The
Kit
h^p://www.thekit.ca/
Started
as
a
digital-足only
publica:on
Originally
built
in
partnership
with
Texterity
≒ Covet
Garden
h^p://covetgarden.com/
A
digital
magazine
accessed
on
their
website
Uses
an
embedded
viewer
or
open
on
iPad
Created
using
Issuu
18. Delivering
鍖les
for
digital
edi:ons:
≒ The
majority
use
print
PDF
鍖les
to
create
the
digital
edi:on
≒ Re-足rip
the
PDF
to
tablet
viewer
speci鍖ca:ons
Resolu:on,
RGB
colour-足space
Create
a
jpeg
鍖le
Two
鍖les
delivered
for
each
page
≒ PDF
for
zooming
in
≒ jpeg
for
fast
view
19. To
鍖nd
e鍖ciency,
I
start
here.
≒ Build
a
smart
work鍖ow
Address
requirements
for
all
edi:ons/plalorms
≒ Automate
pain
points
Sodware
and
script
within
applica:ons
≒ Share
resources
across
plalorms
Mul:purpose
content
as
much
as
possible
Finding
e鍖ciency
across
plaYorms
requires
a
bit
more
crea,vity.
20. Crea:ng
PDF
鍖les
is
the
easy
part.
≒ Using
any
design
applica:on:
PDFX-足1a
is
a
standard
senng
Customized
job
op:on
senngs
can
be
imported
to
accommodate
digital
edi:on
vendors
PDF
鍖le
speci鍖ca:ons
≒ If
your
premedia
process
is
automated,
both
print
and
digital
edi:on
鍖les
can
be
created
simultaneously
≒ PDF
鍖les
can
be
created,
named
and
delivered
to
each
vendor/supplier
21. Now
the
job
is
done,
so
what?
≒ We
have
two
iden:cal
sta:c
edi:ons
of
the
magazine,
one
print
and
one
digital
≒ Enhancing
the
sta:c
digital
edi:on
pages
happens
once
the
PDF
鍖les
are
uploaded
to
the
vendor
≒ Typically,
you
can
enhance
by
adding:
URL
links
Sound
clips
Embedded
video
Some
might
call
that
boring
or
a
waste
of
the
plaYorms
biggest
asset
digital
capability.
22. Evidence
of
the
boring
factor.
Source:
h^p://deadtreeedi:on.blogspot.ca/
23. Some
applica:ons
are
more
鍖exible.
≒ Adobe
Digital
Publishing
Suite,
Woodwing
and
Virtual
Publisher
are
all
print/digital
edi:on
Content
Management
Systems
≒ Each
works
with
InDesign
within
the
CMS
and
allows
the
designer
to:
create
versions
for
mul:ple
plalorms
view
on
mul:ple
device
templates
≒ CMS
can
manage
internal
work鍖ow
and
integrate
editorial
with
ad
material
25. Some
magazine
content
is
published
on
websites.
≒ There
are
a
few
ways
to
make
that
happen:
You
can
cut
and
paste
Someone
else
can
cut
and
paste
≒ Unfortunately,
with
all
this
terri鍖c
technology,
and
the
whole
publishing
process
being
digital,
in
a
Print-足Centric
work鍖ow
this
is
the
best
cross-足plalorm
solu:on
weve
got.
26. To
bridge
the
gap.
≒ Some
website
developers
have
created
sodware
to
help
you
manage
content:
Agility
CMS
Wordpress
Squarespace
There
are
several
more,
but
Agility
is
very
ac,ve
with
publishers,
will
customize
their
solu,on
and
help
clients
get
rolling.
27. S:ll,
its
cut
and
paste.
≒ To
avoid
cut
and
paste,
there
are
ways
to
take
copy
from
InDesign
and
plop
it
into
Wordpress.
PageZepher
from
Markzware
indexes
content
and
exports
to
Wordpress
Export
from
InDesign
as
XML
and
import
into
Wordpress
(this
ac:on
can
be
automated)
But
it
aint
pre]y.
A
lot
of
work
needs
to
be
done
by
the
web
editor.
28. Images
are
another
thing.
≒ Automa:on
can
be
used
share
resources
between
print
and
web
≒ Scrip:ng
sodware
such
as
Enfocus
Powerswitch
can
be
set
up
to
convert
image
鍖les,
then
deliver
them
to
web
editors
CMYK
to
RGB
300dpi
to
72ppi
(or
whatever
is
required)
Determine
鍖ow
based
on
鍖le
type
≒ .ai
goes
through
Illustrator
≒ anything
else
through
Photoshop
29. Could
it
be
easier?
≒ Yes
≒ A
content-足centric
approach
could
bene鍖t
all
plalorms,
but
applica:ons
to
support
that
work鍖ow
for
print
edi:ons
do
not
exist
≒ Not
to
men:on
dyed-足in-足the-足wool
print
tradi:onalists
convincing
them
to
change
is
like
pulling
teeth
30. Is
it
possible
to
work
another
way?
≒ Who
knows
what
responsive
design
is?
≒ Consider
responsive
design
templates
and
how
that
works
≒ HTML5,
CSS
and
tagging
content
HyperText
Markup
Language
Cascading
Style
Sheets
≒ Di鍖erent
styles
can
be
applied
depending
on
the
output
device
being
used
≒ Digital
versions
can
be
di鍖erent
from
printed
versions,
designers
can
tailor
the
presenta:on
of
elements
for
each
plalorm
31. Responsive
youve
been
served.
Elements
are
served
depending
on
screen
dimensions,
pixels
per
inch.
32. Torontoist
website
is
responsive.
≒ Elements
are
recon鍖gured
depending
on
what
device
you
are
viewing
the
website
on
≒ Try
it
on
your
desktop,
mobile
device,
tablet
≒ Try
Chatelaine.com
too
33. And
why
not
a
page
of
a
magazine?
≒ Depends
on
who
you
ask
≒ Allows
for
content
focus,
i.e.
Content-足Centric
≒ Some
edi:ng
would
be
required
Audience
considera:ons
≒ Yet,
for
moving
content
around
in
a
work鍖ow
for
mul:ple
devices,
tagging
would
be
an
ideal
solu:on
≒ Thoughts?
34. Ques:ons?
≒ Fire
away
≒ Who
is
seeing
Wes
Bos
this
adernoon?
≒ Thank
you
for
listening
≒ Keep
in
touch:
kimlatreille@gmail.com
Twi^er:
@kim_elle
h^p://kimlatreille.tumblr.com