The document provides an overview of dances in Singapore and India. It discusses several traditional dances of Singapore including Chinese Lion Dance, Ballet, Bangsawan, Saman, Tap, and Bharatnatyam. For India, it highlights classical dances such as Bharatanatyam, Kathakali, Kathak, Kuchipudi, Sattriya. It notes that Singapore dance reflects its cultural diversity and struggle between western and traditional influences. Indian dance traditions have influenced other countries in South and Southeast Asia.
Classical dance and music under ISA by the students of SBGJ, Guwahatisbgjbritishcouncil
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The document provides an overview of dances in Singapore and India. It discusses several traditional dances in Singapore like the Chinese Lion Dance, Bangsawan, and Saman. It also examines popular dances in India such as Bharatanatyam, Kathak, and Kuchipudi. The conclusion compares the multi-cultural dance heritage of Singapore, which stems from its diverse ethnic groups, to the rich traditional dance forms that have developed in different regions of India over centuries.
The document provides an overview of dances in Singapore and India. It begins with an acknowledgement and introduction. It then provides glimpses into some of the most popular dances in Singapore, including Chinese Lion Dance, Ballet, Bangsawan, Saman, Tap, and Bharatnatyam. Next it shares glimpses of classical Indian dances like Bharatnatyam, Kathakali, Kathak, Kuchipudi, and Sattriya. It concludes by noting Singapore's rich multicultural dance heritage stemming from its diverse population and roots in other countries, while also gaining popularity for Indian and Chinese dances.
Performing arts of India Classical and Folk dancesMohit Gupta
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This document summarizes several classical and folk dances of India, including Kathak, Bharatnatyam, Kathakali, Kuchipudi, Odissi, Gaur dance, Bhangra, Garba, Hurka Baul, and Brita Dance. For each dance, it provides information on the state or region it is from, its origins and history, and key features of the dance's style and performance. The document was submitted by Mohit Gupta as part of a class project on the performing arts of India.
Eight classical dance styles are described from India, including Bharatanatyam, Kathak, Kathakali, Kuchipudi, Manipuri, Mohinattyam, Odissi, and Sattriya. Hawaiian hula originated as a ritual dance called ha'a and the name was changed to hula in the 19th century. Brazilian dances highlighted are capoeira, a martial art that combines elements of dance, and samba, a lively rhythmical partner dance. African dance is characterized by polycentric movements that isolate different body parts.
Kuchipudi is a classical Indian dance that originated in the Krishna district of Andhra Pradesh, tracing back to the village of Kuchipudi, and involves storytelling through hand gestures and facial expressions that depict emotions and themes from Hindu scriptures like the Ramayana and Mahabharata. Key elements of Kuchipudi include elegant dance movements, costumes featuring sarees and jewelry, traditional music instruments, and themes centered around devotion to deities like Krishna through dance dramas once performed only by men but now commonly by women as well.
The document summarizes various classical and folk dances of India. It describes five major classical dance forms: Kathakali originating from Kerala which combines drama, dance, music and expression; Bharata Natyam from Tamil Nadu inspired by temple sculptures; Manipuri from Manipur known for gentle rounded movements; Odissi from Orissa emphasizing independent movements of the body parts; and folk dances that are integral to community celebrations and traditions. It then outlines characteristics of nine folk dances including Siddi from Gujarat with African influences, Yakshagana from Karnataka blending drama and epics, Kalbelia from Rajasthan performed by snake charmers, and Bhangra from Punjab based on farming and harvest
This Paper Includes History Of Kuchipudi And the key points of kuchipudi followed by instruments used in it. it can be useful for the people searching for a good presentation on Kuchipudi dance
Bharat Natyam is the most widely known classical dance form of India, originating from Tamil Nadu. It was developed in the 1930s by combining elements from older styles. Kathak originated in Uttar Pradesh and is accompanied by Hindustani classical music. It evolved from temple dances but took on a more entertaining style under Mughal rule. Kathakali is a classical dance drama form from Kerala featuring elaborate costumes and makeup portraying stories from epics and scriptures.
This document provides an overview of various aspects of Indian culture, including dances, paintings, music and musical instruments. It summarizes several classical and folk dance forms from different regions of India, such as Bharatanatyam, Kathak, Kathakali, Odissi and Bhangra. It also describes notable Indian paintings like the murals of Ajanta and Ellora caves and the miniatures of Rajasthan and Mughal schools. An overview of Indian music traditions and classical Carnatic and Hindustani styles is given. Finally, it lists and shows images of major Indian musical instruments classified by type.
Classical Dance and Music under ISA by the students of SBGJ, Guwahati sbgjbritishcouncil
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The document summarizes information about various dances from different cultures:
Lion dance is a traditional Chinese dance performed during festivals where performers wear lion costumes. The Chhau dance is from eastern India and depicts heroes from epics through masks, animals, and martial skills. Yangge is a folk dance from northern China where people dance in circles in the evening wearing colorful costumes and using props. Odissi originated in Odisha and uses stamps and poses seen in Indian sculptures accompanied by Odissi music.
This document provides an overview of various classical and folk dances from India. It begins with an introduction to Indian dance in general, discussing how dance is a form of communication and expression. It then covers several topics in more depth, including classical dance forms like Kathak and Bharatnatyam, describing their origins and key characteristics. The document also discusses many regional folk dances from different parts of India, such as Bhangra, Ghoomar, Garba, Bihu, Odissi, and others. For each dance, it provides a brief description of its style and cultural significance.
Kuchipudi is a classical Indian dance that originated in the village of Kuchipudi in Andhra Pradesh. It was developed and codified in the 13th century by Siddhendra Yogi, who established it as an art form performed primarily by male Brahmin dancers. Traditional Kuchipudi involved dance dramas with multiple characters portrayed through hand gestures, facial expressions, and occasionally dialog. While it is now often performed as a solo piece, the themes are still drawn from Hindu scriptures and mythology. Key elements of Kuchipudi include intricate footwork, sculpted body movements, and expression of the nine emotions or rasas through performance.
Indian dances comprise numerous classical and folk styles originating from different regions. The eight classical styles recognized by Sangeet Natak Akademi are Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri, and Mohiniyattam. India also has many folk dance styles which vary by state and region, such as Chhau, Ghoomar, Bhangra, Bihu, and Lavani. Indian dances developed from ancient roots as expressed in sculptures, epics, and texts like the Natya Shastra, incorporating music, drama, and spiritual ideas.
Indian classical dance is an umbrella term for various codified art forms rooted in Natya Sasthra and sacred Hindu musical theatre styles. There are eight main classical dance forms in India: Bharatanatyam, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniyattam, Odissi, and Sattriya. Each dance form originated in a different state or region of India and has its own unique style of movement, costumes, music, and themes based on Hindu epics and mythology.
Kuchipudi is a classical dance form that originated in Andhra Pradesh, India. It can be traced back to the 1st century BC, though some accounts say it was invented in 1502 AD. Kuchipudi was initially practiced by men and later women were also allowed to participate. It is a dance-drama form that combines elements of pure dance, expressive dance, and drama. The village of Kuchipudi in Andhra Pradesh is believed to be the origin of the dance form, and it was developed as a form of worship for the Hindu god Krishna.
This document provides an overview of classical dances in India. It discusses 9 major classical dance forms recognized by the Indian government: Bharatanatyam, Kathak, Odissi, Kuchipudi and others. For each dance, it describes their origins in temples, key features like costumes, music and instruments used, famous exponents who revived the art forms, and sequences of movement. The document serves as a comprehensive introduction to India's rich classical dance traditions.
Indian classical dance has many forms with roots in ancient Hindu texts. The forms include Bharatanatyam, Kathakali, Kuchipudi, Mohiniattam, and Yakshagana. Each dance has its own origins, costumes, makeup, music and performance styles. For example, Bharatanatyam comes from South India and uses Carnatic music. Its costumes include silk saris and jewelry. Kathakali originates from Kerala and uses elaborate makeup and costumes depicting characters. Indian classical dance provides exercise benefits and helps develop the body and skills.
Odissi is a classical Indian dance form that originated in the temples of Odisha on the eastern coast of India. It is one of the oldest dance forms with roots tracing back to ancient Sanskrit texts like the Natya Shastra. Traditionally, Odissi was performed by female dancers to convey religious stories and spiritual ideas through dance, but it later diversified to include martial art elements performed by male dancers as well. The dance form declined under British rule but saw a revival in the early 20th century led by researchers seeking to preserve Indian culture. Key elements of Odissi include facial expressions, hand gestures, and poses like the tribhanga stance to convey emotions.
Kathak is an Indian classical dance form that originated as a form of storytelling in North Indian temples. The stories depicted through Kathak focus on the life of Lord Krishna. Kathak later spread from temples to courts and is distinguished into three styles based on prominent cities - Jaipur, Banaras, and Lucknow. Key elements of Kathak include intricate footwork and techniques like tatkar, paltas, bat, thoras, amad, kavittas and parans.
Kathakali is the classical dance-drama of Kerala, South India, dating back to the 17th century and rooted in Hindu mythology. It has a unique combination of literature, music, painting, acting and dance. Costumes and makeup in Kathakali are intricate art forms utilizing wood carving and crude materials like sulfur and rice paste. While dance is an element, the focus is more on dramatic acting through hand gestures (mudras) and facial expressions to portray stories and characters from Hindu epics and mythology. Training can take 8-10 years and draws from techniques of Kalaripayattu martial arts.
Kuchipudi is a classical dance form that originated in the village of Kuchipudi in India. It was further developed and codified in the 13th century by Siddhendra Yogi. Kuchipudi involves fast footwork, sculpted body movements, and hand gestures to convey emotions. Performances can be solo or group dances telling stories from Hindu scriptures through movement, music, and costume. An important element is the expression of the nine rasas or emotional flavors. Today Kuchipudi has evolved to focus more on individual performances instead of its original form as a dance drama with multiple performers.
A presentation on classical and folk dances in Indian culture by Dr Ananda Balayogi Bhavanani for the CCRT workshop on Introducing culture in the curriculum organised by Pondicherry Education Department for teachers in schools. July 30th 2013.
Kathak is a classical dance form that originated in northern India. The word Kathak comes from "katha" meaning story and "kathakar" meaning storyteller. In ancient times, nomadic performers called kathakas would recite stories from Hindu epics through a combination of dance, music, and mime. Over time, Kathak developed different styles at royal courts. Today it is one of the eight classical Indian dance forms and is practiced in various styles passed down through generational gurus.
Sashar Zarif Dance Theatre is a Toronto-based dance company founded in 1994 that specializes in Central and Western Asian dance. The company is committed to research, education, and creative exploration to bring awareness to life through dance. Through works like "Choreographies of Migration" and performances with musician Alim Qasimov, the company examines ideas of identity, home, and the connection between past and future. The founder, Sashar Zarif, is a dancer, educator, and researcher who creates works based on his background and interest in traditional and contemporary dance from Near Eastern and Central Asian regions.
Discover the beauty and diversity of Indian Classical Dance Forms, from the graceful movements of Bharatanatyam to the storytelling of Kathak. Explore the history, styles, and significance of these ancient art forms.
This document provides an overview of various dance forms in India, including both classical and folk dances. It discusses eight dances recognized as classical - Bharatanatyam, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniyattam, Odissi, and Sattriya. Each classical dance originated in a different region and tells stories from Hindu mythology through precise gestures and movements. The document also describes several folk dances that vary by state and region, reflecting local traditions and rituals. Folk dances serve as expressions of daily life and are often performed at festivals and celebrations.
Puppetry is an ancient form of theatre that involves manipulating puppets and dates back 30,000 years. It is used for both entertainment and ceremonies across many human societies. Most puppetry involves storytelling which can create complex magical theatre with few resources. Shadow puppetry uses opaque figures and light to create the illusion of moving images and remains popular in over 20 countries. Indian classical dances use hand gestures and facial expressions to narrate stories and convey concepts and emotions. Some major classical dances of India are Bharatanatyam, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniyattam, Odissi, and Sattriya which originate from different states across India.
The document summarizes various classical and folk dances of India. It describes five major classical dance forms: Kathakali originating from Kerala which combines drama, dance, music and expression; Bharata Natyam from Tamil Nadu inspired by temple sculptures; Manipuri from Manipur known for gentle rounded movements; Odissi from Orissa emphasizing independent torso movements; and folk dances which are integral to community celebrations and traditions. It then outlines characteristics of nine folk dance styles across different regions including Siddi from Gujarat, Yakshagana from Karnataka, Kalbelia from Rajasthan, and Bhangra from Punjab known for agricultural-inspired moves.
Bharat Natyam is the most widely known classical dance form of India, originating from Tamil Nadu. It was developed in the 1930s by combining elements from older styles. Kathak originated in Uttar Pradesh and is accompanied by Hindustani classical music. It evolved from temple dances but took on a more entertaining style under Mughal rule. Kathakali is a classical dance drama form from Kerala featuring elaborate costumes and makeup portraying stories from epics and scriptures.
This document provides an overview of various aspects of Indian culture, including dances, paintings, music and musical instruments. It summarizes several classical and folk dance forms from different regions of India, such as Bharatanatyam, Kathak, Kathakali, Odissi and Bhangra. It also describes notable Indian paintings like the murals of Ajanta and Ellora caves and the miniatures of Rajasthan and Mughal schools. An overview of Indian music traditions and classical Carnatic and Hindustani styles is given. Finally, it lists and shows images of major Indian musical instruments classified by type.
Classical Dance and Music under ISA by the students of SBGJ, Guwahati sbgjbritishcouncil
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The document summarizes information about various dances from different cultures:
Lion dance is a traditional Chinese dance performed during festivals where performers wear lion costumes. The Chhau dance is from eastern India and depicts heroes from epics through masks, animals, and martial skills. Yangge is a folk dance from northern China where people dance in circles in the evening wearing colorful costumes and using props. Odissi originated in Odisha and uses stamps and poses seen in Indian sculptures accompanied by Odissi music.
This document provides an overview of various classical and folk dances from India. It begins with an introduction to Indian dance in general, discussing how dance is a form of communication and expression. It then covers several topics in more depth, including classical dance forms like Kathak and Bharatnatyam, describing their origins and key characteristics. The document also discusses many regional folk dances from different parts of India, such as Bhangra, Ghoomar, Garba, Bihu, Odissi, and others. For each dance, it provides a brief description of its style and cultural significance.
Kuchipudi is a classical Indian dance that originated in the village of Kuchipudi in Andhra Pradesh. It was developed and codified in the 13th century by Siddhendra Yogi, who established it as an art form performed primarily by male Brahmin dancers. Traditional Kuchipudi involved dance dramas with multiple characters portrayed through hand gestures, facial expressions, and occasionally dialog. While it is now often performed as a solo piece, the themes are still drawn from Hindu scriptures and mythology. Key elements of Kuchipudi include intricate footwork, sculpted body movements, and expression of the nine emotions or rasas through performance.
Indian dances comprise numerous classical and folk styles originating from different regions. The eight classical styles recognized by Sangeet Natak Akademi are Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri, and Mohiniyattam. India also has many folk dance styles which vary by state and region, such as Chhau, Ghoomar, Bhangra, Bihu, and Lavani. Indian dances developed from ancient roots as expressed in sculptures, epics, and texts like the Natya Shastra, incorporating music, drama, and spiritual ideas.
Indian classical dance is an umbrella term for various codified art forms rooted in Natya Sasthra and sacred Hindu musical theatre styles. There are eight main classical dance forms in India: Bharatanatyam, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniyattam, Odissi, and Sattriya. Each dance form originated in a different state or region of India and has its own unique style of movement, costumes, music, and themes based on Hindu epics and mythology.
Kuchipudi is a classical dance form that originated in Andhra Pradesh, India. It can be traced back to the 1st century BC, though some accounts say it was invented in 1502 AD. Kuchipudi was initially practiced by men and later women were also allowed to participate. It is a dance-drama form that combines elements of pure dance, expressive dance, and drama. The village of Kuchipudi in Andhra Pradesh is believed to be the origin of the dance form, and it was developed as a form of worship for the Hindu god Krishna.
This document provides an overview of classical dances in India. It discusses 9 major classical dance forms recognized by the Indian government: Bharatanatyam, Kathak, Odissi, Kuchipudi and others. For each dance, it describes their origins in temples, key features like costumes, music and instruments used, famous exponents who revived the art forms, and sequences of movement. The document serves as a comprehensive introduction to India's rich classical dance traditions.
Indian classical dance has many forms with roots in ancient Hindu texts. The forms include Bharatanatyam, Kathakali, Kuchipudi, Mohiniattam, and Yakshagana. Each dance has its own origins, costumes, makeup, music and performance styles. For example, Bharatanatyam comes from South India and uses Carnatic music. Its costumes include silk saris and jewelry. Kathakali originates from Kerala and uses elaborate makeup and costumes depicting characters. Indian classical dance provides exercise benefits and helps develop the body and skills.
Odissi is a classical Indian dance form that originated in the temples of Odisha on the eastern coast of India. It is one of the oldest dance forms with roots tracing back to ancient Sanskrit texts like the Natya Shastra. Traditionally, Odissi was performed by female dancers to convey religious stories and spiritual ideas through dance, but it later diversified to include martial art elements performed by male dancers as well. The dance form declined under British rule but saw a revival in the early 20th century led by researchers seeking to preserve Indian culture. Key elements of Odissi include facial expressions, hand gestures, and poses like the tribhanga stance to convey emotions.
Kathak is an Indian classical dance form that originated as a form of storytelling in North Indian temples. The stories depicted through Kathak focus on the life of Lord Krishna. Kathak later spread from temples to courts and is distinguished into three styles based on prominent cities - Jaipur, Banaras, and Lucknow. Key elements of Kathak include intricate footwork and techniques like tatkar, paltas, bat, thoras, amad, kavittas and parans.
Kathakali is the classical dance-drama of Kerala, South India, dating back to the 17th century and rooted in Hindu mythology. It has a unique combination of literature, music, painting, acting and dance. Costumes and makeup in Kathakali are intricate art forms utilizing wood carving and crude materials like sulfur and rice paste. While dance is an element, the focus is more on dramatic acting through hand gestures (mudras) and facial expressions to portray stories and characters from Hindu epics and mythology. Training can take 8-10 years and draws from techniques of Kalaripayattu martial arts.
Kuchipudi is a classical dance form that originated in the village of Kuchipudi in India. It was further developed and codified in the 13th century by Siddhendra Yogi. Kuchipudi involves fast footwork, sculpted body movements, and hand gestures to convey emotions. Performances can be solo or group dances telling stories from Hindu scriptures through movement, music, and costume. An important element is the expression of the nine rasas or emotional flavors. Today Kuchipudi has evolved to focus more on individual performances instead of its original form as a dance drama with multiple performers.
A presentation on classical and folk dances in Indian culture by Dr Ananda Balayogi Bhavanani for the CCRT workshop on Introducing culture in the curriculum organised by Pondicherry Education Department for teachers in schools. July 30th 2013.
Kathak is a classical dance form that originated in northern India. The word Kathak comes from "katha" meaning story and "kathakar" meaning storyteller. In ancient times, nomadic performers called kathakas would recite stories from Hindu epics through a combination of dance, music, and mime. Over time, Kathak developed different styles at royal courts. Today it is one of the eight classical Indian dance forms and is practiced in various styles passed down through generational gurus.
Sashar Zarif Dance Theatre is a Toronto-based dance company founded in 1994 that specializes in Central and Western Asian dance. The company is committed to research, education, and creative exploration to bring awareness to life through dance. Through works like "Choreographies of Migration" and performances with musician Alim Qasimov, the company examines ideas of identity, home, and the connection between past and future. The founder, Sashar Zarif, is a dancer, educator, and researcher who creates works based on his background and interest in traditional and contemporary dance from Near Eastern and Central Asian regions.
Discover the beauty and diversity of Indian Classical Dance Forms, from the graceful movements of Bharatanatyam to the storytelling of Kathak. Explore the history, styles, and significance of these ancient art forms.
This document provides an overview of various dance forms in India, including both classical and folk dances. It discusses eight dances recognized as classical - Bharatanatyam, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniyattam, Odissi, and Sattriya. Each classical dance originated in a different region and tells stories from Hindu mythology through precise gestures and movements. The document also describes several folk dances that vary by state and region, reflecting local traditions and rituals. Folk dances serve as expressions of daily life and are often performed at festivals and celebrations.
Puppetry is an ancient form of theatre that involves manipulating puppets and dates back 30,000 years. It is used for both entertainment and ceremonies across many human societies. Most puppetry involves storytelling which can create complex magical theatre with few resources. Shadow puppetry uses opaque figures and light to create the illusion of moving images and remains popular in over 20 countries. Indian classical dances use hand gestures and facial expressions to narrate stories and convey concepts and emotions. Some major classical dances of India are Bharatanatyam, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniyattam, Odissi, and Sattriya which originate from different states across India.
The document summarizes various classical and folk dances of India. It describes five major classical dance forms: Kathakali originating from Kerala which combines drama, dance, music and expression; Bharata Natyam from Tamil Nadu inspired by temple sculptures; Manipuri from Manipur known for gentle rounded movements; Odissi from Orissa emphasizing independent torso movements; and folk dances which are integral to community celebrations and traditions. It then outlines characteristics of nine folk dance styles across different regions including Siddi from Gujarat, Yakshagana from Karnataka, Kalbelia from Rajasthan, and Bhangra from Punjab known for agricultural-inspired moves.
In today's time Dance has not solely remained as an additional info activity within the homes however folks have started creating a decent and big career with the assistance of identical within the world.
Sri Lanka is one of the most beautiful countries that attracts thousands of visitors all over the world. With a splendid cultural tradition, the country is also known as the Wonder of Asia. It showcases some of the most amazing tourist locations on the globe with several interesting natural beauties.
Cultural dances are an important way for communities to share traditions and tell stories through movement. Women play a central role in many cultural dances, preserving and passing on cultural heritage through the generations. The document provides examples of various cultural dances from around the world, describing their origins, significance, costumes, movements and roles of women. These include samba from Brazil, flamenco from Spain, dragon dance from China, Viennese waltz from Austria, hopak from Ukraine, adumu from Kenya and Tanzania, zaouli mask dance from Ivory Coast, haka from New Zealand, otea from Tahiti, and bharata natyam from Southern India.
Kathakali is a classical dance form from Kerala featuring elaborate costumes and makeup. Bharatanatyam is a classical South Indian dance practiced by women and accompanied by Carnatic music. Folk dances in rural India express daily life and rituals through group performances at religious festivals. Contemporary Indian dance incorporates cinema, ballet, and experiments blending classical and folk styles.
Dance is a rhythmic expression of thoughts through body movements. It can be participatory, social, or performed for an audience. Major classical Indian dances include Bharatanatyam, Odissi, Kuchipudi, Manipuri, Mohiniattam, Sattriya, Kathak, and Kathakali. Bharatanatyam emphasizes bhava (expression), raga (music), and tala (rhythm) through graceful poses. Both Bharatanatyam and Kuchipudi incorporate masculine and feminine elements in their performances through representations like Ardhanarishwar. Manipuri dance incorporates rhythmic instruments and focuses on delicate, lyrical movements to depict themes from Hindu ep
Dance in India is rooted in age-old tradition. This vast sub-continent has given birth to varied forms of dancing, each shaped by the influences of a particular period and environment, each of which can be traced to different parts of the country. Each form represents the culture of a particular region. Bharata's Natya Shastra (a book on Dance) gives the fundamental principles for every technique and form of dance.
Classical Dance Classes In Bangalore - SSCDsreejaya123
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Bharatnatyam is one of the popular Classical and Traditional Dances Of India.Bharatnatyam is dance form which use combinations of Bhava,Raga,Tala and Natya. Here is the great Opportunity to Learn Bharatnatyam.SSCD Provides you Best Bharatnatyam Dance Classes In Bangalore
Bharatnatyam originated in southern India over 2000 years ago as a temple dance. It later evolved at royal courts and was performed by dancers called rajnartakis. The dance draws inspiration from Hindu mythology and sculptures at the Chidambaram temple, depicting the dance of Shiva. Bharatnatyam tells stories through precise hand gestures and facial expressions accompanied by Carnatic music. It is known for its graceful poses and is practiced by both male and female dancers.
Its all about the music and dance in china.
In this presentation, you can observe the different kinds of their dances, their music (include history, vocal and instrument)
The document provides information about the traditional music of Malaysia, Singapore, Indonesia, Thailand, Cambodia, Laos, and Myanmar. It discusses the history and culture that influenced the development of music in each country. It also describes some of the main musical instruments used and different genres of music like gamelan from Indonesia and piphat ensembles from Thailand. The objectives are to differentiate the histories of Malaysia and Singapore, analyze music elements, and identify forms and styles to perform folk songs from the regions.
This document discusses the history of dance in Bangladesh over four periods: ancient Bengal, medieval Bengal, the colonial era, and the post-colonial era. It describes the different categories of ancient dance like folk dance, classical dance, and dance of small ethnic groups. Evidence of dancing is found dating back to ancient texts like the Vedas and artifacts from the Indus Valley civilization. During medieval times, dances are described in texts like the Ramayana, Mahabharata, and other Puranas. Classical dance forms and traditions are documented in texts from this period. The golden age of dance is considered the classical era when the Natyashastra codified dance grammar. Dances continued to be documented through the
Kathak is a classical dance form that originated in Uttar Pradesh, India. It evolved from temple dances to court dances after the Mughal invasion, taking on Persian influences in costumes and gestures. Kathak comprises elements like thaat, jugalbandhi, and tarana involving rhythmic movements. Three prominent gharanas or styles developed in Lucknow, Jaipur, and Banaras, focusing on expression, speed, and floorwork respectively. It is performed to instruments like tabla and manjira and set to music like thumris and ghazals. Famous Kathak artists include Birju Maharaj, Sitara Devi, and Damayanti Joshi.
A global Influence of Tagore's work under ISA by the students of SBGJ.sbgjbritishcouncil
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Rabindranath Tagore was a renowned Bengali poet, novelist, musician, and painter from India. He became the first non-European to win the Nobel Prize in Literature in 1913. Tagore founded an experimental school in rural Bengal in 1901 which later became Visva-Bharati University. He influenced art and philosophy in both Western and Eastern countries through his writings and lectures. Tagore was a prolific artist who wrote extensively in many genres throughout his life, spreading messages of spiritualism and humanity. He died in 1941 at the age of 80, leaving a profound legacy as one of India's most influential cultural icons.
Rabindranath Tagore was a renowned Bengali poet, novelist, musician, and painter from India. He became the first non-European to win the Nobel Prize in Literature in 1913. Tagore founded an experimental school in rural Bengal in 1901 which later became Visva-Bharati University. He influenced art and philosophy in both Western and Eastern countries through his writings and lectures. Tagore was a prolific artist who wrote extensively in many genres throughout his life, and he played a significant role in introducing Indian cultural traditions globally.
A study of the local tribes of Assam and Egypt under ISA by the students of S...sbgjbritishcouncil
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The document provides information about three different tribes - the Bedouin tribe of Egypt, the Kogi tribe of Columbia, and the Bodo tribe of North East India.
For the Bedouin tribe, it discusses their culture of adapting to the harsh desert conditions, their traditional cuisine of cooking over open fires and eating with hands, their distinctive traditional dress including the keffiyeh head covering, and their religious beliefs as predominantly Sunni Muslim.
It then discusses the Kogi tribe's descent from the advanced pre-Columbian Tairona culture, their spiritual beliefs centered around "The Great Mother" and sacred mountains, their coming-of-age tradition of receiving a poporo gourd, and both
A study of the local tribes of Assam and Egypt under ISA by the students of SBGJsbgjbritishcouncil
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The document provides information about three different tribes - the Bedouin tribe of Egypt, the Kogi tribe of Columbia, and the Bodo tribe of North East India.
For the Bedouin tribe, it discusses their origins in the desert, their renowned hospitality and courage. It also describes traditional Bedouin food cooked in open fires, clothing adapted for the desert climate, and the tribe's religious beliefs as predominantly Sunni Muslim.
For the Kogi tribe, it discusses their descent from the advanced pre-Columbian Tairona culture. It describes their spiritual beliefs centered around "The Great Mother" and guardian mountain. It also outlines Kogi male and female traditions including coming-of-age rituals and
The document provides information about three different tribes - the Bedouin tribe of Egypt, the Kogi tribe of Columbia, and the Bodo tribe of North East India.
For the Bedouin tribe, it discusses their origins in the desert, their renowned hospitality and courage. It also describes traditional Bedouin food cooked in open fires, clothing adapted for the desert climate, and the tribe's religious beliefs as predominantly Sunni Muslim.
For the Kogi tribe, it discusses their descent from the advanced pre-Columbian Tairona culture. It outlines their spiritual beliefs centered around "The Great Mother" and caring for sacred mountains. It also notes Kogi traditions like the poporo gourd and exclusively
A study of the local tribes of Assam - Mishing under ISA by the students of SBGJsbgjbritishcouncil
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The Mishing tribe is the second largest scheduled tribe in Assam, located primarily along riverine areas. They have a traditional patriarchal and joint family structure. Their culture involves festivals celebrating harvests like Porag and Amrok, which feature feasting, dancing, and the Ali-Ai-Ligang festival celebrated over five days. The Mishings traditionally practiced animism and nature worship. They have their own language but use Assamese for writing. Their staple food is rice and they consume meals three times a day, often featuring boiled greens, meat, and fish. Traditional clothing includes the sampan skirt, galuk top, and hura headpiece for women. In recent years, some Mishing youth
A study of the local tribes of Assam - Bodo under ISA by the students of SBGJsbgjbritishcouncil
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The Bodo tribe lives in the plains valleys of Assam, India. They are an agrarian tribe who traditionally farmed rice and practiced irrigation. Bodo villages have a patriarchal family structure led by the father and village priest. The Bodo celebrate several seasonal and religious festivals throughout the year, with Kherai being their most important national festival. While some Bodos follow Christianity or Hinduism, many keep to their ancient animist Bathou faith which has similarities to Hindu beliefs. The Bodo language is promoted in schools in Bodo areas and uses the Devanagari script. Traditional Bodo cuisine and dress reflect their culture and preference for non-vegetarian foods like fish and pork. In recent decades,
The document provides an overview of dances in Singapore and India. It discusses several traditional dances of Singapore including Chinese Lion Dance, Ballet, Bangsawan, Saman, Tap, and Bharatnatyam. For India, it highlights classical dances such as Bharatanatyam, Kathakali, Kathak, Kuchipudi, Sattriya. It notes that Singapore dance reflects its cultural diversity and struggle between western and traditional influences. Indian dance traditions have influenced other countries in South and Southeast Asia.
The document provides an overview of various dances found in Singapore and India. It discusses several traditional dances that originated in different parts of Singapore and India such as Chinese Lion Dance, Ballet, Bangsawan, Saman, Tap, Bharatanatyam, Kathakali, Kathak, Kuchipudi, and Sattriya. It also provides brief descriptions of the history and characteristics of these dances. The document aims to give readers a glimpse into the diverse dancing traditions found in Singapore and India reflecting their cultural diversity.
The document provides an overview of various dances found in Singapore and India. It discusses several traditional dances that originated in different parts of Singapore and India such as Chinese Lion Dance, Ballet, Bangsawan, Saman, Tap, Bharatanatyam, Kathakali, Kathak, Kuchipudi, and Sattriya. It also provides brief descriptions of the history and characteristics of these dances. The document aims to give readers a glimpse into the diverse dancing traditions found in Singapore and India reflecting their cultural diversity.
The document provides an overview of dances in Singapore and India. It discusses several traditional dances of Singapore including Chinese Lion Dance, Ballet, Bangsawan, Saman, Tap, and Bharatnatyam. For India, it highlights classical dances such as Bharatanatyam, Kathakali, Kathak, Kuchipudi, Sattriya. It notes that Singapore dance reflects its cultural diversity and struggle between western and traditional influences. Indian dance traditions have influenced other countries in South and Southeast Asia.
Comparative study of Harvest Festivals in India & Africasbgjbritishcouncil
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The document discusses several festivals celebrated in various parts of Africa, India, and the United States. It provides details on the Yam Festival in Ghana and Nigeria which marks the end of the rainy season. It also describes Kwanzaa, a week-long celebration created in the US in 1966 to celebrate African heritage and culture. Multiple Indian festivals are outlined, including Makar Sankranti which marks the transition of the sun and arrival of spring, the spring festival of Holi, and the Nuakhai agriculture festival in Odisha, India.
A visit to Jonbeel Mela under ISA by the students of SBGJsbgjbritishcouncil
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The tradition of barter system practiced by the Tiwa tribe. The students of SBGJ made a visit on the 2nd day of the three day community fair held in Morigaon district
The document contains a comparative study of various worldwide currencies including their exchange rates with the Indian rupee from 2011-2014. It provides a tabular representation with the currency name, exchange rate in rupees, and daily market share. It also includes short notes on the Euro, US Dollar, Australian Dollar, New Zealand Dollar, Canadian Dollar, and Swiss Franc describing their history and role in international trade. Finally, it presents the comparison diagrammatically with pie and bar charts.
The document contains a comparative study of various worldwide currencies including their exchange rates with the Indian rupee from 2011-2014. It provides a tabular representation with the currency name, exchange rate in rupees, and daily market share. It also includes short notes on the Euro, US Dollar, Australian Dollar, New Zealand Dollar, Canadian Dollar, and Swiss Franc describing their history and role in international trade. Finally, it presents the currency comparison in pie chart and bar diagram formats.
Understanding Environmental Degradation under ISA by the students of SBGJ, Gu...sbgjbritishcouncil
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Malaysia is facing increasing waste generation that is causing social, economic, and environmental problems, especially in urban areas. Improper waste management leads to health issues and negatively impacts tourism. The government and private sectors are working to improve waste collection, disposal, and recycling but face challenges like a lack of coordination, clear legislation, technical expertise, and funding models. Overall, Malaysia's waste management system needs more proactive policies to better tackle the root causes of increasing waste production.
3. Introduction
INTRODUCTION
Dance in India comprises the varied styles of dances in the country. As with
other aspects of Indian culture, different forms of dances originated in different
parts of India, developed according to the local traditions and also imbibed
elements from other parts of the country.
Sangeet Natak Akademi, the national academy for performing arts, recognizes
eight distinctive traditional dances as Indian classical dances, which might
have origin in religious activities of distant past.
Folk dances are numerous in number and style, and vary according to the local
tradition of the respective state, ethnic or geographic regions. Contemporary
dances include refined and experimental fusions of classical, folk and Western
forms. Dancing traditions of India have influence not only over the dances in the
whole of South Asia, but on the dancing forms of Southeast Asia as well
4. Dance in Singapore comprises traditional and contemporary forms. It has a relatively
short history of creative, artistic and professional dance. The range of dance reflects
the cultural diversity of Singapore. There is a consistent struggle between the
rejection and acceptance of western dance influences and the re-emphasis of ethnic
cultures from time to time. The Singapore identity through dance is a challenging one
often on an outward looking perception rather than the acceptance and recognition of
indigenous/original creativity. Notable non-profit artistic dance legacy
include ECNAD and Arts Fission Company.
Over the last ten years, there has been an emergence of several visual and
performing arts groups in Singapore with local and international companies offering
both traditional as well as modern performances. There are several well established
arts groups, which include the Singapore Symphony Orchestra, Singapore Chinese
Orchestra, Singapore Dance Theatre, Singapore Lyric Opera, Singapore
Repertory Theatre and Theatre Works.
The annual Singapore Arts Festival has become extremely popular and allows
international and local artists to perform in a wide variety of events including music,
dance and theatre.
5. A glimpse into the diverse lands of Singaporean dance
Here we have some of the most popular performing arts in Singapore
6. Chinese Lion Dance
The Chinese in Singapore believe that the lion brings
forth good fortune. The lion dance is usually
performed on occasions such as the opening of
buildings and during the Chinese New Year festival.
There are two main forms of the Chinese lion dance,
the Northern Lion and the Southern Lion
FACT:
The Chinese lion dance is often mistakenly
referred to as dragon dance. An easy way to tell
the difference is that a lion is normally operated
by two dancers, while a dragon needs many
people. Also, in a lion dance, the performers'
faces are only seen occasionally, since they are
inside the lion. In a dragon dance, the
performers' faces can be easily seen since the
dragon is held on poles.
7. BALLET
Ballet is a type of performance
dance that originated in the Italian
Renaissance courts of the 15th century
and later developed into concert
dance form in France and Russia. It has
since become a widespread, highly
technical form of dance with its
own vocabulary based on French
terminology. It has been globally
influential and has defined the
foundational techniques used in many
other dance genres. Ballet requires
years of training to learn and master,
and much practice to retain proficiency.
It has been taught in ballet schools
around the world, which have
historically used their own cultures to
evolve the art.
The Singapore Dance
Theatre is Singapore's national dance
company, founded in 1988 by the late
Anthony Then and Goh Soo Khim. It made
its debut in June 1988 at the Singapore
Festival of The Arts and received its first
arts patronage by the then-Deputy Prime
Minister, Mr Ong Teng Cheong.
Its humble beginnings started with a
group of seven ballet dancers in a modest
dance studio on the second storey of a
creaky colonial bungalow on Killiney
Road. This studio space was shared by the
Singapore Ballet Academy and the SDT's
dancers could only train in between the
Academy's rehearsal schedules on normal
days
8. Bangsawan
This is form of Malay
opera that usually
depicts Malay myths or
tales of love and
treachery in the form of
dance.
9. Saman(or dance of thousand
hands) is one of the most popular
dances in Indonesia. Its origin is
from the Gayo ethnic group
fromGayo Lues and is normally
performed to celebrate important
occasions. The dance is
characterized by its fast-paced
rhythm and common harmony
between dancers. These two
elements are key figures of Saman,
and are among the reasons Saman
are widely known and practiced in
Indonesia, beside being relatively
easy to learn.
The dance is done by a group of
people forming a line accompanied
by a music player. Originally, the
group was exclusively male, but it is
now more common to see female
Saman dancers.
10. Tap danceis a form of dance characterized by using the
sound of one's tap shoes hitting the floor (or other surfaces) as
a percussive instrument. As such, it is also commonly
considered to be a form of music. Two major variations on tap
dance exist: rhythm (Jazz) tap and Broadway tap. Broadway tap
focuses more on the dance. It is widely performed as a part of
musical theater. Rhythm tap focuses more on musicality, and
practitioners consider themselves to be a part of
the Jazz tradition.
The sound is made by shoes with a metal "tap" on the heel and
toe. Tap shoes can be bought at most dance shops. There are
different brands of shoes which sometimes differ in the way
they sound.
11. Bharatanatyam
This old classical dance originates from India
and is a combination of music, expression
and rhythm accompanied by graceful and
statuesque poses.
12. A glimpse into the world of rich and ethnic cultural dances of Bharat, India.
Heres a few of the most prominent , well known dances
13. Bharatanatyam
Dating back to 1000 BCE, Bharatanatyam is a classical dance
from the South Indian state of Tamil Nadu, practiced
predominantly in modern times by women. The dance is
usually accompanied by classical Carnatic music. Its
inspirations come from the sculptures of the ancient temple of
Chidambaram. It was codified and documented as a
performing art in the 19th century by four brothers known as
the Thanjavur Quartet whose musical compositions for dance
form the bulk of the Bharatanatya repertoire even today.
Kathakali
Kathakali (katha, story; kali, performance) is a highly
stylized classical dance-drama form which originated
from Kerala in the 17th century. This classical dance form is
particularly noticed for dancer's elaborate costume, towering
head gear, billowing skirts, and long silver nails. Recent
developments in Kathakali over the years include improved
looks, refined gestures and added themes besides more
ornate singing and precise drumming. Kathakali is performed
regularly at festivals in temples, at cultural shows for
connoisseurs and also at international events, occasionally in
fusion dance experiments.
Kathak
Originating from north Indian states,
in ancient Indian temples Brahmin
priests (pandits) used to narrate the
stories of gods and goddesses
through dance, they were known as
((kathakar)) and the dance came to
be known as "kathak". Kathak traces
its origins to the nomadic bards of
ancient northern India, known
as Kathaks, or storytellers.] Its form
today contains traces of temple and
ritual dances, and the influence of
the bhakti movement. From the
16th century onwards it absorbed
certain features of Persian
dance and Central Asian dance
which were imported by the royal
courts of the Mughal era. There are
three major schools or gharanas of
Kathak from which performers today
generally draw their lineage: the
gharanas
of Benares, Jaipur and Lucknow.
14. Kuchipudi
Dating back to 2nd century BCE it is a classical dance from the South Indian state of Andhra Pradesh.
Kuchipudi is the name of a village in the Divi Taluka of Krishna district that borders the Bay of Bengal and
with resident Brahmins practicing this traditional dance form, it acquired the present name. The
performance usually begins with some stage rites, after which each of the character comes on to the stage
and introduces him/herself with a dharavu (a small composition of both song and dance) to introduce the
identity, set the mood, of the characdter in the drama. The drama then begins. The dance is accompanied
by song which is typically Carnatic music. The singer is accompanied by mridangam, violin, flute and
the tambura. Ornaments worn by the artists are generally made of a light weight wood called Boorugu
Sattriya
Sattriya, or Sattriya Nritya (Assamese: 爨伍Δ爭爭萎爨爨酌 爨爭爨む), is one among eight principal classical Indian dance
traditions. Where as some of the other traditions have been revived in the recent past, Sattriya has
remained a living tradition since its creation by the founder of Vaishnavism in Assam, the great
saint Srimanta Sankardeva, in 15th century Assam. Satriya dance performance at Guwahati Rabindra
Bhawan
Sankardeva created Sattriya Nritya as an accompaniment to the Ankia Naat (a form of Assamese one-act
plays devised by him), which were usually performed in the sattras, as Assam's monasteries are called. As
the tradition developed and grew within the sattras, the dance form came to be called Sattriya Nritya.
Today, although Sattriya Nritya has emerged from within the confines of the sattras to a much wider
recognition, the sattras continue to use the dance form for ritualistic and other purposes for which it was
originally created circa 500 years ago.It also has recently become one of the Indian Classical Dances.
15. Conclusion
Singapore may be a young nation but it has a rich multi-cultural dance heritage that
stems from the diverse ethnic and racial groups that make up the population. Traditional
dances of Singapore usually refer to popular forms of Chinese, Malay and Indian dances
with roots originating from their fore-fathers homelands. With roots in Indonesia and
Malaysia, dominant traditional Malay dances include the mesmerizing Joget, Asli and
Zapin. Besides the revered and popular Indian traditional Bharatanatyam, Bhangra (a
song-music-dance tradition from Punjabi) is also fast gaining popularity in Singapore.
Tourists can also enjoy traditional Chinese dances which are usually a fusion of various
elements from ethnic Chinese folk dances, ballet, modern dance and Chinese martial arts
in Singapore. Budding dancers may seek out various dance associations and studios
located around Singapore to learn some moves before moving on to their next
destination. Last by not least, the extremely popular annual Chingay Parade and the
Singapore Arts Festival will also showcase a stunning array of vibrant traditional dances
along with contemporary dances, so dont miss them!