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Patrick Fulton & Sara Nodine
Warren D. Allen Music Library
4 KEY THEMES
COMPLIANCE
CURRENCY
CUSTOMIZATION
CONSISTENCY
RESUME
ONE PAGE W/ JUST THE HIGHLIGHTS  MOST RECENT WORK
CUSTOMIZED FOR DIFFERENT POSITIONS
 PERFORMANCE
 ACADEMIC/BUSINESS
PERFORMANCE RESUME
EDUCATION
 WHERE, WITH WHOM, AND LESSONS/MASTERCLASSES
PERFORMANCE HIGHLIGHTS
 DIFFERENT ENSEMBLE TYPES
FESTIVAL EXPERIENCE
ACADEMIC/BUSINESS RESUME
 EDUCATION
 SENIOR PROJECT, THESIS, DISSERTATION, TREATISE  INCLUDE TITLES
 PRESENTATION HIGHLIGHTS
 CONFERENCES, WORKSHOPS, ETC.
 PUBLICATION HIGHLIGHTS
 REVIEWS, ARTICLES, ETC.
CURRICULUM VITAE
MULTI-PAGE, MORE COMPREHENSIVE
SIMILAR STRUCTURE TO RESUME WITH GREATER DETAIL
LONGER COVERAGE DATES
ORGANIZATION OF DOCUMENT SHIFTS FOR EACH POSITION
GRADUATE SCHOOL APPLICATIONS
 KNOW YOUR DEADLINES!!
 MAKE A CHECKLIST FOR ALL REQUIRED COMPONENTS
 KNOW THE SCHOOL AND ITS PROGRAMS
 DRAFT ENTRIES BEFORE INPUTTING IN ONLINE FORM
 ADHERE TO WORD LIMITS AND PLAN AHEAD
 LONGER IS NOT ALWAYS BETTER!
JOB APPLICATIONS
 WHERE CAN YOU FIND JOB POSTINGS?
 COLLEGE MUSIC SOCIETY
 CHRONICLE OF HIGHER EDUCATION
 MUSICAL CHAIRS
 MANY OTHER WEBSITES
 YOUR PROFESSIONAL NETWORK!!
 RESEARCH THE INSTITUTION BEFOREHAND
 CUSTOMIZE YOUR APPLICATION EACH TIME
COVER LETTER
CUSTOMIZE FOR THE SPECIFIC POSTING
OPPORTUNITY TO SHARE YOUR VOICE
ADDRESSED TO COMMITTEE, DEAN, OR OTHER PERSON LISTED
GOES BEYOND WHAT CAN BE FOUND IN YOUR CV
CHOOSING REFERENCES
 WHO TO PICK?
 BROAD RANGE, BUT TAILORED TO THE JOB
 SOMEONE WHO CAN SELL YOU TO AN EMPLOYER
 HOW TO ASK?
 ASK EARLY!
 ASK EACH TIME (BEFORE APPLYING)
 PROVIDE APPLICATION DOCUMENTS
QUESTIONS?
Licensed by: Creative Commons
Attribution-NonCommercial-ShareAlike 4.0 International
Created by:
Patrick Fulton & Sara Nodine
Warren D. Allen Music Library

More Related Content

Professional Documents for Musicians

  • 1. Patrick Fulton & Sara Nodine Warren D. Allen Music Library
  • 3. RESUME ONE PAGE W/ JUST THE HIGHLIGHTS MOST RECENT WORK CUSTOMIZED FOR DIFFERENT POSITIONS PERFORMANCE ACADEMIC/BUSINESS
  • 4. PERFORMANCE RESUME EDUCATION WHERE, WITH WHOM, AND LESSONS/MASTERCLASSES PERFORMANCE HIGHLIGHTS DIFFERENT ENSEMBLE TYPES FESTIVAL EXPERIENCE
  • 5. ACADEMIC/BUSINESS RESUME EDUCATION SENIOR PROJECT, THESIS, DISSERTATION, TREATISE INCLUDE TITLES PRESENTATION HIGHLIGHTS CONFERENCES, WORKSHOPS, ETC. PUBLICATION HIGHLIGHTS REVIEWS, ARTICLES, ETC.
  • 6. CURRICULUM VITAE MULTI-PAGE, MORE COMPREHENSIVE SIMILAR STRUCTURE TO RESUME WITH GREATER DETAIL LONGER COVERAGE DATES ORGANIZATION OF DOCUMENT SHIFTS FOR EACH POSITION
  • 7. GRADUATE SCHOOL APPLICATIONS KNOW YOUR DEADLINES!! MAKE A CHECKLIST FOR ALL REQUIRED COMPONENTS KNOW THE SCHOOL AND ITS PROGRAMS DRAFT ENTRIES BEFORE INPUTTING IN ONLINE FORM ADHERE TO WORD LIMITS AND PLAN AHEAD LONGER IS NOT ALWAYS BETTER!
  • 8. JOB APPLICATIONS WHERE CAN YOU FIND JOB POSTINGS? COLLEGE MUSIC SOCIETY CHRONICLE OF HIGHER EDUCATION MUSICAL CHAIRS MANY OTHER WEBSITES YOUR PROFESSIONAL NETWORK!! RESEARCH THE INSTITUTION BEFOREHAND CUSTOMIZE YOUR APPLICATION EACH TIME
  • 9. COVER LETTER CUSTOMIZE FOR THE SPECIFIC POSTING OPPORTUNITY TO SHARE YOUR VOICE ADDRESSED TO COMMITTEE, DEAN, OR OTHER PERSON LISTED GOES BEYOND WHAT CAN BE FOUND IN YOUR CV
  • 10. CHOOSING REFERENCES WHO TO PICK? BROAD RANGE, BUT TAILORED TO THE JOB SOMEONE WHO CAN SELL YOU TO AN EMPLOYER HOW TO ASK? ASK EARLY! ASK EACH TIME (BEFORE APPLYING) PROVIDE APPLICATION DOCUMENTS
  • 11. QUESTIONS? Licensed by: Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International Created by: Patrick Fulton & Sara Nodine Warren D. Allen Music Library

Editor's Notes

  • #3: Over the course of this presentation we will see four themes weaving their way into each discussion. Keeping these four themes in mind while building your professional documents will save you time and energy, while at the same ensuring you will have stronger materials.
  • #4: One page in length. Just the highlights. Will need to be edited for EACH application. Include most recent work (most important).
  • #5: Performance Education (where, with whom, and lessons/masterclasses) Performance highlights (large ensemble, chamber ensemble, solo) Festival experience
  • #6: Academic/Business Education (senior projects, thesis, dissertation, treatise title and major professor) Presentation highlights (conferences, etc.) Publications (reviews, articles, etc.)
  • #7: Multi-page, comprehensive Similar structure to resume, greater detail Longer coverage Organization of information may shift for each application
  • #8: Make a timeline/calendar KNOW YOUR DEADLINES (you are NOT an exception to rules) Plan ahead to order transcripts, have scores sent, make recordings, and mail materials Know the school/program to which you are applying (is there emphasis on particular performance styles, areas of research, etc.?) Not all applications require the same componentsMake a checklist! (resume and repertoire list? Complete CV? if you dont know ASK!) Requires the most up-to-date documents (begin to filter out items on your resume/CV that are no longer relevant) Draft your entries before entering them into the online form (be careful if you copy and paste from Word as formatting may change) Keep word limits in mind and plan ahead for them. If no limit is given, be sure you have provided enough information without too much filler. Longer is not always better!
  • #9: How to find a job Know where to look for postings: College Music Society Chronicle of Higher Education Musical Chairs Various other society websites Know who to talk to: Your professional network Know the organization to which you are applying (teaching position? Administrative?) Make sure you actually qualify (meet the basic requirements) Customize your application for each position
  • #10: Tailor to specifics of job posting, using terminology/phrasing exactly from the description. Your opportunity to let them know why you would be the best choice for the position. One page in length. Addressed to dean or search committee chair (whoever is listed). Information beyond what is found in your CV. Your opportunity to give a voice to who you are personally and professionally.
  • #11: Who to pick? Broad range, but tailored to the job How do they know you and can they sell you appropriately? How to ask? Ask early Initial email: I will be applying for jobs, would you mind being a reference? Provide detailed personal information and job specifics for each position. (Tell them why you think you are perfect for the job so they can include it in their letter.) Do NOT ask after the fact!
  • #12: Additional questions you can ask the audience: What do you think counts as current? Should you just include References available upon request? What makes a specific item relevant for your documents? Suggestions for activities to do at the end (time permitting): Live editing of participants document(s) Editing (change formats, fonts, etc.) on a prepared document if none provided by participants