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Question 2
Question 2KatieSalter1998
油
How effective is the combination of your main products and the ancillary texts?
Dark Shadows
Dark ShadowsKatieSalter1998
油
The genre of the film is a horror/comedy that incorporates elements of mystery, fantasy, drama, and thriller. It utilizes common horror conventions like gore, dark costumes and settings, and scary music. The cinematography includes techniques like low camera angles during tense scenes, quick editing, and point-of-view shots. As both a horror and comedy, it uses parody and humor to poke fun at typical narrative tropes found in the horror genre.
Question 1
Question 1KatieSalter1998
油
This document discusses how a magazine product uses conventions of popular magazines to target young girls as its audience. It uses many images and bright colors like pink, blue, yellow, and green on its pages. While pink is a typical color, the magazine includes a variety of bright colors to seem less feminine and avoid stereotypes. The magazine also uses informal language, slang, abbreviations and colloquialisms commonly found in popular magazines to make readers feel comfortable. Important conventions like puffs, plugs and buzzwords that engage readers are also used on cover lines and stories.Preliminary Task Evaluation
Preliminary Task EvaluationKatieSalter1998
油
For her school magazine, the student used a black and white photo of a student reading in the library on the front cover. She used leaves as the border and included the main article titles. However, she would change the photo to allow more space and be sharper. She would also change some of the dark colors used. For the contents page, she continued the house style but would take a wider variety of higher quality photos to fill more space and avoid limitations. Overall, she aims to make the magazine more professional and polished if given another chance.Conventions of pop music
Conventions of pop musicKatieSalter1998
油
Pop music conventions include artists dressing in stylish, mainstream outfits while expressing happiness and unity, especially among teens. Pop songs typically follow a verse-chorus-verse structure, have a consistent beat between 3-5 minutes long, and catchy hook lines. They also tend to have dance-oriented beats and lyrics about love and relationships that portray partying and sexuality to appeal to teens. Over the past 10 years, pop artist representation, makeup, hairstyles, and use of technology in music videos have become more extreme and vibrant compared to a more natural focus on the artist in the past.Photos
PhotosKatieSalter1998
油
The document discusses photo choices for a pop music magazine cover and spreads. It describes selecting a photo of the artist with hands in hair for the cover to fit the pop genre. Interior spreads were chosen featuring the artist playing guitar to match text and with bubbles to look fun for young readers. A photo with a tiara was picked to fit the "pop princess" genre.
惘悋惆悸 悋悋惺悋 悋惡悋惡 悋惘悋惡惺.悖.惆. 悋 惺悋愀
惘悋惆悸 悋悋惺悋 悋惡悋惡 悋惘悋惡惺.悖.惆. 悋 惺悋愀Hany Atef
油
惆惘悋愕悸 悋悴惆 愆惘惺悋惠 悋惶愃惘悸
惆惘悋愕悸 悋悴惆 悋惺悸 悋惠 惠惆 悒 惠 悋 悒悵悋 悋 悋愆惘惺 愕忰 悋悴悋忰 悋悋 悋惠愆愃 悋惠惺 悖 悋. 惠惺惠惡惘 惆惘悋愕悸 悋悴惆 悽愀悸 悖愕悋愕悸 惺悸 惠悖愕愕 悋愆惘惺悋惠 悋惶愃惘悸 忰惓 惠愕悋 惠忰惆惆 惆 悋惡悸 悋愆惘惺 惠悵 惠愕悋惺惆 悋惠悽悋悵 惘悋惘悋惠 愕惠惘悸 惡愆悖 悋悋愕惠惓悋惘 悋悋惘惆.
悖悸 惆惘悋愕悸 悋悴惆 愆惘惺悋惠 悋惶愃惘悸
惠忰惆惆 悋惡悸 悋惘悸: 惠愕悋 惆惘悋愕悸 悋悴惆 悋惠悖惆 悖 惘悸 悋愆惘惺 悋惡悸 惠悵 惠惡 忰悋悴悸 悋愕.
惠 悋悽悋愀惘: 惠愕悋惺惆 惠忰惆惆 悋悽悋愀惘 悋忰惠悸 悋惠 惆 惠悋悴 悋愆惘惺 悋 惠忰 惘悋悧惆 悋悖惺悋 悋惠惺悋 惺悋 惡愆 愕惡.
惠忰惆惆 悋悋忰惠悋悴悋惠 悋悋悸: 悽悋 惆惘悋愕悸 悋悴惆 惠忰惆惆 悋惠 悋悋慍 惡惆悄 悋愆惘惺 惠悵 惡愆 惺悋.
惠忰惆惆 悋悴惆 悋悋悸: 惠愕悋 悋惆惘悋愕悸 惠惆惘 悋悖惘惡悋忰 悋惺悋悧惆 悋忰惠悸 愆惘惺 悋 愕悋惺惆 惠忰惆惆 悒悵悋 悋 悋 悋愆惘惺 愕 惘惡忰悋 悖 悋.
慍悋惆悸 惘惶 悋悴悋忰: 悽悋 悋惠忰 悋惆 惺悋 悋悽惠悸 惠愕悋惺惆 惆惘悋愕悸 悋悴惆 惠忰愕 惘惶悸 悴悋忰 悋愆惘惺 慍悋惆悸 惺悋惠.
悋悒惡惆悋惺 悋悋惡惠悋惘 惘悋惆悸 悋悋惺悋 悋惡悋惡 悋惓悋惓 悋悋愕惠悋悵 悋惆惠惘 悋 惺悋愀
悋悒惡惆悋惺 悋悋惡惠悋惘 惘悋惆悸 悋悋惺悋 悋惡悋惡 悋惓悋惓 悋悋愕惠悋悵 悋惆惠惘 悋 惺悋愀Hany Atef
油
惠惺惘 悋悒惡惆悋惺 悖惠 惘悋惆悸 悋悖惺悋
惠惺惘 悋悒惡惆悋惺
悋悒惡惆悋惺 悋惆惘悸 惺 悒惠悋悴 悖悋惘 悴惆惆悸 惡惠惘悸 悖 悒悴悋惆 忰 愃惘 惠惆悸 愆悋 悋悧悸. 惠惷 悋惠惘 悽悋惘悴 悋悖 悋惠惘 悋惆 惠忰 悋悖悋惘 悒 悖惺悋 悖 惠悴悋惠 悖 惠惷 悸 悴惠惺 悖 悋愕. 愕悋 惘悋惆悸 悋悖惺悋 悋悒惡惆悋惺 悋 惠惶惘 愀 惺 悋惡惠悋惘 惠悴悋惠 悴惆惆悸 惡 愆 悖惷悋 愀惘悋 悴惆惆悸 悒惆悋惘悸 悋悖惺悋 惠愀惘 悋惺悋惠 惠忰 悋惠慍 惠惆 悋悽惆悋惠.
悖悸 悋悒惡惆悋惺 惘悋惆悸 悋悖惺悋
悋惠慍 悋愕
惡悧悸 悋悖惺悋 悋惠悋愕悸 惶惡忰 悋悒惡惆悋惺 悖忰惆 悋惺悋 悋惘悧愕悸 悋惠 惠慍 悋愆惘悋惠 悋悋愆悧悸 惺 悋愕悋. 悋惡惠悋惘 惠悴悋惠 悴惆惆悸 悖 惠惆 悽惆悋惠 惡愀惘悸 悽惠悸 惺慍慍 惆惘悸 悋愆惘惺 惺 悴悵惡 悋惠惡悋 悋惺悋悄 悽 悸 惷悋悸.
忰 悋愆悋惠
惘悋惆悸 悋悖惺悋 惠惠愀惡 悋惆惘悸 惺 忰 悋愆悋惠 惡愆 惡惠惘 愕悋悄 悋惠 惠惠惺 惡惠惡悸 悋忰惠悋悴悋惠 悋愕 悖 惠忰愕 悋惺悋惠 悋惆悋悽悸. 悋悒惡惆悋惺 愕悋惺惆 惘悋惆 悋悖惺悋 惺 悒悴悋惆 忰 惺悋悸 惠忰惆悋惠 悋惠 惆 惠悋悴 悋 惺慍慍 悋愕惠惆悋悸 悖惺悋.
惠忰 悋 悋悋惡惠悋惘
悋悖惺悋 悋惠 惠惺惠惆 惺 悋悒惡惆悋惺 惠 悖惓惘 惆惘悸 惺 悋惠 惺 悋惠愃惘悋惠 悋愕. 悋悋惡惠悋惘 悋愕惠惘 悋 悗惆 愀 悒 惠忰愕 悋惠悴悋惠 悋悽惆悋惠 惡 惠忰 悖惷悋 悛悋悋 悴惆惆悸 悋惠愕惺 悖愕悋 悴惆惆悸.
悴悵惡 悋愕惠惓惘
悋悖悋惘 悋悒惡惆悋惺悸 惠悴悵惡 悋惠悋 悋愕惠惓惘 悋悵 惡忰惓 惺 愆悋惘惺 惠惠惠惺 惡悒悋悋惠 惺悋悸 悖悋惘 惡惠惘悸 惠慍悋 惺 悋悋愕. 悋悋愕惠惓悋惘 悋悖悋惘 悋悴惆惆悸 惆 惘 惘悖愕 悋悋 悋悋慍 惠愀惘 悋悖惺悋.
惠忰 悋惠 悋惠悋愕
悋愆惘悋惠 悋惠 惠惺惠惆 惺 悋悒惡惆悋惺 惠惠 惠惆 忰 惠慍悸 悖 惠悴悋惠 惡惠惘悸 惠忰悋 慍悸 惠悋愕悸 惡惘悸. 悵悋 悋惠 愕悋惺惆 悋忰悋惴 惺 忰惶惠悋 悋愕悸 惠愕惺 愀悋 惠悖惓惘悋.
悋愕惠惘悋惠悴悋惠 悋悋惡惠悋惘 惠愀惘 悋悖悋惘 惘悋惆悸 悋悖惺悋
悋悋惡惠悋惘 惺惶惘 悖愕悋愕 惷悋 悴悋忰 悋愆悋惘惺 悋惘悋惆悸 悋 悋愕惠惆悋. 悋惡惠悋惘 悖 悋惺悋 悋慍 惡 悋愆惘悋惠 悋惠 惠悴忰 惠 悋惠 惠愆. 悽悋 惠惡 悋愕惠惘悋惠悴悋惠 惡惠惘悸 惠愀惘 悋悖悋惘 惘悋惆 悋悖惺悋 悋惠慍 悋愕 忰 悋愆悋惠 惠忰 悋. 悋 悋愕惠惘悋惠悴悋惠 惺悋悸 惠愀惘 悋悖悋惘 悋悋惡惠悋惘 惘悋惆悸 悋悖惺悋:
悋惠惘 悋惠惶 (Design Thinking)
悋愆惘忰: 悋惠惘 悋惠惶 悴悸 惠惘慍 惺 悋愕惠悽惆 惠愕悋惺惆 惺 悋悋惡惠悋惘 惺惡惘 悽愕 惘悋忰: 悋惠惺悋愀 惺 悋愕惠悽惆 惠忰惆惆 悋愆悸 惠惆 悋悖悋惘 悒愆悋悄 悋悋悵悴 悋悖悸 悋悋悽惠惡悋惘.
悋悋悧惆悸: 悵 悋悋愕惠惘悋惠悴悸 惠惘慍 惺 悒悴悋惆 忰 惺悸 愕悸 愆悋 悽悋 惺 悋忰惠悋悴悋惠 悋惺悋悄 悋 惺慍慍 惺悋悸 悋悖悋惘 悋惠悴悋惠 悋愀惘忰悸.
悋惠 惘愕悋悧 悋愆悋惘 忰 悋悗惠惘 悋惆 悋惺悋愆惘 忰 悋惷悋悋 悋惘悋悸 愃悋惠...
悋惠 惘愕悋悧 悋愆悋惘 忰 悋悗惠惘 悋惆 悋惺悋愆惘 忰 悋惷悋悋 悋惘悋悸 愃悋惠...The Annual International Conference on Languages, Linguistics, Translation and Literature
油
悋惠 惘愕悋悧 悋愆悋惘
忰
悋悗惠惘 悋惆 悋惺悋愆惘 忰 悋惷悋悋 悋惘悋悸 愃悋惠 惺 悋愃悸 悋惠惘悴悸 悋悖惆惡
2-1 惡惘悋惘 2025 悋悖悋慍
WWW.TLLL.IR))
惠 悋愕惠悋 悋惡忰惓 惡惆悋 悽惠悸 ( 悵擧 悋悴慍悋悧惘 悋惺惘悋 愕愀悸 惺悋 惠愕 惘愕悋 惆悋 愀惘 悋悋惡悋 悋悋悋惠 悋惠忰惆悸 惘愕悋 悒愕惡悋悋). 惆 惠 惠忰 悵 悋惡忰惓 惺惡惘 悋悴悸 悋悖悽惶悋悧悸 悋惆悸 悗惠惘 惓ﾙ 愀惡惺悋 愆惘悋. 悋 惠惆 悋惡忰惓 悋悗惠惘 惡悒忰惆 悋愃悋惠 悋惠悋悸: 悋惺惘惡悸 悋悒悴慍悸 悋悋惘愕悸.
悋 惠惠惘惆惆 惘悋愕惠悋 悋悴悋惡悸 惺 悋 悋愕惠愕悋惘悋惠.
悋悴悸 悋惴悸 悗惠惘
悋悖悋慍 / 悋惶惆 悋惡惘惆 61335-4619:
悋悋惠 :32931199-61 (98+)
悋悋擧愕:32931198-61(98+)
悋悋 惘 惠悋惶 惺 悋悋惠愕 悋惡 : 9165088772(98+)
悋惡惘惆 悋鏤刻鎬鏈鏈鏤э参: info@tlll.ir
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The genre of the film is a horror/comedy that incorporates elements of mystery, fantasy, drama, and thriller. It utilizes common horror conventions like gore, dark costumes and settings, and scary music. The cinematography includes techniques like low camera angles during tense scenes, quick editing, and point-of-view shots. As both a horror and comedy, it uses parody and humor to poke fun at typical narrative tropes found in the horror genre.Question 1
Question 1KatieSalter1998
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This document discusses how a magazine product uses conventions of popular magazines to target young girls as its audience. It uses many images and bright colors like pink, blue, yellow, and green on its pages. While pink is a typical color, the magazine includes a variety of bright colors to seem less feminine and avoid stereotypes. The magazine also uses informal language, slang, abbreviations and colloquialisms commonly found in popular magazines to make readers feel comfortable. Important conventions like puffs, plugs and buzzwords that engage readers are also used on cover lines and stories.Preliminary Task Evaluation
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For her school magazine, the student used a black and white photo of a student reading in the library on the front cover. She used leaves as the border and included the main article titles. However, she would change the photo to allow more space and be sharper. She would also change some of the dark colors used. For the contents page, she continued the house style but would take a wider variety of higher quality photos to fill more space and avoid limitations. Overall, she aims to make the magazine more professional and polished if given another chance.Conventions of pop music
Conventions of pop musicKatieSalter1998
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Pop music conventions include artists dressing in stylish, mainstream outfits while expressing happiness and unity, especially among teens. Pop songs typically follow a verse-chorus-verse structure, have a consistent beat between 3-5 minutes long, and catchy hook lines. They also tend to have dance-oriented beats and lyrics about love and relationships that portray partying and sexuality to appeal to teens. Over the past 10 years, pop artist representation, makeup, hairstyles, and use of technology in music videos have become more extreme and vibrant compared to a more natural focus on the artist in the past.Photos
PhotosKatieSalter1998
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The document discusses photo choices for a pop music magazine cover and spreads. It describes selecting a photo of the artist with hands in hair for the cover to fit the pop genre. Interior spreads were chosen featuring the artist playing guitar to match text and with bubbles to look fun for young readers. A photo with a tiara was picked to fit the "pop princess" genre.Recently uploaded (7)
惘悋惆悸 悋悋惺悋 悋惡悋惡 悋惘悋惡惺.悖.惆. 悋 惺悋愀
惘悋惆悸 悋悋惺悋 悋惡悋惡 悋惘悋惡惺.悖.惆. 悋 惺悋愀Hany Atef
油
惆惘悋愕悸 悋悴惆 愆惘惺悋惠 悋惶愃惘悸
惆惘悋愕悸 悋悴惆 悋惺悸 悋惠 惠惆 悒 惠 悋 悒悵悋 悋 悋愆惘惺 愕忰 悋悴悋忰 悋悋 悋惠愆愃 悋惠惺 悖 悋. 惠惺惠惡惘 惆惘悋愕悸 悋悴惆 悽愀悸 悖愕悋愕悸 惺悸 惠悖愕愕 悋愆惘惺悋惠 悋惶愃惘悸 忰惓 惠愕悋 惠忰惆惆 惆 悋惡悸 悋愆惘惺 惠悵 惠愕悋惺惆 悋惠悽悋悵 惘悋惘悋惠 愕惠惘悸 惡愆悖 悋悋愕惠惓悋惘 悋悋惘惆.
悖悸 惆惘悋愕悸 悋悴惆 愆惘惺悋惠 悋惶愃惘悸
惠忰惆惆 悋惡悸 悋惘悸: 惠愕悋 惆惘悋愕悸 悋悴惆 悋惠悖惆 悖 惘悸 悋愆惘惺 悋惡悸 惠悵 惠惡 忰悋悴悸 悋愕.
惠 悋悽悋愀惘: 惠愕悋惺惆 惠忰惆惆 悋悽悋愀惘 悋忰惠悸 悋惠 惆 惠悋悴 悋愆惘惺 悋 惠忰 惘悋悧惆 悋悖惺悋 悋惠惺悋 惺悋 惡愆 愕惡.
惠忰惆惆 悋悋忰惠悋悴悋惠 悋悋悸: 悽悋 惆惘悋愕悸 悋悴惆 惠忰惆惆 悋惠 悋悋慍 惡惆悄 悋愆惘惺 惠悵 惡愆 惺悋.
惠忰惆惆 悋悴惆 悋悋悸: 惠愕悋 悋惆惘悋愕悸 惠惆惘 悋悖惘惡悋忰 悋惺悋悧惆 悋忰惠悸 愆惘惺 悋 愕悋惺惆 惠忰惆惆 悒悵悋 悋 悋 悋愆惘惺 愕 惘惡忰悋 悖 悋.
慍悋惆悸 惘惶 悋悴悋忰: 悽悋 悋惠忰 悋惆 惺悋 悋悽惠悸 惠愕悋惺惆 惆惘悋愕悸 悋悴惆 惠忰愕 惘惶悸 悴悋忰 悋愆惘惺 慍悋惆悸 惺悋惠.
悋悒惡惆悋惺 悋悋惡惠悋惘 惘悋惆悸 悋悋惺悋 悋惡悋惡 悋惓悋惓 悋悋愕惠悋悵 悋惆惠惘 悋 惺悋愀
悋悒惡惆悋惺 悋悋惡惠悋惘 惘悋惆悸 悋悋惺悋 悋惡悋惡 悋惓悋惓 悋悋愕惠悋悵 悋惆惠惘 悋 惺悋愀Hany Atef
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惠惺惘 悋悒惡惆悋惺 悖惠 惘悋惆悸 悋悖惺悋
惠惺惘 悋悒惡惆悋惺
悋悒惡惆悋惺 悋惆惘悸 惺 悒惠悋悴 悖悋惘 悴惆惆悸 惡惠惘悸 悖 悒悴悋惆 忰 愃惘 惠惆悸 愆悋 悋悧悸. 惠惷 悋惠惘 悽悋惘悴 悋悖 悋惠惘 悋惆 惠忰 悋悖悋惘 悒 悖惺悋 悖 惠悴悋惠 悖 惠惷 悸 悴惠惺 悖 悋愕. 愕悋 惘悋惆悸 悋悖惺悋 悋悒惡惆悋惺 悋 惠惶惘 愀 惺 悋惡惠悋惘 惠悴悋惠 悴惆惆悸 惡 愆 悖惷悋 愀惘悋 悴惆惆悸 悒惆悋惘悸 悋悖惺悋 惠愀惘 悋惺悋惠 惠忰 悋惠慍 惠惆 悋悽惆悋惠.
悖悸 悋悒惡惆悋惺 惘悋惆悸 悋悖惺悋
悋惠慍 悋愕
惡悧悸 悋悖惺悋 悋惠悋愕悸 惶惡忰 悋悒惡惆悋惺 悖忰惆 悋惺悋 悋惘悧愕悸 悋惠 惠慍 悋愆惘悋惠 悋悋愆悧悸 惺 悋愕悋. 悋惡惠悋惘 惠悴悋惠 悴惆惆悸 悖 惠惆 悽惆悋惠 惡愀惘悸 悽惠悸 惺慍慍 惆惘悸 悋愆惘惺 惺 悴悵惡 悋惠惡悋 悋惺悋悄 悽 悸 惷悋悸.
忰 悋愆悋惠
惘悋惆悸 悋悖惺悋 惠惠愀惡 悋惆惘悸 惺 忰 悋愆悋惠 惡愆 惡惠惘 愕悋悄 悋惠 惠惠惺 惡惠惡悸 悋忰惠悋悴悋惠 悋愕 悖 惠忰愕 悋惺悋惠 悋惆悋悽悸. 悋悒惡惆悋惺 愕悋惺惆 惘悋惆 悋悖惺悋 惺 悒悴悋惆 忰 惺悋悸 惠忰惆悋惠 悋惠 惆 惠悋悴 悋 惺慍慍 悋愕惠惆悋悸 悖惺悋.
惠忰 悋 悋悋惡惠悋惘
悋悖惺悋 悋惠 惠惺惠惆 惺 悋悒惡惆悋惺 惠 悖惓惘 惆惘悸 惺 悋惠 惺 悋惠愃惘悋惠 悋愕. 悋悋惡惠悋惘 悋愕惠惘 悋 悗惆 愀 悒 惠忰愕 悋惠悴悋惠 悋悽惆悋惠 惡 惠忰 悖惷悋 悛悋悋 悴惆惆悸 悋惠愕惺 悖愕悋 悴惆惆悸.
悴悵惡 悋愕惠惓惘
悋悖悋惘 悋悒惡惆悋惺悸 惠悴悵惡 悋惠悋 悋愕惠惓惘 悋悵 惡忰惓 惺 愆悋惘惺 惠惠惠惺 惡悒悋悋惠 惺悋悸 悖悋惘 惡惠惘悸 惠慍悋 惺 悋悋愕. 悋悋愕惠惓悋惘 悋悖悋惘 悋悴惆惆悸 惆 惘 惘悖愕 悋悋 悋悋慍 惠愀惘 悋悖惺悋.
惠忰 悋惠 悋惠悋愕
悋愆惘悋惠 悋惠 惠惺惠惆 惺 悋悒惡惆悋惺 惠惠 惠惆 忰 惠慍悸 悖 惠悴悋惠 惡惠惘悸 惠忰悋 慍悸 惠悋愕悸 惡惘悸. 悵悋 悋惠 愕悋惺惆 悋忰悋惴 惺 忰惶惠悋 悋愕悸 惠愕惺 愀悋 惠悖惓惘悋.
悋愕惠惘悋惠悴悋惠 悋悋惡惠悋惘 惠愀惘 悋悖悋惘 惘悋惆悸 悋悖惺悋
悋悋惡惠悋惘 惺惶惘 悖愕悋愕 惷悋 悴悋忰 悋愆悋惘惺 悋惘悋惆悸 悋 悋愕惠惆悋. 悋惡惠悋惘 悖 悋惺悋 悋慍 惡 悋愆惘悋惠 悋惠 惠悴忰 惠 悋惠 惠愆. 悽悋 惠惡 悋愕惠惘悋惠悴悋惠 惡惠惘悸 惠愀惘 悋悖悋惘 惘悋惆 悋悖惺悋 悋惠慍 悋愕 忰 悋愆悋惠 惠忰 悋. 悋 悋愕惠惘悋惠悴悋惠 惺悋悸 惠愀惘 悋悖悋惘 悋悋惡惠悋惘 惘悋惆悸 悋悖惺悋:
悋惠惘 悋惠惶 (Design Thinking)
悋愆惘忰: 悋惠惘 悋惠惶 悴悸 惠惘慍 惺 悋愕惠悽惆 惠愕悋惺惆 惺 悋悋惡惠悋惘 惺惡惘 悽愕 惘悋忰: 悋惠惺悋愀 惺 悋愕惠悽惆 惠忰惆惆 悋愆悸 惠惆 悋悖悋惘 悒愆悋悄 悋悋悵悴 悋悖悸 悋悋悽惠惡悋惘.
悋悋悧惆悸: 悵 悋悋愕惠惘悋惠悴悸 惠惘慍 惺 悒悴悋惆 忰 惺悸 愕悸 愆悋 悽悋 惺 悋忰惠悋悴悋惠 悋惺悋悄 悋 惺慍慍 惺悋悸 悋悖悋惘 悋惠悴悋惠 悋愀惘忰悸.
悋惠 惘愕悋悧 悋愆悋惘 忰 悋悗惠惘 悋惆 悋惺悋愆惘 忰 悋惷悋悋 悋惘悋悸 愃悋惠...
悋惠 惘愕悋悧 悋愆悋惘 忰 悋悗惠惘 悋惆 悋惺悋愆惘 忰 悋惷悋悋 悋惘悋悸 愃悋惠...The Annual International Conference on Languages, Linguistics, Translation and Literature
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悋惠 惘愕悋悧 悋愆悋惘
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悋悗惠惘 悋惆 悋惺悋愆惘 忰 悋惷悋悋 悋惘悋悸 愃悋惠 惺 悋愃悸 悋惠惘悴悸 悋悖惆惡
2-1 惡惘悋惘 2025 悋悖悋慍
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惠 悋愕惠悋 悋惡忰惓 惡惆悋 悽惠悸 ( 悵擧 悋悴慍悋悧惘 悋惺惘悋 愕愀悸 惺悋 惠愕 惘愕悋 惆悋 愀惘 悋悋惡悋 悋悋悋惠 悋惠忰惆悸 惘愕悋 悒愕惡悋悋). 惆 惠 惠忰 悵 悋惡忰惓 惺惡惘 悋悴悸 悋悖悽惶悋悧悸 悋惆悸 悗惠惘 惓ﾙ 愀惡惺悋 愆惘悋. 悋 惠惆 悋惡忰惓 悋悗惠惘 惡悒忰惆 悋愃悋惠 悋惠悋悸: 悋惺惘惡悸 悋悒悴慍悸 悋悋惘愕悸.
悋 惠惠惘惆惆 惘悋愕惠悋 悋悴悋惡悸 惺 悋 悋愕惠愕悋惘悋惠.
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悋悋 惘 惠悋惶 惺 悋悋惠愕 悋惡 : 9165088772(98+)
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悋惠 惘愕悋悧 悋愆悋惘 忰 悋悗惠惘 悋惆 悋惺悋愆惘 忰 悋惷悋悋 悋惘悋悸 愃悋惠...
悋惠 惘愕悋悧 悋愆悋惘 忰 悋悗惠惘 悋惆 悋惺悋愆惘 忰 悋惷悋悋 悋惘悋悸 愃悋惠...The Annual International Conference on Languages, Linguistics, Translation and Literature
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