This document provides an overview of Company School paintings created in India during British colonial rule between the 18th and 19th centuries. It discusses how British patrons commissioned Indian artists to depict scenes of everyday life, occupations, ceremonies, and wildlife. The paintings combined Western techniques like linear perspective with traditional Indian styles of miniature painting. Company paintings serve as valuable historical records of colonial India and helped spread images of Indian culture to European audiences. The document concludes with descriptions and analyses of 12 examples of Company paintings showcasing various subjects and styles.
Amrita Sher-Gil was an Indian painter born in Budapest, Hungary in 1913 who received formal training in Paris. She is considered one of India's most celebrated modern artists for combining European techniques with Indian styles. Sher-Gil's paintings depicted rural Indian scenes and poverty, and were characterized by their use of bright colors and unique style influenced by Impressionism, miniatures, and Western and Indian art traditions. Her most famous works include Self-Portrait from 1930 and Hungarian Gypsy Girl from 1932. Sher-Gil is recognized as having brought a new realism to Indian painting through her mastery of techniques that conveyed profound stories through gestures and facial expressions.
Amrita Sher-Gil was a pioneering modern Indian painter born in 1913 in Budapest, Hungary. She received training in art in Hungary, Italy, and France before returning to India in 1934 where she began focusing on Indian themes and subjects. Her works portrayed the lives of common people and brought recognition to modern Indian art. She passed away in 1941 in Lahore at the young age of 28, leaving behind a pioneering body of work that made her one of the most influential Indian artists of her time.
Abanindranath Tagore was a prominent Indian artist born in 1871 in Bengal, British India. He was a key figure in the Bengal school of art and helped modernize traditional Indian art forms. Tagore drew influence from Mughal and Rajput styles and focused on themes from Hindu philosophy and mythology in his paintings. Some of his most famous works include Ganesh Janani, Bharat Mata, The Victory of Buddha, and The Passing of Shah Jahan. Tagore played a pivotal role in developing a swadeshi form of Indian art.
Raja Ravi Varma was an Indian painter born in 1848 in Kilimanoor, India. He was considered one of the greatest painters in Indian art for introducing oil painting and western techniques to Indian art. He received widespread acclaim after winning awards at international exhibitions. Some of his most famous works depicted scenes from Hindu epics like the Mahabharata. Ravi Varma died in 1906 at the age of 58 and made significant contributions to making Indian art more popular globally.
Jamini Roy was an Indian painter born in 1887 in West Bengal who is considered a pioneer of modern Indian art. He was influenced by Kalighat paintings and gave up on Western styles to focus on simplifying and portraying the lives of common people through folk art. Some of his most famous works include the Ramayana series painted in 1946, Bride and Two Companions from 1952, and his Krishna and Radha series. Roy received several honors including the Padma Bhushan and helped popularize Indian art among the middle class. He died in 1972 in Kolkata at the age of 85.
Raja Ravi Varma was an Indian painter born in 1848 in Kerala who is considered one of the greatest painters in Indian art history. He came from an aristocratic family and learned European oil painting techniques which he fused with Indian sensibilities and subjects from Hindu epics and mythology. His paintings popularized Indian art among the common people of India through affordable lithographs. Some of his most famous works depict Hindu goddesses like Saraswati and Durga as well as scenes from the Ramayana and Mahabharata.
Jamini Roy was a 20th century Indian artist born in 1887 in Bengal. He was trained in academic painting traditions but looked to folk art for inspiration. Roy helped develop a unique modern Indian art style by combining Western techniques with themes and styles from Indian folk traditions. Some of his most famous works featured Christian icons like Jesus portrayed in the Indian folk art style. Roy spent most of his life and career working in Calcutta and is considered an important figure in the development of modern Indian art.
The Patna/Company school was a style of painting that developed in India between 1770-1850 under the patronage of the British East India Company. Indian artists working for the Company blended Mughal and Rajput miniature techniques with European styles and mediums like watercolor and sepia wash. Key centers for Company painting included Patna, Murshidabad, Lucknow, and Calcutta. The paintings featured realistic depictions of flora and fauna, ceremonies, portraits, and daily life. Common artists working in this style included Hulasram, Fakir Chand Lal, and Jhoomak Lal. The Company painting style declined after 1840 with the rise of photography in India.
Raja Ravi Varma was an Indian painter born in 1848 who was considered one of the greatest painters in Indian art history. He was trained in traditional South Indian painting as well as European techniques under Dutch painter Theodore Jenson. Varma received widespread acclaim after winning an award at the Vienna exhibition in 1873. He is renowned for his paintings depicting scenes from Hindu epics and mythology which helped shape the modern imagination of these stories in India. Some of his most famous works include paintings of Shakuntala and Damayanti. Varma received several honors including the Kaiser-i-Hind Gold Medal and continued influencing artists worldwide until his death in 1906.
Nandalal Bose was an Indian painter born on December 3, 1882 in Kharagpur, India. He pursued painting despite lacking family support. Through his passion and talent, he became one of the most celebrated Indian painters of the 20th century. Bose was assigned prestigious projects by the independent Indian government and is renowned for works like his 1925-1935 linocut print of Mahatma Gandhi on the Dandi March.
The document provides information on the history of painting in India from prehistoric to Mughal periods. It discusses paintings found in ancient cave sites like Ajanta and Ellora dating from 2nd century BC to 10th century AD depicting religious themes. The Mughal style evolved under Akbar in the 16th century by synthesizing indigenous Indian and Persian styles, known for naturalism and fine detail. Major painting traditions across India are described, along with materials and techniques used.
Sculpture is a three-dimensional art form that involves carving or shaping hard materials like stone, wood, or metal. In India, sculptures have been an important art form since ancient times as seen in artifacts from the Indus Valley civilization. Some of the most famous sculptures in India include figures from Harappa and Mohenjo-Daro as well as later sculptures like the Ashoka pillars and the sculptures at Khajuraho and Ajanta caves. Modern Indian sculptors like Dhruva Mistry and Ramkinkar Baij have also achieved international recognition for their work.
Mughal Miniature paintings are one of the most long-standing types of art that are still available for purchase today, and any piece can be a fantastic addition to a collection or stand on its own as a stunning piece of Indian historical art.
Raja Ravi Varma was considered one of the greatest painters in Indian art history. His paintings fused Indian traditions with techniques of European academic art. He was the first Indian artist to depict Indian gods and mythological characters in natural, earthy settings using European realism. Some of his famous works included scenes from the Ramayana and Mahabharata as well as portraits and regional art. He was exceptionally skilled at portraying light, shadow, and emotion. Raja Ravi Varma influenced Indian art until his death in 1906.
Raja Ravi Varma was an Indian painter from the late 19th century who achieved fame for his paintings depicting scenes from Indian literature and mythology. He learned painting techniques from both Indian and European masters. Varma received widespread acclaim after winning awards for his paintings in exhibitions in Vienna and Chicago. He is considered one of the greatest Indian painters for his fusion of Indian traditions with academic European techniques. Many of his paintings of Hindu gods and goddesses are now iconic representations in Indian culture.
This Mind mapping is simply a diagram of Bengal school of art, used to visually represent or outline information. It is a powerful graphic technique you can use to translate what's in your mind into a visual picture.This mind map will help you better understand and get more visual information faster and better.
by Aayushi Shrimali And Akanksha Manna (University of Delhi) (kalindi college)History Hons /3rd year
origin
background
jahangir
shahjahan
later mughal school ,prominent painters and influences
Company style paintings blended Indian and European artistic traditions. They were produced in India under European patronage in the 18th-19th centuries. The style combined traditional Rajput and Mughal techniques with Western perspective and realism. Most paintings were small miniatures, though natural history works were life-sized. Major centers included cities with British settlements. Famous works include the Delhi Book and Fraser Album, which documented Mughal court life. Paintings were typically created on paper for albums in a hybrid Indo-European style.
Abanindranath Tagore was a prominent Indian artist and member of the distinguished Tagore family. He was one of the founders of the Bengal school of art, which aimed to modernize traditional Indian art styles like Mughal and Rajput paintings in response to growing Western influence. Tagore developed an interest in art as a student and was influenced by Mughal styles, incorporating them into his paintings of Hindu themes. He believed in adapting Indian artistic traditions to express Hindu philosophy and promote Indian national culture. Tagore taught many other influential Indian artists and is regarded as a pioneer in the development of a distinctive Indian painting style.
Amrita Shergill was an Indian painter born in 1913 in Budapest, Hungary to an Indian Sikh aristocrat father and Hungarian-Jewish opera singer mother. She received art training in Italy and France but was strongly influenced by Indian art including Mughal miniatures and Ajanta paintings. Shergill is renowned for her portraits depicting rural Indian life in vivid colors and abstract style influenced by European modernism. She tragically died young in 1941 at age 28 but left behind a significant body of work establishing her as a leading early 20th century Indian artist blending Eastern and Western artistic traditions.
Devi Prasad Roy Chowdhury was an important 20th century sculptor and painter from India. He was born in 1899 in Rangpur and studied art in India and Italy. Roy Chowdhury's style blended Western techniques with Indian themes. He is known for his monumental sculptures and was the first Bengali artist to work in bronze. Roy Chowdhury taught at art schools in Calcutta and Madras for many years and influenced generations of Indian artists. Some of his notable sculptures include The Triumph of Labour in Delhi and Gandhi's Dandi March in Kolkata.
Mugal painting is a particular style of South Asian, particularly Indian painting confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa). It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith.[1]
Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic works of Persian literature continued to be illustrated, as well as Indian works, the taste of the Mughal emperors for writing memoirs or diaries, begun by Babur, provided some of the most lavishly decorated texts, such as the Padshahnama genre of official histories. Subjects are rich in variety and include portraits, events and scenes from court life, wild life and hunting scenes, and illustrations of battles. The Persian tradition of richly decorated borders framing the central image (mostly trimmed in the images shown here) was continued, as was a modified form of the Persian convention of an elevated viewpoint.
The Emperor Shah Jahan standing on a globe, with a halo and European-style putti, c. 1618-19 to 1629.
The Mughal painting style later spread to other Indian courts, both Muslim and Hindu, and later Sikh, and was often used to depict Hindu subjects. This was mostly in northern India. It developed many regional styles in these courts, tending to become bolder but less refined.
The document summarizes the Deccan miniature painting style that developed between 1347-1627 AD in southern India. It originated during the rule of the Bahmani and five Deccani Sultanates of Bidar, Berar, Bijapur, Ahmadnagar and Golkonda. Their rulers greatly patronized the arts. While influenced by Persian and Mughal styles, Deccani paintings had their own distinct features including sturdy trees, expressive Ragamala paintings, and figures combining Persian and Indian elements. The style continued under the Mughals and Nizams of Hyderabad but weakened and some elements survived into the 19th century.
The Bagh Caves are a group of nine rock-cut monuments, situated among the southern slopes of the Vindhyas in Bagh town of Dhar district in Madhya Pradesh state in central India. These monuments are located at a distance of 97 km from Dhar town. The presentation was prepared for the P.G. students of AIHC and Archaeology Department in the year 2018. The site was visited by me along with my batch during Institute Of Archaeology times in the year 2009.
Suzanne Valadon was a French artist born in 1865. She began her career as an artist's model, posing for painters like Pierre Puvis de Chavannes, Henri de Toulouse-Lautrec, and Pierre-Auguste Renoir. At age 18, she gave birth to her son Maurice Utrillo, who also became a famous painter. Valadon took an interest in painting and learned techniques from the artists she modeled for. Her paintings featured self-portraits and portraits of friends like Erik Satie. Though self-taught, she developed a style that emphasized women's strength and vitality. Valadon associated with artists like van Gogh, Gauguin, Pic
Raja Ravi Varma - a celebrated Indian painter ARJUNPRATHEEP
油
Raja油Ravi Varma Koil Thampuran (29油April 1848油 2油October 1906) was a celebrated Indian painter and artist. He is considered among the greatest painters in油the history of Indian art油for a number of aesthetic and broader social reasons. Firstly, his works are held to be among the best examples of the fusion of European techniques with a purely Indian sensibility.
Raja Ravi Varma: Painter of Colonial India.
Definitive book on Raja Ravi Varma by author Rupika Chawla. It examines his life and times as a painter, the influences on his work, his muses and themes.
Jamini Roy was a 20th century Indian artist born in 1887 in Bengal. He was trained in academic painting traditions but looked to folk art for inspiration. Roy helped develop a unique modern Indian art style by combining Western techniques with themes and styles from Indian folk traditions. Some of his most famous works featured Christian icons like Jesus portrayed in the Indian folk art style. Roy spent most of his life and career working in Calcutta and is considered an important figure in the development of modern Indian art.
The Patna/Company school was a style of painting that developed in India between 1770-1850 under the patronage of the British East India Company. Indian artists working for the Company blended Mughal and Rajput miniature techniques with European styles and mediums like watercolor and sepia wash. Key centers for Company painting included Patna, Murshidabad, Lucknow, and Calcutta. The paintings featured realistic depictions of flora and fauna, ceremonies, portraits, and daily life. Common artists working in this style included Hulasram, Fakir Chand Lal, and Jhoomak Lal. The Company painting style declined after 1840 with the rise of photography in India.
Raja Ravi Varma was an Indian painter born in 1848 who was considered one of the greatest painters in Indian art history. He was trained in traditional South Indian painting as well as European techniques under Dutch painter Theodore Jenson. Varma received widespread acclaim after winning an award at the Vienna exhibition in 1873. He is renowned for his paintings depicting scenes from Hindu epics and mythology which helped shape the modern imagination of these stories in India. Some of his most famous works include paintings of Shakuntala and Damayanti. Varma received several honors including the Kaiser-i-Hind Gold Medal and continued influencing artists worldwide until his death in 1906.
Nandalal Bose was an Indian painter born on December 3, 1882 in Kharagpur, India. He pursued painting despite lacking family support. Through his passion and talent, he became one of the most celebrated Indian painters of the 20th century. Bose was assigned prestigious projects by the independent Indian government and is renowned for works like his 1925-1935 linocut print of Mahatma Gandhi on the Dandi March.
The document provides information on the history of painting in India from prehistoric to Mughal periods. It discusses paintings found in ancient cave sites like Ajanta and Ellora dating from 2nd century BC to 10th century AD depicting religious themes. The Mughal style evolved under Akbar in the 16th century by synthesizing indigenous Indian and Persian styles, known for naturalism and fine detail. Major painting traditions across India are described, along with materials and techniques used.
Sculpture is a three-dimensional art form that involves carving or shaping hard materials like stone, wood, or metal. In India, sculptures have been an important art form since ancient times as seen in artifacts from the Indus Valley civilization. Some of the most famous sculptures in India include figures from Harappa and Mohenjo-Daro as well as later sculptures like the Ashoka pillars and the sculptures at Khajuraho and Ajanta caves. Modern Indian sculptors like Dhruva Mistry and Ramkinkar Baij have also achieved international recognition for their work.
Mughal Miniature paintings are one of the most long-standing types of art that are still available for purchase today, and any piece can be a fantastic addition to a collection or stand on its own as a stunning piece of Indian historical art.
Raja Ravi Varma was considered one of the greatest painters in Indian art history. His paintings fused Indian traditions with techniques of European academic art. He was the first Indian artist to depict Indian gods and mythological characters in natural, earthy settings using European realism. Some of his famous works included scenes from the Ramayana and Mahabharata as well as portraits and regional art. He was exceptionally skilled at portraying light, shadow, and emotion. Raja Ravi Varma influenced Indian art until his death in 1906.
Raja Ravi Varma was an Indian painter from the late 19th century who achieved fame for his paintings depicting scenes from Indian literature and mythology. He learned painting techniques from both Indian and European masters. Varma received widespread acclaim after winning awards for his paintings in exhibitions in Vienna and Chicago. He is considered one of the greatest Indian painters for his fusion of Indian traditions with academic European techniques. Many of his paintings of Hindu gods and goddesses are now iconic representations in Indian culture.
This Mind mapping is simply a diagram of Bengal school of art, used to visually represent or outline information. It is a powerful graphic technique you can use to translate what's in your mind into a visual picture.This mind map will help you better understand and get more visual information faster and better.
by Aayushi Shrimali And Akanksha Manna (University of Delhi) (kalindi college)History Hons /3rd year
origin
background
jahangir
shahjahan
later mughal school ,prominent painters and influences
Company style paintings blended Indian and European artistic traditions. They were produced in India under European patronage in the 18th-19th centuries. The style combined traditional Rajput and Mughal techniques with Western perspective and realism. Most paintings were small miniatures, though natural history works were life-sized. Major centers included cities with British settlements. Famous works include the Delhi Book and Fraser Album, which documented Mughal court life. Paintings were typically created on paper for albums in a hybrid Indo-European style.
Abanindranath Tagore was a prominent Indian artist and member of the distinguished Tagore family. He was one of the founders of the Bengal school of art, which aimed to modernize traditional Indian art styles like Mughal and Rajput paintings in response to growing Western influence. Tagore developed an interest in art as a student and was influenced by Mughal styles, incorporating them into his paintings of Hindu themes. He believed in adapting Indian artistic traditions to express Hindu philosophy and promote Indian national culture. Tagore taught many other influential Indian artists and is regarded as a pioneer in the development of a distinctive Indian painting style.
Amrita Shergill was an Indian painter born in 1913 in Budapest, Hungary to an Indian Sikh aristocrat father and Hungarian-Jewish opera singer mother. She received art training in Italy and France but was strongly influenced by Indian art including Mughal miniatures and Ajanta paintings. Shergill is renowned for her portraits depicting rural Indian life in vivid colors and abstract style influenced by European modernism. She tragically died young in 1941 at age 28 but left behind a significant body of work establishing her as a leading early 20th century Indian artist blending Eastern and Western artistic traditions.
Devi Prasad Roy Chowdhury was an important 20th century sculptor and painter from India. He was born in 1899 in Rangpur and studied art in India and Italy. Roy Chowdhury's style blended Western techniques with Indian themes. He is known for his monumental sculptures and was the first Bengali artist to work in bronze. Roy Chowdhury taught at art schools in Calcutta and Madras for many years and influenced generations of Indian artists. Some of his notable sculptures include The Triumph of Labour in Delhi and Gandhi's Dandi March in Kolkata.
Mugal painting is a particular style of South Asian, particularly Indian painting confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa). It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith.[1]
Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic works of Persian literature continued to be illustrated, as well as Indian works, the taste of the Mughal emperors for writing memoirs or diaries, begun by Babur, provided some of the most lavishly decorated texts, such as the Padshahnama genre of official histories. Subjects are rich in variety and include portraits, events and scenes from court life, wild life and hunting scenes, and illustrations of battles. The Persian tradition of richly decorated borders framing the central image (mostly trimmed in the images shown here) was continued, as was a modified form of the Persian convention of an elevated viewpoint.
The Emperor Shah Jahan standing on a globe, with a halo and European-style putti, c. 1618-19 to 1629.
The Mughal painting style later spread to other Indian courts, both Muslim and Hindu, and later Sikh, and was often used to depict Hindu subjects. This was mostly in northern India. It developed many regional styles in these courts, tending to become bolder but less refined.
The document summarizes the Deccan miniature painting style that developed between 1347-1627 AD in southern India. It originated during the rule of the Bahmani and five Deccani Sultanates of Bidar, Berar, Bijapur, Ahmadnagar and Golkonda. Their rulers greatly patronized the arts. While influenced by Persian and Mughal styles, Deccani paintings had their own distinct features including sturdy trees, expressive Ragamala paintings, and figures combining Persian and Indian elements. The style continued under the Mughals and Nizams of Hyderabad but weakened and some elements survived into the 19th century.
The Bagh Caves are a group of nine rock-cut monuments, situated among the southern slopes of the Vindhyas in Bagh town of Dhar district in Madhya Pradesh state in central India. These monuments are located at a distance of 97 km from Dhar town. The presentation was prepared for the P.G. students of AIHC and Archaeology Department in the year 2018. The site was visited by me along with my batch during Institute Of Archaeology times in the year 2009.
Suzanne Valadon was a French artist born in 1865. She began her career as an artist's model, posing for painters like Pierre Puvis de Chavannes, Henri de Toulouse-Lautrec, and Pierre-Auguste Renoir. At age 18, she gave birth to her son Maurice Utrillo, who also became a famous painter. Valadon took an interest in painting and learned techniques from the artists she modeled for. Her paintings featured self-portraits and portraits of friends like Erik Satie. Though self-taught, she developed a style that emphasized women's strength and vitality. Valadon associated with artists like van Gogh, Gauguin, Pic
Raja Ravi Varma - a celebrated Indian painter ARJUNPRATHEEP
油
Raja油Ravi Varma Koil Thampuran (29油April 1848油 2油October 1906) was a celebrated Indian painter and artist. He is considered among the greatest painters in油the history of Indian art油for a number of aesthetic and broader social reasons. Firstly, his works are held to be among the best examples of the fusion of European techniques with a purely Indian sensibility.
Raja Ravi Varma: Painter of Colonial India.
Definitive book on Raja Ravi Varma by author Rupika Chawla. It examines his life and times as a painter, the influences on his work, his muses and themes.
1 updated 29th nov. 2019 1a practitioners of aesthetics in applied art in mah...Ranjan Joshi
油
1. M.V. Dhurandhar was a pioneering Indian artist active from 1867-1944 who gained popularity through his realistic paintings depicting scenes from Indian epics, myths, legends, and daily life.
2. He made significant contributions to the fields of book illustration, calendar design, poster art, and was one of the first Indian artists to work successfully in both fine art and commercial/applied art.
3. Dhurandhar helped popularize Indian art among the masses through his prolific body of work which included thousands of drawings and illustrations in books, magazines, and lithographic prints.
1 updated 29th nov. 2019 1a practitioners of aesthetics in applied art in mah...Ranjan Joshi
油
M. V. Dhurandhar was a pioneering Indian artist born in 1867 who gained popularity for his paintings depicting Indian epics, myths, legends, and historical scenes. He was a prominent teacher and administrator at the Sir J.J. School of Art in Mumbai from 1890 until his retirement in 1931. Dhurandhar documented Indian customs, rituals, and daily life through meticulous sketches and paintings, winning several prizes and honors for his work. He played a pivotal role in establishing applied art in India through his illustrations for books and other commercial applications.
1. M.V. Dhurandhar was a pioneering Indian artist active from 1867-1944 who gained popularity through realistic paintings depicting scenes from Indian epics, myths, legends, and daily life.
2. He made significant contributions to applied art in India through book illustrations, magazine covers, posters, and other commercial works. He was also an influential art educator.
3. Dhurandhar helped spread Indian art to the masses through large-scale works like calendars and railway posters, as well as his prolific illustrations for publications in multiple languages. He was honored for his important role in developing art education and connecting with the public.
4 dhurandhar and applied art final article.Ranjan Joshi
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M.V. Dhurandhar was an Indian artist born in 1867 who helped establish classical applied art in India. In 2018, the National Gallery of Modern Art in Mumbai held an exhibition curating by Suhas Bahulkar to honor the 151st anniversary of Dhurandhar's birth. The exhibition displayed Dhurandhar's paintings, sketches, and other works that documented Indian culture and society over his 50-year career. As one of the first students and later a professor at the Sir J.J. School of Art in Mumbai, Dhurandhar helped develop the "Bombay School" of art through his blending of Indian traditions with Western academic styles introduced by the British. The exhibition and its catalog
This document summarizes several traditional Indian painting styles, including Rajasthani, Mysore, Tanjore, Madhubani, Pattachitra, Kalamkari, and Mughal paintings. Rajasthani paintings depict themes from Hindu epics and mythology using mineral and plant-derived colors. Mysore paintings originate from the town of Mysore and feature Hindu gods and goddesses. Tanjore paintings serve as religious icons with vivid colors and compositions. Madhubani paintings feature mythology and nature from the Mithila region of Bihar. Pattachitra paintings are inspired by Hindu mythology from Odisha and use vegetable colors. Kalamkari paintings feature scenes from mythology using
The document provides information about three different types of Indian art - Mahabalipuram Sculptures, Kalamkari painting, and Tanjore painting. It describes that Mahabalipuram Sculptures were carved out of rock along the coast of Tamil Nadu between the 7th and 8th centuries and include temples, cave sanctuaries, and rock reliefs depicting Hindu deities. Kalamkari painting originated 3000 years ago in India and involves intricate resist dyeing and hand printing techniques on cloth. Tanjore painting originated in the 16th century during Maratha rule and uses canvases along with natural dyes and gold leaves to create detailed sketches of Hindu religious themes.
Realistic Indian Paintings By S.Ilayarajamaditabalnco
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Mr. S Ilayaraja is a young, emerging artist from Tamil Nadu, India who specializes in realistic figure paintings where light and shades play a significant role. Born in 1979, he earned his Masters degree in painting from the Government College of Fine Arts in Chennai and has received recognition for works like his 2009 one man show called "Dravidian Women." Some examples of his oil, watercolor, and acrylic paintings are shown below.
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Raja Ravi Varma.pptx
1. Self Declaration
The content is exclusively meant for academic purposes for enhancing
teaching and learning. Any other use for economic/commercial purpose is
strictly prohibited. The users of the content shall not distribute, disseminate or
share it with anyone else and its use is restricted to advancement of individual
knowledge. The information provided in this e-content is authentic and best as
per knowledge
2. Raja Ravi Varma
Shalini Tiwari
Assistant Professor
Dept. of Drawing & Painting
Govt. Girls PG College, Badalpur
Gautam Buddha Nagar
3. Birth
Raja Ravi Varma was born on April 29, 1848 in Kilimanoor, in Kerala and was
a member of the ruling family of Travancore.
Death
October 2, 1906, Kilimanoor
Parents
His fathers name was Ezhumavil NeelaKanthan Bhattatiripad and mothers name
was Umayamba Thampurratti.
Education
His uncle Raja Raja Varma recognised his talent and taught him painting. In May,
1862 Ravi Varma came to Thiruvananthapuram to learn oil painting under the
patronage of Ayilyam Thirunal Maharaja of Travancore. He learnt water colour
from palace painter Ramaswami Naidu.
In 1868, Dutch painter, Theodor Jenson came in the court of Travancore, Raja
Ravi Varma learnt oil colour technique from him.
Marriage
In 1866, Ravi Varma got married to 12 years old Bhageerthi Bayi, at the age of 18.
4. 1873 - won first prize at Vienna Art Exhibition
1893 He received 3 gold medals at the worlds Columbian Exhibition.
1904 - Viceroy Lord Curzon honored him with the Kaisar i- Hind Gold Medal.
Subject Matter
Raja Ravi Varmas Paintings can be categorized into three category:
Portrait
Composition (portrait based)
Theatrical composition based on myths and Indian legends.
Mythological stories, Purans, Hindu epic such as Ramayan, Hindu gods and
Goddesses, Dushyant and Shakuntala, Nala and Damayanti, Harishchandra etc.
Lithographic Printing Press
T. Madhava Rao, Dewan of Travancore gave a suggestion to Ravi Varma to start
a printing press. Raja Ravi Varma started a printing press in Ghatkopar in Mumbai in
1894. The press came with tons of Oleographs, depicting Hindu Gods and goddesses.
Award
5. Style
Raja Ravi Varma was the first Indian artist who used western techniques of
perspective and composition and mix them with Indian subjects and themes.
Honors
Govt. of kerala started an award Raja Ravi Varma Puraskaram for the excellence in
the field of art and culture.
In 2013, the crater on Mercury was named in his honor.
Indian post issued a stamp depicting Raja Ravi Varma and his painting Damayanti
and Swan on his 65 death anniversary.
12. 7. Woman holding a fruit
Image source: https://en.wikipedia.org/wiki/Raja_Ravi_Varma
13. References
Chaitanya, K., Raja Ravi Varma, Lalit Kala Akademi, New Delhi, 1960
Raja Ravi Varma The Painter Prince: 1848 1906, Parsram
Manngharam, Bangalore, 2003
The painter: A life of Ravi Varma by Deepanjana Pal Random House India,
2011
14. 1. Avinash Bahadur Verma - Bhartiya ChitraKala Ka itihas
2. G.K. Agrawal- Kala aur Kalam
3. Percy Brown - Indian Paintings