Ready Lawyer One (Kostiantyn Zerov)
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Ready Lawyer One. How the digital environment will change the IP law. Kostiantyn Zerov 03/07/2018, Kyiv
![Its very likely that [the filmmakers] secured permission
from Cushings estate or his direct heirs, because the laws
regarding postmortem rights of publicity differ from state
to state, Tyler Ochoa, a professor at the Santa Clara
University School of Law](https://image.slidesharecdn.com/hlafhhrmtsh6ozmkzwdb-signature-386ddf9fe12c425a1be9270261c554d87b74b03a2c5bd0b5c3385d943d697fbc-poli-180703170550/85/Ready-Lawyer-One-Kostiantyn-Zerov-16-320.jpg)
![Civil code of Ukraine
Article 1219
rights and obligations that are inextricably linked with the person of
the testator, in particular:
1)personal non-property rights;
[...] are not included in the inheritance
Article 308
A photo or other artistic works on which a natural person is
portrayed can be publicly demonstrated, reproduced, or distributed
only by the consent of this person, and in the case of his/her death, by
the consent of authorized persons (children, widow (widower),
and if they do not exist - parents, brothers and sisters).](https://image.slidesharecdn.com/hlafhhrmtsh6ozmkzwdb-signature-386ddf9fe12c425a1be9270261c554d87b74b03a2c5bd0b5c3385d943d697fbc-poli-180703170550/85/Ready-Lawyer-One-Kostiantyn-Zerov-17-320.jpg)
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Ready Lawyer One (Kostiantyn Zerov)
- 1. Ready Lawyer One How the digital environment will change the IP law. Kostiantyn Zerov 03/07/2018, Kyiv
- 2. In the beginning was a ... Technology
- 3. Copyright has always been at war with technology. Before the printing press, there was not much need to protect an authors interest in his creative work. Copying was so expensive that nature itself protected that interest. But as the cost of copying decreased, and the spread of technologies for copying increased, the threat to the authors control increased. As each generation has delivered a technology better than the last, the ability of the copyright holder to protect her intellectual property has been weakened. Lessig L. Code: And Other Laws of Cyberspace, Version 2.0 / Lawrence Lessig. NY: Basic Books, 2006.
- 4. Technologly Law In a race, the quickest runner can never overtake the slowest, since the pursuer must first reach the point whence the pursued started, so that the slower must always hold a lead. as recounted by Aristotle, Physics VI:9, 239b15
- 6. The 20th Century Protection of layout-designs (topographies) of integrated circuits Protection of Computer programs Protection of Web-sites Protection of Videogames
- 7. Modern issues & concerns AI & computer-generated works AR & VR & MR Licensing Scope of rights Derivative works Freedom of panorama 3d - printing post-mortem legal rights Copyright on audiovisual works Face swap
- 9. GSS had also licensed preexisting virtual worlds from their competitors, so content that had already been created for games like Everquest and World of Warcraft was ported over to the OASIS, and copies of Norrath and Azeroth were added to the growing catalog of OASIS planets. Other virtual worlds soon followed suit, from the Metaverse to the Matrix. The Firefly universe was anchored in a sector adjacent to the Star Wars galaxy, with a detailed re- creation of the Star Trek universe in the sector adjacent to that. Users could now teleport back and forth between their favorite fictional worlds. Middle Earth. Vulcan. Pern. Arrakis. Magrathea. Discworld, Mid-World, Riverworld, Ringworld. Worlds upon worlds. Cline Ernest - Ready Player One
- 10. Quod licet Iovi, non licet bovi (c) Ready player one, 2018, WB
- 11. ISSUE: Scope of rights on VR & AR (Copyright) Reproduction ( + temporary reproductions?) Communication to the public (including making available) Public demonstration? Right to make versions, adaptations, arrangements and other similar alterations to works.
- 13. Works generated by computer Works generated using a computer Partly computer generated works Section 9(3) CDPA (UK) provides that the author of a computer-generated work is deemed to be the person "by whom the arrangements necessary for the creation of the work are undertaken
- 14. Author - an individual who created a work by his creative effort. Law of Ukraine "On Copyright and Related Rights" CJEU Case C-5/08: authors own intellectual creation.
- 15. ISSUE: post-mortem legal rights
- 16. Its very likely that [the filmmakers] secured permission from Cushings estate or his direct heirs, because the laws regarding postmortem rights of publicity differ from state to state, Tyler Ochoa, a professor at the Santa Clara University School of Law
- 17. Civil code of Ukraine Article 1219 rights and obligations that are inextricably linked with the person of the testator, in particular: 1)personal non-property rights; [...] are not included in the inheritance Article 308 A photo or other artistic works on which a natural person is portrayed can be publicly demonstrated, reproduced, or distributed only by the consent of this person, and in the case of his/her death, by the consent of authorized persons (children, widow (widower), and if they do not exist - parents, brothers and sisters).
- 19. Article 17. Copyright on Audiovisual Works 1. The authors of an audiovisual work shall be: 舒) the director b) the author of the script and (or) texts or dialogues; c) the author of a musical work with or without lyrics, specially created for the audiovisual work; d) the art director; e) the cameraman. One and the same individual can carry out two or more of the author's functions indicated in this part. Law of Ukraine "On Copyright and Related Rights" END USER?
- 20. I didnt know it at the time, but Id just become the first person to play an entirely new type of videogame. When GSS got wind of the WarGames simulation inside the First Gate (and they did a short time later), the company quickly patented the idea and began to buy up the rights to old movies and TV shows and convert them into immersive interactive games that they dubbed Flicksyncs. Flicksyncs became wildly popular. There turned out to be a huge market for games that allowed people to play a leading role in one of their favorite old movies or TV series. Cline Ernest - Ready Player One
- 21. ISSUE: face swap
- 22. A play on words has been lost in translation
- 24. Selected Readings Ready Lawyer One: Legal Issues in the Innovation of Virtual Reality by Crystal Nwaneri Coding Creativity: Copyright and the Artificially Intelligent Author by Annemarie Bridy Allocating Ownership Rights in Computer-generated Works by Pamela Samuelson Artificial Intelligence and the Copyright Dilemma by Kalin Hristov
- 25. Thank you for your attention! Kostiantyn Zerov Fb.com/c.zerov +38 O97 777 22 亶 仗亠亰亠仆舒 弍仍亳 于亳从仂亳舒仆 亞舒仆 仄舒亠舒仍亳 仆亳 仂弍 (Back to the Future; Ready player one, Star Wars,Shining) 于亳从仍ﾑ仆仂 于 仆亠从仂仄亠亶仆亳 仍, 于亳从仍ﾑ仆仂 磻 仍ﾑ舒 亟仍 仆舒于舒仆仆 于 仂弍磶, 磻亳亶 于亟仗仂于亟舒 亰舒亰仆舒亠仆亶 仄亠, 于亟仗仂于亟仆仂 亟仂 仗仂仍仂亢亠仆 .23 舒从仂仆 丕从舒仆亳 仂 舒于仂从亠 仗舒于仂 仄亢仆 仗舒于舒.