Is poetry instruction still relevant in a time when we are preparing students for high-stakes testing in school while we read and write on cell phones, iPads, and laptops out of school? According to this study, the answer is, Yes. Digital poetry bridges new literacy skills with traditional poetry instruction in a collaborative environment. Any opportunities educators can build a bridge between out of school and in school literacies could increase student motivation and engagement to learn. I am confident that the affordances of digital poetry instruction can provide the collaborative digital environment students desire while meeting the academic demands of the CCSS.
The document provides information on what constitutes a well-written paragraph, including its basic structure and features. It notes that a paragraph contains an introduction, body, and conclusion and should demonstrate unity, completeness, coherence, and emphasis. It also describes the four main kinds of paragraphs: expository, descriptive, narrative, and persuasive. Common mistakes to avoid are paragraphs being too short or long, lacking structure, missing a topic sentence, and having no focus.
The paper, due 12.9.17, should be around 1750 words. You should c.docxoreo10
油
The paper, due 12.9.17, should be around 1750 words. You should concentrate on texts weve read after 10.18 but you may draw upon the earlier readings. You should incorporate into your paper some researchnot unprofessional sources but scholarly sources from books, articles, and approved on-line sites. Late papers will be penalized. If you want to revise the topic or invent one on your own, discuss it with me first. If you get the rough draft to me well before the deadline, I will offer constructive criticism.
Valuable on-line sites for research in the Romantic and Victorian periods: Romanticism and Victorianism on the Net, Blake Archive, BRANCH, and Romantic Circles.
TOPIC: Compare and contrast two sonnets or lyrical poems.
Guide for the papers.
I. Content
* The idea development should be clear, well organized, coherent, logical and persuasive. You must work with the topic, refine it, impose your own ideas on it.
* The paper should be rich in content--with ideas, argument, evidence.
* You should have a strong grasp of the details of the text you're discussing. Summarize and refer to details; use some quotations of important words and phrases, perhaps a few sentences if necessary, but avoid lengthy quotations. Make sure that your key terms are clearly explained.
* Your intended audience is someone who has read the text under consideration and who is also interested in understanding its meaning. Accordingly, extensive plot summary is not appropriate.
* How to get content? You have to think hard about the topic, review key passages in the text, anticipate objections, pursue ideas to their logical conclusions, and work through contradictions and difficulties. Make connections between the parts and the whole.
II. Form
* Content development is by far the most important aspect of the paper, but you cannot present your content effectively unless the form of the paper is adequate. Accordingly, here is a checklist to assist you:
* Paragraphing: does each paragraph have a topic idea? Is each idea developed adequately? Is the sequence of paragraphs logically coherent?
* Phrasing: be concise, direct, and precise; proofread for wordiness, vagueness, and awkwardness.
* Mechanics: proofread for typos, misspellings, incorrect punctuation, and grammatical errors.
*References to the text (or texts): When you use critical commentary for your paper, use MLA Style of documentation. When quoting poetry, be sure to quote exactly, retaining line breaks: Mary had a little lamb, / Its fleece as white as snow. Four or more lines of poetry should be block quotedagain, exactly reproduced.
*Proofreading: it is quite apparent whether you have proofread your paper carefully or not. A paper with numerous mechanical errors will not receive a high grade; if the errors are too numerous, the paper will not receive a passing grade.
Talking In Bed
By Philip Larkin
Talking in bed ought to be easiest,
Lying together there goes back s ...
This document contains instructions for cleaning one's room in 3 sentences or less. It begins by having all misplaced items moved to the center of the room. Next, it instructs getting rid of unused items and cleaning trash and dishes. Finally, it provides finding proper places for remaining items and storing others under beds or in closets to complete the cleaning process.
1. Refer back to the interview and evaluation you conducted in the.docxjeremylockett77
油
1. Refer back to the interview and evaluation you conducted in the Topic 2 Family Health Assessment assignment. Values/Health Perception
2. Nutrition
3. Sleep/Rest
4. Elimination
5. Activity/Exercise
6. Cognitive
7. Sensory-Perception
8. Self-Perception
9. Role Relationship
10. Sexuality
11. Coping
Identify the social determinates of health (SDOH) contributing to the family's health status. In a 750-1,000-word paper, create a plan of action to incorporate health promotion strategies for this family. Include the following:
1. Describe the SDOH that affect the family health status. What is the impact of these SDOH on the family? Discuss why these factors are prevalent for this family.
2. Based on the information gathered through the family health assessment, recommend age-appropriate screenings for each family member. Provide support and rationale for your suggestions.油
3. Choose a health model to assist in creating a plan of action. Describe the model selected. Discuss the reasons why this health model is the best choice for this family. Provide rationale for your reasoning.
4. Using the model, outline the steps for a family-centered health promotion. Include strategies for communication. Cite at least three peer-reviewed or scholarly sources to complete this assignment. Sources should be published within the last 5 years and appropriate for the assignment criteria. Prepare this assignment according to the guidelines found in the APA Style Guide. An abstract is not required.
RUBRICS: The SDOH directly affecting family health status are relevant, accurately identified and thoroughly described. The direct impact to the family, and why the factors are prevalent to the family, are discussed in detail. The discussion is well supported and illustrates insight into SDOH and their effect on family health status.
Screenings presented for each family member are age appropriate and highly relevant. Screenings correlate to the information gathered through family health assessment. Strong rationale and support is presented.
A health model is selected and thoroughly described. A detailed discussion of how the model will assist in creating a plan of action is presented. Reasons for why it is best for this family are clearly outlined. Strong rationale and support are provided to support reasoning
The health model is used to create a relevant and viable family-centered health promotion. The steps to achieve the desired outcome are described in detail. Appropriate strategies for communication with the family are clearly presented. The health promotion is well-designed and demonstrates an ability to assimilate findings and appropriately apply theoretical knowledge to achieve desired outcomes.
Thesis is comprehensive and contains the essence of the paper. Thesis statement makes the purpose of the paper clear.
Clear and convincing argument that presents a persuasive claim in a distinctive and compelling manner. All sources are authoritative.
Writer is clearly in c ...
The document provides two poems, "The Railway Modeller" and "The Railway Clerk", for analysis. It instructs the reader to write about both poems, their similarities and differences, including discussing their content, ideas, mood, style, and the reader's response.
"The Railway Modeller" describes a man meticulously building a model railway village, adding tiny figures that represent people. It contrasts his focused work in his shed with news of debates on capital punishment. "The Railway Clerk" is written from the perspective of a disgruntled railway worker who feels overworked and underappreciated in his job.
This document contains a poem titled "Once Upon a Time" by Gabriel Okara. It discusses how the speaker has learned to disguise their true self and emotions through social interactions. They have learned to laugh and smile without feeling joy and to say nice things while feeling bored. The speaker wants to rediscover their authentic self from when they were younger. Students are tasked with developing a critical response to analyze the poem's structure, imagery, language and effect. They must also show empathy for the speaker. Later, students will create a creative writing response inspired by a line from the poem.
This document introduces the book Poetry For Dummies and provides an overview of its contents and organization. It aims to make poetry accessible to all readers by explaining how to read, interpret and write poetry. The book is divided into six parts that cover reading poetry, analyzing poetic techniques and forms, a historical overview of poetry, guidance for writing poetry, lists of common myths and great poems, and additional resources. Its goal is to help readers discover and appreciate poetry through practical tips, exercises and recommendations.
This document discusses the three characteristics that make poetry powerful: intensity, precision, and concision. It provides examples to illustrate each characteristic and examines poems to identify which characteristics they demonstrate. Students are tasked with analyzing poems to determine which of the three characteristics are evident in each one. The lesson concludes by challenging students to identify poetic language in everyday situations.
The document provides guidance on how to approach the unseen poetry question for an English Literature exam. It advises spending 30 minutes on the question and focusing on two assessment objectives: AO1, responding critically and imaginatively to the poem by selecting evidence, and AO2, explaining how the poet uses language, structure and form to present ideas and themes. It recommends closely analyzing the poem's language, imagery, structure, form and techniques and using multiple quotes to support a developed response. Sample planning questions and paragraphs are also provided as examples.
How To Write A Good Definition Essay.pdfCarmen Tran
油
Good Words For A Definition Essay. 3 Steps to Define 3 Terms in a Definition Essay. Definition Essay Examples sample, Bookwormlab. Your Go-to Guide For Writing a Definition Essay.
The Workshop ResponsesFor both workshops, you will provide your .docxpelise1
油
The Workshop Responses
For both workshops, you will provide your group members with a draft of your creative work. You will also provide your group members with feedback on their drafts. Providing drafts and feedback works the same way as it did in Workshop 1: Youll submit a draft as an attachment on the appropriate Workshop discussion forum on Canvas, and youll provide written feedback to your group members work there, as well.
workshops 2 is more about developing your creative work by thinking about how to use the craft elements weve been exploring. That doesnt mean that theres no longer a place for brainstorming possibilities, though! Taking risks and learning from your successes and your failures is an important part of the creative process.
Your responses to your group members drafts
In each response, youll address the following items:
揃 In 1-3 brief sentences, summarize the plot situation (if responding to a story), or the specific subject that all of the poems revolve around (if responding to poetry).
揃 If youre responding to a reflective essay draft, you can skip this step.
揃 Make some observations of how the author is using craft elements. You dont need to comment on every single craft element, just focus on the ones that seem most significant in the work. For example, you might note that the author is sticking to a traditional plot structure (or not), or using setting, or imagery, or rhyme, in a unique way.
揃 If youre responding to a reflective essay draft, make observations on how detailed the author is being about how s/he describes craft elements. For example, describing plot situation, rising action, climax, and resolution is detailed. Simply describing a plot is not detailed. Describing specific rhyme schemes (end rhyme, internal rhyme, near rhyme or perfect rhyme) is detailed. Just saying rhyme is used or not is not detailed.
揃 Note questions that the work raises for you as a reader. Questions can address the content of the work, or the craft of the work. For example, you might ask how Bob, who had two broken legs on page 2, found himself dancing at a club on page 3. Or you might ask why the author chose the first person POV, or why the author chose to use perfect end rhyme, or why the author chose to center all of the poems on the page. Be sure to explain why the work raises your questions (in other words, dont ask questions just for the sake of asking questions). Look for areas in the work that make you curious or confused, and develop questions from that.
揃 If youre responding to a reflective essay draft, note questions about the focus, organization, or content of the draft.
揃 Make suggestions for how the author might continue developing the work, and explain the reasoning behind your suggestions. For example, if you believe the story would be more compelling if told from the POV of another character, suggest that, and explain your reasoning. If you believe the poem would be more effective without perf.
This document provides an overview of the objectives and activities for an English 1 poetry unit. The unit will introduce students to various poetic devices and have them analyze poems by authors like Langston Hughes, Gwendolyn Brooks, and Maya Angelou. Students will choose one poet to research and create a project on, selecting from options like an essay, presentation, or biography. Daily assignments include journal entries and a poetry test, and students can earn extra credit by presenting poems to the class.
Andre S.
ENG 111
Personal Expressive Essay 1
Silent Strength
While working late one afternoon, I heard the weather report forecasting continuous
thunderstorms throughout the evening. Hoping to escape the downpour and chaotic commute, I concluded
my affairs and hurriedly exited the building where I worked. The warm humidity and the fragrance of rain
momentarily engulfed me as I walked outside. Ominous clouds pregnant with moisture curtained the sky
as rumbling thunder and flashes of lightning illuminated the stratosphere. The low lying wind steadily
increased in velocity; the promises of a ferocious Norfolk summer storm were on display.
I raced to my car and accelerated to Interstate 64, praying for favorable road conditions, but a sea
of red lights beckoned, welcoming me into unmoving traffic. The motorists frustration heightened as we
inched forwardcrawling at a snails pace. A sense of foreboding and alarm suffused the air at the
inevitability of the impending deluge. As thoughts of warmth and comfort pervaded my consciousness, a
resounding clap made me jump. The clouds unfolded giving birth to torrential rains which descended
mercilessly in blankets of white, impairing visibility as the wiper blades uselessly attempted the chore of
removing water from the windshield. So I, along with the others who could, moved to the shoulder of the
road.
Sitting there waiting for the waters to abate, listening to the pounding pulse of the rain awakened
an unpleasant childhood memoryseeing my mother cry for the first time. As a seven year old boy,
numerous details escaped my observation because of my preoccupation with playing games and watching
television. I vividly recalled my stupefaction at this peculiarity.
When we were kids, inclement weather prevented us from venturing outside. To alleviate our
boredom, my sisters and I started a rousing game of Unoadding our own rulesstarting arguments and
fights. The sniffles and voices coming from the next room caught our attention. Mother and father were
standing in the kitchen, speaking in hushed tones. We peeked in and saw mom hanging her head while
dad stood rigidly, arms by his side. They attempted to keep their voices lowered, but the intensity of their
disagreement caused fitful outbursts. Clearly they were embroiled in a dispute evidenced by the harsh
words and gestures. The exchange escalated and father declared the argument futile, walking away. He
emerged to tell us goodbye individually, then collectively, and left. Staring out the window, silently
sobbing as tears rolled down her soft cheeks, mother helplessly watched his retreat. I walked over to her,
tugged on her skirt and asked the obvious questions: Is something wrong? Why was dad leaving and
where did he go? She straightened her spine, wiped her face and offered promises saying soothingly,
everything would be fine.
However, it was not fine. In the weeks that followed dad.
This document provides information about different sections on an online writing platform called the E-Anthology, including an orientation page, tools for adding multimedia, a guestbook, a section for writing about classroom experiences, a section for posting about writing project summer institutes, an open mic section for publishing various types of writing, guidelines for requesting different types of feedback, encouragement and tips for responding to other writers, and an example of a poem posted on the site along with responses.
Poetry can be used in the classroom to develop listening, speaking, reading and writing skills while also sparking students' imaginations. Introducing poetry need not be daunting - start by reading fun poems aloud and using pictures or mime to help convey meaning. Different types of poems like acrostics or limericks can offer structure ideas for student writing. Choosing an interesting topic focused students' thoughts as they plan, draft, and revise their own poems to later share with the class.
This document contains a poem titled "The Jaguar" by Ted Hughes. The poem describes a jaguar pacing restlessly in its zoo cage while other animals like apes, parrots, tigers and lions lie lethargically. The jaguar seems enraged by its imprisonment and longs to run freely in wilderness. Through descriptive language and imagery, the poet conveys admiration for the jaguar's pride and spirit, as well as pity for its caged situation. Students are tasked with analyzing language techniques in the poem and discussing how it makes them feel for the jaguar.
The document is a lesson plan for teaching students about cinquain poems and having them write poems about nature. The lesson introduces cinquain poems using an example about water. It explains the structure of cinquains with five lines and different requirements for each line. Students then discuss adjectives, verbs, topics, and attitudes they could use in their own cinquain poems about nature. They are given 10 minutes to write poems, which are then shared. At the end, students reflect on what they learned and choose smiley faces to represent their feelings about the lesson.
College of San Mateo - WIWO-M - 7.14.22 - Presentation.pdfAlex Reynolds
油
This document summarizes a poetry workshop on mental health and masculinity. The workshop is facilitated by 1990s Chris, a queer poet from England. It uses short films, writing exercises, and discussion to help participants immerse, explore, and express themselves around topics of mental health, masculinity, and poetry. The workshop defines key terms, shares two short films about mental health issues faced by male athletes and sons, and leads guided discussions and writing activities in response. Participants are encouraged to freely discuss their experiences and write poetry. The workshop aims to help reduce stigma around discussing mental health and expand definitions of masculinity.
The document provides guidance on answering questions about unseen poetry for an English Literature exam. It advises spending 30 minutes on the unseen poetry question, which tests two assessment objectives - responding critically and imaginatively to the poem, and explaining how language, structure and form contribute to the poet's presentation of ideas. It emphasizes analyzing quotations from the poem and saying a lot about a little. Two example paragraphs then demonstrate this approach, focusing on specific language from an example poem and addressing different parts of the given question.
This document outlines objectives and content for a unit on teaching literature to children. The objectives are to explain the importance of teaching literature, identify literary appreciation skills, teach different genres like verses, poetry, fables and legends, and gain skills in storytelling, choral reading, and teaching drama. The content includes sections on teaching literature, literary appreciation skills, different genres, storytelling, choral reading, and drama in the classroom.
For Writing Project sites with invitational summer institutes participating in the E-Anthology, it is especially helpful if new teacher-consultants become familiar with the appearance and functionality of the forum before they post in it. Once familiar with the possibilities found in the forum, teacher-consultants can then select those aspects of the forum that interest them.
Catcher In The Rye Literary Analysis EssayPatty Loen
油
The document provides instructions for writing an assignment with the assistance of HelpWriting.net. It outlines a 5-step process: 1) Create an account; 2) Complete an order form with instructions and deadline; 3) Review writer bids and choose one; 4) Review the completed paper and authorize payment; 5) Request revisions until satisfied. It emphasizes obtaining original, high-quality content and standing by the promise to fully meet customer needs.
This document provides instructions for classwork on analyzing autobiographical narratives. Students are asked to have various supplies and homework ready. The document reviews the characteristics of narratives, including point of view, specific incident, reflective nature, theme, voice and tone. Students analyze short texts and complete charts identifying these elements. Homework includes writing letters to teachers and studying for a quiz on narrative characteristics. The class will recap autobiographical stories read and discuss favorite portrayals of each characteristic.
Finals of Rass MELAI : a Music, Entertainment, Literature, Arts and Internet Culture Quiz organized by Conquiztadors, the Quiz society of Sri Venkateswara College under their annual quizzing fest El Dorado 2025.
This document discusses the three characteristics that make poetry powerful: intensity, precision, and concision. It provides examples to illustrate each characteristic and examines poems to identify which characteristics they demonstrate. Students are tasked with analyzing poems to determine which of the three characteristics are evident in each one. The lesson concludes by challenging students to identify poetic language in everyday situations.
The document provides guidance on how to approach the unseen poetry question for an English Literature exam. It advises spending 30 minutes on the question and focusing on two assessment objectives: AO1, responding critically and imaginatively to the poem by selecting evidence, and AO2, explaining how the poet uses language, structure and form to present ideas and themes. It recommends closely analyzing the poem's language, imagery, structure, form and techniques and using multiple quotes to support a developed response. Sample planning questions and paragraphs are also provided as examples.
How To Write A Good Definition Essay.pdfCarmen Tran
油
Good Words For A Definition Essay. 3 Steps to Define 3 Terms in a Definition Essay. Definition Essay Examples sample, Bookwormlab. Your Go-to Guide For Writing a Definition Essay.
The Workshop ResponsesFor both workshops, you will provide your .docxpelise1
油
The Workshop Responses
For both workshops, you will provide your group members with a draft of your creative work. You will also provide your group members with feedback on their drafts. Providing drafts and feedback works the same way as it did in Workshop 1: Youll submit a draft as an attachment on the appropriate Workshop discussion forum on Canvas, and youll provide written feedback to your group members work there, as well.
workshops 2 is more about developing your creative work by thinking about how to use the craft elements weve been exploring. That doesnt mean that theres no longer a place for brainstorming possibilities, though! Taking risks and learning from your successes and your failures is an important part of the creative process.
Your responses to your group members drafts
In each response, youll address the following items:
揃 In 1-3 brief sentences, summarize the plot situation (if responding to a story), or the specific subject that all of the poems revolve around (if responding to poetry).
揃 If youre responding to a reflective essay draft, you can skip this step.
揃 Make some observations of how the author is using craft elements. You dont need to comment on every single craft element, just focus on the ones that seem most significant in the work. For example, you might note that the author is sticking to a traditional plot structure (or not), or using setting, or imagery, or rhyme, in a unique way.
揃 If youre responding to a reflective essay draft, make observations on how detailed the author is being about how s/he describes craft elements. For example, describing plot situation, rising action, climax, and resolution is detailed. Simply describing a plot is not detailed. Describing specific rhyme schemes (end rhyme, internal rhyme, near rhyme or perfect rhyme) is detailed. Just saying rhyme is used or not is not detailed.
揃 Note questions that the work raises for you as a reader. Questions can address the content of the work, or the craft of the work. For example, you might ask how Bob, who had two broken legs on page 2, found himself dancing at a club on page 3. Or you might ask why the author chose the first person POV, or why the author chose to use perfect end rhyme, or why the author chose to center all of the poems on the page. Be sure to explain why the work raises your questions (in other words, dont ask questions just for the sake of asking questions). Look for areas in the work that make you curious or confused, and develop questions from that.
揃 If youre responding to a reflective essay draft, note questions about the focus, organization, or content of the draft.
揃 Make suggestions for how the author might continue developing the work, and explain the reasoning behind your suggestions. For example, if you believe the story would be more compelling if told from the POV of another character, suggest that, and explain your reasoning. If you believe the poem would be more effective without perf.
This document provides an overview of the objectives and activities for an English 1 poetry unit. The unit will introduce students to various poetic devices and have them analyze poems by authors like Langston Hughes, Gwendolyn Brooks, and Maya Angelou. Students will choose one poet to research and create a project on, selecting from options like an essay, presentation, or biography. Daily assignments include journal entries and a poetry test, and students can earn extra credit by presenting poems to the class.
Andre S.
ENG 111
Personal Expressive Essay 1
Silent Strength
While working late one afternoon, I heard the weather report forecasting continuous
thunderstorms throughout the evening. Hoping to escape the downpour and chaotic commute, I concluded
my affairs and hurriedly exited the building where I worked. The warm humidity and the fragrance of rain
momentarily engulfed me as I walked outside. Ominous clouds pregnant with moisture curtained the sky
as rumbling thunder and flashes of lightning illuminated the stratosphere. The low lying wind steadily
increased in velocity; the promises of a ferocious Norfolk summer storm were on display.
I raced to my car and accelerated to Interstate 64, praying for favorable road conditions, but a sea
of red lights beckoned, welcoming me into unmoving traffic. The motorists frustration heightened as we
inched forwardcrawling at a snails pace. A sense of foreboding and alarm suffused the air at the
inevitability of the impending deluge. As thoughts of warmth and comfort pervaded my consciousness, a
resounding clap made me jump. The clouds unfolded giving birth to torrential rains which descended
mercilessly in blankets of white, impairing visibility as the wiper blades uselessly attempted the chore of
removing water from the windshield. So I, along with the others who could, moved to the shoulder of the
road.
Sitting there waiting for the waters to abate, listening to the pounding pulse of the rain awakened
an unpleasant childhood memoryseeing my mother cry for the first time. As a seven year old boy,
numerous details escaped my observation because of my preoccupation with playing games and watching
television. I vividly recalled my stupefaction at this peculiarity.
When we were kids, inclement weather prevented us from venturing outside. To alleviate our
boredom, my sisters and I started a rousing game of Unoadding our own rulesstarting arguments and
fights. The sniffles and voices coming from the next room caught our attention. Mother and father were
standing in the kitchen, speaking in hushed tones. We peeked in and saw mom hanging her head while
dad stood rigidly, arms by his side. They attempted to keep their voices lowered, but the intensity of their
disagreement caused fitful outbursts. Clearly they were embroiled in a dispute evidenced by the harsh
words and gestures. The exchange escalated and father declared the argument futile, walking away. He
emerged to tell us goodbye individually, then collectively, and left. Staring out the window, silently
sobbing as tears rolled down her soft cheeks, mother helplessly watched his retreat. I walked over to her,
tugged on her skirt and asked the obvious questions: Is something wrong? Why was dad leaving and
where did he go? She straightened her spine, wiped her face and offered promises saying soothingly,
everything would be fine.
However, it was not fine. In the weeks that followed dad.
This document provides information about different sections on an online writing platform called the E-Anthology, including an orientation page, tools for adding multimedia, a guestbook, a section for writing about classroom experiences, a section for posting about writing project summer institutes, an open mic section for publishing various types of writing, guidelines for requesting different types of feedback, encouragement and tips for responding to other writers, and an example of a poem posted on the site along with responses.
Poetry can be used in the classroom to develop listening, speaking, reading and writing skills while also sparking students' imaginations. Introducing poetry need not be daunting - start by reading fun poems aloud and using pictures or mime to help convey meaning. Different types of poems like acrostics or limericks can offer structure ideas for student writing. Choosing an interesting topic focused students' thoughts as they plan, draft, and revise their own poems to later share with the class.
This document contains a poem titled "The Jaguar" by Ted Hughes. The poem describes a jaguar pacing restlessly in its zoo cage while other animals like apes, parrots, tigers and lions lie lethargically. The jaguar seems enraged by its imprisonment and longs to run freely in wilderness. Through descriptive language and imagery, the poet conveys admiration for the jaguar's pride and spirit, as well as pity for its caged situation. Students are tasked with analyzing language techniques in the poem and discussing how it makes them feel for the jaguar.
The document is a lesson plan for teaching students about cinquain poems and having them write poems about nature. The lesson introduces cinquain poems using an example about water. It explains the structure of cinquains with five lines and different requirements for each line. Students then discuss adjectives, verbs, topics, and attitudes they could use in their own cinquain poems about nature. They are given 10 minutes to write poems, which are then shared. At the end, students reflect on what they learned and choose smiley faces to represent their feelings about the lesson.
College of San Mateo - WIWO-M - 7.14.22 - Presentation.pdfAlex Reynolds
油
This document summarizes a poetry workshop on mental health and masculinity. The workshop is facilitated by 1990s Chris, a queer poet from England. It uses short films, writing exercises, and discussion to help participants immerse, explore, and express themselves around topics of mental health, masculinity, and poetry. The workshop defines key terms, shares two short films about mental health issues faced by male athletes and sons, and leads guided discussions and writing activities in response. Participants are encouraged to freely discuss their experiences and write poetry. The workshop aims to help reduce stigma around discussing mental health and expand definitions of masculinity.
The document provides guidance on answering questions about unseen poetry for an English Literature exam. It advises spending 30 minutes on the unseen poetry question, which tests two assessment objectives - responding critically and imaginatively to the poem, and explaining how language, structure and form contribute to the poet's presentation of ideas. It emphasizes analyzing quotations from the poem and saying a lot about a little. Two example paragraphs then demonstrate this approach, focusing on specific language from an example poem and addressing different parts of the given question.
This document outlines objectives and content for a unit on teaching literature to children. The objectives are to explain the importance of teaching literature, identify literary appreciation skills, teach different genres like verses, poetry, fables and legends, and gain skills in storytelling, choral reading, and teaching drama. The content includes sections on teaching literature, literary appreciation skills, different genres, storytelling, choral reading, and drama in the classroom.
For Writing Project sites with invitational summer institutes participating in the E-Anthology, it is especially helpful if new teacher-consultants become familiar with the appearance and functionality of the forum before they post in it. Once familiar with the possibilities found in the forum, teacher-consultants can then select those aspects of the forum that interest them.
Catcher In The Rye Literary Analysis EssayPatty Loen
油
The document provides instructions for writing an assignment with the assistance of HelpWriting.net. It outlines a 5-step process: 1) Create an account; 2) Complete an order form with instructions and deadline; 3) Review writer bids and choose one; 4) Review the completed paper and authorize payment; 5) Request revisions until satisfied. It emphasizes obtaining original, high-quality content and standing by the promise to fully meet customer needs.
This document provides instructions for classwork on analyzing autobiographical narratives. Students are asked to have various supplies and homework ready. The document reviews the characteristics of narratives, including point of view, specific incident, reflective nature, theme, voice and tone. Students analyze short texts and complete charts identifying these elements. Homework includes writing letters to teachers and studying for a quiz on narrative characteristics. The class will recap autobiographical stories read and discuss favorite portrayals of each characteristic.
Finals of Rass MELAI : a Music, Entertainment, Literature, Arts and Internet Culture Quiz organized by Conquiztadors, the Quiz society of Sri Venkateswara College under their annual quizzing fest El Dorado 2025.
APM People Interest Network Conference 2025
-Autonomy, Teams and Tension: Projects under stress
-Tim Lyons
-The neurological levels of
team-working: Harmony and tensions
With a background in projects spanning more than 40 years, Tim Lyons specialised in the delivery of large, complex, multi-disciplinary programmes for clients including Crossrail, Network Rail, ExxonMobil, Siemens and in patent development. His first career was in broadcasting, where he designed and built commercial radio station studios in Manchester, Cardiff and Bristol, also working as a presenter and programme producer. Tim now writes and presents extensively on matters relating to the human and neurological aspects of projects, including communication, ethics and coaching. He holds a Masters degree in NLP, is an NLP Master Practitioner and International Coach. He is the Deputy Lead for APMs People Interest Network.
Session | The Neurological Levels of Team-working: Harmony and Tensions
Understanding how teams really work at conscious and unconscious levels is critical to a harmonious workplace. This session uncovers what those levels are, how to use them to detect and avoid tensions and how to smooth the management of change by checking you have considered all of them.
Prelims of Kaun TALHA : a Travel, Architecture, Lifestyle, Heritage and Activism quiz, organized by Conquiztadors, the Quiz society of Sri Venkateswara College under their annual quizzing fest El Dorado 2025.
How to Configure Restaurants in Odoo 17 Point of SaleCeline George
油
Odoo, a versatile and integrated business management software, excels with its robust Point of Sale (POS) module. This guide delves into the intricacies of configuring restaurants in Odoo 17 POS, unlocking numerous possibilities for streamlined operations and enhanced customer experiences.
Finals of Kaun TALHA : a Travel, Architecture, Lifestyle, Heritage and Activism quiz, organized by Conquiztadors, the Quiz society of Sri Venkateswara College under their annual quizzing fest El Dorado 2025.
How to Configure Flexible Working Schedule in Odoo 18 EmployeeCeline George
油
In this slide, well discuss on how to configure flexible working schedule in Odoo 18 Employee module. In Odoo 18, the Employee module offers powerful tools to configure and manage flexible working schedules tailored to your organization's needs.
How to attach file using upload button Odoo 18Celine George
油
In this slide, well discuss on how to attach file using upload button Odoo 18. Odoo features a dedicated model, 'ir.attachments,' designed for storing attachments submitted by end users. We can see the process of utilizing the 'ir.attachments' model to enable file uploads through web forms in this slide.
Computer Application in Business (commerce)Sudar Sudar
油
The main objectives
1. To introduce the concept of computer and its various parts. 2. To explain the concept of data base management system and Management information system.
3. To provide insight about networking and basics of internet
Recall various terms of computer and its part
Understand the meaning of software, operating system, programming language and its features
Comparing Data Vs Information and its management system Understanding about various concepts of management information system
Explain about networking and elements based on internet
1. Recall the various concepts relating to computer and its various parts
2 Understand the meaning of softwares, operating system etc
3 Understanding the meaning and utility of database management system
4 Evaluate the various aspects of management information system
5 Generating more ideas regarding the use of internet for business purpose
Information Technology for class X CBSE skill SubjectVEENAKSHI PATHAK
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These questions are based on cbse booklet for 10th class information technology subject code 402. these questions are sufficient for exam for first lesion. This subject give benefit to students and good marks. if any student weak in one main subject it can replace with these marks.
Blind Spots in AI and Formulation Science Knowledge Pyramid (Updated Perspect...Ajaz Hussain
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This presentation delves into the systemic blind spots within pharmaceutical science and regulatory systems, emphasizing the significance of "inactive ingredients" and their influence on therapeutic equivalence. These blind spots, indicative of normalized systemic failures, go beyond mere chance occurrences and are ingrained deeply enough to compromise decision-making processes and erode trust.
Historical instances like the 1938 FD&C Act and the Generic Drug Scandals underscore how crisis-triggered reforms often fail to address the fundamental issues, perpetuating inefficiencies and hazards.
The narrative advocates a shift from reactive crisis management to proactive, adaptable systems prioritizing continuous enhancement. Key hurdles involve challenging outdated assumptions regarding bioavailability, inadequately funded research ventures, and the impact of vague language in regulatory frameworks.
The rise of large language models (LLMs) presents promising solutions, albeit with accompanying risks necessitating thorough validation and seamless integration.
Tackling these blind spots demands a holistic approach, embracing adaptive learning and a steadfast commitment to self-improvement. By nurturing curiosity, refining regulatory terminology, and judiciously harnessing new technologies, the pharmaceutical sector can progress towards better public health service delivery and ensure the safety, efficacy, and real-world impact of drug products.
Blind Spots in AI and Formulation Science Knowledge Pyramid (Updated Perspect...Ajaz Hussain
油
RELEVANCE OF POETRY FOR TEENS - INTERACTIVE
1. Do you remember
learning this
poem?
I ask them to take a poem
and hold it up to the light
like a colour slide
or press an ear against its hive.
I say drop a mouse into a poem 5
and watch him probe his way out,
or walk inside the poems room
and feel the walls for a light switch.
I want them to waterski
across the surface of a poem 10
waving at the authors name on the shore.
But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.
They begin beating it with a hose
2. Lets Discuss!
1. Does poetry have relevance for teenagers?
2. Have you ever read a poem that has resonated with you?
3. Have you ever read a poem that has reflected or connected to your own
experiences and feelings?
3. Let us see what these people have to say
Link:
https://www.youtube.com/watch?v=I9-V7
RXN6wI
4. Some themes that are relevant
Family
Mental Health
Identity (Who
am I) ?
Social Media
Friendship/
Love
Conflict
The future!
(What will I do?
Who will I
become?)
Hobbies
5. Discussion Guidelines
Each group must analyse the poem provided in terms of how it relates to teenagers. You should
discuss both content and themes in the poem.
Do not engage in advanced analysis aim for basic understanding !
Select 1 or 2 group members to share your findings with the class.
When sharing, follow this:
Introduction: Start with a brief introduction of the poem, including its title and a summary of its
content.
Themes: Discuss the main themes identified in the poem and explain how these themes
relate to teenage experiences.
Relevance: Highlight how the poem does and/or does not connect to or reflect the lives of
teenagers today.
6. Use these questions to guide your
conversation:
a. What specific teenage issues or experiences does the poem address?
b. What themes are evident in the poem? How do the themes relate to common experiences of
teenagers today?
c. In what ways does the poem fail to relate to you or other teenagers? Are there aspects of the
poem that seem disconnected from teenage experiences or feelings?
d. What emotions does the poem evoke? How might these emotions reflect the experiences of
teenagers?
e. Does the poem address cultural or social issues that are pertinent to teenagers in different
communities or societies?
7. Let them be as flowers,
always watered, fed, guarded, admired,
but harnessed to a pot of dirt.
Id rather be a tall, ugly weed,
clinging on cliffs, like an eagle
wind-wavering above high, jagged rocks.
To have broken through the surface of stone,
to live, to feel exposed to the madness
of the vast, eternal sky.
To be swayed by the breezes of an ancient sea,
carrying my soul, my seed,
beyond the mountains of time or into the abyss of the bizarre
Id rather be unseen, and if
then shunned
by everyone,
than to be a pleasant-smelling flower,
growing in clusters in the fertile valley,
where theyre praised, handled, and plucked
by greedy, human hands.
Id rather smell of musty, green stench
than of sweet, fragrant lilac.
If I could stand alone, strong and free,
Id rather be a tall, ugly weed.
"Identity"
by Julio Noboa Polanco
8. We have been friends together,
In sunshine and in shade;
Since first beneath the chestnut-trees
In infancy we played.
But coldness dwells within thy heart,
A cloud is on thy brow;
We have been friends together
Shall a light word part us now?
We have been gay together;
We have laugh'd at little jests;
For the fount of hope was gushing
Warm and joyous in our breasts.
But laughter now hath fled thy lip,
And sullen glooms thy brow;
We have been gay together
Shall a light word part us now?
We have been sad together,
We have wept, with bitter tears,
O'er the grass-grown graves, where slumber'd
The hopes of early years.
The voices which are silent there
Would bid thee clear thy brow;
We have been sad together
Oh! what shall part us now?
We Have Been Friends Together
By Caroline Elizabeth Sarah Norton
9. My pants could maybe fall down when I dive off the diving board.
My nose could maybe keep growing and never quit.
Miss Brearly could ask me to spell words like stomach and special.
(Stumick and speshul?)
I could play tag all day and always be "it."
Jay Spievack, who's fourteen feet tall, could want to fight me.
My mom and my dadlike Ted'scould want a divorce.
Miss Brearly could ask me a question about Afghanistan.
(Who's Afghanistan?)
Somebody maybe could make me ride a horse.
My mother could maybe decide that I needed more liver.
My dad could decide that I needed less TV.
Miss Brearly could say that I have to write script and stop printing.
(I'm better at printing.)
Chris could decide to stop being friends with me.
The world could maybe come to an end on next Tuesday.
The ceiling could maybe come crashing on my head.
I maybe could run out of things for me to worry about.
And then I'd have to do my homework instead.
Fifteen, Maybe Sixteen Things to Worry About
By Judith Viorst
10. When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.
When You Are Old
By William Butler Yeats
11. This girlchild was born as usual
and presented dolls that did pee-pee
and miniature GE stoves and irons
and wee lipsticks the color of cherry candy.
Then in the magic of puberty, a classmate said:
You have a great big nose and fat legs.
She was healthy, tested intelligent,
possessed strong arms and back,
abundant sexual drive and manual dexterity.
She went to and fro apologizing.
Everyone saw a fat nose on thick legs.
She was advised to play coy,
exhorted to come on hearty,
exercise, diet, smile, and wheedle.
Her good nature wore out
like a fan belt.
So she cut off her nose and her legs
and offered them up.
Barbie Doll
By Marge Piercy
In the casket displayed on satin she lay
with the undertaker's cosmetics painted on,
a turned-up putty nose,
dressed in a pink and white nightie.
Doesn't she look pretty? everyone said.
Consummation at last.
To every woman a happy ending.
12. The Discursive Essay
In preparation for the discursive essay, you may wish to select some different poems. You
will need to find some poems DO have relevance to teenagers, and some that DO NOT have
relevance. Remember that you do not have to like a poem for it to have relevance for you.
The relevance may lie in the message of the poem or the lesson it teaches.
The controlled task:
You will be writing a discursive essay using the poems you have analysed in class time
and/or poems you have found and analysed yourself. The essay will be 350 - 400 words in 1
hour plus 10 minutes planning time. You may bring with you your 5 poems and the notes you
have made. You will be arguing whether or not poetry has relevance for teenagers,
making reference to both themes and poetic techniques.
You will be taught how to write a discursive essay before this controlled task.
This kind of essay requires you to discuss both for and against the topic, so you will need to
argue that some poems ARE relevant for teenagers, and that some poems ARE NOT.
However, you must still decide which side you are on, and state this in the introduction and
conclusion.
The exact topic will be given to you in class.
14. Table of contents
What is the purpose
of a discursive essay?
The structure of a
discursive essay
Elements that make
up a discursive essay
Steps to organize
Your essay
01
02
03
04
15. The purpose of a discursive essay is
to provide a balanced and objective
discussion of different perspectives
on a topic, with the aim of allowing
readers to arrive at their own informed
conclusions
01. What is the purpose of a discursive
essay?
While it may seem similar to an
argumentative essay, the main
difference between the two is that an
argumentative essay requires the
author to pick one side and argue for
it, while a discursive essay requires
the author to present different
sides of one argument to form a
more complete vision of the subject
16. 02. The structure of a discursive essay
Introduction
Paragraph
1
Paragraph 2
Conclusio
n
Watching TV is very popular and has both
advantages and disadvantages
To start with TV can have an educational
function.
On the other hand, its easy to waste our
valuable time watching TV.
I think that if we choose carefully, TV can benefit
us all.
Introductio
n
Paragraph 1
Paragraph 2
Conclusion
When writing a discursive essay, students should follow a specific format and
structure.
The first paragraph
should include
arguments
supporting the
main idea.
The second paragraph
should present possible
opposing arguments
against the main idea.
17. 03. Elements that make up a discursive essay
Your purpose of an essay
should be expressed here
you should also indicate your
viewpoint on the topic (which
side of the argument you
favor).
You need to outline what will
be discussed.
The body of the essay should
consist of separate
paragraphs, each dedicated
to a separate idea.
Each paragraph should
begin with the main idea,
followed by a summary of
the argument, and the
supporting evidence
Finally, the most important
aspects of the topic are
summarized and a
conclusion is drawn based
on all the information
provided. It can take the
form of an opinion
Introduction Body Conclusion
The most common discursive essay format includes an introduction, the body of the essay,
and the conclusion
18. The introduction of a discursive essay
should set the tone and prepare the
readers for the content of the essay. A
good idea is to use a hook as the first
sentence of the introduction, followed by
a brief overview of the problem and the
sides of the argument that will be
discussed further . You should avoid
using informal/colloquial language,
emotional language, over-
generalizations, and personal examples
in the introduction
19. The main body should consists of a few separate
paragraphs with some indicating points and
others counterpoints. In the body paragraphs, you
should explain why they are right and present
arguments for and against the topic, followed by
supporting examples and/or evidence. The
examples should be linked to the main idea of the
essay to make the essay coherent. You should
avoid using unclear expressions in the paragraphs
and instead, they should develop their statements
step by step, describing the whole picture of their
ideas for or against the topic.
20. To write an effective conclusion, you must
remember the purpose of the conclusion, which is
to establish your personal opinion on the
argument and explain why. While a discursive
essay presents a balanced point of view, the
conclusion is an opportunity to express your
opinion on the matter. However, it is important to
note that the conclusion should not simply copy
the introduction.
21. 04. Steps to organize a discursive essay
01
The first step is to choose a topic
that you feel strongly about and
that has two or more sides to it.
You can choose a topic from a list
or come up with your own unique
topic
Choose a topic
After choosing a topic write down
ideas for and against it supported
by examples.
Brainstorm!!!
Once you have chosen your topic,
it's time to create an outline. The
outline should include the
introduction, main body, and
conclusion of your essay. Each
section should have a specific
purpose and should be structured
in a logical way.
Write an outline
02 03
22. Tips
You will have to do some research in order to back up the points you make. This means you
must have a bibliography of the sources you use in your essay. Whenever you refer to one of
the sources in your bibliography -you must reference it.
Watch for making wide, sweeping generalizations. Every point you make MUST be backed up
with
some form of evidence!
Your work must be logical and ordered the points you make must follow each other logically!
Use
logical connectors to ensure your work is logical.
Write to the point dont get sidetracked.
Use paragraphs. Each new point you add MUST be in a new paragraph.
Do not become emotional in this type of essay. It should be based on reason and logic.