This document provides an overview of art and patronage during the Italian Renaissance. Wealthy Italian bankers and merchants had money to spend on art, seeing it as a way to display social and political status. Art was also organized and supported by guilds in Florence. The document then examines key artistic developments in Renaissance Florence, including the emergence of realism, advances in linear perspective, the influence of classical forms, an emphasis on individualism, and the use of geometric arrangements, lighting/shadows, and biographies of famous artists. Key figures like Masaccio, Donatello, Brunelleschi, Leonardo da Vinci, Michelangelo, and Raphael are discussed.
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Renaissance art
1. By: Susan M. PojerBy: Susan M. Pojer
Horace Greeley HS Chappaqua, NYHorace Greeley HS Chappaqua, NY
2. Art and PatronageArt and Patronage
Italians were willing to spend a lot of
money on art.
/ Art communicated social, political, and spiritual
values.
/ Italian banking & international trade interests
had the money.
Public art in Florence was organized and
supported by guilds.
Therefore, the consumption of art was used as a
form of competition for social & political status!
4. 1. Realism &1. Realism &
ExpressionExpression
Expulsion fromExpulsion from
the Gardenthe Garden
MasaccioMasaccio
14271427
First nudes sinceFirst nudes since
classical timesclassical times..
7. 4. Emphasis on Individualism4. Emphasis on Individualism
Batista Sforza & Federico de Montefeltre: TheBatista Sforza & Federico de Montefeltre: The
Duke & Dutchess of UrbinoDuke & Dutchess of Urbino
Piero della Francesca, 1465-1466.Piero della Francesca, 1465-1466.
8. 1474-1539
First Lady of
the Italian
Renaissance.
Great patroness
of the arts in
Mantua.
Known during her
time as First
Lady of the
World!
Isabella dIsabella dEste Este da Vinci, 1499da Vinci, 1499
9. 5. Geometrical Arrangement of5. Geometrical Arrangement of
FiguresFigures
The DreyfusThe Dreyfus
MadonnaMadonna
with thewith the
PomegranatePomegranate
Leonardo daLeonardo da
VinciVinci
14691469
The figure asThe figure as
architecture!architecture!
11. 7. Artists as Personalities/Celebrities7. Artists as Personalities/Celebrities
Lives of the MostLives of the Most
ExcellentExcellent
Painters,Painters,
Sculptors, andSculptors, and
ArchitectsArchitects
Giorgio VasariGiorgio Vasari
15501550
13. Renaissance FlorenceRenaissance Florence
The Wool FactoryThe Wool Factory
by Mirabello Cavalori, 1570by Mirabello Cavalori, 15701252 first gold1252 first gold
florinsflorins mintedminted
Florentine lion:Florentine lion:
symbol of St.symbol of St.
MarkMark
15. Florence Under theFlorence Under the
MediciMedici
Medici ChapelMedici Chapel
The Medici PalaceThe Medici Palace
16. Filippo BrunelleschiFilippo Brunelleschi
1377 - 14361377 - 1436
ArchitectArchitect
Cuppolo of St. MariaCuppolo of St. Maria
del Fioredel Fiore
17. Filippo BrunelleschiFilippo Brunelleschi
Commissioned to
build the cathedral
dome.
/ Used unique
architectural
concepts.
He studied the
ancient
Pantheon in
Rome.
Used ribs for
support.
21. The Ideal CityThe Ideal City
Piero della Francesca,Piero della Francesca,
14701470
22. A Contest to Decorate theA Contest to Decorate the
Cathedral:Cathedral: Sacrifice of IsaacSacrifice of Isaac
PanelsPanelsBrunelleschi Ghiberti
23. Ghiberti Ghiberti Gates of ParadiseGates of Paradise
Baptistry Door, Florence 1425 -Baptistry Door, Florence 1425 -
14521452
The Winner!The Winner!
24. David byDavid by DonatelloDonatello
14301430
First free-form bronzeFirst free-form bronze
since Roman times!since Roman times!
The Liberation ofThe Liberation of
SculptureSculpture
26. The Baptism of ChristThe Baptism of Christ
Verrocchio, 1472 - 1475Verrocchio, 1472 - 1475
LeonardoLeonardo
da Vincida Vinci
28. The RenaissanceThe Renaissance ManMan
Broad knowledge about many things in
different fields.
Deep knowledge/skill in one area.
Able to link information from different
areas/disciplines and create new
knowledge.
The Greek ideal of the well-rounded
man was at the heart of Renaissance
education.
29. Vitruvian ManVitruvian Man
Leonardo daLeonardo da
VinciVinci
14921492
TheThe
LLuomouomo
universaleuniversale
30. 1.1. Self-PortraitSelf-Portrait -- da Vinci, 1512-- da Vinci, 1512
1452 - 15191452 - 1519
Artist
Sculptor
Architect
Scientist
Engineer
Inventor
41. Leonardo, the Architect:Leonardo, the Architect:
Pages from hisPages from his NotebookNotebook
Study of aStudy of a
central church.central church.
14881488
42. Leonardo, the Architect:Leonardo, the Architect:
Pages from hisPages from his NotebookNotebook
Plan of the city of Imola, 1502.Plan of the city of Imola, 1502.
43. Leonardo, the ScientistLeonardo, the Scientist
(Biology):(Biology):
Pages from hisPages from his NotebookNotebook
An example ofAn example of
the humanistthe humanist
desire to unlockdesire to unlock
the secrets ofthe secrets of
nature.nature.
44. Leonardo, the Scientist (Anatomy):Leonardo, the Scientist (Anatomy):
Pages from hisPages from his NotebookNotebook
47. A study of siege defenses.A study of siege defenses.
Studies of water-liftingStudies of water-lifting
devices.devices.
Leonardo, the Engineer:Leonardo, the Engineer:
Pages from hisPages from his NotebookNotebook
48. Leonardo da Vinci.Leonardo da Vinci.
O investigator, do not flatterO investigator, do not flatter
yourself that you know theyourself that you know the
things nature performs forthings nature performs for
herself, but rejoice in knowingherself, but rejoice in knowing
that purpose of those thingsthat purpose of those things
designed by your own mind.designed by your own mind.
51. 2.2. Michelangelo BuonorratiMichelangelo Buonorrati
1475 15641475 1564
He representedHe represented
the body inthe body in
threethree
dimensions ofdimensions of
sculpture.sculpture.
54. The PietaThe Pieta
MichelangeloMichelangelo
BuonarrotiBuonarroti
14991499
marblemarble
The Popes as Patrons of theThe Popes as Patrons of the
ArtsArts
59. The Sistine ChapelThe Sistine Chapel
DetailsDetails
The FallThe Fall
fromfrom
GraceGrace
60. The Sistine ChapelThe Sistine Chapel
DetailsDetails
The Last JudgmentThe Last Judgment
61. 3.3. Raffaello Sanzio (1483-1520)Raffaello Sanzio (1483-1520)
Self-PortraitSelf-Portrait, 1506, 1506
Portrait of the Artist withPortrait of the Artist with
a Frienda Friend, 1518, 1518
62. Baldassare CastiglioneBaldassare Castiglione byby
Raphael,Raphael,
1514-15151514-1515
CastiglioneCastiglione
represented therepresented the
humanisthumanist
gentleman asgentleman as
a man ofa man of
refinement andrefinement and
self-control.self-control.
66. Madonna della SediaMadonna della Sedia Alba MadonnaAlba Madonna
RaphaelRaphaelss MadonnasMadonnas (2)(2)
67. The School of AthensThe School of Athens Raphael, 1510 -11 Raphael, 1510 -11
One point perspective.
All of the important Greek philosophers
and thinkers are included all of the
great personalities of the Seven Liberal
Arts!
A great variety of poses.
Located in the papal apartments library.
Raphael worked on this commission
simultaneously as Michelangelo was doing
the Sistine Chapel.
No Christian themes here.
68. The School of AthensThe School of Athens Raphael, 1510 -11 Raphael, 1510 -11
Raphael
Da Vinci
Michelangelo
69. AristotleAristotle::
looks to thislooks to this
earth [theearth [the
here andhere and
now].now].
PlatoPlato::
looks to thelooks to the
heavens [orheavens [or
the IDEALthe IDEAL
realm].realm].
The School of AthensThe School of Athens Raphael, details Raphael, details
72. The Liberation of St. PeterThe Liberation of St. Peter byby
Raphael, 1514Raphael, 1514
73. Portrait of Pope Julius IIPortrait of Pope Julius II
by Raphael, 1511-1512by Raphael, 1511-1512
More concerned withMore concerned with
politics than withpolitics than with
theology.theology.
TheThe Warrior Pope.Warrior Pope.
Great patron ofGreat patron of
Renaissance artists,Renaissance artists,
especially Raphael &especially Raphael &
Michelangelo.Michelangelo.
Died in 1513Died in 1513
74. Pope Leo X with Cardinal Giulio deMediciPope Leo X with Cardinal Giulio deMedici
and Luigi De Rossiand Luigi De Rossi by Raphael, 1518-by Raphael, 1518-
15191519
A Medici Pope.A Medici Pope.
He went through theHe went through the
Vatican treasury in aVatican treasury in a
year!year!
His extravagancesHis extravagances
offended even someoffended even some
cardinals [cardinals [as well asas well as
Martin LutherMartin Luther!].!].
Started sellingStarted selling
indulgencesindulgences..
75. Birth of VenusBirth of Venus Botticelli, 1485 Botticelli, 1485
An attempt to depict perfect beauty.An attempt to depict perfect beauty.
77. PrimaveraPrimavera Botticelli, 1482 Botticelli, 1482
Depicted classical gods as almostDepicted classical gods as almost
naked and life-size.naked and life-size.
78. A Portrait of SavonarolaA Portrait of Savonarola
By Fra Bartolomeo, 1498.By Fra Bartolomeo, 1498.
Dominican friar who decriedDominican friar who decried
money and power.money and power.
Anti-humanistAnti-humanist he sawhe saw
humanism as too secular,humanism as too secular,
hedonistic, and corrupting.hedonistic, and corrupting.
TheThe Bonfire of theBonfire of the
Vanities,Vanities, 1497.1497.
/ Burned books, artwork,Burned books, artwork,
jewelry, and other luxuryjewelry, and other luxury
goods in public.goods in public.
/ Even Botticelli put some ofEven Botticelli put some of
his paintings on the fire!!his paintings on the fire!!
79. The Execution of Savonarola,The Execution of Savonarola,
14521452
83. The Penitent Mary MagdaleneThe Penitent Mary Magdalene
by Titian, 1533by Titian, 1533
By the mid-16c,By the mid-16c,
High RenaissanceHigh Renaissance
art was declining.art was declining.
MannerismMannerism
became morebecame more
popular.popular.
This painting is aThis painting is a
good example ofgood example of
this new artisticthis new artistic
style.style.
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