Risk assesment.
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This document assesses risks for a media production. It identifies 3 main risk categories: 1) Environmental risks like weather hazards that could cause hypothermia or heat-related illness. 2) Human risks from equipment failure or damage and interactions with outside parties. 3) Personal injury risks during filming, including using fake blood on a knife, climbing steep hills in a remote wilderness location, and structural instability of old bridges. Participants were asked to sign acknowledging understanding of these risks.
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油
This risk assessment form covers the filming of an independent production over 5 scenes in 2 locations - a nearby cemetery and a house's living room.
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For the house scene, the only hazard is a prop knife, which will have its edges taped and be held away from actors and carefully transported between takes.
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This document serves as a template for conducting risk assessments in film production, outlining necessary precautions and considerations for various hazards. It provides guidance on evaluating risks, documenting hazards, identifying who may be harmed, assessing existing controls, and determining further actions needed. Essential contacts and safety measures, such as first aid kits and fire extinguishers, are highlighted to ensure a safe filming environment.Riskassessmenttemplate 200124132817
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This risk assessment form covers the filming of an independent production over 5 scenes in 2 locations - a nearby cemetery and a house's living room.
In the cemetery, the main hazards identified are assault by a passing person, collision with vehicles on paths, and cold weather. Controls include being aware of others, looking for vehicles, and ensuring proper clothing.
For the house scene, the only hazard is a prop knife, which will have its edges taped and be held away from actors, and transported securely between takes.
With these controls, all risks are judged to be very unlikely or trivial. The assessment was completed and authorized by the producer, Molly Allen.Risk assessment template. copy
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油
This risk assessment form covers the filming of an independent production over 5 scenes in 2 locations - a nearby cemetery and a house's living room.
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For the house scene, the only hazard is a prop knife, which will have its edges taped and be held away from actors and carefully transported between takes.
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Evaluation question 6 finishedbenwhite16
油
The student used a Panasonic digital camcorder and Velbon tripod to record footage for their film sequence. While the camcorder worked well and captured high-quality 1080p footage, its battery life was short. The tripod proved invaluable for stabilizing shots, especially on uneven ground. Apple iMac computers and editing software like Final Cut Express HD and Sony Vegas helped with editing the produced media.Secondary audience research
Secondary audience researchbenwhite16
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This document summarizes the British Board of Film Classification (BBFC) ratings for different age groups:
- Films rated "U" have no conflict and very mild language for audiences age 4 and up.
- "PG" films allow mild language and sexual references but are not aimed at young children.
- "12A" permits infrequent strong language and sexual references suitable for teenagers.
- "15" films allow sexually explicit content but not graphic violence, while "18" films contain graphic violence and sex intended for adult audiences only.Secondary audience research
Secondary audience researchbenwhite16
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This document summarizes the British Board of Film Classification (BBFC) ratings for different age groups:
- Films rated "U" have no conflict and very mild language for audiences age 4 and up.
- "PG" films allow mild language and sexual references but are not aimed at young children.
- "12A" films can contain infrequent strong language and sexual references suitable for teenagers.
- "15" films allow strong language, sexual activity, and realistic violence but no discrimination.
- "18" films contain explicit sex scenes, strong language, and graphic violence and are restricted to adults only.Analysis of catch me if you can.
Analysis of catch me if you can.benwhite16
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The opening titles of "Catch Me If You Can" portray the characters as black stick figures rushing and chasing each other, representing the conflict between Leonardo DiCaprio's character and the character played by Tom Hanks. Vertical lines block DiCaprio's path, foreshadowing the obstacles he will face. When Hanks' name appears, the color turns darker to represent him as the antagonist trying to capture or kill DiCaprio. The 1940s-1950s styling of trilby hats and trench coats sets the era, and DiCaprio rushing through an airport makes the title "Catch Me If You Can" meaningful.9 slide wotw
9 slide wotwbenwhite16
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This document provides an analysis of several scenes from the film "War of the Worlds" and discusses how they build suspense and tension. It examines shots that depict characters hiding from aliens and the fear of being caught. It also analyzes scenes that slowly reveal threats, like a tripod emerging, to gradually increase suspense. Further, it discusses scenes without visible attackers that heighten unease and shots where characters react to unseen dangers. Overall, the document discusses how the film utilizes various cinematic techniques commonly found in thriller movies to construct suspenseful moments and engage audiences.9 slide wotw
9 slide wotwbenwhite16
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This document provides an analysis of several scenes from the film "War of the Worlds" and discusses how they build suspense and tension. It examines shots that depict humans hiding from aliens and the fear of the unknown when the first tripod is seen. Scenes of destruction and attacks without showing the source of the violence are highlighted as techniques to increase suspense. The emergence of a tripod and a shot of it from a character's point of view are also described as effective ways to build wonder and suspense without immediate action.Se7en timeline
Se7en timelinebenwhite16
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Plain black screens introduce the main cast and crew of the film "SE7EN" in a scratch-like white font, including Brad Pitt, Morgan Freeman, Gwyneth Paltrow, and others. Images show a book with cast names written in it and film tape covering a book with the music credit. The documentary provides credits and previews disturbing images from the crime thriller.Ad
Risk assesment.
- 1. NAME: DATE: AGE: RISK ASSESMENT Media Production Environmental risks: The outdoor and indoor environment can provide many dangerous situations that can be hazardous to the actors, film crew and filming equipment e.g. Weather hazards such as rain, snow and ice. Slippery conditions that may cause individuals to fall or slip. Weather that may induce hypothermia and holds a possibility of freezing to death. Extreme weather, which could induce heat related problems such as sunburn, sun stroke and dehydration. Human risks and factors: Human error may take place during production and filming in undesirable and hazardous ways e.g. Camera may run out of battery during a filming session so it must be mad sure that the camera is fully charged. The crew and cast must make sure all equipment (camera, tripod etc.) is treated with respect and is looked after to avoid damage, which could threaten the possibility of future use. Individuals from outside parties (not from the HSFC media department, tutor or student) may try to take equipment or bring danger or harm to the members of the cast and crew. With the transportation of the equipment, measures must be taken to avoid damage (accidental damage) such as keep cameras and tripods in protective casings and only have them exposed during usage. Personal injury risks: During the production of the video the possibilities are rather large that personal injury can occur. In the most recent Travers White productions production was shot several health risks such as: A knife was use and it needed fake blood to be rubbed upon its blade, this could have caused serious injury. The part of the production which was filmed in the wilderness location we had the possibility of injury as steep hills had to be climbed and old railway bridges which could be possibly structurally unstable. The area in which we shot is a remote location with no help by land available for minimum two miles. Please sign in the boxes below to show that you have read and understand the recorded risk possibilities and to show that we had your consent to take part in the newest Travers White Productions project with full understanding of the possible dangers that occurred with the activity. Participant Sign: Print: Witness Sign: Print: