Roadshow tv moscow s16mm thierry perronnet ok 2006
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The document discusses the state of the international film market and television productions, comparing formats such as S16 film, HDCAM, and Digital Betacam for television dramas. It analyzes aspects like resolution, color sampling, dynamic range, and compression between different media. The document argues that film continues to have advantages for television productions due to its wide dynamic range, uncompressed images, full RGB color, and robust archival qualities.
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Roadshow tv moscow s16mm thierry perronnet ok 2006
- 1. Sweet 16 the Truth about Film for HDTV Thierry PERRONNET European Marketing Director Entertainment Imaging HJH J
- 2. Agenda The International Film Market 5 reasons : A test comparison between S16 / HDcam / Varricam / Digit beta . Re explaination about what means HD ? HJH 2 J
- 3. Facts International Film Market 2005 more feature film shot ever Worldwide volume growth in 35mm of 3% Stable Market of 16mm over the last 3 years HJH 3 J
- 4. State of the Industry - TELEVISION : - 35 MM - mainly American TV Market : 90% of the WW TV market - growth by 20 % on a WW basis. -> + 27% in Hollywood - S16 MM - mainly European TV Market :70% of the WW TV market - flat on a WW basis. HJH 4 J
- 5. TV dramas : The American market - main facts. The American TV market (prime time analysis : 8 to 11 pm): - From the 6 majors broadcast networks : -> Real TV down by 45% in 2005. -> Series are bought by 12 episodes instead of 22. -> Fictions ( sitcoms, TV dramas, Movie of the Week) = 80% of prime time grid. HJH J
- 6. TV dramas : The American market main facts - The American TV market : Sitcom 30% 60 % shot on HD Drama 70% all shot on film HJH 6 J
- 7. Internationale TV- Productions Internationale TV-Productions shoot on film (examples) v金Desperate Housewives v金Lost v金CSI Miami v金CSI: NY v金Law & Order v金Sex and the City v金The Simpsons v金...... HJH 7 J
- 8. Innovations for the film market Stock manufacturers: v金Introduction of 12 new film types in the last 3 years Camera manufacturers: v金New or improved cameras: ≒ Aaton: A-Minima ≒ ARRI: Arriflex 235 ≒ Panavision : Millenium upgrade ≒ 2 new film Cameras will be introduced this year at NAB. New Lense manufacturers: v金Cooke: Super 16 v金Zeiss: Master Prime v金Arri: Ultra Prime & MasterPrime HJH 8 J
- 9. HDTV Chances for Film HJH J
- 10. HDTV 則р HD = High Definition 則р Television in higher definition/quality as today (SD=Standard Definition) 則р HDTV enthusiasm already early in the 90卒s / analogue System 則р Broadcasting effort too high at that time / TV Sets too expensive 則р HDTV today 則р In Japan, USA and some other countries it is reality 則р In Europe: HD1, Premiere (Pay TV), Pro7-SAT.1 Group 2006: Canal+, BBC, BSkyB 則р Consumer 則р New TV Sets 16:9, mostly flat Screens / more affordable 則р Distribution by Satellite (DVB-S) 則р HD-DVD (Movies) HJH J
- 11. HDTV 則р HD = One Standard? No! 則р Picture Frequency: Countries @ 60Hz & Countries @ 50Hz 則р Picture Resolution: 1920 x 1080 and 1280 x 720 則р Picture Composition (Lines): progressive und interlaced 則р Europe (EBU) 則р Favourites 720p/50 則р 720 Lines progressive - 50 Full Frames / Sec. 則р Higher time wise Resolution 則р International (ITU) 則р 1080i/25 or 1080i/30 dominates 則р 1080 Lines interlaced @ 25 resp. 30 Full Frames / Sec. 則р Higher spatial Resolution HJH J
- 12. HD Formats Format H-Resolution V-Resolution p / i Fullframe/s Colorspace Datarate (Lines) HD 1080i 1920 1080 i 25 4:2:2 1,03 Gbit/s HD 720p 1280 720 p 50 4:2:2 921,6 Mbit/s SD 576i 720 576 i 25 4:2:2 207,4 Mbit/s Film S16 (2048) (1152) psf (25) (4:4:4) 2,48 Gbit/s Film 35 (4096) (2304) psf (25) (4:4:4) 9,91 Gbit/s HJH J
- 13. HD Formats / Spatial Resolution S D 油5 76i 油 H D 油7 20p H D 油1080i S 16 油(2K ) 35 油(4K ) HJH J
- 14. Technology Comparison Digital Betacam HDCam S16 Film 35mm Film Sensor 3 CCD 2/3" 3 CCD 2/3" Film ~ 2/3" Film ~ 1" Resolution 768 x 576 1920 x 1080 >2048 x 1228 >4096 x 2457 1280 x 720 Image Structure fixed (pixel) fixed (pixel) dynamic (grain) dynamic (grain) Composition interlaced interlaced -/- (progressive) -/- (progressive) progressive Color Sampling 4:2:2 4:2:2 RGB (4:4:4) RGB (4:4:4) Quantisation 10 bit 8 bit 10 bit log (14 bit lin) 10 bit log (14 bit lin) Compression 2:1 10:1 -/- (keine) -/- (keine) 1440 P/L Alias yes little -/- (no) -/- (no) Speed (to Light) 320 320 50 - 500 50 - 500 Lattitude 7 Stops 7,5 Stops > 11 Stops > 11 Stops (Dynamic Range) 128:1 192:1 > 2048:1 > 2048:1 Frames / sec 25 25 1-150 1-150 Viewfinder Video Video optical optical Corrections (Post) limited limited wide wide Storage Media Tape Tape Film Film
- 15. Technology Comparison Digital Betacam HDCam S16 Film 35mm Film Sensor 3 CCD 2/3" 3 CCD 2/3" Film ~ 2/3" Film ~ 1" Resolution 768 x 576 1920 x 1080 >2048 x 1228 >4096 x 2457 1280 x 720 Image Structure fixed (pixel) fixed (pixel) dynamic (grain) dynamic (grain) Composition interlaced interlaced -/- (progressive) -/- (progressive) progressive Color Sampling 4:2:2 4:2:2 RGB (4:4:4) RGB (4:4:4) Quantisation 10 bit 8 bit 10 bit log (14 bit lin) 10 bit log (14 bit lin) Compression 2:1 10:1 -/- (no) -/- (no) 1440 P/L Alias yes little -/- (no) -/- (no) Speed (to Light) 320 320 50 - 500 50 - 500 Lattitude 7 Stops 7,5 Stops > 11 Stops > 11 Stops (Dynamic Range) 128:1 192:1 > 2048:1 > 2048:1 Frames / sec 25 25 1-150 1-150 Viewfinder Video Video optical optical Corrections (Post) limited limited wide wide Storage Media Tape Tape Film Film
- 16. Image Composition / Lines interlaced progressive HJH J
- 17. Filter (de-interlace) Bildquelle: Axel Henschel, bvk
- 18. Resolution Image Details ISO 12233 LW/PH VISION2 500T HD Scan S16 HDCam 24p 35 (1.85)
- 19. Alias / Subsampling Effects cts Original = 100% 67% 30%
- 20. Color Subsampling / Color Definition Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y Y CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB CR CB 4:4:4 (Y=Luminance, C= Chrominance) 4:2:2 (Y=Luminance, C= Chrominance) Color Definition 1/2 HJH J
- 21. Dynamic Range Highlights Gold From left to right ISO VISION2 500T S16 - 12233 LW/PH - VISION2 500T 35 VISION2 500T - HDCam 24p Chrome Copper
- 22. 5 Reasons Comparison S16 / Digital Origination HJH J
- 23. 5 Reasons Comparison Cameras & Lenses S16 Film / ARRI SRIII / Zeiss Primes HDCam / Sony F900-3 / Zeiss Digiprimes DVCPro HD / Panasonic / Zeiss Digiprimes Digital Beta / Sony WSP 700 / Fujinon DoP & Director: Thomas Bresinsky, bvk Production: ChromaTV, Hamburg & NordMedia, Hannover HJH J
- 24. 5 Reasons Comparison HJH J
- 26. Texture & Look
- 31. Color & Texture (Look)
- 32. Color & Texture (Look)
- 33. Light Response & Clipping
- 34. Light Response & Clipping
- 35. Light Response & Clipping
- 36. Light Response & Clipping HDW F900 / linear Response to Light Film / log Response to Light (Set Up @ Preset - Factory Settings) (Kodak Vision2 5218) HDW-F900 Sensitometric Curve Camera Preset 100% -6.0 -5.0 -4.0 -3.0 -2.0 -1.0 Normal +1.0 +2.0 +3.0 +4.0 +5.0 10% 1% HJH J
- 37. Color Grading
- 38. Color Grading
- 39. 則р Digital Capture has improved over Years 則р Film improves as well continuesly / Your Advantage 則р Very wide Dynamic Range 則р Uncompressed Images 則р Full RGB Color Gamut (no subsampling) 則р Very easy to use / robust & reliable 則р Standard independent / Future proof Archival Media HJH J
- 40. 則р TV Archive 則р A lot of Program available 則р Usable for HDTV? 則р Program on Film 則р Negative Film usually very suitable for HDTV Quality Gain with modern Telecine Technology 則р Standard Definition Video Tapes: 則р No Potential for higher Definition
- 41. Example Granada TV, UK 則р Darling Buds of May 則р First S16 Filmproject of Granada TV 1989 則р Mainly EASTMAN EXR 100T 7248 則р Filmtechnology 2 Generations before VISION2 則р Largest-selling Series for Granada TV (DVD Aftermarket) HJH J
- 43. 則р HDTV is a Chance for Film 則р Program / Content in higher Quality will be needed 則р Consider HD Requirements for new Productions 則р USA TV Movies: Film - 35mm dominating (partly S16) 則р Europe TV Movies: Film - S16mm dominating @ lower cost 則р 35mm Film continues to be the best Input Quality for HDTV 則р Even S16 Film will be compatible with any HDTV Standard 則р Consider the future Value of your today's Production HJH J