Roles choice(1)
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Will Hounsell chose to be the cinematographer to gain experience shooting footage after not doing so in previous projects. Sam Hayman was selected as production manager because he is the most organized of the group and well-suited for the role. Will Hounsell was again chosen as editor since his editing on their short film "Hunted" received good reviews, and Sam McCourt will handle special effects editing in After Effects due to having the most experience and interest in the software.
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Roles choiceSam McCourtWill Hounsell chose to be the cinematographer to gain experience shooting footage after not doing so in previous projects. Sam Hayman was selected as production manager because he is the most organized of the group and well-suited for the role. Will Hounsell was again chosen as editor since his editing on their short film "Hunted" received good reviews, and Sam McCourt will handle special effects editing in After Effects due to having the most experience and interest in the software.
Team decision(1)
Team decision(1)Sam McCourtThis document discusses potential music video ideas for three songs. The first idea of a man walking alone for "Boulevard of Broken Dreams" could become dull if not executed correctly and has limited filming locations and an unclear narrative. The second idea of a man dancing with himself for "Dancing With Myself" would be entertaining but CGI may be difficult. The third idea of a man being chased for "Propane Nightmares" would keep viewers entertained but coming up with a narrative and filming/editing would be time consuming and difficult.
Word music-video-mcyrus
Word music-video-mcyrusSam McCourtThe document analyzes Miley Cyrus' music video for "Wrecking Ball". It summarizes that the video was intended to promote her new single and image as an older, edgier artist compared to her previous innocent persona. The video portrays Miley as emotional, angry, and attempting to show strength through sexuality, though some imagery is explicitly pornographic. It relates the visuals of destruction to the lyrics about a broken heart. The video also references Sinead O'Connor's "Nothing Compares 2 U" video and is aimed at Miley's older fans and those in their early 20s who will appreciate its new, risque approach.
Pendulum music-video-powerpoint
Pendulum music-video-powerpointSam McCourtThe document describes the technical analysis of the music video for the song "Pendulum - Watercolour". It outlines 7 scenes in the video including a planet destroying scene with 24 shots, a scene focusing on an eye, and a scene of the band standing in a line. The video starts off slowly but picks up pace and becomes quite fast. It has a dark and action-packed style with something always happening to keep it interesting, such as a planet exploding as the singer tries to sing.
Game Programmer
Game ProgrammerSam McCourtThis document summarizes the role of a game programmer. Game programmers design and write computer code to control games, incorporating existing code libraries and writing custom code. They test for bugs and develop tools for other developers. Large teams of programmers may work on different aspects of a game under leadership roles. Programmers work for development studios or middleware producers. There are many programming specializations like gameplay, tools, and AI. Programmers create builds and fix bugs found by testers. They work to meet deadlines as part of a team.
Game designer
Game designerSam McCourtA games designer devises the core elements of a game and how it plays, and communicates this vision to the development team. They must be able to accept feedback, be creative and imaginative, and have strong communication and design skills. Career paths include graduating with a degree and finding work, or creating independent games to showcase skills. Shigeru Miyamoto is renowned for creating best-selling games like Donkey Kong and Mario through allowing his imagination to define simple but engaging core gameplay elements.
Creative director
Creative directorSam McCourtThe Creative Director oversees the entire game development process. They are responsible for the overall vision and design of the game including aspects like the story, gameplay, art style, and soundtrack. As the project progresses, the Creative Director works closely with other leads to ensure high quality implementation and address any issues that arise. They also promote the game externally through events and interviews. Successful Creative Directors have experience, a strong artistic vision, and the ability to inspire and lead a team throughout all stages of development.
Gaming Industry Profile
Gaming Industry ProfileSam McCourtTommy Refenes is an American video-game designer and programmer best known for creating the popular game Super Meat Boy. He began programming at a young age and is self-taught, dropping out of college where he felt the learning process was unhealthy. Throughout his career he has worked at various game studios helping to develop games and engines. In 2008, he co-founded Team Meat studio with Edmund McMillen and their first and most notable release is Super Meat Boy from 2010.
Gaming industry profile tommy
Gaming industry profile tommySam McCourtTommy Refenes is an American video-game designer and programmer best known for creating the popular game Super Meat Boy. He began programming at a young age and is self-taught, dropping out of college to pursue a career in gaming. Throughout his career, Refenes has worked at several gaming companies and founded his own studio, Team Meat, where he co-created Super Meat Boy with Edmund McMillen.
First impact making of 'pipeline'
First impact making of 'pipeline'Sam McCourtThis document summarizes the development process of the game "Pipeline". It describes the initial ideation stage where the team decided on a small alien escaping from the FBI. They focused on a platforming genre inspired by games like Super Mario Bros. The team went through pre-production designing assets, levels, and the character Jeremy. During production, they built the first level and added/removed elements through testing. Post-production involved sound design and creating the soundtrack. The document reflects on regrets of not having time for a third level and more bug fixing to improve gameplay.
Contents page
Contents pageSam McCourtThis document provides a walkthrough for a game that includes 4 levels, hints and tips for playing the levels, descriptions of collectible items and characters, and an introductory section. The document is organized by topic with page numbers to help navigate between sections on levels, items, characters, and other aspects of the game.
Items collectibles page
Items collectibles pageSam McCourtThe document lists collectibles available on different levels, with FBI secret documents available on level one and sheep available as collectibles on level two.
Hints and tips page
Hints and tips pageSam McCourtThe document provides tips for avoiding guards and lasers while collecting items. The patrolling guards can be evaded by learning their patterns and timing movements accordingly. Stationary guards shoot periodically, with intervals ranging from 5 seconds, so patterns must also be learned. The first laser operates similarly to the guards and can be bypassed using its timing pattern. The second laser is deactivated by having another character stand on its button to interrupt the beam while crossing.
Production MeetingSam McCourt
Roles choice(1)
- 1. ROLE DUTIES CHOICE REASON FOR CHOICE (This must include an explanation with reference to skills audit) CINEMATOGRAPER Devise style and visual approach Liaise with director and set designer Recce Locations Organise lighting Create equipment list Shoot tests – Shot scenes Will Hounsell & Sam McCourt Will wanted to be the cinematographer because he hadn't filmed anything in previous projects and wanted to take part this time. PRODUCTION MANAGER Organise schedule Maintain production diary Take meeting notes Create call sheets Organise budget Liaise with external bodies Sam Hayman We agreed that Sam is by far the most organised member out of the three of us and thought this job would be done well by him EDITOR Liaise with director and cinematographer re: coverage Edit footage Test for effects and filters Organise raw footage Create shots list for reshoot Will Hounsell Sam McCourt (After Effects) After our short film "Hunted" got very good reviews for editing we thought it would be a good idea to have Will edit again. I had the most experience and interested with After Effects so naturally both myself and Will and Sam agreed that I should do the special effects